Read Mao II Page 23


  It is over too soon. She stays outside, listening to the last small rustle of their voices falling. It is still dark and she feels a chill in the smoky air. The city is quiet for the first time since she arrived. She examines the silence. She looks out past the rooftops, westward. There is a flash out there in the dark near a major checkpoint. Then another in the same spot, several more, intense and white. She waits for the reciprocating flash, the return fire, but all the bursts are in one spot and there is no sound. What could it be then if it’s not the start of the day’s first exchange of automatic-weapons fire? Only one thing of course. Someone is out there with a camera and a flash unit. Brita stays on the balcony for another minute, watching the magnesium pulse that brings an image to a strip of film. She crosses her arms over her body against the chill and counts off the bursts of relentless light. The dead city photographed one more time.

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  A reclusive literary celebrity abandons the failed novel he has been working on and enters a world of political violence. DeLillo’s extraordinary book is an investigation into the relentless power of terror and iconography with “images so radioactive ... they glow afterward in our minds” (Michiko Kakutani, The New York Times). Winner of the PEN/Faulkner Award. ISBN 978-0-14-015274-6

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  Don DeLillo, Mao II

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