"It's not for me," Patman whispered, and hesitated. "It's for himself, and the girl."
Quaine was surprised, but kept his voice down.
"The girl? He hasn't even looked at her since we got here."
"And he won't," Patman said. "Until he gets him." He saw the other man's frown and added, "It's a long story, all about pride and getting your toes stepped on." He grinned to himself at the faint sign of bewilderment on the scout's face. Nobody's going to ask a dying man to talk sense. Besides, it would take too long.
After a silence, Patman whispered, "Let him go, Cima."
"His yen to make war might be good as gold, but my boys ain't worth a damn after dark. We can pick up the man's sign in the morning and have him before sundown."
"You do what you want tomorrow. Just let him go tonight."
"He wouldn't gain anything," the scout whispered impatiently. "He's got the girl here now to live with long as he wants."
"He's got to live with himself, too." Patman's voice sounded weaker. "And he doesn't take free gifts. He's got a funny kind of pride. If he doesn't go after that man, he'll never look at that girl again."
Cima Quaine finished, "And if he does go after him, he may not get the chance. No, Virg. I better keep him here. He can come along tomorrow if he wants." He turned his head as if that was the end of the argument and looked past the Coyoteros to see the girl standing in the doorway.
She came in hesitantly, dazed about the eyes, as if a strain was sapping at her vitality to make her appear utterly spent. She said, "He's gone," in a voice that was not her own.
Cima Quaine's head swung back to Patman when he heard him say, "Looks like you don't have anything to say about it."
At the first light of dawn, Dave Fallis looked out over the meadow from the edge of timber and was unsure. There was moisture in the air lending a thickness to the gray dawn, but making the boundless stillness seem more empty. Mist will do that, for it isn't something in itself. It goes with lonesomeness and sometimes has a feeling of death. He reined his horse down the slight grade and crossed the gray wave of meadow, angling toward the dim outline of a draw that trailed up the ridge there. It cut deep into the tumbled rock, climbing slowly. After a while he found himself on a bench and stopped briefly to let his horse rest for a moment. The mist was below him now, clinging thickly to the meadow and following it as it narrowed through the valley ahead. He continued on along the bench that finally ended, forcing him to climb on into switchbacks that shelved the steepness of the ridge. And after two hours of following the ridge crown, he looked down to estimate himself a good eight miles ahead of the main trail that stayed with the meadow. He went down the opposite slope, not so steep here, but still following switchbacks, until he was in level country again and heading for the Escudillas in the distance. The sun made him hurry. For every hour it climbed in the sky lessened his chance of catching the man before the Coyoteros did. He was going on luck. The Coyoteros would use method. But now he wondered if it was so much luck. Vea Oiga had told him what to do.
He had been leading the horse out of the corral and down through the timber when Vea Oiga grew out of the shadows next to him, also leading a horse. The Indian handed the reins to the boy and held back the mare he had been leading. "It is best you take gelding," he whispered. "The man took stallion. Leave the mare here so there is no chance she will call to her lover."
The Apache stood close to him confidently. "You have one chance, man," he said. "Go to Bebida Wells, straight, without following the trail. The man will go fast for a time, until he learns he is not being followed. But at dawn he will go quick again on the main trail for that way he thinks he will save time. But soon he will tire and will need water. Then he will go to Bebida Wells, for that is the only water within one day of here. When he reaches the well, he will find his horse spent and his legs weary from hanging without stirrups. And there he will rest until he can go on."
He had listened, fascinated, while the Indian read into the future and then heard how he should angle, following the draws and washes to save miles. For a moment he wondered about this Indian who knew him so well in barely more than an hour, how he had anticipated his intent, why he was helping. It had made no sense, but it was a course to follow, something he had not had before. The Apache had told him, "Shoot straight, man. Shoot before he sees you." And with the boy passing from view into the darkness, Vea Oiga led the mare back to the corral, thinking of the boy and the dying man in the hut. Revenge was something he knew, but it never occurred to him that a woman could be involved. And if the boy failed, then he would get another chance to shoot straight. There was always plenty of time.
