I crept in, lifting the latch carefully so that I wouldn’t be noticed. The hymn was just finishing. Everyone was sitting down and coughing. I managed to squeeze myself in at the end of a pew and sat down too. The church was packed. A choir in red robes and white surplices sat on either side of the altar. The vicar was taking off his glasses and putting them away. I looked everywhere for Liza’s wild white curls, but could not find her. It was difficult for me to see much over everyone’s heads. Besides, some people were wearing hats, so I presumed she was too and stopped looking for her. She’d be there somewhere.
The vicar began. “Today was to be a great day, a happy day for all of us. Liza was to unveil her Rising Christ above the south door. It was her gift to us, to all of us who live here, and to everyone who will come here to our church in the centuries to come. Well, as we all now know, there was no unveiling, because she wasn’t here to do it. On Monday evening last she watched her Rising Christ winched into place. She died the next day.”
I didn’t hear anything else he said. It was only then that I saw the coffin resting on trestles between the pulpit and the lectern, with a single wreath of white flowers laid on it, only then that I took in the awful truth.
I didn’t cry as the coffin passed right by me on its way out of the church. I suppose I was still trying to believe it. I stood and listened to the last prayers over the grave, numb inside, grieving as I had never grieved before, or since, but still not crying. I waited until almost everyone had gone and went over to the grave. A man was taking off his jacket and hanging it on the branch of a tree. He spat on his hands, rubbed them and picked up his spade. He saw me. “You family?” he said.
“Sort of,” I replied. I reached inside my sweater and pulled out the boat drawing from Cadgwith. “Can you put it in?” I asked. “It’s a drawing. It’s for Liza.”
“Course,” he said, and he took it from me. “She’d like that. Fine lady, she was. The things she did with her hands. Magic, pure magic.”
It was just before Christmas the same year that a cardboard tube arrived in the post, addressed to me. I opened it in the secrecy of my room. A rolled letter fell out, typed and very short.
Dear Miss Mallet,
In her will, the late Liza Bonallack instructed us, her solicitors, to send you this drawing. We would ask you to keep us informed of any future changes of address.
With best wishes.
I unrolled it and spread it out. It was of me sitting on Peg, swathed in Arab clothes. Underneath was written:
For dearest Bonnie,
I never paid you for all that mucking out, did I? You shall have this instead, and when you are twenty-one you shall have the artist’s copy of our horse and rider sculpture. But by then you will be doing your own sculptures. I know you will.
God bless,
Liza.
So here I am, nearly thirty now. And as I look out at the settling snow from my studio, I see Liza’s horse and rider standing in my back garden, and all around, my own sculptures gathered in silent homage.
was near by anyway, so I had every excuse to do it, to ignore the old adage and do something I’d been thinking of doing for many years. “Never go back. Never go back.” Those warning words kept repeating themselves in my head as I turned right at the crossroads outside Tillingham and began to walk the few miles along the road back to my childhood home in Bradwell, a place I’d last seen nearly fifty years before. I’d thought of it since, and often. I’d been there in my dreams, seen it so clearly in my mind, but of course I had always remembered it as it had been then. Fifty years would have changed things a great deal, I knew that. But that was part of the reason for my going back that day, to discover how intact was the landscape of my memories.
I wondered if any of the people I had known then might still be there; the three Stebbing sisters perhaps, who lived together in the big house with honeysuckle over the porch, very proper people so Mother always wanted me to be on my best behaviour. It was no more than a stone’s throw from the sea and there always seemed to be a gull perched on their chimney pot. I remembered how I’d fallen ignominiously into their goldfish pond and had to be dragged out and dried off by the stove in the kitchen with everyone looking askance at me, and my mother so ashamed. Would I meet Bennie, the village thug who had knocked me off my bike once because I stupidly wouldn’t let him have one of my precious lemon sherbets? Would he still be living there? Would we recognise one another if we met?
