They tramp through the mud and soon the path narrows and bends upward, more vertical, brushed by trees, the banana leaves huge, sloppy, and serrated. The trail is soaked, the mud deep and grabbing, but everywhere the path is crosshatched with roots, and the roots become footholds. They jump from one root to the next and Grant is relentless. He does not stop. He does not use his hands to steady himself. He is the most balanced person Rita has ever known, and she quickly attributes this to his small stature and wide and powerful legs. He is close to the ground.
They talk very little. She knows he is a telephone-systems programmer of some kind, connects “groups of users” somehow. She knows he comes from Montana, and knows his voice is like an older man’s, weaker than it should be, wheezy and prone to cracking. He is not handsome; his nose is almost piggish and his teeth are chipped in front, leaving a triangular gap, as if he’d tried to bite a tiny pyramid. He’s not attractive in any kind of way she would call sexual, but she still wants to be with him and not the others.
The rain forest is dense and twisted and drenched. Mist obviates vision past twenty yards in any given direction. The rain comes down steadily, but the forest canopy slows and a hundred times redirects the water before it comes to Rita.
She is warmer now, sweating under her poncho and fleece, and she likes sweating and feels strong. Her pants, plastic pants she bought for nothing and used twice before while skiing, are loud, the legs scraping against each other with a constant, violent swipping sound. She wishes she were wearing shorts, like Grant. She wants to ask him to stop, so she can remove her pants, but worries he won’t want to stop, and that anyway if he does and they do, the other hikers will catch up, and she and Grant will no longer be alone, ahead of the others, making good time. She says nothing.
There are no animals. Rita has not heard a bird, or a monkey, or seen even a frog. There had been geckos in her hut, and larger lizards scurrying outside the hotel, but on this mountain there is nothing. Her guidebook had promised blue monkeys, colobus monkeys, galagos, olive baboons, bushbacks, duikers, hornbills, turacos. But the forest is quiet and empty.
Now a porter is walking down the path, in jeans, a sweater, and tennis shoes. Rita and Grant stop and step to one side to allow him to pass.
“Jambo,” Grant says.
“Jambo,” the man says, and continues down the trail.
The exchange was quick but extraordinary. Grant had lowered his voice to a basso profundo, stretching the second syllable for a few seconds in an almost musical way. The porter had said the word back with identical inflection. It was like a greeting between teammates, doubles partners—simple, warm, understated but understood.
“What does that mean?” Rita asks. “Is that Swahili?”
“It is,” Grant says, leaping over a puddle. “It’s . . . well, it means ‘Hello.’ ”
He says this in a polite way that nevertheless betrays his concern. Rita’s face burns. She’s traveled to Tanzania without learning any Swahili; she didn’t even learn “hello.” She knows that Grant considers her a slothful and timid tourist. She wants Grant to like her, and to feel that she is more like him—quick, learned, seasoned—at least more so than the others, who are all so delicate, needy, and slow.
They walk upward in silence for an hour. The walking is meditative to an extent she thought impossible. Rita had worried that she would either have to talk to the same few people—people she did not know and might not like—for hundreds of hours, or that, if the hikers were not so closely grouped, that she would be alone, with no one to talk to, alone with her thoughts. But already she knows that this will not be a problem. They have been hiking for two hours and she has not thought of anything. Too much of her faculties have been devoted to deciding where to step, where to place her left foot, then her right, and her hands, which sometimes grip trees for balance, sometimes touch the wet earth when a fall is likely. The calculations necessary make unlikely almost any other thinking—certainly nothing of any depth or complexity. And for this she is grateful. It is expansive and well fenced, her landscape, the quiet acres of her mind, and with a soundtrack: the tapping of the rain, the swipping of her poncho against the branches, the tinny jangle of the carabiners swinging from her backpack. All of it is musical in a minimal and calming way, and she breathes in and out with the uncomplicated and mechanical strength of a bear—plodding, powerful, robust.