The sun was almost straight up, crowding the whole sky with its brassy white light, when he began climbing again. The Escudillas seemed no closer, but now the country had turned wild, and from a rise he could see the wildness tangling and growing into gigantic rock formations as it reached and climbed toward the sawtooth heights of the Escudillas.
He had been angling to come around above the wells, and now, in the heights again, he studied the ravines and draws below him and judged he had overshot by only a mile. On extended patrols out of Thomas they had often hit for Bebida before making the swing-back to the south. It was open country approaching the wells, so he had skirted wide to come in under cover of the wildness and slightly from behind.
A quarter of a mile on he found a narrow draw dense with pines strung out along the walls, the pines growing into each other and bending across to form a tangled arch over the draw. He angled down into its shade and picketed the gelding about halfway in. Then, lifting the Winchester, he passed out of the other end and began threading his way across the rocks.
A yard-wide defile opened up on a ledge that skirted close to the smoothness of boulders, making him edge sideways along the shadows of the towering rocks, until finally the ledge broadened and fell into a ravine that was dense with growth, dotted with pale yucca stalks against the dark green. He ran through the low vegetation in a crouch and stopped to rest at the end of the ravine where once more the ground turned to grotesque rock formations. Not a hundred yards off to the left, down through an opening in the rocks, he made out the still, sand-colored water of a well.
More cautiously now, he edged through the rocks, moving his boots carefully on the flinty ground. And after a dozen yards of this he crept into the narrowness of two boulders that hung close together, pointing the barrel of the Winchester through the aperture toward the pool of muddy water below. He watched the vicinity of the pool with a grimness now added to his determination; he watched without reflecting on why he was there. He had thought of that all morning: seeing Virg die on the dirt floor. . . . But the outlaw's words had always come up to blot that scene. "I think you better teach him the facts of life." Stepping on his toes while he was supposed to smile back. It embarrassed him because he wanted to be here because of Virg. First Virg and then the girl. He told himself he was doing this because Virg was his friend, and because the girl was helpless and couldn't defend herself and deserved a chance. That's what he told himself.
But that was all in the past, hazy pictures in his mind overshadowed by the business at hand. He knew what he was doing there, if he wasn't sure why. So that when the outlaw's thin shape came into view below him, he was not excited. He did not see where De Sana had come from, but realized now that he must have been hiding somewhere off to the left. De Sana crouched low behind a scramble of rock and poked his carbine below toward the pool, looking around as if trying to determine if this was the best position overlooking the well. His head turned, and he looked directly at the aperture behind him, where the two boulders met, studying it for a long moment before turning back to look down his carbine barrel at the pool. Dave Fallis levered the barrel of the Winchester down a fraction and the front sight was dead center on De Sana's back.
He wondered why De Sana had taken a carbine from the corral lean-to and not a saddle. Then he thought of Vea Oiga who had fired
at him as he fled. And this brought Vea Oiga's words to memory. "Shoot before he sees you."
Past the length of the oiled gun barrel, he saw the Y formed by the suspenders and the faded underwear top, darkened with perspiration. The shorthaired skull, thin and hatless. And at the other end, booted long legs, and toes that kicked idly at the gravel.
For a moment he felt sorry for De Sana. Not because the barrel in front of him was trained on his back. He watched the man gaze out over a vastness that would never grow smaller. Straining his eyes for a relentless something that would sooner or later hound him to the ground. And he was all alone. He watched him kick his toes for something to do and wipe the sweat from his forehead with the back of his hand. De Sana perspired like everyone else. That's why he felt sorry for him. He saw a man, like a thousand others he had seen, and he wondered how you killed a man. The Indian had told him, "Shoot before he sees you." Well, that was just like an Indian. He moved around from behind the rocks and stood there in plain view with the rifle still pointed below. He felt naked all of a sudden, but brought the rifle up a little and called, "Throw your gun down and turn around!"