The whole silly confrontation came back to me as I walked. If I’d had the wit to surrender just one lemon sherbet he probably wouldn’t have pushed me, and I wouldn’t have fallen into a bramble hedge and had to sit there humiliated and helpless as he collected up my entire bagful of scattered lemon sherbets, shook them triumphantly in my face, and then swaggered off with his cronies, all of them scoffing at me, and scoffing my sweets too. I touched my cheek then as I remembered the huge thorn I had found sticking into it, the point protruding inside my mouth. I could almost feel it again with my tongue, taste the blood. A lot would never have happened if I’d handed over a lemon sherbet that day.
That was when I thought of Mrs Pettigrew and her railway carriage and her dogs and her donkey, and the whole extraordinary story came flooding back crisp and clear, every detail of it, from the moment she found me sitting in the ditch holding my bleeding face and crying my heart out.
She helped me up on to my feet. She would take me to her home. “It isn’t far,” she said. “I call it Dusit. It is a Thai word which means ‘halfway to heaven’.” She had been a nurse in Thailand, she said, a long time ago when she was younger. She’d soon have that nasty thorn out. She’d soon stop it hurting. And she did.
The more I walked the more vivid it all became: the people, the faces, the whole life of the place where I’d grown up. Everyone in Bradwell seemed to me to have had a very particular character and reputation, unsurprising in a small village, I suppose: Colonel Burton with his clipped moustache, who had a wife called Valerie, if I remembered right, with black pencilled eyebrows that gave her the look of someone permanently outraged – which she usually was. Neither the colonel nor his wife was to be argued with. They ruled the roost. They would shout at you if you dropped sweet papers in the village street or rode your bike on the pavement.
Mrs Parsons, whose voice chimed like the bell in her shop when you opened the door, liked to talk a lot. She was a gossip, Mother said, but she was always very kind. She would often drop an extra lemon sherbet into your paper bag after she had poured your quarter pound from the big glass jar on the counter. I had once thought of stealing that jar, of snatching it and running off out of the shop, making my getaway like a bank robber in the films. But I knew the police would come after me in their shiny black cars with their bells ringing, and then I’d have to go to prison and Mother would be cross. So I never did steal Mrs Parsons’s lemon sherbet jar.
Then there was Mad Jack, as we called him, who clipped hedges and dug ditches and swept the village street. We’d often see him sitting on the churchyard wall by the mounting block eating his lunch. He’d be humming and swinging his legs. Mother said he’d been fine before he went off to the war, but he’d come back with some shrapnel from a shell in his head and never been right since, and we shouldn’t call him Mad Jack, but we did. I’m ashamed to say we baited him sometimes too, perching alongside him on the wall, mimicking his humming and swinging our legs in time with his.
But Mrs Pettigrew remained a mystery to everyone. This was partly because she lived some distance from the village and was inclined to keep herself to herself. She only came into the village to go to church on Sundays, and then she’d sit at the back, always on her own. I used to sing in the church choir, mostly because Mother made me, but I did like dressing up in the black cassock and white surplice and we did have a choir outing once a year to the cinema in Southminster – that’s where I first saw Snow White and Bambi and Reach for the Sky. I liked swinging the incense too, and sometimes I got t
o carry the cross, which made me feel very holy and very important. I’d caught Mrs Pettigrew’s eye once or twice as we processed by, but I’d always looked away. I’d never spoken to her. She smiled at people, but she rarely spoke to anyone; so no one spoke to her – not that I ever saw anyway. But there were reasons for this.
Mrs Pettigrew was different. For a start she didn’t live in a house at all. She lived in a railway carriage, down by the sea wall with the great wide marsh all around her. Everyone called it Mrs Pettigrew’s Marsh. I could see it best when I rode my bicycle along the sea wall. The railway carriage was painted brown and cream and the word PULLMAN was printed in big letters all along both sides above the windows. There were wooden steps up to the front door at one end, and a chimney at the other. The carriage was surrounded by trees and gardens, so I could only catch occasional glimpses of her and her dogs and her donkey, bees and hens. Tiny under her wide hat, she could often be seen planting out in her vegetable garden, or digging the dyke that ran around the garden like a moat, collecting honey from her beehives perhaps or feeding her hens. She was always outside somewhere, always busy. She walked or stood or sat very upright, I noticed, very neatly, and there was a serenity about her that made her unlike anyone else, and ageless too.