“Poly poly,” says a descending porter. He is wearing tasseled loafers. “Poly poly,” Grant says. “I got here a few days before the rest of you,” Grant says, by way of explanation and apology, once the porter has passed. He feels that he’s shamed Rita and has allowed her to suffer long enough. “I spent some time in Moshi, picked up some things.”
“ ‘Jambo’ is ‘Hello,’ ” he says. “‘Poly poly’ means ‘Step by step.’ ”
A porter comes up behind them.
“Jambo,” he says.
“Jambo,” Grant says, with the same inflection, the same stretching of the second syllable, as if delivering a sacred incantation. Jaaaahmmmboooow. The porter smiles and continues up. He is carrying a propane tank above his head, and a large backpack sits between his shoulders, from which dangle two bags of potatoes. His load is easily eighty pounds.
He passes and Grant begins behind him. Rita asks Grant about his backpack, which is enormous, twice the size of hers, and contains poles and a pan and a bedroll. Rita had been told to pack only some food and a change of clothes, and to let the porters take the rest.
“I guess it is a little bigger,” he says.
“Is that your tent in there, too?” she asks, talking to his back.
“It is,” he says, stopping. He shakes out from under his pack and zippers open a compartment on the top.
“You’re not having a porter carry it? How heavy is that thing?”
“Well, I guess . . . it’s just a matter of choice, really. I’m . . . well, I guess I wanted to see if I could carry my own gear up. It’s just a personal choice.” He’s sorry for carrying his things, sorry for knowing “hello.” He spits a stream of brown liquid onto the ground.
“You dip?”
“I do. It’s gross, isn’t it?”
“You’re not putting that sucker in there, too.”
Grant is unwrapping a Charms lollipop.
“I’m afraid so. It’s something I do. Want one?”
Rita wants something like the Charms lollipop, but now she can’t separate the clean lollipops in his Ziploc bag—there are at least ten in there—from the one in his mouth, presumably covered in tobacco juice.
Minutes later, the trail turns and under a tree there is what looks like a hospital gurney crossed with a handcart. It’s sturdy and wide, but with just two large wheels, set in the middle, on either side of a taut canvas cot. There are handles on the end, so it can be pulled like a rickshaw. Grant and Rita make shallow jokes about the contraption, about who might be coming down on that, but being near it any longer, because it’s rusty and terrifying and looks like it’s been used before and often, is unpleasant, so they walk on.
When they arrive at a clearing, they’ve been hiking, quickly, for six hours. They are at what they assume to be their camp, and they are alone. The trees have cleared—they are above treeline—and they are now standing on a hillside, covered in fog, with high grass, thin like hair, everywhere. The rain has not subsided and the temperature has dropped. They have not seen any of the other hikers or guides for hours, nor have they seen any porters. Rita and Grant were hiking quickly and beat everyone up the trail, and were not passed by anyone, and she feels so strong and proud about this. She can tell that in some way Grant is also proud, but she knows he will not say so.
Within minutes she is shaking. It’s no more than forty degrees and the rain is harder here; there are no trees diverting its impact. And there are no tents assembled, because they have beaten the porters to the camp. Even Grant seems to see the poor reasoning involved in their strategy. The one thing Grant doesn’t have
is a tarp, and without it there is no point in pitching his tent on earth this wet. They will have to wait, alone in the rain, until the porters arrive.
“It’ll be at least an hour,” Grant says.
“Maybe sooner for the porters?” Rita suggests.
“We sure didn’t think this one through,” he says, then spits a brown stream onto a clean green banana leaf.
Under a shrub no more than four feet tall, offering little protection, they sit together on a horizontal and wet log and let the rain come down on them. Rita tries not to shiver, because shivering is the first step, she remembers, to hypothermia. She slows her breathing, stills her body, and brings her arms from her sleeves and onto her naked skin.
Frank is furious. His eyes are wild. He feels compromised. The paying hikers are all in a cold canvas tent, sitting around a table no bigger than one meant for poker, and they are eating dinner— rice, plain noodles, potatoes, tea, orange slices.
“I know a few of you think you’re hotshots,” Frank says, blowing into his tea to cool it, “but this is no cakewalk up here. Today you’re a speed demon; tomorrow you’re sore and sick, full of blisters and malaria and God knows what.”
Grant is looking straight at him, very serious, neither mocking nor confronting.
“Or you get an aneurysm. There’s a reason you have a guide, people. I’ve been up and down this mountain twelve times, and there’s a reason for that.”
He blows into his tea again. “There’s a reason for that, you . . . people.”
He shakes his head as if suddenly chilled. “I need to know you’re gonna act like adults, not like . . . yahoos!” And with that he burrows his thumb and forefinger into his eye sockets, a man with too much on his mind.
The food before the group has ostensibly been cooked, by the porters, but within the time it took to carry it from the tent where it was heated to this, their makeshift dining tent, the food has gone cold, as cold as if it had been refrigerated. Everyone eats what they can, though without cheer. The day was long and each hiker has an injury, or an issue of some sort. Mike’s stomach is already feeling wrong, and at some point Shelly slipped and cut her hand open on a sharp stick. Jerry is having the first twinges of an altitude headache. Only Rita and Grant are, for the time being, problem-free. Rita makes the mistake of announcing this, and it seems only to get Frank angrier.
“Well, it’ll happen sooner or later, ma’am. Something will. You’re probably better off being sick now, because in a few days, it’ll hit you harder and deeper. So pray to get sick tonight, you two.”
“You sit over there, you’ll get dead,” Jerry says, pointing to a corner of the tent where a hole is allowing a drizzle to pour onto the floor. “What kinda equipment you providing here anyway, Frank?” Jerry’s tone is gregarious, but the message is plain.
“Are you dry?” Frank asks. Jerry nods. “Then you’re fine.” They’re sitting on small canvas folding stools, and the paying hikers have to hunch over to eat; there is no room for elbows. When they first sat down they had passed around and used the clear hand-sanitizing fluid provided—like soft soap but cool and stinging lightly. Rita had rubbed her hands and tried to clear the dirt from her palms, but afterward found her hands no cleaner. She looks at her palms now, after two applications of the sanitizer, and though they’re dry their every crevice is brown.
The man who brought the platters of rice and potatoes— Steven—pokes his head into the tent again, his smile preceding him. He’s in a purple fleece pullover with a matching stocking cap. He announces the coming of soup and everyone cheers. Soon there is soup finally and everyone devours the soup. The heat of the bodies of the paying hikers slowly warms the canvas tent and the candles on the table create the appearance of comfort. But they know that outside this tent the air is approaching freezing, and in the arc of night will dip below.
“Why are there no campfires?”
It’s the first thing Mike has said at dinner.
“Honey collectors,” Frank says. “Burned half the mountain.”
Mike looks confused.
“They try to smoke out the bees to get the honey,” Frank explains, “but it gets out of control. That’s the theory anyway. Might have been a lot of things, but the mountain burned and now they won’t allow fires.”
“Also the firewood,” Patrick says.
“Right, right,” Frank says, nodding into his soup. “The porters were cutting down the trees for firewood. They were supposed to bring the firewood from below, but then they’d run out and start cutting whatever was handy. You’re right, Patrick. I forgot about that. Now they’re not even allowed to have firewood on the mountain. Illegal.”
“So how do clothes get dry?” This from Jerry, who in the candlelight looks younger, and, Rita suddenly thinks, like a man who would be cast in a soap opera, as the patriarch of a powerful family. His hair is white and full, straight and smooth, riding away from his forehead like the back of a cresting wave.
“If there’s sun tomorrow, they get dry,” Frank says. “If there’s no sun, they stay wet,” he says, then sits back and waits for someone to complain. No one does, so he softens. “Put the wet clothes in your sleeping bag. Somewhere where you don’t have to feel ’em. The heat in there will dry ’em out, usually. Otherwise work around the wet clothes till we get some sun.”
“This is why those porters dropped out,” Jerry says, with certainty.
“Listen,” Frank says, “porters drop out all the time. Some of them are superstitious. Some just don’t like rain. Doesn’t mean a thing. We’ll be fine.”