And the next second he was firing. He threw the lever and fired again--then a third time. He sat down and ran his hand over the wetness on his forehead, looking at the man who was now sprawled on his back with his carbine across his chest. He buried the gunman well away from the pool and scattered rocks around so that when he was finished you'd wouldn't know that a grave was there. He took the outlaw's horse and his guns. That would be enough proof. On the way back he kept thinking of Virg and the girl. He hoped that Virg would still be alive, but knew that was too much to ask. Virg and he had had their good times and that was that. That's how you had to look at things.
He thought of the girl and wondered if she'd think he was rushing things if he asked her to go with him to the Panhandle, after a legal ceremony. . . .
And all the way back, not once did he think of Lew De Sana.
*
*
The Hard Way.
Tio Robles stretched stiffly on the straw mattress, holding the empty mescal bottle upright on his chest. His sleepy eyes studied Jimmy Robles going through his ritual. Tio was half smiling, watching with amusement. Jimmy Robles buttoned his shirt carefully, even the top button, and pushed the shirttail tightly into his pants, smooth and tight with no blousing about the waist. It made him move stiffly the few minutes he was conscious of keeping the clean shirt smooth and unwrinkled. He lifted the gun belt from a wall peg and buckled it around his waist, inhaling slowly, watching the faded cotton stretch tight across his stomach. And when he wiped his high black boots it was with the same deliberate care. Tio's sleepy smile broadened. "Jaime," he spoke softly, "you look very pretty. Are you to be married today?" He waited. "Perhaps this is a feast day that has slipped my mind." He waited longer.
"No? Or perhaps the mayor has invited you to dine with him."
Jimmy Robles picked up the sweat-dampened shirt he had taken off and unpinned the silver badge from the pocket. Before looking at his uncle he breathed on the metal and rubbed its smooth surface over the tight cloth of his chest. He pinned it to the clean shirt, studying the inscription cut into the metal that John Benedict had told him read Deputy Sheriff.
Sternly, he said, "You drink too much," but could not help smiling at this picture of indolence sprawled on the narrow bed with a foot hooked on the window ledge above, not caring particularly if the world ended at that moment.
"Why don't you stop for a few days, just to see what it's like?"
Tio closed his eyes. "The shock would kill me."
"You're killing yourself anyway."
Tio mumbled, "But what a fine way to die."
Jimmy left the adobe hut and crossed a backyard before passing through the narrow dimness of two adobes that squeezed close together, and when he reached the street he tilted his hat closer to his eyes against the afternoon glare and walked up the street toward Arivaca's business section. This was a part of Saturday afternoon. This leaving the Mexican section that was still quiet, almost deserted, and walking up the almost indiscernible slope that led to the more prosperous business section. Squat gray adobe grew with the slope from Spanishtown into painted, two-story false fronts with signs hanging from the ramadas. Soon, cowmen from the nearer ranges and townspeople who had quit early because it was Saturday would be standing around under the ramadas, slapping each other on the shoulder thinking about Saturday night. Those who hadn't started already. And Jimmy Robles would smile at everybody and be friendly because he liked this day better than any other. People were easier to get along with. Even the Americans. Being deputy sheriff of Arivaca wasn't a hard job, but Jimmy Robles was new. And his newness made him unsure. Not confident of his ability to uphold the law and see that the goods and rights of these people were protected while they got drunk on Saturday night.
The sheriff, John Benedict, had appointed him a month before because he thought it would be good for the Mexican population. One of their own boys. John Benedict said you performed your duty "in the name of the law." That was the thing to remember. And it made him feel uneasy because the law was such a big thing. And justice. He wished he could picture something other than that woman with the blindfold over her eyes. John Benedict spoke long of these things. He was a great man. Not only had he made him deputy, but John Benedict had given him a pair of American boots and a pistol, free, which had belonged to a man who had been hanged the month before. Tio Robles had told him to destroy the hanged man's goods, for it was a bad sign; but that's all Tio knew about it. He was too much Mexicano. He would go on sweating at the wagonyard, grumbling, and drinking more mescal than he could hold. It was good he lived with Tio and was able to keep him out of trouble. Not all, some.
