The office is quiet; above the door to the waiting room—a dim, shabby space with battered file cabinets, an old plaid sofa, a coffee table dressed with stacks of wrinkled magazines, and the desk where his secretary sits when he hasn’t given her the day off, as he has today—the clock reads ten forty-eight. He has canceled his appointments, meaning to use this wedge of time between finishing his work and leaving for New Hampshire (already he is running late; he should be out the door at eleven, to pick up their suitcases and feed the cat and hustle to the library to get Miriam, all before noon) to solve the problem of Dora Auclaire. But what is the problem, exactly? Isn’t it true that he, Arthur, has made no serious mistakes, committed no unpardonable sins against his marriage? He looks at the page, the words he has written: Dear Dora. It is written on a yellow legal pad; its length seems suddenly absurd. How will he fill such a thing? He means to record what he feels, to give it shape, to make sense of it by setting it in words. Instead, he rips the paper from the pad, wads it in his fist, tosses it in the wastebasket behind his desk (a moment’s worry—should he leave it there? But it says nothing, only a name . . . ), and begins again:
Dear Dora.
The problem is that there is nothing to say, no story to tell and therefore finish; that nothing has, in fact, happened between them at all. And yet: like every secret Arthur’s has a history, an arc of events. Pressed, he would trace this awkward, silent moment at his desk to an afternoon a little over eight months ago, when Dora came to see him in his office. He had done some work for the clinic before—a zoning variance for an addition, permits to build it, the odd dispute with a patient over billing—so when she entered, shaking her umbrella, and told him the matter at hand was personal, he was surprised, and interested; he wondered what it could be. There was some money, she explained, that she’d inherited from an aunt—not much, just $60,000—that she wanted to put away for the boys. Could he draw up some kind of . . . well. What did one call it? A trust? She said the word as if she’d only just learned it, though of course she knew just what she was asking. There were beads of rain in her hair, which she wore short, in neat layers, making a dark frame around her face. She liked the sound of it, she said, smiling at him: a trust.
He offered her a seat and set to work. And how was she? And the boys? (He remembered two: Josh, the younger but a strong kid like his father; his older brother, Leo, the more delicate, a boy who liked to read and taught swimming at the Y.) He drew up the papers at his desk. It was easy work, pure boilerplate, though just the kind of work he liked—putting money aside for children. Dora named her brother, a surgeon in San Francisco, as one trustee, herself as the other; she had already visited her broker and invested the money in a sensible mixture of zero-coupon bonds and blue-chip stocks. Her will was up to date, she thought, she’d taken care of that right after Sam had died—she said this last phrase quickly, almost as one word—though if it was not too much trouble would Arthur mind having a look at it? A thick envelope, full of folded paper: she had brought it in her bag.
And so on, through that afternoon and part of another, when the papers were ready to sign. He would call her, he said, when the documents came back from the brother in California; he could mail her a copy, or else she could come to pick it up, and of course he would keep one in his office, on file, her file. Fine, she said. Fine.
They looked at one another. Their time together was through. It’s funny, she said then, buttoning her coat—and was she blushing? And was he?—it’s funny how you can enjoy doing something like this, something so mundane, with someone whom you like. Did he know that sometimes—well, once or twice—she had thought that the two of them should have lunch? She liked what he’d said in reading group about that book—Mrs. Dalloway, that was it—about how every character in the story was alone, and either succeeded at it or failed. She’d thought it right then; the two of them could be friends, real friends who did things together. But how could he have known? She’d only just told him, of course.
Which was how it happened, though not then. He showed her to the office door—for a moment it had seemed possible they would kiss right there, an image so compelling, so completely disorienting, that Arthur quickly drove it from his mind—and a week later he telephoned her to tell her that the signed copies had been returned, and they agreed to meet for the lunch she had promised him, so that he could give them to her. The week of rain had become a week of snow, temperatures falling back into the teens though it was nearly April, and Arthur hurried the six blocks to the restaurant, wondering what he was doing. Was he doing anything at all? But when he arrived and saw Dora sitting at a booth in back, not at one of the open tables in the middle of the room, he knew. Without breaking his stride he stepped to the booth and slid himself into the narrow space across from her; he saw she was drinking tea. Her overcoat, heavy green wool with shawl lapels, lay over her shoulders. Her smile was almost a laugh. Was he late? he asked. No, no, she said, shaking her head. The window by their table was a wall of steam; someone, a child perhaps, had written something in the steam, fat letters now faded. She blew over her tea. The snow had kept her patients away for the day, she said. He wasn’t late at all.
