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  Do you want to guess whose fingerprints we found on that weapon, Ben?

  My dad says I’m not supposed—

  They were yours, Ben. Your fingerprints were on that gun.

  “On the other hand, Benjamin, I suppose we can forget about that information if you forget about your wild and unsupported accusations against Mr. Liu.”

  I lower my head and try to contain my emotions while memories cascade toward me in waves.

  You’re in a lot of trouble, Ben.

  You need to tell us what happened in that bathroom with your mother.

  “If my accusations are so unsupported,” I say slowly, “then why am I here?”

  Bald Guy lets out a hideous laugh. “Oh, Benjamin,” he says, “you were never here. And you better hope you never are.”

  Chapter 30

  They dump me back on Connecticut Avenue, near the building where Jonathan Liu’s company takes up space. I relish the thick air and freedom after my unplanned visit to the Chinese embassy. So now I know that the Chinese—and probably Jonathan Liu in particular—were involved in this somehow. But how? How did my Diana gain the attention of the Chinese government and the president of the United States?

  I ride over to Idaho Avenue, where the MPD’s Second District station is located. I ask for Ellis Burk, a detective I profiled a few years back when he solved a murder involving a congressman’s daughter. We’ve kept in touch since then, because he’s a pretty good guy and because it’s my job to have friends everywhere.

  I’m good at that—having friends, the superficial banter over dinner or drinks, the wisecracks, the false flattery to get them to open up, always leaving them with a favorable impression so they’ll be receptive next time you need them. I even have a database of my acquaintances, noting how I met them, any significant events that tie us together (in Ellis’s case, it was the Dana Manchester murder), a carrot to use if I need a favor (for Ellis, it’s Cuban cigars), and any return favors I may need to remind them of (a flattering profile of the detective who solved the Manchester murder).

  That’s my specialty, superficial friends. But I don’t get too close, and I don’t let them too close. Keep your fingers away from the cage, and everyone will be okay.

  When I arrive, they tell me Detective Burk will be a few minutes, then they put me in a room. It’s a windowless, gray room with a mirror running horizontally along one wall and a single table surrounded by four chairs. I assume this is an “interview” room, where they watch you through the mirrored wall as you’re interrogated.

  Hold the pickles, hold the lettuce,

  First Amendment rights upset us;

  All we ask is that you let us censor your words.

  Sure, now I think of it.

  “Ben-jamin Casper,” Ellis sings as he comes through the door. “The man who survived a plane crash.”

  Oh, right. The AP must have picked up the story. “Hey, Ellis.”

  He shakes my hand. His expression changes after he gives me a once-over. “Took a toll on you, looks like. Well, listen, most people don’t survive a plane crash, so just consider everything that happens in your life from here on out a bonus.”

  Actually, that’s pretty much what I’ve been doing.

  “You okay, man?” Ellis asks me. “You look a little…stressed-out.”

  I try to manage a smile but can’t. No sense putting lipstick on this pig.

  “It’s been a rough week,” I say. “A friend of mine died. I think she was murdered. And since then, somebody’s been trying to kill me, too, starting with—”

  Ellis raises a hand to calm me. He’s tall and wide, an African American guy who grew up in Boston when it wasn’t so easy for a black man to become a police officer. He looks thinner than the last time I saw him in person, more than a year ago. Maybe a diet, maybe illness.

  “One step at a time,” he says. “Start from the beginning. Tell me about this friend of yours.”

  I blow out a sigh. “Okay. My friend works as a staffer for the CIA. She lives in Georgetown and someone pushed her, I think, off her balcony—”

  Ellis cocks his head. Recognition dawns all over his face.

  “—and I was there, in her apartment, just be—”

  “Stop.” Ellis scoots his chair back. “You’re talking about Hotchchild, or Hotch-something—”

  “Hotchkiss. Diana Hotchkiss.”

  He nods his head. “Diana Hotchkiss.”

  “You know the case, I gather.”

  He studies me for a moment. “That’s not a case you want to be connected with. There could be some trouble for you, Ben.”

  You don’t say.