His head was down against the glare and he watched his booted feet move over the street dust, lost in thought. But the gunfire from up-street brought him to instantly. He broke into a slow trot, seeing a lone man in the street a block ahead. As he approached him, he angled toward the boardwalk lining the buildings.
Sid Roman stood square in the middle of the street with his feet planted wide. There was a stubble of beard over the angular lines of his lower face and his eyes blinked sleepily. He jabbed another cartridge at the open cylinder of the Colt, and fumbled trying to insert it into one of the small openings. The nose of the bullet missed the groove and slipped from his fingers. Sid Roman was drunk, which wasn't unusual, though it wasn't evident from his face. The glazed expression was natural. Behind him, two men with their hats tilted loosely over their eyes sat on the steps of the Samas Cafe, their boots stretched out into the street. A half-full bottle was between them on the ramada step. A third man lounged on his elbows against the hitch rack, leaning heavily like a dead weight. Jimmy Robles moved off the boardwalk and stood next to the man on the hitch rack.
Sid Roman loaded the pistol and waved it carelessly over his head. He tried to look around at the men behind him without moving his feet and stumbled off balance, almost going down.
"Come on . . . who's got the money!" His eyes, heavy lidded, went to the two men on the steps.
"Hey, Walt, dammit! Put up your dollar!"
The one called Walt said, "I got it. Go ahead and shoot," and hauled the bottle up to his mouth. Sid Roman yelled to the man on the hitch rack, "You in, Red?" The man looked up, startled, and stared around as if he didn't know where he was. Roman waved his pistol toward the high front of the saloon across the street. supreme, in foot-high red letters, ran across the board hanging from the top of the ramada. "A dollar I put five straight in the top loop of the P. " He slurred his words impatiently. Jimmy Robles heard the man next to him mumble, "Sure, Sid." He looked at the sign, squinting hard, but could not make out any bullet scars near the P. Maybe there was one just off to the left of the S. He waited until the cowman turned and started to raise the Colt.
"Hey, Sid." Jimmy Robles smiled at him like a friend. "I got some good targets out
back of the jail."
Aiming, Sid Roman turned irritably, hot in the face. Then the expression was blank and glassy again.
"How'd you know my name?" Jimmy Robles smiled, embarrassed. "I just heard this man call you that."
Roman looked at him a long time. "Well you heard wrong," he finally said. "It's Mr. Roman."
A knot tightened the deputy's mouth, but he kept the smile on his lips even though its meaning was gone. "All right, mester. It's all the same to me."
John Benedict said you had to be courteous. The man was staring at him hard, weaving slightly. He had heard of Sid Roman, old man Remillard's top hand, but this was the first time he had seen him close. He stared back at the beardgrubby face and felt uneasy because the face was so expressionless--looking him over like he was a dead tree stump. Why couldn't he get laughing drunk like the Mexican boys, then he could be laughing, too, when he took his gun away from him.
"Why don't you just keep your mouth shut," Roman said, as if that was the end of it. But then he added, "Go on and sweep out your jailhouse," grinning and looking over at the men on the steps. The one called Walt laughed out and jabbed at the other man with his elbow.
Jimmy Robles held on to the smile, gripping it with only his will now. He said, "I'm just thinking of the people. If a stray shot went inside, somebody might get hurt."
"You saying I can't shoot, or're you just chicken scared!"
"I'm just saying there are many people on the street and inside there."
"You're talking awful damn big for a dumb Mex kid. You must be awful dumb." He looked toward the steps, handling the pistol idly. "He must be awful dumb, huh, Walt?"
Jimmy Robles heard the one called Walt mumble, "He sure must," but he kept his eyes on Roman, who walked up to him slowly, still looking at him like he was a stump or something that couldn't talk back or hear. Now, only a few feet away, he saw a glimmer in the sleepy eyes as if a new thought was punching its way through his head.
"Maybe we ought to learn him something, Walt. Seeing he's so dumb." Grinning now, he looked straight into the Mexican boy's eyes. "Maybe I ought to shoot his ears off and give 'em to him for a present. What you think of that, Walt?"