I drop the sheet of paper on the desk, wanting it out of my hands. The paper feels like evidence, too. I don't want to touch it. "I don't know what it means."
I need water. It's the only thing I remember the taste of. Maybe because water has no taste.
"Did you write it?" she demands.
"How would I know?" I don't like the tone in my voice. I sound aggravated. I don't want her to think I'm aggravated with her.
She turns and walks swiftly to her backpack. She digs around inside and pulls out a pen, then walks back to me, shoving it in my hand. "Copy it."
She's bossy. I look down at the pen, rolling it between my fingers. I run my thumb across the embossed words printed down the side of it.
WYNWOOD-NASH FINANCIAL GROUP.
"See if your handwriting matches," she says. She flips the page over to the blank side and pushes it toward me. I catch her eyes, fall into them a little. But then I'm angry.
I hate that she thinks of this stuff first. I hold the pen in my right hand. It doesn't feel comfortable. I switch the pen to my left hand and it fits better. I'm a leftie.
I write the words from memory, and after she gets a good look at my handwriting, I flip the page back over.
The handwriting is different. Mine is sharp, concise. The other is loose and uncaring. She takes the pen and rewrites the words.
It's a perfect match. We both stare quietly at the paper, unsure if it even means anything. It could mean nothing. It could mean everything. The dirt on my sheets could mean everything. The blood-smeared handprint could mean everything. The fact that we can remember basic things but not people could mean everything. The clothes I'm wearing, the color of her nail polish, the camera on my desk, the photos on the wall, the clock above the door, the half-empty glass of water on the desk. I'm turning, taking it all in. It could all mean everything.
Or it could all mean absolutely nothing.
I don't know what to catalog in my mind and what to ignore. Maybe if I just fall asleep, I'll wake up tomorrow and be completely normal again.
"I'm hungry," she says.
She's watching me; strands of hair stand between me and a full view of her face. She's beautiful, but in a shameful way. One I'm not sure I'm supposed to appreciate. Everything about her is captivating, like the aftermath of a storm. People aren't supposed to get pleasure out of the destruction Mother Nature is capable of, but we want to stare anyway. Charlie is the devastation left in the wake of a tornado.
How do I know that?
Right now she looks calculating, staring at me like this. I want to grab my camera and take a picture of her. Something twirls in my stomach like ribbons, and I'm not sure if it's nerves or hunger or my reaction to the girl standing next to me.
"Let's go downstairs," I tell her. I reach for her backpack and hand it to her. I grab the camera from the dresser. "We'll eat while we search our things."
She walks in front of me, pausing at every picture between my room and the bottom of the stairwell. With each picture we pass, she trails her finger over my face, and my face alone. I watch as she quietly tries to figure me out through the series of photographs. I want to tell her she's wasting her time. Whoever is in those pictures, it isn't me.
As soon as we reach the bottom of the stairs, our ears are assaulted by a short burst of a scream. Charlie comes to a sudden halt and I bump into the back of her. The scream belongs to a woman standing in the doorway of the kitchen.
Her eyes are wide, darting from me to Charlie, back and forth.
She's clutching her heart, exhaling with relief.
She's not from any of the photographs. She's plump and older, maybe in her sixties. She's wearing an apron that reads, "I put the 'hor' in Hors d'oeuvres."
Her hair is pulled back, but she brushes away loose, grey strands as she blows out a calming breath. "Jesus, Silas! You scared me half to death!" She spins and heads into the kitchen. "You two better get back to school before your father finds out. I'm not lying for you."
Charlie is still frozen in front of me, so I place a hand against her lower back and nudge her forward. She glances at me over her shoulder. "Do you know..."
I shake my head, cutting off her question. She's about to ask me if I know the woman in the kitchen. The answer is no. I don't know her, I don't know Charlie, I don't know the family in the photos.
