Read Of Human Bondage Page 66


  ‘It's very hard to get jobs in these times. It's regular and it's safe; I expect you'll stay there as long as you give satisfaction.'

  It was evident that Athelny would. It was interesting to see the ascendancy which the uneducated woman, bound to him by no legal tie, had acquired over the brilliant, unstable man. Mrs Athelny treated Philip with motherly kindness now that he was in a different position, and he was touched by her anxiety that he should make a good meal. It was the solace of his life (and when he grew used to it, the monotony of it was what chiefly appalled him) that he could go every Sunday to that friendly house. It was a joy to sit in the stately Spanish chairs and discuss all manner of things with Athelny. Though his condition seemed so desperate he never left him to go back to Harrington Street without a feeling of exultation. At first Philip, in order not to forget what he had learned, tried to go on reading his medical books, but he found it useless; he could not fix his attention on them after the exhausting work of the day; and it seemed hopeless to continue working when he did not know in how long he would be able to go back to the hospital. He dreamed constantly that he was in the wards. The awakening was painful. The sensation of other people sleeping in the room was inexpressibly irksome to him; he had been used to solitude, and to be with others always, never to be by himself for an instant, was at these moments horrible to him. It was then that he found it most difficult to combat his despair. He saw himself going on with that life, ‘First to the right, second on the left, madam', indefinitely; and having to be thankful if he was not sent away: the men who had gone to the war would be coming home soon, the firm had guaranteed to take them back, and this must mean that others would be sacked; he would have to stir himself even to keep the wretched post he had.

  There was only one thing to free him and that was the death of his uncle. He would get a few hundred pounds then, and on this he could finish his course at the hospital. Philip began to wish with all his might for the old man's death. He reckoned out how long he could possibly live; he was well over seventy. Philip did not know his exact age, but he must be at least seventy-five; he suffered from chronic bronchitis and every winter had a bad cough. Though he knew them by heart Philip read over and over again the details in his text-book of medicine of chronic bronchitis in the old. A severe winter might be too much for the old man. With all his heart Philip longed for cold and rain. He thought of it constantly, so that it became a monomania. Uncle William was affected by the great heat too, and in August they had three weeks of sweltering weather. Philip imagined to himself that one day perhaps a telegram would come saying that the Vicar had died suddenly, and he pictured to himself his unutterable relief. As he stood at the top of the stairs and directed people to the departments they wanted, he occupied his mind with thinking incessantly what he would do with the money. He did not know how much it would be, perhaps no more than five hundred pounds, but even that would be enough. He would leave the shop at once, he would not bother to give notice, he would pack his box and go without saying a word to anybody; and then he would return to the hospital. That was the first thing. Would he have forgotten much? In six months he could get it all back, and then he would take his three examinations as soon as he could, midwifery first, then medicine and surgery. The awful fear seized him that his uncle, notwithstanding his promises, might leave everything he had to the parish or the church. The thought made Philip sick. He could not be so cruel. But if that happened Philip was quite determined what to do, he would not go on in that way indefinitely; his life was only tolerable because he could look forward to something better. If he had no hope he would have no fear. The only brave thing to do then would be to commit suicide, and, thinking this over too, Philip decided minutely what painless drug he would take and how he would get hold of it. It encouraged him to think that if things became unendurable, he had at all events a way out.

  ‘Second to the right, madam, and down the stairs. First on the left and straight through. Mr Philips, forward please.'

  Once a month, for a week, Philip was ‘on duty'. He had to go to the department at seven in the morning and keep an eye on the sweepers. When they finished he had to take the sheets off the cases and the models. Then, in the evening when the assistants left, he had to put back the sheets on the models and the cases and ‘gang' the sweepers again. It was a dusty, dirty job. He was not allowed to read or write or smoke, but just had to walk about, and the time hung heavily on his hands. When he went off at half past nine he had supper given him, and this was the only consolation; for tea at five o'clock had left him with a healthy appetite, and the bread and cheese, the abundant cocoa, which the firm provided, were welcome.

