“It’s all right,” sang the Nightingale.
“It’s all right,” said the Man, and he held the Woman in his arms. “I think it will be all right.” He closed his eyes, too. “Anyway,” he said, “I don’t think the story’s over yet.”
And so, from that day to this, the Nightingale has sung his song at night.
In the spring and summer, when his heart is full and the nights are soft and warm, he sings his song of hope and remembrance, his song that no one can imitate and no one can describe.
In the day, too, he can sometimes be heard singing, but so can the blackbird and the thrush and many other singers, and the Nightingale is hard to hear. But in the night he is alone: he is the one who sings at night.
It was the only new idea the Nightingale had ever had, and he never had another one.
GREAT WORK OF TIME
I. THE SINGLE EXCURSION OF CASPAR LAST
IF WHAT I AM TO SET DOWN is a chronicle, then it must differ from any other chronicle whatever, for it begins, not in one time or place, but everywhere at once—or perhaps everywhen is the better word. It might be begun at any point along the infinite, infinitely broken coastline of time.
It might even begin within the forest in the sea: huge trees like American redwoods, with their roots in the black benthos, and their leaves moving slowly in the blue currents overhead. There it might end as well.
It might begin in 1893—or in 1983. Yes: it might be as well to begin with Last, in an American sort of voice (for we are all Americans now, aren’t we?). Yes, Last shall be first: pale, fattish Caspar Last, on excursion in the springtime of 1983 to a far, far part of the Empire.
The tropical heat clothed Caspar Last like a suit as he disembarked from the plane. It was nearly as claustrophobic as the hours he had spent in the middle seat of a three-across, economy-class pew between two other cut-rate, one-week-excursion, plane-fare-and-hotel-room holidaymakers in monstrous good spirits. Like them, Caspar had taken the excursion because it was the cheapest possible way to get to and from this equatorial backwater. Unlike them, he hadn’t come to soak up sun and molasses-dark rum. He didn’t intend to spend all his time at the beach, or even within the twentieth century.
It had come down, in the end, to a matter of money. Caspar Last last had never had money, though he certainly hadn’t lacked the means to make it; with any application he could have made good money as a consultant to any of a dozen research firms, but that would have required a certain subjection of his time and thought to others, and Caspar was incapable of that. It’s often said that genius can live in happy disregard of material circumstances, dress in rags, not notice its nourishment, and serve only its own abstract imperatives. This was Caspar’s case, except that he wasn’t happy about it: he was bothered, bitter, and rageful at his poverty. Fame he cared nothing for, success was meaningless except when defined as the solution to abstract problems. A great fortune would have been burdensome and useless. All he wanted was a nice bit of change.
He had decided, therefore, to use his “time machine” once only, before it and the principles that animated it were destroyed, for good he hoped. (Caspar always thought of his “time machine” thus, with scare-quotes around it, since it was not really a machine, and Caspar did not believe in time.) He would use it, he decided, to make money. Somehow.
The one brief annihilation of “time” that Caspar intended to allow himself was in no sense a test run. He knew that his “machine” would function as predicted. If he hadn’t needed the money, he wouldn’t use it at all. As far as he was concerned, the principles once discovered, the task was completed; like a completed jigsaw puzzle, it had no further interest; there was really nothing to do with it except gloat over it briefly and then sweep all the pieces randomly back into the box.
It was a mark of Caspar’s odd genius that figuring out a scheme with which to make money out of the past (which was the only “direction” his “machine” would take him) proved almost as hard, given the limitations of his process, as arriving at the process itself.
He had gone through all the standard wish fulfillments and rejected them. He couldn’t, armed with today’s race results, return to yesterday and hit the daily double. For one thing it would take a couple of thousand in betting money to make it worth it, and Caspar didn’t have a couple of thousand. More importantly, Caspar had calculated the results of his present self appearing at any point within the compass of his own biological existence, and those results made him shudder.