  “This is a case you’re working on?” I ask.

  He gets up from the table and paces. “I wasn’t the lead, but we had it here in the Second.”

  I pick up on the use of the past tense. “Not anymore?”

  He laughs without humor. “Couple days ago, the CIA comes waltzing in here. They announce that the Diana Hotchkiss case is a matter of national security and they’re taking over. They demanded all our files, right there on the spot. I mean, they literally carted everything off. Over twenty years on the job, I’ve never seen it handled that way.”

  This is getting stranger by the minute. The feds are all over this case now. The president of the United States mentions Diana in his weekly press conference. The Chinese haul me in for a friendly off-the-record inquisition.

  What the hell is going on?

  “If I were you,” says Ellis, “I’d take some of that money you inherited and fly to some remote island for a month or two.”

  Probably good advice. “I’m not going anywhere, Ellis. I need some kind of a lead. Something. Anything. The CIA took everything from you?”

  Ellis stares at me for a long, sober moment before his expression breaks.

  “Maybe not quite everything,” he says.

  Chapter 31

  Ellis returns to the interrogation room with a thin file containing glossy photographs. “Crime scene shots,” he says. “And a few witness statements. I might have forgotten to give every copy to the feds.”

  I recoil as he drops the file down on the table and a few photographs spill out. I’m not really in the mood to see photos of Diana’s crushed face and body. “Anything from the witness statements?” I ask.

  “Not much.” Ellis shakes his head. “Except that the first people to attend to the victim were also the first ones to leave.”

  I think back before I realize he’s talking, in part, about me.

  “Two women got to her first,” Ellis recites from memory. “They were parked in some kind of a blue compact car by the building. They apparently reached her, and it seemed like they were checking her vitals, that kind of thing. But they got in their car and left before the ambulance arrived.”

  I remember the first part of that, the two women getting out of the car. What happened to them afterward I have no idea.

  Ellis looks squarely at me. “Then there was a man who was talking with some people across the street about his motorcycle. He was second to reach the victim. After a few minutes, he staggered back into the street and puked his guts out. Then he jumped on his motorcycle and left before the authorities arrived.” Ellis shrugs his shoulders. “Any idea who rides a 2009 Triumph America with…let me see…” He looks down at some notes and then back up at me. “Metzeler ME80 tires?”

  “No—880s,” I say, correcting him.

  “Right. ME880s.” He smirks at me.

  “Apparently those witnesses knew their motorcycles,” I say.

  “So did the guy who owned the bike. They said he was a real nice guy. Real friendly.”

  “Handsome, too,” I add.

  “Yeah, they said he looked like…Skeet…Ulrich, whoever that is.”

  I let that wash over me. This is, to say the least, an unwelcome development. Skeet Ulrich? Diana said I looked like Johnny Depp. I mean, I loved Skeet in the original Scream and thought they should have kept him on t
hat new Law & Order series, but Depp was Donnie freakin’ Brasco, for God’s sake. In one week I go from Johnny Depp to Skeet Ulrich? What’s next—Ralph Macchio?

  “I had nothing to do with her death,” I say. “But yeah, I was there. I already told you that before you showed me the witness statement.”

  “So you did, so you did.” Ellis shrugs. “Well, maybe if the CIA hadn’t ordered me and my colleagues to back off this investigation, I might sit you down for questioning. But seeing as how I’ve been taken off the case and all…”

  Ellis is a good egg. Like a moth to a flame, my eyes move back down toward the photos of Diana lying crushed and broken. I can’t look. I can’t not look. A photo from above; her auburn hair, which she’d colored only a month earlier, cascading across her face. Her left leg askew, the long, smooth limb, her fashionable suede leather low-heeled shoe perfectly set on her foot, ironically enough, though I imagine she would be glad to know she died in a decent pair—

  I step backward, my pulse suddenly surging with adrenaline.

  “I know it’s hard,” says Ellis. “You must have cared about her.”

  I manage to nod and mumble something incoherent as I excuse myself and head back out to the parking lot. Yeah, I cared about Diana.