But she was different in another way. Mrs Pettigrew was not like the rest of us to look at, because Mrs Pettigrew was “foreign”, from somewhere near China, I had been told. She did not dress like anyone else either. Apart from the wide-brimmed hat, she always wore a long black dress buttoned to the neck. And everything about her, her face and her hands, her feet, everything was tidy and tiny and trim, even her voice. She spoke softly to me as she helped me to my feet that day, every word precisely articulated. She had no noticeable accent at all, but spoke English far too well, too meticulously, to have come from England.
So we walked side by side, her arm round me, a soothing silence between us, until we turned off the road on to the track that led across the marsh towards the sea wall in the distance. I could see smoke rising straight into the sky from the chimney of the railway carriage.
“There we are: Dusit,” she said. “And look who is coming out to greet us.”
Three greyhounds were bounding towards us followed by a donkey trotting purposefully but slowly behind them, wheezing at us rather than braying. Then they were gambolling all about us, and nudging us for attention. They were big and bustling, but I wasn’t afraid because they had nothing in their eyes but welcome.
“I call the dogs Fast, Faster and Fastest,” she told me. “But the donkey doesn’t like names. She thinks names are for silly creatures like people and dogs who can’t recognise one another without them. So I call her simply Donkey.” Mrs Pettigrew lowered her voice to a whisper. “She can’t bray properly – tries all the time but she can’t. She’s very sensitive too; takes offence very easily.” Mrs Pettigrew took me up the steps into her railway carriage home. “Sit down there by the window, in the light, so I can make your face better.”
I was so distracted and absorbed by all I saw about me that I felt no pain as she cleaned my face, not even when she pulled out the thorn. She held it out to show me. It was truly a monster of a thorn. “The biggest and nastiest I have ever seen,” she said, smiling at me. Without her hat on she was scarcely taller than I was. She made me wash out my mouth and bathed the hole in my cheek with antiseptic. Then she gave me some tea which tasted very strange but warmed me to the roots of my hair. “Jasmine tea,” she said. “It is very healing, I find, very comforting. My sister sends it to me from Thailand.”
The carriage was as neat and tidy as she was: a simple sitting room at the far end with just a couple of wicker chairs and a small table by the stove. And behind a half-drawn curtain I glimpsed a bed very low on the ground. There was no clutter, no pictures, no hangings, only a shelf of books that ran all the way round the carriage from end to end. From where I was sitting I could see out over the garden, then through the trees to the open marsh beyond.
“Do you like my house, Michael?” She did not give me time to reply. “I read many books, as you see,” she said. I was wondering how it was that she knew my name, when she told me. “I see you in the village sometimes, don’t I? You’re in the choir, aren’t you?” She leant forward. “And I expect you’re wondering why Mrs Pettigrew lives in a railway carriage.”
“Yes,” I said.
The dogs had come in by now and were settling down at our feet, their eyes never leaving her, not for a moment, as if they were waiting for an old story they knew and loved.
“Then I’ll tell you, shall I?” she began. “It was because we met on a train, Arthur and I – not this one, you understand, but one very much like it. We were in Thailand. I was returning from my grandmother’s house to the city where I lived. Arthur was a botanist. He was travelling through Thailand collecting plants and studying them. He painted them and wrote books about them. He wrote three books; I have them all up there on my shelf. I will show you one day – would you like that? I never knew about plants until I met him, nor insects, nor all the wild creatures and birds around us, nor the stars in the sky. Arthur showed me all these things. He opened my eyes. For me it was all so exciting and new. He had such a knowledge of this wonderful world we live in, such a love for it too. He gave me that, and he gave me much more: he gave me his love too.
“Soon after we were married he brought me here to England on a great ship – this ship had three big funnels and a dance band – and he made me so happy. He said to me one day on board that ship, ‘Mrs Pettigrew –’ he always liked to call me this – ‘Mrs Pettigrew, I want to live with you down on the marsh where I grew up as a boy.’ The marsh was part of his father’s farm, you see. ‘It is a wild and wonderful place,’ he told me, ‘where on calm days you can hear the sea breathing gently beyond the sea wall, or on stormy days roaring like a dragon, where larks rise and sing on warm summer afternoons, where stars cascade on August nights.’