Similar difficulties attended any scheme that involved using money to make money. If he returned to 1940 and bought, say, two hundred shares of IBM for next to nothing: in the first place there would be the difficulty of leaving those shares somehow in escrow for his unborn self; there would be the problem of the alteration this growing fortune would have on the linear life he had actually lived; and where was he to acquire the five hundred dollars or whatever was needed in the currency of 1940? The same problem obtained if he wanted to return to 1623 and pick up a First Folio of Shakespeare, or to 1460 and a Gutenberg Bible: the cost of the currency he would need rose in relation to the antiquity, thus the rarity and value, of the object to be bought with it. There was also the problem of walking into a bookseller’s and plunking down a First Folio he had just happened to stumble on while cleaning out the attic. In any case, Caspar doubted that anything as large as a book could be successfully transported “through time.” He’d be lucky if he could go and return in his clothes.
Outside the airport, Caspar boarded a bus with his fellow excursionists, already hard at work with their cameras and index fingers as they rode through a sweltering lowland out of which concrete-block light industry was struggling to be born. The hotel in the capital was as he expected, shoddy-American and intermittently refrigerated. He ceased to notice it, forwent the complimentary rum concoction promised with his tour, and after asking that his case be put in the hotel safe—extra charge for that, he noted bitterly—he went immediately to the Hall of Records in the government complex. The collection of old survey maps of the city and environs were more extensive than he had hoped. He spent most of that day among them searching for a blank place on the 1856 map, a place as naked as possible of buildings, brush, water, and that remained thus through the years. He discovered one, visited it by unmuffled taxi, found it suitable. It would save him from the awful inconvenience of “arriving” in the “past” and finding himself inserted into some local’s wattle-and-daub wall. Next morning, then, he would be “on his way.” If he had believed in time, he would have said that the whole process would take less than a day’s time.
Before settling on this present plan, Caspar had toyed with the idea of bringing back from the past something immaterial: some knowledge, some secret that would allow him to make himself rich in his own present. Ships have gone down with millions in bullion: he could learn exactly where. Captain Kidd’s treasure. Inca gold. Archaeological rarities buried in China. Leaving aside the obvious physical difficulties of these schemes, he couldn’t be sure that their location wouldn’t shift in the centuries between his glimpse of them and his “real” life span; and even if he could be certain, no one else would have much reason to believe him, and he didn’t have the wherewithal to raise expeditions himself. So all that was out.
He had a more general, theoretical problem to deal with. Of course the very presence of his eidolon in the past would alter, in however inconsequential a way, the succeeding history of the world. The comical paradoxes of shooting one’s own grandfather and the like neither amused nor intrigued him, and the chance he took of altering the world he lived in out of all recognition was constantly present to him. Statistically, of course, the chance of this present plan of his altering anything significantly, except his own personal fortunes, was remote to a high power. But his scruples had caused him to reject anything such as, say, discovering the Koh-i-noor diamond before its historical discoverers. No: what he needed to abstract from the past was somethi
ng immensely trivial, something common, something the past wouldn’t miss but that the present held in the highest regard; something that would take the briefest possible time and the least irruption of himself into the past to acquire; something he could reasonably be believed to possess through simple historical chance; and something tiny enough to survive the cross-time “journey” on his person.
It had come to him quite suddenly—all his ideas did, as though handed to him—when he learned that his great-great-grandfather had been a commercial traveler in the tropics, and that in the attic of his mother’s house (which Caspar had never had the wherewithal to move out of ) some old journals and papers of his still moldered. They were, when he inspected them, completely without interest. But the dates were right.
Caspar had left a wake-up call at the desk for before dawn the next morning. There was some difficulty about getting his case out of the safe, and more difficulty about getting a substantial breakfast served at that hour (Caspar expected not to eat during his excursion), but he did arrive at his chosen site before the horrendous tropical dawn broke, and after paying the taxi, he had darkness enough left in which to make his preparations and change into his costume. The costume—a linen suit, a shirt, hat, boots—had cost him twenty dollars in rental from a theatrical costumer, and he could only hope it was accurate enough not to cause alarm in 1856. The last item he took from his case was the copper coin, which had cost him quite a bit, as he needed one unworn and of the proper date. He turned it in his fingers for a moment, thinking that if, unthinkably, his calculations were wrong and he didn’t survive this journey, it would make an interesting obol for Charon.
Out of the unimaginable chaos of its interminable stochastic fiction, Time thrust only one unforeseen oddity on Caspar Last as he, or something like him, appeared beneath a plantain tree in 1856: he had grown a beard almost down to his waist. It was abominably hot.
The suburbs of the city had of course vanished. The road he stood by was a muddy track down which a cart was being driven by a tiny and close-faced Indian in calico. He followed the cart, and his costume boots were caked with mud when at last he came into the center of town, trying to appear nonchalant and to remember the layout of the city as he had studied it in the maps. He wanted to speak to no one if possible, and he did manage to find the post office without affecting, however minutely, the heterogeneous crowd of blacks, Indians, and Europeans in the filthy streets. Having absolutely no sense of humor and very little imagination other than the most rigidly abstract helped to keep him strictly about his business and not to faint, as another might have, with wonder and astonishment at his translation, the first, last, and only of its kind a man would ever make.
“I would like,” he said to the mulatto inside the brass and mahogany cage, “an envelope, please.”
“Of course, sir.”
“How long will it take for a letter mailed now to arrive locally?”
“Within the city? It would arrive in the afternoon post.”
“Very good.”
Caspar went to a long, ink-stained table, and with one of the steel pens provided, he addressed the envelope to Georg von Humboldt Last, Esq., Grand Hotel, City, in the approximation of an antique round hand that he had been practicing for weeks. There was a moment’s doubt as he tried to figure how to fold up and seal the cumbersome envelope, but he did it, and gave this empty missive to the incurious mulatto. He slipped his precious coin across the marble to him. For the only moment of his adventure, Caspar’s heart beat fast as he watched the long, slow brown fingers affix a stamp, cancel and date it with a pen-stroke, and drop it into a brass slot like a hungry mouth behind him.
It only remained to check into the Grand Hotel, explain about his luggage’s being on its way up from the port, and sit silent on the hotel terrace, growing faint with heat and hunger and expectation, until the afternoon post.
The one aspect of the process Caspar had never been able to decide about was whether his eidolon’s residence in the fiction of the past would consume any “time” in the fiction of the present. It did. When, at evening, with the letter held tight in his hand and pressed to his bosom, Caspar reappeared beardless beneath the plantain tree in the traffic-tormented and smoky suburb, the gaseous red sun was squatting on the horizon in the west, just as it had been in the same place in 1856.
He would have his rum drink after all, he decided.
“Mother,” he said, “do you think there might be anything valuable in those papers of your great-grandfather’s?”
“What papers, dear? Oh—I remember. I couldn’t say. I thought once of donating them to a historical society. How do you mean, valuable?”
“Well, old stamps, for one thing.”
“You’re free to look, Caspar dear.”
Caspar was not surprised (though he supposed the rest of the world was soon to be) that he found among the faded, water-spotted diaries and papers an envelope that bore a faint brown address—it had aged nicely in the next-to-no-time it had traveled “forward” with Caspar—and that had in its upper-right-hand corner a one-penny magenta stamp, quite undistinguished, issued for a brief time in 1856 by the Crown Colony of British Guiana.
The asking price of the sole known example of this stamp, a “unique” owned by a consortium of wealthy men who preferred to remain anonymous, was a million dollars. Caspar Last had not decided whether it would be more profitable for him to sell the stamp itself, or to approach the owners of the unique, who would certainly pay a large amount to have it destroyed, and thus preserve their unique’s uniqueness. It did seem a shame that the only artifact man had ever succeeded in extracting from the nonexistent past should go into the fire, but Caspar didn’t really care. His own bonfire—the notes and printouts, the conclusions about the nature and transversability of time and the orthogonal logic by which it was accomplished—would be only a little more painful.
