They came from a land below the earth, she said. There it is always twilight, “like this,” she said, gesturing to include the dimness of the house, the crepuscular fast-darkening blue of the doorway and the window, perhaps also the birds sleepily speaking and the hush of evening wind in the leaves outside. It was cool there; the rushing cool breath the villagers had noticed coming even in high summer from the Wolf-pits was the exhalation of her country. Everyone there was the same hue as herself; she had been as much frightened, she said, by the woman’s odd color as by the unbearable brilliance of the sun.
She and her brother were shepherd’s children, and had gone in search of a lost lamb. They had got lost themselves, and after a long fearful time had heard, far off, a bell ringing. They had followed the sound of the bell, and had found the exit of the pit.
Would they go home again? the woman asked. No, they could not. Whatever is an exit from that country, the girl said, is not an entrance; she was sure of that, though why this should be so she couldn’t explain. They couldn’t go back that way again. Her brother, she said, wouldn’t believe this; but it was so.
Night had come, and the woman again offered the girl the bowl of sweet milk. She took it now, with a kind of reverent fear, and as carefully as though it were mass-wine, she drank some. She gave the bowl back to the woman, wiping her mouth with the back of her hand, her face frightened yet resolute, as though she had drunk poison on purpose. The woman put her to sleep on the bed with her brother, and curled up herself on the floor. In the night she heard the boy more than once awake and cry; but the girl cried no more. Years later the woman would look back and try to remember if the girl had ever cried again; and did not remember that she ever had.
In the morning the priest came. He questioned the children closely. The boy hid himself behind his sister and was silent, but the girl, less tongue-tied now, told in her strange accents what she had told the woman the previous evening, shyly insisting this was the truth, though the priest tried subtly to trap her into an admission that they were of the devil, either minor demons themselves or figments created by the devil to lead mortals into error. They had no fear of his cross or of the saints’ relics he had brought in a glass vial; yet the girl could not answer any questions he put to her about their Savior, the church, heaven or hell. At last the priest slapped his knees and rose, saying that he couldn’t tell who or what they might be, but they must at least be baptized. And so they were.
The boy remained inconsolable. He would not eat any food but beans, which he gorged on ravenously, without seeming to gain nourishment from them; he spoke only to his sister, in words no one else understood. He wasted rapidly. His sister would let no one else nurse him, not the woman, especially not the fairy doctor, though it was clear the boy declined; soon he even ceased to weep. In the middle of one night, the girl woke the woman and, dry-eyed, told her that her brother was dead. After some thought and prayer, the priest determined that he might be buried on consecrated ground.
The girl continued to live with the woman, who was childless and a widow. She came to eat human food without difficulty, and in time lost most of her green color, though her eyes remained large and strangely golden, like a cat’s, and she never grew to proper size, but remained always tiny, thin, and somewhat insubstantial. She helped the woman about the house; she herded the village sheep, she heard Mass on Sundays and holy days, she went to processions and festivals in the village. The priest, still alert for devilish signs, heard stories that she was wanton and had no modesty and that any boy who asked her in the right way might have her under the hedge; but she was perhaps not the only one in the village of whom that might be said.
The woman, grateful that she had stayed and had not sickened like her brother, ceased asking her about her far country and what went on there; but many others wanted to hear her story, and came from some distance away to question her. She received them all, sitting in the chimney corner in her best dress, and rehearsed the tale for them; and over time it grew a little longer. She said that the name of her country was St. Martin’s Land, because St. Martin was its patron. The green people there were Christian, she said, and worshiped our Savior, but on Saturdays like the Jews. She said that at the border of her country was a wide river, and beyond that river was a bright country where she had always longed to travel but could never reach. When she talked of this bright land, her pale eyes sometimes grew tears. The woman, old now, hearing her tell these things, and remembering how before the priest she had been ignorant of religion, wondered if these stories were not substitutes for true memories of her far dark country, which she had lost over time as she had lost her twilight color.
Eventually, it is recorded, the green child married a man at Lenna, and there “survived many years.” It’s not recorded what sort of man he was, or what sort of wife she made; nor if there were children of this union, and, if so, whether the blood in them of the land their mother called St. Martin’s Land made them different from other children. If there were children, and children of those children, so that in some way that green land elsewhere and also the distant bright country glimpsed across the wide river entered our plain human race, it must surely be so diluted now, so bound up and drowned in daylight and red blood, as not to be present in us at all.
William of Newburgh says these events took place in the reign of King Stephen, and that at first he didn’t believe the story, but that later the general testimony compelled him to believe it to be true.
NOVELTY
I
HE FOUND, QUITE SUDDENLY and just as he took a stool midway down the bar, that he had been vouchsafed a theme. A notion about the nature of things that he had been turning over in his mind for some time had become, without his ever choosing it, the theme of a book. It had “fallen into place,” as it’s put, like the tumblers of a lock that a safecracker listens to, and—so he experienced it—with the same small, smooth sound.