Rita cannot get a grip on how this will work. She doesn’t see how they can continue up the mountain, facing more rain, as it also becomes colder, the air thinner, and without their having any chance of drying the clothes that are surely too wet to wear. Is this not how people get sick or die? By getting wet and cold and staying wet and cold? Her concern, though, is a dull and almost distant one, because almost immediately after the plates are taken away, she feels exhausted beyond all measure. Her vision is blurry and her limbs tingle.
“I guess we’re bunking together,” Shelly says, suddenly behind her, above her. Everyone is standing up. Rita rises and follows Shelly outside, where it is still drizzling the coldest rain. The hikers all say good night, Mike and Jerry heading toward the toilet tent, just assembled—a triangular structure, three poles with a tarp wrapped around, a zipper for entry and a three-foot hole dug below. Father and son are each carrying a small roll of toilet paper, protecting it from the rain with their plastic baggies containing their toothbrushes and paste. Their silhouettes are smudges scratched by the gray lines of the cold rain.
Shelly and Rita’s tent is small and quickly becomes warm. Inside they crawl around, arranging their things, using their headlamps—a pair of miners looking for a lost contact lens.
“One day down,” Shelly says.
Rita grunts her assent.
“Not much fun so far,” Shelly says.
“No, not yet.”
“But it’s not supposed to be, I suppose. The point is getting up, right?”
“I guess.”
“At all costs, right?”
“Right,” Rita says, though she has no idea what Shelly is talking about.
Shelly soon settles into her sleeping bag, and turns toward Rita, closing her eyes. Shelly is asleep in seconds, and her breathing is loud. She breathes in through her nose and out through her nose, the exhalations in quick effortful bursts. Shelly is a yoga person and while Rita thought this was interesting an hour ago, now she hates yoga and everyone who might foster its dissemination. Yoga people are loud breathers and loud breathers are selfish and wicked.
The rain continues, tattering all night, almost rhythmic but not rhythmic enough, and Rita is awake for an hour, listening to Shelly’s breathing and the rain, which comes in bursts, as if deposited by planes sweeping overhead. She cannot help but concentrate on Shelly’s breathing. She worries that she will never sleep, and tha
t she will be too tired tomorrow, that this will weaken her system and she will succumb to the cerebral edema that is ready, she knows, to leap. She sees the aneurysm in the form of a huge red troll, like a Kewpie doll, the hair aflame, though with a pair of enormous scissors, like those used to open malls and car dealerships—that the troll will jump from the mountain and with its great circus scissors, sever Rita’s medulla oblongata and her ties to this world.
Gwen is to blame. Gwen had wanted, she guesses, to help Rita do something great. Gwen had been ruthlessly supportive for decades now, sending money, making phone calls on her behalf, setting Rita up with job interviews and divorced men who on the first date wanted to hold hands after an Olive Garden dinner. Their hands were rough and fat always, and Rita wanted no more of Gwen’s help. Rita loved Gwen in an objective way, in an admiring way totally separate from her obligations to sibling affection. Gwen was so tall, so narrow, could not wear heels without looking like some kind of heron in black leggings, but her laugh was round and rolling, and it came out of her, as everything did, with its arms wide and embracing. She could be president if she’d wanted that job, but she hadn’t—she’d chosen instead to torment Rita with her thoughtfulness. Baskets of cheese, thank you notes, that long weekend in Puerto Vallarta when they’d rented the convertible Beetle. She even bought Rita a new mailbox and installed it, with cement and a shovel, when it was stolen in the night. This is what Gwen did, this and humor Brad, and await her baby, and run a small business, as fruitful as she could hope, that provided closet reorganization plans to very wealthy people in Santa Fe.
Rita knows she can’t ask Shelly to share her sleeping bag but she wants a body close to her. She hasn’t slept well since J.J. and Frederick went away because she has not been warm. No one ever said so but they didn’t think it appropriate that the kids slept in her bed. Gwen had found it odd when Rita had bought a larger bed, but Rita knew that having those two bodies near her, never touching anywhere but a calf or ankle, her body calming their fears, was the only indispensible experience of her life or anyone else’s.