The excursion was over; the only one that remained to him was the brief but, to him, all-important one of his own mortal span. He was looking forward to doing it first class.
II. AN APPOINTMENT IN KHARTOUM
IT MIGHT BE BEGUN VERY DIFFERENTLY, though; and it might now be begun again, in a different time and place, like one of those romances by Stevenson, where different stories only gradually reveal themselves to be parts of a whole…
The paradox is acute, so acute that the only possible stance for a chronicler is to ignore it altogether, and carry on. This, the Otherhood’s central resignation, required a habit of mind so contrary to ordinary cause-and-effect thinking as to be, literally, unimaginable. It would only have been in the changeless precincts of the Club they had established beyond all frames of reference, when deep in leather armchairs or seated all together around the long table whereon their names were carved, that they dared reflect on it at all.
Take, for a single but not a random instance, the example of Denys Winterset, twenty-three years old, Winchester, Oriel College, younger son of a well-to-do doctor and in 1956 ending a first year as assistant district commissioner of police in Bechuanaland.
He hadn’t done strikingly well in his post. Though on the surface he was exactly the sort of man who was chosen, or who chose himself, to serve the Empire in those years—a respectable second at Oxford, a cricketer more steady than showy, a reserved, sensible, presentable lad with sound principles and few beliefs—still there was an odd strain in him. Too imaginative, perhaps; given to fits of abstraction, even to what his commissioner called “tears, idle tears.” Still, he was resourceful and hardworking; he hadn’t disgraced himself, and he was now on his way north on the Cape-to-Cairo Railroad, to take a month’s holiday in Cairo and England. His anticipation was marred somewhat by a sense that, after a year in the veldt, he would no longer fit into the comfortable old shoe of his childhood home; that he would feel as odd and exiled as he had in Africa. Home had become a dream, in Bechuanaland; if, at home, Bechuanaland became a dream, then he would have no place real at all to be at home in
; he would be an exile for good.
The high veldt sped away as he was occupied with these thoughts, the rich farmlands of Southern Rhodesia. In the saloon car a young couple, very evidently on honeymoon, watched expectantly for the first glimpse of the eternal rainbow, visible miles off, that haloed Victoria Falls. Denys watched them and their excitement, feeling old and wise. Americans, doubtless: they had that shy, inoffensive air of all Americans abroad, that wondering quality as of children let out from a dark and oppressive school to play in the sun.
“There!” said the woman as the train took a bend. “Oh, look, how beautiful!”
Even over the train’s sound they could hear the sound of the falls now, like distant cannon. The young man looked at his watch and smiled at Denys. “Right on time,” he said, and Denys smiled too, amused to be complimented on his railroad’s efficiency. The Bulawayo Bridge—longest and highest span on the Cape-to-Cairo line—leapt out over the gorge. “My God, that’s something,” the young man said. “Cecil Rhodes built this, right?”
“No,” Denys said. “He thought of it, but never lived to see it. It would have been far easier to build it a few miles up, but Rhodes pictured the train being washed in the spray of the falls as it passed. And so it was built here.”
The noise of the falls was immense now, and weirdly various, a medley of cracks, thumps, and explosions playing over the constant bass roar, which was not so much like a noise at all as it was like an eternal deep-drawn breath. And as the train chugged out across the span, aimed at Cairo thousands of miles away, passing here the place so hard-sought-for a hundred years ago—the place where the Nile had its origin—the spray did fall on the train just as Cecil Rhodes had imagined it, flung spindrift hissing on the locomotive, drops speckling the window they looked out of and rain-bowing in the white air. The young Americans were still with wonder, and Denys, too, felt a lifting of his heart.