  One day when Philip had been at Lynn's for three months, Mr Sampson, the buyer, came into the department, fuming with anger. The manager, happening to notice the costume window as he came in, had sent for the buyer and made satirical remarks upon the colour scheme. Forced to submit in silence to his superior's sarcasm, Mr Sampson took it out of the assistants; and he rated the wretched fellow whose duty it was to dress the window.

  ‘If you want a thing well done you must do it yourself,' Mr Sampson stormed. ‘I've always said it and I always shall. One can't leave anything to you chaps. Intelligent you call yourselves, do you? Intelligent!'

  He threw the word at the assistants as though it were the bitterest term of reproach.

  ‘Don't you know that if you put an electric blue in the window it'll kill all the other blues?'

  He looked round the department ferociously, and his eye fell upon Philip.

  ‘You'll dress the window next Friday, Carey. Let's see what you can make of it.'

  He went into his office, muttering angrily. Philip's heart sank. When Friday morning came he went into the window with a sickening sense of shame. His cheeks were burning. It was horrible to display himself to the passers-by, and though he told himself it was foolish to give way to such a feeling he turned his back to the street. There was not much chance that any of the students at the hospital would pass along Oxford Street at that hour, and he knew hardly anyone else in London; but as Philip worked, with a huge lump in his throat, he fancied that on turning round he would catch the eye of some man he knew. He made all the haste he could. By the simple observation that all reds went together, and by spacing the costumes more than was usual, Philip got a very good effect; and when the buyer went into the street to look at the result he was obviously pleased.

  ‘I knew I shouldn't go far wrong in putting you on the window. The fact is, you and me are gentlemen; mind you, I wouldn't say this in the department, but you and me are gentlemen, and that always tells. It's no good your telling me it doesn't tell, because I know it does tell.'

  Philip was put on the job regularly, but he could not accustom himself to the publicity; and he dreaded Friday morning, on which the window was dressed, with a terror that made him awake at five o'clock and lie sleepless with sickness in his heart. The girls in the department noticed his shame-faced way, and they very soon discovered his trick of standing with his back to the street. They laughed at him and called him ‘sidey'.

  ‘I suppose you're afraid your aunt'll come along and cut you out of her will.'

  On the whole he got on well enough with the girls. They thought him a little queer, but his club-foot seemed to excuse his not being like the rest, and they found in due course that he was good-natured. He never minded helping anyone, and he was polite and even-tempered.

  ‘You can see he's a gentleman,' they said.

  ‘Very reserved, isn't he?' said one young woman to whose passionate enthusiasm for the theatre he had listened unmoved.

  Most of them had ‘fellers', and those who hadn't said they had rather than have it supposed that no one had an inclination for them. One or two showed signs of being willing to start a flirtation with Philip, and he watched their manoeuvres with grave amusement. He had had enough of love-making for some time; and he was nearly always tired and often hungry.

  CVI


  PHILIP AVOIDED the places he had known in happier times. The little gatherings at the tavern in Beak Street were broken up: Macalister, having let down his friends, no longer went there, and Hayward was at the Cape. Only Lawson remained; and Philip, feeling that now the painter and he had nothing in common, did not wish to see him; but one Saturday afternoon, after dinner, having changed his clothes he walked down Regent Street to go to the free library in St Martin's Lane, meaning to spend the afternoon there, and suddenly found himself face to face with him. His first instinct was to pass on without a word, but Lawson did not give him the opportunity.

  ‘Where on earth have you been all this time?' he cried.

  ‘I?' said Philip.

  ‘I wrote you and asked you to come to the studio for a beano and you never even answered.'

  ‘I didn't get your letter.'

  ‘No, I know. I went to the hospital to ask for you, and I saw my letter in the rack. Have you chucked the Medical?'

  Philip hesitated for a moment. He was ashamed to tell the truth, but the shame he felt angered him, and he forced himself to speak. He could not help reddening.