  Or maybe I shouldn’t use the past tense. Maybe I should use the present tense.

  Because Diana has a butterfly tattoo above her left ankle, and the dead woman in that photo doesn’t.

  Chapter 32

  I leave the police station with a growing set of facts spread out all over the desk of my brain, but in no discernible order, no logic. Think, Ben. Ultimately, everything is a link in a chain. I just have to put them together.

  I hop on my Triumph and spot a car across the street from the Second District parking lot, two guys inside a dark Chevy sedan looking my way. Can’t tell if they’re Chinese or not, but I suppose the Chinese are capable of having Caucasians in their employ, right? I mean, why would I assume that Chinese only hire Chinese? Maybe they’ll get that albino guy from The Firm—

  They start their car up just as I kick the Triumph to life. Coincidence? I don’t believe in them.

  Is it just a coincidence, Ben? Did your fingerprints just leap onto that gun?

  I should call Father.

  We’ll call your father, Ben. For now, you’re coming with us. We’re taking you into custody. You’ll be provided a lawyer and a guardian ad litem and you probably won’t be able to live with your dad for a very long time.

  Unless, Ben, you want to explain to me what happened.

  The Chevy backs up to get out of its parking space and bumps a Toyota compact in the process as I maneuver my bike out of its spot, not sure of where I’m headed—

  The compact. The two women in the blue compact car who reached Diana—or whoever it was who fell from her balcony—before I did. They took off before the police and ambulance arrived, Ellis said.

  I tear out of the parking lot, suddenly sure of where I’m headed.

  I turn onto Wisconsin Avenue, passing a bar that used to be the Alliance Tavern, where Ellis and I once got drunk on cheap whiskey. I don’t see the Chevy behind me, but that doesn’t mean it isn’t following me. Traffic is pretty thick, for some reason. I take a quick right onto M Street and then I get on Route 29 going south, crossing into Virginia. The rush of air, the best thing about this bike, provides me some measure of relief, but there is a permanent tremble coursing through me now, and the only antidote I can think of is speed, speed, speed, but I’m back on main roadways until I hit Jefferson Davis Highway and I floor it, topping ninety, and then I’m thinking of Jefferson Starship and all the other names they used, We built this city on rock and roll, and I almost throw up in my mouth—

  Within thirty minutes, I’m at the Delta ticket counter at Reagan Airport. I use my corporate credit card, not a personal one, and just book the flight there, not a return, knowing that a last-minute, one-way flight is sure to subject me to the most stringent of security checks, but I don’t care anymore. Maybe that’s my problem—I’m too afraid, afraid of dying. Maybe if I’m more reckless, if I’m fearless, like James Bond or something, a cool smile in the face of mortal danger, I’ll be okay. That new James Bond guy is freakin’ awesome. I try for a cool smile, but it doesn’t work.

  Turns out I missed the last flight of the evening. So I’ll sleep in the terminal tonight.

  And tomorrow morning, I’ll be on the first plane to Madison, Wisconsin.

  Chapter 33

  The Hotchkiss family is home at just after ten in the morning. Home and intoxicated, at least the missus. But I’m sure as hell not going to blame them. As far as they know, they’ve lost both their children in the space of a week.

  Before I knock on their door, I read and reread on my smartphone everything the media had on the death of Diana’s brother, Randy. The theme is familiar: Randy Hotchkiss, distraught over the death of his sister, committed suicide by jumping off the roof of Van Hise Hall on the University of Wisconsin campus. No sign of foul play. No pending criminal investigation. Case closed. Yeah, right.

  The parents don’t really remember me from Diana’s visitation, and they aren’t thrilled about my being a reporter, but I assure them that I’m not here on the record. When they allow me in, it feels more like a function of their exhaustion than their willingness to speak with me.

  Their home is an old Victorian with a dated living room lined with color photographs of their children and black-and-white shots of their ancestors. The whole room has a musty smell overlaid by the smell of burned coffee—not that either of the Hotchkisses appear to have been drinking it this morning.

  Bonnie’s eyes are bloodshot and aimless, looking through the fog of grief and alcohol. George is more alert, but he’s clearly suffering as well. Each of them snaps to attention, though, when I tell them a story that every parent who has lost a child longs to hear: somehow, miraculously, their child didn’t really die.

  “Is this…some kind of a cruel joke?” George asks.

  “I didn’t come all this way to joke, Mr. Hotchkiss. I saw the photos. Diana had that tattoo above her ankle.”

  “Then why aren’t the police here, asking us about that? You’re the only one who noticed the missing tattoo?”

  “I don’t think the DC police had time to notice something like that,” I answer. “The feds swooped in right away and took over the investigation. Before the local cops could do much of anything, the whole case was snatched from them.”

  Bonnie shakes her head. “What does all of this even mean?”

  I open my hands. “I—I guess I’m not sure. Diana was involved in something. What it was I don’t know. Was she part of something, or did she discover something—I don’t know. All I know is that the person who fell from that balcony wasn’t her.”

  George slowly turns to Bonnie. Each of them is incredulous—I can hardly blame them—but hope is a powerful fuel for suspension of disbelief.

  “And you say—the people who found her—”

  “The two women in the compact car, right. I think they were plants. They were supposed to be there. They made sure they were the first ones there. I think they covered her hair over her face. I mean, you could hardly see her face to begin with. It was nighttime, there was poor lighting, and anyway she’d fallen face-first, so—forgive me, I know that’s graphic, but it’s not like I could really identify her, anyway.”

  “But they made sure,” says George.

  “They made sure. Her hair was covering her face by the time I got there. It was Diana’s clothes, it was her shoes—the woman was made to look like her, no doubt. But whoever did this missed that detail about her tattoo.”

  Bonnie shakes her head. Tears have formed but they haven’t fallen. This is, in the end, potential good news to them, however mind-blowing it may be.

  “Did you know that Diana dyed her hair dark a month before this happened?”

  “No,” Bonnie says.

  I nod. “Thinking
about it now, I bet she probably dyed her hair to match the hair of whoever it was who fell from that balcony.”

  “You’re saying Diana helped murder some girl?” George asks. “Is that what—”

  “No, sir. I doubt she knew about it. But the truth is, I don’t know. Listen, Mr. and Mrs. Hotchkiss. I know this is crazy. I do. But there’s an easy way to figure this out.”

  They both look at me. It’s a fairly obvious conclusion, but their brains aren’t fully functioning at the moment.

  “Demand that the federal government release her body,” I say.

  Chapter 34

  I’m back at Dane County Regional Airport within two hours. I’m not sure how I left things with the Hotchkiss family. There’s no manual on how to react when someone tells you, hey, guess what, your daughter might not be dead after all. And if I’m wrong, then I’ve performed just about the cruelest act that could be inflicted on a grieving parent—giving false hope.

  I won’t board the return flight for another hour, so I stroll along the brown-and-gold tiled floors, checking out the Wisconsin Marketplace and briefly considering an Aaron Rodgers jersey, because c’mon, how cool is that guy, even with the mustache, and then I head to the men’s room closest to my gate.

  One overweight guy passes me on the way out and one of the bathroom stalls is occupied. I use the urinal, then wash up, making the mistake of looking in the mirror. What stares back at me is a pair of dark, deep-set eyes and a pale, ghoulish face. Not my best day, clearly. Maybe I do look like Skeet Ulrich. If I played a cop on TV, I’d want to be one of those hardened, wisecracking veterans who bitches about his ex-wives and delivers the punch line after they find the body. Looks like he lost an argument with a switchblade. Well, I guess I won’t be having spaghetti for dinner tonight. Something like that—

  Two things happen at once: the door of the bathroom stall kicks open behind me just as someone enters the bathroom to my right. Two men, one black and one white, both of them big and serious, both of them wearing dark suits and white shirts, converge on me simultaneously. I throw an elbow behind me and connect with some part of the white guy’s face. It feels like I hit some meat and bone, so it probably hurt. If I had any talent for this kind of thing, I would follow up with a forward kick at the black guy coming directly at me.