What I do know is the camera in my hands. I look down at it, wondering how I can remember everything there is to know about operating this camera, but I can't remember how I learned any of those things. I know how to adjust the ISO. I know how to adjust shutter speed to give a waterfall the appearance of a soft stream, or make each individual drop of water stand on its own. This camera has the ability to put the smallest detail in focus, like the curve of Charlie's hand, or the eyelashes lining her eyes, while everything else about her becomes a blur. I know that I somehow know the ins and outs of this camera better than I know what my own little brother's voice should sound like.
I wrap the strap around my neck and allow the camera to dangle against my chest as I follow Charlie toward the kitchen. She's walking with purpose. So far, I've concluded that everything she does has a purpose. She wastes nothing. Every step she takes appears to be planned out before she takes it. Every word she says is necessary. Whenever her eyes land on something, she focuses on it with all of her senses, as though her eyes alone could determine how something tastes, smells, sounds and feels. And she only looks at things when there's a reason for it. Forget the floors, the curtains, the photographs in the hall that don't have my face in them. She doesn't waste time on things that aren't of use to her.
Which is why I follow her when she walks into the kitchen. I'm not sure what her purpose is right now. It's either to find out more information from the housekeeper or she's on the hunt for food.
Charlie claims a seat at the massive bar and pulls out the chair next to her and pats it without looking up at me. I take the seat and set my camera down in front of me. She drops her backpack onto the counter and begins to unzip it. "Ezra, I'm starving. Is there anything to eat?"
My entire body swivels toward Charlie's on the stool, but it feels like my stomach is somewhere on the floor beneath me. How does she know her name?
Charlie glances at me with a quick shake of her head. "Calm down," she hisses. "It's written right there." She points at a note--a shopping list--lying in front of us. It's a pink stationary pad, personalized, with kittens lining the bottom of the page. At the top of the personalized stationary it reads, "Things Ezra needs right meow."
The woman closes a cabinet and faces Charlie. "Did you work up an appetite while you were upstairs? Because in case you weren't aware, they serve lunch at the school you should both be attending right now."
"You mean right meow," I say without thinking. Charlie spatters laughter, and then I'm laughing too. And it feels like someone finally let air into the room. Ezra, less amused, rolls her eyes. It makes me wonder if I used to be funny. I also smile, because the fact that she didn't appear confused by Charlie referring to her as Ezra means Charlie was right.
I reach over and run my hand along the back of Charlie's neck. She flinches when I touch her, but relaxes almost immediately when she realizes it's part of our act. We're in love, Charlie. Remember?
"Charlie hasn't been feeling well. I brought her here so she could nap, but she hasn't eaten today." I return my attention to Ezra and smile. "Do you have anything to make my girl feel better? Some soup or crackers, maybe?"
Ezra's expression softens when she sees the affection I'm showing Charlie. She grabs a hand towel and tosses it over her shoulder. "I'll tell you what, Char. How about I make you my grilled cheese specialty? It was your favorite back when you used to visit."
My hand stiffens against Charlie's neck. Back when you used to visit? We both look at each other, more questions clouding our eyes. Charlie nods. "Thank you, Ezra," she says.
Ezra shuts the refrigerator door with her hip and begins dropping i
tems onto the counter. Butter. Mayonnaise. Bread. Cheese. More cheese. Parmesan cheese. She lays a pan on the stove and ignites the flame. "I'll make you one, too, Silas," Ezra says. "You must have caught whatever bug Charlie has, because you haven't spoken to me this much since you hit puberty." She chuckles after her comment.
"Why don't I speak to you?"
Charlie nudges my leg and narrows her eyes. I shouldn't have asked that.
Ezra slides the knife into the butter and retrieves a slab of it. She smears it across the bread. "Oh, you know," she says, shrugging her shoulders. "Little boys grow up. They become men. Housekeepers stop being Aunt Ezra and return to just being housekeepers." Her voice is sad now.
I grimace, because I don't like learning about this side of myself. I don't want Charlie learning about this side of me.
My eyes fall to the camera in front of me. I power it on. Charlie begins rifling through her backpack, inspecting item after item.
"Uh oh," she says.
She's holding a phone. I lean over her shoulder and look at the screen with her, just as she switches the ringer to the on position. There are seven missed calls and even more texts, all from "Mom."
She opens the latest text message, sent just three minutes ago.
You have three minutes to call me back.
I guess I didn't think about the ramifications of us ditching school. The ramifications of parents we don't even remember. "We should go," I say to her.
We both stand at the same time. She throws her backpack over her shoulder and I grab my camera.
"Wait," Ezra says. "The first sandwich is almost done." She walks to the refrigerator and grabs two cans of Sprite. "This will help with her stomach." She hands me both sodas and then wraps the grilled cheese in a paper towel. Charlie is already waiting at the front door. Just as I'm about to walk away from Ezra, she squeezes my wrist. I face her again, and her eyes move from Charlie to me. "It's good to see her back here," Ezra says softly. "I've been worried how everything between both your fathers might have affected the two of you. You've loved that girl since before you could walk."
I stare at her, not sure how to process all the information I just received. "Before I could walk, huh?"
She smiles like she has one of my secrets. I want it back.
"Silas," Charlie says.
I shoot a quick smile at Ezra and head for Charlie. As soon as I reach the front door, the shrill ring on her phone startles her and it falls from her hands, straight to the floor. She kneels to pick it up. "It's her," she says, standing. "What should I do?"
I open the door and urge her outside by her elbow. Once the door is shut, I face her again. The phone is on its third ring. "You should answer it."
She stares at the phone, her fingers gripping tightly around it. She doesn't answer it, so I reach down and swipe right to answer. She crinkles up her nose and glares at me as she brings it to her ear. "Hello?"
We begin walking to the car, but I listen quietly at the broken phrases coming through her phone: "You know better," and "Skip school," and "How could you?" The words continue to come out of her phone, until we're both seated in my car with the doors shut. I start the car and the woman's voice grows quiet for several seconds. Suddenly, the voice is blaring through the speakers of my car. Bluetooth. I remember what Bluetooth is.
I place the drinks and sandwich on the center console and begin to back out of the driveway. Charlie still hasn't had a chance to respond to her mother, but she rolls her eyes when I look at her.
"Mom," Charlie says flatly, attempting to interrupt her. "Mom, I'm on my way home. Silas is taking me to my car."
There's a long silence that follows Charlie's words, and somehow her mother is much more intimidating when words aren't being yelled through the phone. When she does begin speaking again, her words come out slow and overenunciated. "Please tell me you did not allow that family to buy you a car."
Our eyes meet and Charlie mouths the word shit. "I...no. No, I meant Silas is bringing me home. Be there in a few minutes." Charlie fumbles with the phone in her hands, attempting to return to a screen that will allow her to end the call. I press the disconnect button on the steering wheel and end it for her.
She inhales slowly, turning to face her window. When she exhales, a small circle of fog appears against the window near her mouth. "Silas?" She faces me and arches a brow. "I think my mother may be a bitch."
I laugh, but offer no reassurance. I agree with her.
We're both quiet for several miles. I repeat my brief conversation with Ezra over and over in my head. I'm unable to push the scene out of my head, and she's not even my parent. I can't imagine what Charlie must be feeling right now after speaking to her actual mother. I think both of us have had the reassurance in the backs of our minds that once we came in contact with someone as close to us as our own parents, it would trigger our memory. I can tell by Charlie's reaction that she didn't recognize a single thing about the woman she spoke to on the phone.
"I don't have a car," she says quietly. I look over at her and she's drawing a cross with her fingertip on the fogged up window. "I'm seventeen. I wonder why I don't have a car."
As soon as she mentions the car, I remember that I'm still driving in the direction of the school, rather than wherever I need to be taking her. "Do you happen to know where you live, Charlie?"
Her eyes swing to mine, and in a split second the confusion on her face is overcome by clarity. It's fascinating how easily I can read her expressions now in comparison to earlier this morning. Her eyes are like two open books and I suddenly want to devour every page.
She pulls her wallet from her backpack and reads the address from her driver's license. "If you pull over we can put it in the GPS," she says.
I push the navigation button. "These cars are made in London. You don't have to idle to program an address into the GPS." I begin to enter her street number and I feel her watching me. I don't even have to see her eyes to know they're overflowing with suspicion.
I shake my head before she even asks the question. "No, I don't know how I knew that."
Once the address is entered, I turn the car around and begin to head in the direction of her house. We're seven miles away. She opens both sodas and tears the sandwich in half, handing me part of it. We drive six miles without speaking. I want to reach over and grab her hand to comfort her. I want to say something reassuring to her. If this were yesterday, I'm sure I would have done that without a second thought. But it's not yesterday. It's today, and Charlie and I are complete strangers today.
On the seventh and final mile, she speaks, but all she says is, "That was a really good grilled cheese. Make sure you tell Ezra I said so."
I slow down. I drive well below the speed limit until we reach her street, and then I stop as soon as I turn onto the road. She's staring out her window, taking in each and every house. They're small. One-story houses, each with a one-car garage. Any one of these houses could fit inside my kitchen and we'd still have room to cook a meal.
"Do you want me to go inside with you?"
She shakes her head. "You probably shouldn't. It doesn't sound like my mother likes you very much."
She's right. I wish I knew what her mother was referring to when she said that family. I wish I knew what Ezra was referring to when she mentioned our fathers.
"I think it's that one," she says, pointing to one a few houses down. I let off the gas and roll toward it. It's by far the nicest one on the street, but only because the yard was recently mowed and the paint on the window frames isn't peeling off in chunks.
My car slows and eventually comes to a stop in front of the house. We both stare at it, quietly taking in the vast separation between the lives we live. However, it's nothing like the separation I feel knowing we're about to have to split up for the rest of the night. She's been a good buffer between myself and reality.
"Do me a favor," I tell her as I put the car in park. "Look for my name in your caller ID. I want to see if I ha
ve a phone in here."
She nods and begins scrolling through her contacts. She swipes her finger across the screen and brings her phone to her ear, pulling her bottom lip in with her teeth to hide what looks like a smile.
Right when I open my mouth to ask her what just made her smile, a muffled ring comes from the console. I flip it open and reach in until I find the phone. When I look at the screen, I read the contact.
Charlie baby
I guess that answers my question. She must also have a nickname for me. I swipe answer and bring the phone to my ear. "Hey, Charlie baby."
She laughs, and it comes at me twice. Once through my phone and again from the seat next to me.
"I'm afraid we might have been a pretty cheesy couple, Silas baby," she says.
"Seems like it." I run the pad of my thumb around the steering wheel, waiting for her to speak again. She doesn't. She's still staring at the unfamiliar house.
"Call me as soon as you get a chance, okay?"
"I will," she says.
"You might have kept a journal. Look for anything that could help us."
"I will," she says again.
We're both still holding our phones to our ears. I'm not sure if she's hesitating to get out because she's scared of what she'll find inside or because she doesn't want to leave the only other person who understands her situation.
"Do you think you'll tell anyone?" I ask.
She pulls the phone from her ear, swiping the end button. "I don't want anyone to think I'm going crazy."
"You're not going crazy," I say. "Not if it's happening to both of us."
Her lips press into a tight, thin line. She gives her head the softest nod, as if it's made from glass. "Exactly. If I were going through this alone, it would be easy to just say I'm going crazy. But I'm not alone. We're both experiencing this, which means it's something else entirely. And that scares me, Silas."
She opens the door and steps out. I roll the window down as she closes the door behind her. She folds her arms over the windowsill and forces a smile as she gestures over her shoulder toward the house behind her. "I guess it's safe to say I won't have a housekeeper to cook me grilled cheese."