  ‘Yes, I lost the little money I had. I couldn't afford to go on with it.'

  ‘I say, I'm awfully sorry. What are you doing?'

  ‘I'm a shop-walker.'

  The words choked Philip, but he was determined not to shirk the truth. He kept his eyes on Lawson and saw his embarrassment. Philip smiled savagely.

  ‘If you went into Lynn and Sedley's, and made your way into the “Made Robes” department, you would see me in a frock-coat, walking about with a dégagé air and directing ladies who want to buy petticoats or stockings. “First to the right, madam, and second on the left.” '

  Lawson, seeing that Philip was making a jest of it, laughed awkwardly. He did not know what to say. The picture that Philip called up horrified him, but he was afraid to show his sympathy.

  ‘That's a bit of a change for you,' he said.

  His words seemed absurd to him, and immediately he wished he had not said them. Philip flushed darkly.

  ‘A bit,' he said. ‘By the way, I owe you five bob.'

  He put his hand in his pocket and pulled out some silver.

  ‘Oh, it doesn't matter. I'd forgotten all about it.'

  ‘Go on, take it.'

  Lawson received the money silently. They stood in the middle of the pavement, and people jostled them as they passed. There was a sardonic twinkle in Philip's eyes which made the painter intensely uncomfortable, and he could not tell that Philip's heart was heavy with despair. Lawson wanted dreadfully to do something, but he did not know what to do.

  ‘I say, won't you come to the studio and have a talk?'

  ‘No,' said Philip.

  ‘Why not?'

  ‘There's nothing to talk about.'

  He saw the pain come into Lawson's eyes, he could not help it, he was sorry, but he had to think of himself; he could not bear the thought of discussing his situation, he could endure it only by determining resolutely not to think about it. He was afraid of his weakness if once he began to open his heart. Moreover, he took irresistible dislikes to the places where he had been miserable; he remembered the humiliation he had endured when he had waited in that studio, ravenous with hunger, for Lawson to offer him a meal, and the last occasion when he had taken the five shillings off him. He hated the sight of Lawson because he recalled those days of utter abasement.

  ‘Then look here, come and dine with me one night. Choose your own evening.'

  Philip was touched with the painter's kindness. All sorts of people were strangely kind to him, he thought.

  ‘It's awfully good of you, old man, but I'd rather not.' He held out his hand. ‘Good-bye.'

  Lawson, troubled by a behaviour which seemed inexplicable, took his hand, and Philip quickly limped away. His heart was heavy; and, as was usual with him, he began to reproach himself for what he had done: he did not know what madness of pride made him refuse the offered friendship. But he heard someone running behind him and presently Lawson's voice calling him; he stopped and suddenly the feeling of hostility got the better of him; he presented to Lawson a cold, set face.

  ‘What is it?'

  ‘I suppose you heard about Hayward, didn't you?'

  ‘I know he went to the Cape.'

  ‘He died, you know, soon after landing.'

  For a moment Philip did not answer. He could hardly believe his ears.

  ‘How?' he asked.

  ‘Oh, enteric. Hard luck, wasn't it? I thought you mightn't know. Gave me a bit of a turn when I heard it.'

