Bent forward on his stool, riveted to the eyepiece, Harry saw two men step forward from a part of the Simpson kitchen that was out of line with the window. Though they were not in uniform, he recognized them as Moonlight Cove police officers Paul Hawthorne and Reese Dorn. Their presence confirmed Harry’s intuitive sense that this incident was part of the bizarre pattern of violence and conspiracy of which he had become increasingly aware during the past several weeks. Not for the first time, he wished to God he could figure out what was going on in his once serene little town. Hawthorne and Dorn plucked Ella off the floor and held her firmly between them. She appeared to be only half conscious, dazed by the punch her husband had thrown.
Denver was speaking to Hawthorne, Dorn, or his wife. Impossible to tell which. His face was contorted with rage of such intensity that Harry was chilled by it.
A third man stepped into sight, moving straight to the windows to close the Levolor blinds. A thicker vein of fog flowed eastward from the sea, clouding the view, but Harry recognized this man too Dr. Ian Fitzgerald, the oldest of Moonlight Cove’s three physicians. He had maintained a family practice in town for almost thirty years and had long been known affectionately as Doc Fitz. He was Harry’s own doctor, an unfailingly warm and concerned man, but at the moment he looked colder than an iceberg. As the slats of the Levolor blind came together, Harry stared into Doc Fitzs face and saw a hardness of features and a fierceness in the eyes that weren’t characteristic of the man; thanks to the telescope, Harry seemed to be only a foot from the old physician, and what he saw was a familiar face but, simultaneously, that of a total stranger.
Unable to peer into the kitchen any longer, he pulled back for a wider view of the house. He was pressing too hard against the eyepiece; dull pain radiated outward from the socket, across his face. He cursed the curdling fog but tried to relax.
Moose whined inquisitively.
After a minute, a light came on in the room at the southeast corner of the second floor of the Simpson house. Harry immediately zoomed in on a window. The master bedroom. In spite of the occluding fog, he saw Hawthorne and Dorn bring Ella in from the upstairs hall. They threw her onto the quilted blue spread on the queen-size bed.
Denver and Doc Fitz entered the room behind them. The doctor put his black leather bag on a nightstand. Denver drew the drapes at the front window that looked out on Conquistador Avenue, then came to the graveyard-side window on which Harry was focused. For a moment Denver stared out into the night, and Harry had the eerie feeling that the man saw him, though they were two blocks away, as if Denver had the vision of Superman, a built-in biological telescope of his own. The same sensation had gripped Harry on other occasions, when he was “eye-to-eye” with people this way, long before odd things had begun to happen in Moonlight Cove, so he knew that Denver was not actually aware of him. He was spooked nonetheless. Then the postmaster pulled those curtains shut, as well, though not as tightly as he should have done, leaving a two-inch gap between the panels.
Trembling now, damp with cold perspiration, Harry worked with a series of eyepieces, adjusting the power on the scope and trying to sharpen the focus, until he had pulled in so close to the window that the lens was filled by the narrow slot between the drapes. He seemed to be not merely at the window but beyond it, standing in that master bedroom, behind the drapes.
The denser scarves of fog slipped eastward, and a thinner veil floated in from the sea, further improving Harry’s view. Hawthorne and Dorn were holding Ella Simpson on the bed. She was thrashing, but they had her by the legs and arms, and she was no match for them.
Denver held his wife’s face by the chin and stuffed a wadded handkerchief or piece of white clothing into her mouth, gagging her.
Harry had a brief glimpse of the woman’s face as she struggled with her assailants. Her eyes were wide with terror.
“Oh, shit.”
Moose got up and came to him.
In the Simpsons’ house, Ella’s valiant struggle had caused her skirt to ride up. Her pale yellow panties were exposed. Buttons had popped open on her green blouse. In spite of that, the scene conveyed no feeling that rape was imminent, not even a hint of sexual tension. Whatever they were doing to her was perhaps even more menacing and cruel—and certainly stranger—than rape.