“‘But where shall we live?’ I asked him.
“‘I have already thought of that, Mrs Pettigrew,’ he said. ‘Because we first met on a train, I shall buy a fine railway carriage for us to live in, a carriage fit for a princess. And all around it we shall make a perfect paradise and we shall live as we were meant to live, amongst our fellow creatures, as close to them as we can be. And we shall be happy there.’
“‘So we were, Michael. So we were. But only for seventeen short months, until one day there was an accident. We had a generator to make our electricity; Arthur was repairing it when the accident happened. He was very young. That was nearly twenty years ago now. I have been here ever since and I shall always be here. It is just as Arthur told me: a perfect paradise.”
Donkey came in just then, clomping up the steps into the railway carriage, her ears going this way and that. She must have felt she was being ignored or ostracised, probably both. Mrs Pettigrew shooed her out, but not before there was a terrific kerfuffle of wheezing and growling, of tumbling chairs and crashing crockery.
When I got home I told Mother everything that had happened. She took me to the doctor at once for a tetanus injection, which hurt much more than the thorn had, then put me to bed and went out – to sort out Bennie, she said. I told her not to, told her it would only make things worse. But she wouldn’t listen. When she came back she brought me a bag of lemon sherbets. Bennie, she told me, had been marched down to Mrs Parsons’s shop by his father and my mother, and they had made him buy me a bag of lemon sherbets with his own pocket money to replace the ones he’d pinched off me.
Mother had also cycled out to see Mrs Pettigrew to thank her. From that day on the two of them became the best of friends, which was wonderful for me because I was allowed to go cycling out to see Mrs Pettigrew as often as I liked. Sometimes Mother came with me, but mostly I went alone. I preferred it on my own.
I rode Donkey all over the marsh. She needed no halter, no reins. She went where she wanted and I went with her, followed always by
Fast, Faster and Fastest, who would chase rabbits and hares wherever they found them. I was always muddled as to which dog was which, because they all ran unbelievably fast – standing start to full throttle in a few seconds. They rarely caught anything, but they loved the chase.
With Mrs Pettigrew I learnt how to puff the bees to sleep before taking out the honeycomb. I collected eggs warm from the hens, dug up potatoes, pulled carrots, bottled plums and damsons in Kilner jars. (Ever since, whenever I see the blush on a plum I always think of Mrs Pettigrew.) And always Mrs Pettigrew would send me home afterwards with a present for Mother and me, a pot of honey perhaps or some sweetcorn from her garden.
Sometimes Mrs Pettigrew would take me along the sea wall all the way to St Peter’s Chapel and back, the oldest chapel in England, she said. Once we stopped to watch a lark rising and rising, singing and singing so high in the blue we could see it no more. But the singing went on, and she said, “I remember a time – we were standing almost on this very same spot – when Arthur and I heard a lark singing just like that. I have never forgotten his words. ‘I think it’s singing for you,’ he said, ‘singing for Mrs Pettigrew.’”
Then there was the night in August when Mother and Mrs Pettigrew and I lay out on the grass in the garden gazing up at the shooting stars cascading across the sky above us, just as she had with Arthur, she said. How I wondered at the glory of it, and the sheer immensity of the universe. I was so glad then that Bennie had pushed me off my bike that day, so glad I had met Mrs Pettigrew, so glad I was alive. But soon after came the rumours and the meetings and the anger, and all the gladness was suddenly gone.
I don’t remember how I heard about it first. It could have been in the playground at school, or Mother might have told me or even Mrs Pettigrew. It could have been Mrs Parsons in the shop. It doesn’t matter. One way or another, everyone in the village and for miles around got to hear about it. Soon it was all anyone talked about. I didn’t really understand what it meant to start with. It was that first meeting in the village hall that brought it home to me. There were pictures and plans of a giant building pinned up on the wall for everyone to see. There was a model of it too, with the marsh all around and the sea wall running along behind it, and the blue sea beyond with models of fishing boats and yachts sailing by. That, I think, was when I truly began to comprehend the implication of what was going on, of what was actually being proposed. The men in suits sitting behind the table on the platform that evening made it quite clear.