  Lawson nodded quickly and walked away. Philip felt a shiver pass through his heart. He had never before lost a friend of his own age, for the death of Cronshaw, a man so much older than himself, had seemed to come in the normal course of things. The news gave him a peculiar shock. It reminded him of his own mortality, for like everyone else Philip, knowing perfectly that all men must die, had no intimate feeling that the same must apply to himself; and Hayward's death, though he had long ceased to have any warm feeling for him, affected him deeply. He remembered on a sudden all the good talks they had had, and it pained him to think that they would never talk with one another again; he remembered their first meeting, and the pleasant months they had spent together in Heidelberg. Philip's heart sank as he thought of the lost years. He walked on mechanically, not noticing where he went, and realized suddenly, with a movement of irritation, that instead of turning down the Haymarket he had sauntered along Shaftesbury Avenue. It bored him to retrace his steps; and besides, with that news, he did not want to read, he wanted to sit alone and think. He made up his mind to go to the British Museum. Solitude was now his only luxury. Since he had been at Lynn's he had often gone there and sat in front of the groups from the Parthenon; and, not deliberately thinking, had allowed their divine masses to rest his troubled soul. But this afternoon they had nothing to say to him, and after a few minutes, impatiently, he wandered out of the room. There were too many people, provincials with foolish faces, foreigners poring over guide-books; their hideousness besmirched the everlasting masterpieces, their restlessness troubled the god's immortal repose. He went into another room and here there was hardly anyone. Philip sat down wearily. His nerves were on edge. He could not get the people out of his mind. Sometimes at Lynn's they affected him in the same way, and he looked at them file past him with horror; they were so ugly and there was such meanness in their faces, it was terrifying; their features were distorted with paltry desires, and you felt they were strange to any ideas of beauty. They had furtive eyes and weak chins. There was no wickedness in them, but only pettiness and vulgarity. Their humour was a low facetiousness. Sometimes he found himself looking at them to see what animal they resembled (he tried not to, for it quickly became an obsession), and he saw in them all the sheep or the horse or the fox or the goat. Human beings filled him with disgust.

  But presently the influence of the place descended upon him. He felt quieter. He began to look absently at the tombstones with which the room was lined. They were the work of Athenian stone-masons of the fourth and fifth centuries before Christ, and they were very simple, work of no great talent but with the exquisite spirit of Athens upon them; time had mellowed the marble to the colour of honey, so that unconsciously one thought of the bees of Hymettus, and softened their outlines. Some represented a nude figure, seated on a bench, some the departure of the dead from those who loved him, and some the dead clasping hands with one who remained behind. On all was the tragic word farewell; that and nothing more. Their simplicity was infinitely touching. Friend parted from friend, the son from his mother, and the restraint made the survivor's grief more poignant. It was so long, long ago, and century upon century had passed over that unhappiness; for two thousand years those who wept had been dust as those they wept for. Yet the woe was alive still, and it filled Philip's heart so that he felt compassion spring up in it, and he said:

  ‘Poor things, po
or things.'

  And it came to him that the gaping sightseers and the fat strangers with their guide-books, and all those mean, common people who thronged the shop, with their trivial desires and vulgar cares, were mortal and must die. They too loved and must part from those they loved, the son from his mother, the wife from her husband; and perhaps it was more tragic because their lives were ugly and sordid, and they knew nothing that gave beauty to the world. There was one stone which was very beautiful, a bas-relief of two young men holding each other's hand; and the reticence of line, the simplicity, made one like to think that the sculptor here had been touched with a genuine emotion. It was an exquisite memorial to that than which the world offers but one thing more precious, to a friendship; and as Philip looked at it, he felt the tears come to his eyes. He thought of Hayward and his eager admiration for him when first they met, and how disillusion had come and then indifference, till nothing held them together but habit and old memories. It was one of the queer things of life that you saw a person every day for months and were so intimate with him that you could not imagine existence without him; then separation came and everything went on in the same way, and the companion who had seemed essential proved unnecessary. Your life proceeded and you did not even miss him. Philip thought of those early days in Heidelberg when Hayward, capable of great things, had been full of enthusiasm for the future, and how, little by little, achieving nothing, he had resigned himself to failure. Now he was dead. His death had been as futile as his life. He died ingloriously, of a stupid disease, failing once more, even at the end, to accomplish anything. It was just the same now as if he had never lived.

  Philip asked himself desperately what was the use of living at all. It all seemed inane. It was the same with Cronshaw: it was quite unimportant that he had lived; he was dead and forgotten, his book of poems sold in remainder by second-hand booksellers; his life seemed to have served nothing except to give a pushing journalist occasion to write an article in a review. And Philip cried out in his soul: