Mould
A short story
by BP Gregory
Mould Copyright © 2013 BP Gregory.
Lunchbox Copyright © 2015 BP Gregory.
All Rights Reserved.
ALL RIGHTS RESERVED. This work is copyright apart from any use permitted under the Copyright Act 1968. This work may not be reproduced or transmitted in part or in its entirety in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, nor may any other exclusive right be exercised, without the prior written consent of the author BP Gregory, except where permitted by law.
This is a work of fiction. Places and place names are either fictional, or used fictitiously. Any resemblance to persons either living or dead is purely co-incidental.
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Acknowledgments
Mould cover image by Andy Dean Photography courtesy of Shutterstock.
Something for Everything cover image by MarcelClemens, The Town cover image by Ortodox, Lunchbox cover image by kamontad999 (along with a millipede by Sakdinon Kadchiangsaen), Orotund cover image by Alex Malikov, and Visit the House image by Peter Dedeurwaerder all courtesy of Shutterstock.
Mould appeared on creepypasta.com in 2014.
Mould
My best friend was in Pompeii.
I wasn’t, of course, or I wouldn’t be standing here staring down at a museum display titled “A BLAST FROM THE PAST!!!” A kitsch red LED volcano flickering gently in the background, flinging deep shadows across expressions of abject misery behind a velvet rope for the small children to point sticky fingers at. Speakers rumble in the distance. One little girl bursts into inconsolable howling at the sight; or perhaps it’s the ruddy glowering threat that the same’s imminent to be visited on us. I like her immensely. Her father carries her out.
In fact, some years before Pompeii’s last days came about I had found myself dutifully lugging my scant possessions down the road with tail tucked between my legs; off to marry, of all things. That’s what you did back then when your family saw fit to offload you; and should be the match be prestigious enough “poof!” you were magically absolved of the past to boot – not even the neighbours could sneer behind closed doors anymore. Far away and footsore, then. Out of sour, miserably small mind and all that.
The distance didn’t matter, of course; my best friend and I were soul mates. I never ventured far before I could feel the line drawing me back in, calling me home. Our simpatico a secret treasure; far too precious to sport on your sleeve because so rare, as much then as now. Women don’t ever seem to connect, not truly. They’ve sharp noses for challenge, and too readily recognise and condemn what lurks within. How are you expected to place faith in a mysterious threatening other when personal trust barely stretches so far as you could throw yourself?
But we had somehow weathered that giggly, prickly rivalry of youth when any second double-edged friendship can slide into outright envious warfare, sparking bitter feuds to last the ages. I’d no reason on earth to disbelieve we would hobble on together into our decline, achieving that comfortable state where it no longer matters what hell your crumbling shell resembles or how it’s dressed.
And then at last two alike minds could tentatively reach out and clasp hands; honouring other, recognising self.
And she … she helped me. My best friend helped me when nobody else could. There’d not been another soul under all the wide skies like her: the natural outcast, the outsider; none other to so much as recognise my peril. Even I ascertained the threat only vaguely. To me it was no more than a dim line of smoke barely noticed, way off in the distance. Who could see harm in the tiny cough of a newly arrived baby?
Afterward, there were never any accusations of crime: where’s the point when it burns in every eye until the very air ignites? For decency’s sake I had to abandon home and trudge into the unknown to join some fat bastard I’d never met in holy matrimony.
Thus I escaped Pompeii, and so my name has changed over and again along with the multitudes of the living, heaving world. But not so those who were there, left mute and encysted. Not her. And it grieves me deeply to recall how pertly she’d once turned up her nose at donning a nicer dress, at playing along, her flat refusal in short to be any damn thing but herself; because now she never will be.
But she remains my best friend. Our hold is firm. Every time I am squeezed into life, thrust out into the world through blood and muck she is the very first thing I feel: before light, before air. And that’s when I remember Pompeii. I even used to hear her murmuring, sealed away down there. So I guess in a way I’m no more than myself, either.
They went and dug up the town – many many years later, of course. Avid for knowledge, sick enough for sensation to go grubbing around in the dirt. They mixed buckets of cold plaster on site, their improvised wooden paddles going round and round in the thin early Mediterranean light. It would have been hard messy work; arm muscles already burning, shoulders stuffed with ache and complaint. Shoes splattered for the wife to shriek at when they got home.
With long thin tools they drilled down to Pompeii’s lost people, who cried out with joy at that first hint of sunlight and air. Finally after all this crushing immobile time there came to the buried hope of rescue, of freedom. I heard my best friend, as the drill whined its way through pumice and compressed ash. While flakes of burned building sifted down onto her. Everyone and their lives were down there: my family, all those sullen despised neighbours; and in fact I’ve recognised familiar contortions in the frozen grimaces at the museum; but I’ve never heard any of the others. What do I care for them, anyhow? None of them ever helped me.
I heard my friend weeping, too overburdened to bear it.
But those who had not yet managed to go mad sealed down in the dark had another thing coming, for in went the plaster. The merest golden hint of the wild free sky gleaming in – oh sweet heaven yes, deliver us! Do you remember birds? I remember birds – but then a deluge of thick icy cold clotted down the tube and salvation was blotted out. Thrashing in the dark, screams turning to heavy choked gurgles as the narrow space filled.
The cold was so intense that my breath frosted out of my lungs in a rush, painfully colder than the surrounding air. I was sped to hospital where conscientious staff irrigated my abdominal cavity with warm saline and, when I shuddered and flailed awake, rather gleefully announced that I’d been dead for four whole minutes. Gathered excitedly about my bed they were so very proud of resuscitating me, and didn’t at all understand why I wept.
I think I tried to rush to my friend and gather her in my arms, straining to pull her from her prison. But four minutes was just not long enough. I still heard her shrieking hysterically for succour, as they all must have screamed; those who waited so long in the dark and ought to have been saved. As the frigid killing cold consumed them. Not only a new sensation but a final one, filling up everything until cold was all there was left, and it went on forever.
As the plaster stiffened so did they; and although I still feel her drawing me home I have heard my best friend’s voice no more. She inhabits a hard, silent place in my mind now. And she’s so profoundly cold.
And I, who deserved it so much less; I have lived my quiet times over and over. Always plagued with poor circulation, chill at the fingertips, at risk of losing them, I gravitate to warmer climes. Never too close to anybody.
I have borne children. I’ve sat blissfully in the sunlight. I visit the museum countless times, to stand and look on my friend’s horror-stricken face.
All I dare hope is that I might well be unto my best friend as she has been to me. And so the unchanging frozen scar on my soul which is forever entombed may, in her, bloom.
Mould
My best friend was in Pompeii. And like everybody else on that fateful day, she never left.
At 1,228 words Mould is the most obscure of a suite of short science fiction, urban fantasy and horror stories by BP Gregory, each its own little maelstrom of human suffering and longing.
You can enjoy Mould alone or as part of Orotund: Collected Short Stories Volume Two which is available in print.
If you’ve enjoyed this, please read on for special bonus short story Lunchbox.
Lunchbox
A short story
by BP Gregory
Lunchbox
We ended up going to a place I knew. John wasn’t sure if the bars he used to lurk about were still cool, or even open.
The cold air shocked him back to his senses, some. As we stumbled through a back street labyrinth you could see suspicion prodding with queries he ought to have blurted long before setting foot outside his front door. Just how well do you know your old buddy Charlie these days?
But the rose stained lure of good