Doc Fitz stepped to the foot of the bed, blocking Harry’s view of Ella and her oppressors. The physician held a bottle of amber fluid, from which he was filling a hypodermic syringe.
The were giving Ella an injection.
But of what?
And why?
19
After talking with her mother in San Diego, Tessa Lockland sat on her motel bed and watched a nature documentary on PBS. Aloud, she critiqued the camera work, the composition of shots, lighting, editing techniques, scripted narration, and other aspects of the production, until she abruptly realized she sounded foolish talking to herself. Then she mocked herself by imitating various television movie critics, commenting on the documentary in each of their styles, which turned out to be dull because most TV critics were pompous in one way or another, with the exception of Roger Ebert. Nevertheless, although having fun, Tessa was talking to herself, which was too eccentric even for a nonconformist who had reached the age of thirty-three without ever having to take a nine-to-five job. Visiting the scene of her sister’s “suicide” had made her edgy. She was seeking comic relief from that grim pilgrimage. But at certain times, in certain places, even the irrepressible Lockland buoyancy was inappropriate.
She clicked off the television and retrieved the empty plastic ice bucket from the bureau. Leaving the door to her room ajar, taking only some coins, she headed toward the south end of the second floor to the ice-maker and soda-vending machine.
Tessa had always prided herself on avoiding the nine-to-five grind. Absurdly proud, actually, considering that she often put in twelve and fourteen hours a day instead of eight, and was a tougher boss than any she could have worked for in a routine job. Her income was nothing to preen about, either. She had enjoyed a few flush years, when she could not have stopped making money if she’d tried, but they were far outnumbered by the years in which she had earned little more than a subsistence living. Averaging her income for the twelve years since she had finished film school, she’d recently calculated that her annual earnings were around twenty-one thousand, though that figure would be drastically readjusted downward if she did not have another boom year soon.
Though she was not rich, though free-lance documentary filmmaking offered no security to speak of, she felt like a success, and not just because her work generally had been well received by the critics and not only because she was blessed with the Lockland disposition toward optimism. She felt successful because she had always been resistant to authority and had found, in her work, a way to be the master of her own destiny.
At the end of the long corridor, she pushed through a heavy fire door and stepped onto a landing, where the ice-maker and soda cooler stood to the left of the head of the stairs. Well stocked with cola, root beer, Orange Crush, and 7-Up, the tall vending machine was humming softly, but the ice-maker was broken and empty. She would have to fill up her bucket at the machine on the ground floor. She descended the stairs, her footsteps echoing off the concrete-block walls. The sound was so hollow and cold that she might have been in a vast pyramid or some other ancient structure, alone but for the companionship of unseen spirits.
At the foot of the stairs, she found no soda or ice machines, but a sign on the wall indicated that the ground-floor refreshment center was at the north end of the motel. By the time she got her ice and Coke, she would have walked off enough calories to deserve a regular, sugar-packed cola instead of a diet drink.
As she reached for the handle of the fire door that led to the ground-floor corridor, she thought she heard the upper door open at the head of the stairs. If so, it was the first indication she’d had, since checking in, that she was not the only guest in the motel. The place had an
abandoned air.
She went through the fire door and found that the lower corridor was carpeted in the same hideous orange nylon as was the upper hall. The decorator had a clown’s taste for bright colors. It made her squint.
She would have preferred to be a more successful filmmaker, if only because she could have afforded lodgings that did not assault the senses. Of course, this was the only motel in Moonlight Cove, so even wealth could not have saved her from that eye-blistering orange glare. By the time she walked to the end of the hall, pushed through another fire door, and stepped into the bottom of the north stairwell, the sight of gray concrete block walls and concrete steps was positively restful and appealing.
There, the ice-maker was working. She slid open the top of the chest and dipped the plastic bucket into the deep bin, filling it with half-moon pieces of ice. She set the full bucket atop the machine. As she closed the chest, she heard the door at the head of the stairs open with a faint but protracted squeak of hinges.
She stepped to the soda vendor to get her Coke, expecting someone to descend from the second floor. Only as she dropped a third quarter into the slot did she realize something was sneaky about the way the overhead door opened the long, slow squeak … as if someone knew the hinges were unoiled, and was trying to minimize the noise.
With one finger poised over the Diet Coke selection button, Tessa hesitated, listening.
Nothing.
Cool concrete silence.
She felt exactly as she had felt on the beach earlier in the evening, when she had heard that strange and distant cry. Now, as then, her flesh prickled.
She had the crazy notion that someone was on the landing above, holding the fire door open now that he had come through it. He was waiting for her to push the button, so the squeak of the upper door’s hinges would be covered by the clatter-thump of the can rolling into the dispensing trough.
Many modern women, conscious of the need to be tough in a tough world, would have been embarrassed by such apprehension and would have shrugged off the intuitive chill. But Tessa knew herself well. She was not given to hysteria or paranoia, so she did not wonder for a moment if Janice’s death had left her overly sensitive, did not doubt her mental image of a hostile presence at the upper landing, out of sight around the turn.
Three doors led from the bottom of that concrete shaft. The first was in the south wall, through which she had come and through which she could return to the ground-floor corridor. The second was in the west wall, which opened to the back of the motel, where a narrow walk or service passage evidently lay between the building and the edge of the sea-facing bluff, and the third was in the east wall, through which she probably could reach the parking lot in front of the motel. Instead of pushing the vendor button to get her Coke, leaving her full ice bucket as well, she stepped quickly and quietly to the south door and pulled it open.
She glimpsed movement at the distant end of the ground-floor hall. Someone ducked back through that other fire door into the south stairwell. She didn’t see much of him, only his shadowy form, for he had not been on the orange carpet in the corridor itself but at the far threshold, and therefore able to slip out of sight in a second. The door eased shut in his wake.
At least two men—she presumed they were men, not women were stalking her.
Overhead, in her own stairwell, the unoiled hinges of that door produced a barely audible, protracted rasp and squeal. The other man evidently had tired of waiting for her to make a covering noise.
She could not go into the hallway. They’d trap her between them.
Though she could scream in the hope of calling forth other guests and frightening these men away, she hesitated because she was afraid the motel might be as deserted as it seemed. Her scream might elicit no help, while letting the stalkers know that she was aware of them and that they no longer had to be cautious.
Someone was stealthily descending the stairs above her.
Tessa turned away from the corridor, stepped to the east door, and ran out into the foggy night, along the side of the building, into the parking lot beyond which lay Cypress Lane. Gasping, she sprinted past the front of Cove Lodge to the motel office, which was adjacent to the now closed coffee shop.
The office was open, the doorstep was bathed in a mist-diffused glow of pink and yellow neon, and the man behind the counter was the same one who had registered her hours ago. He was tall and slightly plump, in his fifties, clean-shaven and neatly barbered if a little rumpled looking in brown corduroy slacks and a green and red flannel shirt. He put down a magazine, lowered the volume of the country music on the radio, got up from his spring-backed desk chair, and stood at the counter, frowning at her while she told him, a bit too breathlessly, what had happened.
“Well, this isn’t the big city, ma’am,” he said when she had finished. “It’s a peaceful place, Moonlight Cove. You don’t have to worry about that sort of thing here.”
“But it happened,” she insisted, nervously glancing out at the neon-painted mist that drifted through the darkness beyond the office door and window.
“Oh, I’m sure you saw and heard someone, but you put the wrong spin on it. We do have a couple other guests. That’s who you saw and heard, and they were probably just getting a Coke or some ice, like you.”
He had a warm, grandfatherly demeanor when he smiled. “This place can seem a little spooky when there aren’t many guests.”
“Listen, mister …”
“Quinn. Gordon Quinn.”