The restaurant was shrouded in a heavy white light, and nearly empty. They sat together an hour, talking and eating their lunch of sandwiches and soft drinks while the waitresses, two old women Arthur knew by sight but not by name, sorted steaming silverware and smoked long brown cigarettes at the counter. Arthur knew what was said about small towns, but as a lawyer, he’d found the opposite was true: everyone had something to hide. It was possible in such a place to live a kind of secret life, and if anyone asked, he could always say that he’d done some work for her. He’d been a lawyer long enough to believe that there was nothing simple about the truth, that it came in any number of forms, and this was one. They talked about people they knew, about the patients at her clinic and their sad stories, and about their children, as any two people their age, meeting for a meal, might do. She did not talk about Sam, though in a way she did; so many years, she remarked, looking around, since she had set foot in this place; she was glad to see it had not changed. With her practice and the boys besides, she said, it was all she could do to grab a quick bite at her desk. She gave a little laugh. Time moved quickly, did it not? And yet it sometimes seemed she had been doing things this way forever, pulling her life and her children’s lives like a cart.
Then as the hour drew late, on the verge of their good-byes, Dora reached across the table, found his hand with hers, and gently held it. Just that: Dora held his hand. Arthur felt himself raked, like the surface of a pond. Twenty-nine years, and he hadn’t once done this, held another woman’s hand; and yet people did it all the time, he knew; did it as if it were nothing. Arthur saw that she wore a watch with three gold hearts on either side of the face: one for each boy, and one for Sam. A gift: he knew this without asking. Mother’s Day? An anniversary? It was the kind of thing he might have bought for Miriam; it was merely an accident that he had not. Her hand was warm, and a little damp. She brushed the back of his hand with her thumb, once, and then she let it go.
And yet the moment felt frozen, as if neither of them could leave it, like a room without doors. She pulled her coat around herself a little; her eyes darted to the counter, where the women were smoking and talking (Arthur’s eyes followed; no, they had not seen), and then found Arthur’s again, squinting. “Well.” She tipped one shoulder and smiled uneasily. He realized only then that she hadn’t worn her glasses. It made her eyes seem very large. “Was that, you know, all right?”
He didn’t know, and also did. His mind had filled with a white emptiness, like a field of whirling snow—like forty feet of air. He heard himself say, “Yes.”
When was this? March, a year ago. Arthur, in his office, sips his coffee, now gone cold. At eleven-thirty he will pick Miriam up at the library, and together they will leave for New Hampshire. Through the spring and summer he and Dora continued to meet, at his
office or hers, or for lunch, always in plain view and broad daylight, and always under the pretense of work she needed done: a quarrel with the town over parking at the clinic, an old tax matter of amazing density and frivolousness, a meaningless dispute with a neighbor over a drainage easement. How did I get on so long without a lawyer, she said, how did I ever manage without you? One matter would be settled and before the ink was dry she handed him a fresh folder of papers, bringing the two of them together in a continuous flow of trivial tasks like a chain of silk handkerchiefs pulled from a magician’s sleeve. Her pleased face said: See what I’ve come up with? Before this is over, she joked, I’m going to be your best client.
But what was this? And—the real question—why wasn’t he, Arthur—happily married Arthur—troubled by it, or troubled more? In the past he had imagined himself having an affair—everyone did, you couldn’t not think about it—but never like this, this affair that wasn’t, quite. They held hands, not even really holding; she would rub his shoulder when he said he was tired, or touch his cheek with one finger, quickly, when another person might have stopped her hand in the air before his face. Each time they were together it happened, this touching, but only once, and never anything more. Yet it was also true that he had come, in some way, to rely on it; it did something for him that nothing else did. It made him happy, there was that, to be touched by another for no reason. But something else: it was as if, in those instants, he ceased to be who he was. His whole life became a memory, and not even of his own. Whose, then? He had met Sam Auclaire once, he believed, at the high school maybe—a play? parents’ night?—or else merely seen him, striding out of the hardware store with a sack of nails in his hand, or driving his pickup, ladders lashed to a frame over the bed, through the streets of town. Arthur remembered a tall man, muscular, with curly blond hair gone an early, peppery gray. So that was his answer. Dora touched him, and the happiness he felt was not his own but Sam’s, at being so terribly missed.
It went on like this into the fall. He never set foot in her house, nor she in his, and if anyone suspected (suspected what?), Arthur heard nothing about it. He told no one, because who was there to tell? His clients? The old women at the Coffee Stop? The man at the service station who changed the oil in his car? He wished for a brother, as he had many times in his life, but hadn’t one; he worked alone, and had few friends that Miriam did not share. His life was like a small, comfortable room, every piece in its place. Only by being with Dora did he step outside of this room, though only for an hour or two, and never so completely that at the end of their time together he could not return to it, and to the life he understood. He wondered how long it could go on.
Then, two weeks ago, Arthur found himself driving with Dora out of town, to see a parcel of land she said she wanted to buy. The town had begun to feel close to her—that was the word she used, close; she had always dreamed of building a house and raising her boys in the country. She said she wanted to get his opinion, but her meaning was clear: things had reached a certain point between them. The afternoon was cold and bright, and they drove the fifteen miles south with barely a word between them. For the first time since she had come into his office eight months before, dripping with rain, Arthur felt truly afraid. In Domingo they found the unmarked dirt road that led to the property, which was marked with a large For Sale sign pocked with bullet holes. Arthur recognized the phone number on the sign; it was the number of the county clerk’s office, in Harbersburg. On the phone Dora had told him that before the land had been taken over by the county for nonpayment of taxes, it had been a dairy farm.
In the parked car they changed into sneakers and then set out on foot. The land was level and moist—Arthur could hear running water somewhere—and they moved slowly through the shrubs and shabby trees, all of it tangled by brawny grapevine. It took him a moment to realize that the overgrown path they were following was the driveway, but once he saw this, other details emerged: rusted farm implements poking from the ground, gullies lining the pathway that had once been drainage ditches, a shape in the trees that he recognized as the cab of an old Willys Jeep, melting into the leaves and mossy earth. The scene disturbed and interested him. How long, he wondered, had it taken for nature to reclaim this place? Twenty years? Thirty? How much time was required? Then they emerged into a clearing—the trees opened above them like a hatchway, revealing a sky of radiant, shimmering blue—and found themselves standing at the edge of an immense pit. Of course: the house’s foundation. The hole was some forty feet across, roughly square, and some ten feet deep. Its floor was irregular, long buried beneath a sea of leaves and debris. Again, Arthur’s eyes adjusted. An old-fashioned nail-keg lay on its side, beside a rusted saw blade and a monkey wrench and the head of a hammer, half peeking from the dirt. The scene leapt into view. More saws, hammers, wrenches, an iron sledge, a workbench with a vise, all of it bathed in the brilliant sunlight. The basement was full of tools.
It was then, standing at the edge of the farmhouse’s foundation, that Arthur felt it: a terrible fear, like falling, and then, in its wake, a deep and melancholy calm.
He looked up. Dora was standing beside him, gazing into the hole. He said, “This is something the two of you wanted.”
She answered without raising her head. “What do you mean?”
“To build a house. Out here, somewhere.” He took her gloved hand. “You and Sam.”
Dora said nothing, but her face, paling, gave the answer. She had looked at this very place before, when Sam was still alive. They had stood right where the two of them were standing now. He imagined what that had been like, the hopeful feeling of it, and the sounds of their two boys tearing around the woods, somewhere nearby. It would have been when Leo and Josh were small.
“I really am sorry,” Arthur said.
“Well, you’re right. We did come out here.” She shrugged, and gave him a distant and painful smile. “It was a long time ago, Art.”
“No, I mean I’m sorry that I can’t”—he stopped. He had approached the edge of something, and then he crossed it—“do this.”
For a moment neither of them spoke. Wind moved in the trees, and the branches swayed.
“Oh, it’s all right.” Gently, Dora freed her hand from his—as gently as the first time she had taken it, across the table in the restaurant, months before. She folded her arms over her chest.
“I truly am,” Arthur said.
She laughed, almost bitterly, though Arthur knew that, like him, what she felt was more like sadness. “What you are is relieved, Art. Still, it would have been nice, at least for me.” She sighed then, deeply, and Arthur saw that her eyes were glazed with tears. With a long finger she brushed one away. “Forgive me, but I really liked being a wife. I was good at it, and I miss it. Maybe all I’m doing is remembering.”
And that was the end of it. They drove back to town, and by the time they returned they were friends again, with things to do: Dora to fetch the boys at Scouts, and Arthur to phone Miriam (not here, they told him; she’d only just stepped out) and then drive out to the Price Chopper in Vermillion to do the shopping he’d promised her he’d do. He pushed his cart through the bright, busy aisles, the air smelling of the cold from the open freezer cases, and knew that he was saved. The thought filled him with an almost manic energy—for he also knew, now, that he would never be caught, nor would have to confess—and standing in the checkout line, jammed into the final gauntlet of movie magazines and candy displays, he found himself talking, almost babbling, to a woman one aisle over, a neighbor who had once baby-sat his children. Was his mother well? And the kids? Yes, fine, though of course the nursing home did things, certain things he didn’t care for; they wouldn’t for instance let her out for walks when it was raining, which she had always loved, and his children, well, Kay was settling into married life, the usual bumps in the road but nothing serious, her husband, Jack, was still finishing his dissertation, Arthur couldn’t even understand what the hell it was about, trying to t
each, she knew how that went, and O’Neil was still enjoying school, running cross-country and thinking about maybe medicine, though he’d have to decide soon, however he and Miriam managed to pay for it, well, that was another subject entirely; they were driving up to see him in a couple of weeks, to meet his new girlfriend, from Boston. . . . It poured forth from him. It disgorged, like the contents of his cart—flank steak, spaghetti sauce with pork and mushrooms, ice-slickened canisters of frozen juice, and all the rest, a hundred bucks’ worth (for he had overshopped)—onto the cheerfully humming rubber conveyor belt. He wanted to talk, to tell his story; to sing it if necessary, like a hymn, or the tale of a traveler come home at last.