The theme was the contrary pull men feel between Novelty and Security. Between boredom and adventure, between safety and dislocation, between the snug and the wild. Yes! Not only a grand human theme, but a truly mammalian theme, perhaps the only one. Curiosity killed the cat, we are warned, and warned with good reason, and yet we are curious. Cats could be a motif: cats asleep, taking their ease in that superlatively comfortable way they have—you feel drowsy and snug just watching them. Cats on the prowl, endlessly prying. Cats tiptoe-walking away from fearsome novelty, hair on fire and faces shocked. He chuckled, pleased with this, and lifted the glass that had been set before him. From the great window south light poured through the golden liquor, refracted delicately by ice.
The whole high front of the Seventh Saint Bar & Grill where he sat is of glass, floor to ceiling, a glass divided by vertical beams into a triptych and deeply tinted brown. During the day nothing of the dimly lit interior of the bar can be seen from the outside; walkers-by see only themselves, darkly; often they stop to adjust their clothing or their hair in what seems to them to be a mirror, or simply gaze at themselves in passing, momentarily but utterly absorbed, unaware that they are caught at it by watchers inside. (Or watcher, today, he being so far the bar’s sole customer.) Seen from inside the bar, the avenue, the stores opposite, the street glimpsed going off at right angles, the trapezoid of sky visible above the lower buildings, are altered by the tinted windows into an elsewhere, oddly peaceful, a desert or the interior of the sea. Sometimes when he has fallen asleep face upward in the sun, his dreams have taken on this quality of supernatural bright darkness.
Novelty. Security. Novelty wouldn’t be a bad title. It had the grandness of abstraction, alerting the reader that large and thoughtful things were to be bodied forth. As yet he had no inkling of any incidents or characters that might occupy his theme; perhaps he never would. He could see though the book itself, he could feel its closed heft and see it opened, white pages comfortably large and shadowed gray by print; dense, numbered, full of meat. He sensed a narrative voice, speaking calm
ly and precisely, with immense assurance building, building; a voice too far off for him to hear, but speaking.
The door of the bar opened, showing him a momentary oblong of true daylight, blankly white. A woman entered. He couldn’t see her face as she crossed to the bar in front of the window, but he could see, drawn with exactitude by the light behind her, her legs within a summery white dress. When young he had supposed, without giving it much thought, that women didn’t realize that sun behind them revealed them in this way; now he supposes that of course they must, and thinks about it.
“Well, look who’s here,” said the bartender. “You off today?”
“I took off,” she said, and as she took a seat between him and the window, he saw that she was known to him, that is, they had sat here in this relation before. “I couldn’t stand it anymore. What’s tall and cool and not too alcoholic?”
“How about a spritzer?”
“Okay.”
He caught himself staring fixedly at her, trying to remember if they had spoken before, and she caught him, too, raising her eyes to him as she lifted the pale drink to her lips, large dark eyes with startling whites; and looked away again quickly.
Where was he again? Novelty, security. He felt the feet of his attention skate out from under him in opposite directions. Should he make a note? He felt for the smooth shape of his pen in his pocket. “Theme for a novel: The contrary pull…” No. If this notion were real, he needn’t make a note. A notion on which a note had to be made would be stillborn anyway, his notebook was a parish register of such, born and dead on the same page. Let it live if it can.
But had he spoken to her before? What had he said?
II
When he was in college, a famous poet made a useful distinction for him. He had drunk enough in the poet’s company to be compelled to describe to him a poem he was thinking of. It would be a monologue of sorts, the self-contemplation of a student on a summer afternoon who is reading Euphues. The poem itself would be a subtle series of euphuisms, translating the heat, the day, the student’s concerns, into symmetrical posies; translating even his contempt and boredom with that famously foolish book into a euphuism.
The poet nodded his big head in a sympathetic, rhythmic way as this was explained to him, then told him that there are two kinds of poems. There is the kind you write; there is the kind you talk about in bars. Both kinds have value and both are poems; but it’s fatal to confuse them.
In the Seventh Saint, many years later, it had struck him that the difference between himself and Shakespeare wasn’t talent—not especially—but nerve. The capacity not to be frightened by his largest and most potent conceptions, to simply (simply!) sit down and execute them. The dreadful lassitude he felt when something really large and multifarious came suddenly clear to him, something Lear-sized yet sonnet-precise. If only they didn’t rush on him whole, all at once, massive and perfect, leaving him frightened and nerveless at the prospect of articulating them word by scene by page. He would try to believe they were of the kind told in bars, not the kind to be written, though there was no way to be sure of this except to attempt the writing; he would raise a finger (the novelist in the bar mirror raising the obverse finger) and push forward his change. Wailing like a neglected ghost, the vast notion would beat its wings into the void.
Sometimes it would pursue him for days and years as he fled desperately. Sometimes he would turn to face it, and do battle. Once, twice, he had been victorious, objectively at least. Out of an immense concatenation of feeling, thought, word, and transcendent meaning had come his first novel, a slim, silent pageant of a book, tombstone for his slain conception. A publisher had taken it, gingerly; had slipped it quietly into the deep pool of spring releases, where it sank without a ripple, and where he supposes it lies still, its calm Bodoni gone long since green. A second, just as slim but more lurid, nightmarish even, about imaginary murders in an imaginary exotic locale, had been sold for a movie, though the movie had never been made. He felt guilt for the producer’s failure (which perhaps the producer didn’t feel), having known the book could not be filmed; he had made a large sum, enough to finance years of this kind of thing, on a book whose first printing was largely returned.
His editor now and then took him to an encouraging lunch, and talked about royalties, advances, and upcoming titles, letting him know that whatever doubts he had she considered him a member of the profession, and deserving of a share in its largesse and its gossip; at their last one, some months before, she had pressed him for a new book, something more easily graspable than his others. “A couple of chapters, and an outline,” she said. “I could tell from that.”
Well, he was sort of thinking of something, but it wasn’t really shaping up, or rather it was shaping up rather like the others, into something indescribable at bottom…. “What it would be,” he said timidly, “would be sort of a Catholic novel, about growing up Catholic,” and she looked warily up at him over her Campari.
The first inkling of this notion had come to him the Christmas before, at his daughter’s place in Vermont. On Christmas Eve, as indifferent evening took hold in the blue squares of the windows, he sat alone in the crepuscular kitchen, imbued with a profound sense of the identity of winter and twilight, of twilight and time, of time and memory, of his childhood and that church which on this night waited to celebrate the second greatest of its feasts. For a moment or an hour as he sat, become one with the blue of the snow and the silence, a congruity of star, cradle, winter, sacrament, self, it was as though he listened to a voice that had long been trying to catch his attention, to tell him, Yes, this was the subject long withheld from him, which he now knew, and must eventually act on.
He had managed, though, to avoid it. He only brought it out now to please his editor, at the same time aware that it wasn’t what she had in mind at all. But he couldn’t do better; he had really only the one subject, if subject was the word for it, this idea of a notion or a holy thing growing clear in the stream of time, being made manifest in unexpected ways to an assortment of people: the revelation itself wasn’t important, it could be anything, almost. Beyond that he had only one interest, the seasons, which he could describe endlessly and with all the passion of a country-bred boy grown old in the city. He was coming to doubt (he said) whether these were sufficient to make any more novels out of, though he knew that writers of genius had made great ones out of less. He supposed really (he didn’t say) that he wasn’t a novelist at all, but a failed poet, like a failed priest, one who had perceived that in fact he had no vocation, had renounced his vows, and yet had found nothing at all else in the world worth doing when measured by the calling he didn’t have, and went on through life fatally attracted to whatever of the sacerdotal he could find or invent in whatever occupation he fell into, plumbing or psychiatry or tending bar.
III
“Boring, boring, boring,” said the woman down the bar from him. “I feel like taking off for good.” Victor, the bartender, chin in his hand and elbow on the bar, looked at her with the remote sympathy of confessors and bartenders.
“Just take off,” she said.
“So take off,” Victor said. “Jeez, there’s a whole world out there.”
She made a small noise to indicate she doubted there was. Her brilliant eyes, roving over her prospects, fell on his where they were reflected in the bar mirror. She gazed at him but (he knew) didn’t see him, for she was looking within. When she did shift focus and understand she was being regarded, she smiled briefly and glanced at his real person, then bent to her drink again. He summoned the bartender.
“Another, please, Victor.”
“How’s the writing coming?”
“Slowly. Very slowly. I just now thought of a new one, though.”
“Izzat so.”
It was so; but even as he said it, as the stirring stick he had just raised out of his glass dripped whiskey drop by drop back into it, the older notion, the notion he had been unable to describe at all adeq
uately to his editor, which he had long since dropped or thought he had dropped, stirred within him. Stirred mightily, though he tried to shut doors on it; stirred, rising, and came forth suddenly in all the panoply with which he had forgotten it had come to be dressed, its facets glittering, windows opening on vistas, great draperies billowing. It seemed to have grown old in its seclusion but more potent, and fiercely reproachful of his neglect. Alarmed, he tried to shelter his tender new notion of Novelty and Security from its onrush, but even as he attempted this, the old notion seized upon the new, and as he watched helplessly, the two coupled in an utter ravishment and interlacement, made for each other, one thing now and more than twice as compelling as each had been before. “Jesus,” he said aloud; and then looked up, wondering if he had been heard. Victor and the woman were tête-àtête, talking urgently in undertones.
IV
“I know, I know,” he’d said, raising a hand to forestall his editor’s objection. “The Catholic Church is a joke. Especially the Catholic Church I grew up in…”
“Sometimes a grim joke.”
“And it’s been told a lot. The nuns, the weird rules, all that decayed scholastic guff. The prescriptions, and the proscriptions—especially the proscriptions, all so trivial when they weren’t hurtful or just ludicrous. But that’s not the way it’s perceived. For a kid, for me, the church organized the whole world—not morally, either, or not especially, but in its whole nature. Even if the kid isn’t particularly moved by thoughts of God and sin—I wasn’t—there’s still a lot of church left over, do you see? Because all the important things about the church were real things: objects, places, words, sights, smells, days. The liturgical calendar. The Eastern church must be even more so. For me, the church was mostly about the seasons: it kept them in order. The church was coextensive with the world.”