“Listen, Mr. Quinn, it wasn’t that way at all.” She felt like a skittish and foolish female, though she knew she was no such thing.
“I didn’t mistake innocent guests for muggers and rapists. I’m not an hysterical woman. These guys were up to no damn good.”
“Well … all right. I think you’re wrong, but let’s have a look.” Quinn came through the gate in the counter, to her side of the office.
“Are you just going like that?” she asked.
“Like what?”
“Unarmed?”
He smiled again. As before, she felt foolish.
“Ma’am,” he said, “in twenty-five years of motel management, I haven’t yet met a guest I couldn’t handle.”
Though Quinn’s smug, patronizing tone angered Tessa, she did not argue with him but followed him out of the office and through the eddying fog to the far end of the building. He was big, and she was petite, so she felt somewhat like a little kid being escorted back to her room by a father determined to show her that no monster was hiding either under the bed or in the closet.
He opened the metal door through which she had fled the north service stairs, and they went inside. No one waited there.
The soda-vending machine purred, and a faint clinking arose from the ice-maker’s laboring mechanism. Her plastic bucket still stood atop the chest, filled with half-moon chips.
Quinn crossed the small space to the door that led to the ground-floor hall, pulled it open.
“Nobody there,” he said, nodding toward the silent corridor. He opened the door in the west wall, as well, and looked outside, left and right. He motioned her to the threshold and insisted that she look too.
She saw a narrow, railing-flanked serviceway that paralleled the back of the lodge, between the building and the edge of the bluff, illuminated by a yellowish night-light at each end. Deserted “You said you’d already put your money in the vendor but hadn’t got your soda?” Quinn asked, as he let the door swing shut.
“That’s right.”
“What did you want?”
“Well … Diet Coke.”
At the vending machine, he pushed the correct button, and a can rolled into the trough. He handed it to her, pointed at the plastic container that she had brought from her room, and said, “Don’t forget your ice.”
Carrying the ice bucket and Coke, a hot blush on her cheeks and cold anger in her heart, Tessa followed him up the north stairs. No one lurked there. The unoiled hinges of the upper doo
r squeaked as they went into the second-floor hallway, which was also deserted.
The door to her room was ajar, which was how she left it. She was hesitant to enter.
“Let’s check it out,” Quinn said.
The small room, closet, and adjoining bath were untenanted.
“Feel better?” he asked.
“I wasn’t imagining things.”
“I’m sure you weren’t,” he said, still patronizing her.
As Quinn returned to the hallway, Tessa said, “They were there, and they were real, but I guess they’ve gone now. Probably ran away when they realized I was aware of them and that I went for help —”
“Well, all’s well then,” he said. “You’re safe. If they’re gone, that’s almost as good as if they’d never existed in the first place.”
Tessa required all of her restraint to avoid saying more than, “Thank you,” then she closed the door. On the knob was a lock button, which she depressed. Above the knob was a dead-bolt lock, which she engaged. A brass security chain was also provided; she used it.
She went to the window and examined it to satisfy herself that it couldn’t be opened easily by a would-be assailant. Half of it slid to the left when she applied pressure to a latch and pulled, but it could not be opened from outside unless someone broke it and reached through to disengage the lock. Besides, as she was on the second floor, an intruder would need a ladder.
For a while she sat in bed, listening to distant noises in the motel. Now every sound seemed strange and menacing. She wondered what, if any, connection her unsettling experience had with Janice’s death more than three weeks ago.
20
After a couple of hours in the storm drain under the sloping meadow, Chrissie Foster was troubled by claustrophobia. She had been locked in the kitchen pantry a great deal longer than she had been in the drain, and the pantry had been smaller, yet the grave-black concrete culvert was by far the worse of the two. Maybe she began to feel caged and smothered because of the cumulative effect of spending all day and most of the evening in cramped places.
From the superhighway far above, where the drainage system began, the heavy roar of trucks echoed down through the tunnels, giving rise in her mind to images of growling dragons. She put her hands over her ears to block out the noise. Sometimes the trucks were widely spaced, but on occasion they came in trains of six or eight or a dozen, and the continuous rumble became oppressive, maddening.
Or maybe her desire to get out of the culvert had something to do with the fact that she was underground. Lying in the dark, listening to the trucks, searching the intervening silences for the return of her parents and Tucker, Chrissie began to feel she was in a concrete coffin, a victim of premature burial.
Reading aloud from the imaginary book of her own adventures, she said, “Little did young Chrissie know that the culvert was about to collapse and fill with earth, squishing her as if she were a bug and trapping her forever.”
She knew she should stay where she was. They might still be prowling the meadow and woods in search of her. She was safer in the culvert than out of it.
But she was cursed with a vivid imagination. Although she was no doubt the only occupant of the lightless passageway in which she sprawled, she envisioned unwanted company in countless grisly forms slithering snakes; spiders by the hundreds; cockroaches; rats; colonies of blood-drinking bats. eventual she began to wonder if over the years a child might have crawled into the tunnels to play and, getting lost in the branching culverts, might have died there, undiscovered. His soul, of course, would have remained restless and earthbound, for his death had been unjustly premature and there had been no proper burial service to free his spirit. Now perhaps that ghost, sensing her presence, was animating those hideous skeletal remains, dragging the decomposed and age-dried corpse toward her, scraping off pieces of leathery and half-petrified flesh as it came. Chrissie was eleven years old and level-headed for her age, and she repeatedly told herself that there were no such things as ghosts, but then she thought of her parents and Tucker, who seemed to be some kind of werewolves, for God’s sake, and when the big trucks passed on the interstate, she was afraid to cover her ears with her hands for fear that the dead child was using the cover of that noise to creep closer, closer.
She had to get out.
21
When he left the dark garage where he had taken refuge from the pack of drugged-out delinquents (which is what he had to believe they were; he knew no other way to explain them), Sam Booker went straight to Ocean Avenue and stopped in Knight’s Bridge Tavern just long enough to buy a six-pack of Guinness Stout to go.
Later, in his room at Cove Lodge, he sat at the small table and drank beer while he pored over the facts of the case. On September 5, three National Farmworkers Union organizers: Julio Bustamante, his sister Maria Bustamante, and Maria’s fiance, Ramon Sanchez—were driving south from the wine country, where they had been conducting discussions with vineyard owners about the upcoming harvest. They were in a four-year-old, tan Chevy van. They stopped for dinner in Moonlight Cove. They’d eaten at the Perez Family Restaurant and had drunk too many margaritas (according to witnesses among the waiters and customers at Perezs that night), and on their way back to the interstate, they’d taken a dangerous curve too fast; their van had rolled and caught fire. None of the three had survived.
That story might have held up and the FBI might never have been drawn into the case, but for a few inconsistencies. For one thing, according to the Moonlight Cove police department’s official report, Julio Bustamante had been driving. But Julio had never driven a car in his life; furthermore, he was unlikely to do so after dark, for he suffered from a form of night blindness. Furthermore, according to witnesses quoted in the police report, Julio and Maria and Ramon were all intoxicated, but no one who knew Julio or Ramon had ever seen them drunk before; Maria was a lifelong teetotaler.
The Sanchez and Bustamante families, of San Francisco, also were made suspicious by the behavior of the Moonlight Cove authorities. None of them were told of the three deaths until September 10, five days after the accident. Police chief Loman Watkins had explained that Julio’s, Maria’s, and Ramon’s paper IDs had been destroyed in the intense fire and that their bodies had been too completely burned to allow swift identification by fingerprints. What of the van’s license plates? Curiously, Loman had not found any on the vehicle or torn loose and lying in the vicinity of the crash. Therefore, with three badly mangled and burned bodies to deal with and no way to locate next of kin on a timely basis, he had authorized the coroner, Dr. Ian Fitzgerald, to fill out death