"Wy, wy, P-p-p-papa," Luke said nervously, "I . . . I fink if he's g-g-going to get his train wy we'd better--"
"Good-bye, son," Gant said quietly again, giving the boy the pressure of his great right hand. "Be a good boy, now."
But already all the fires of life, so briefly kindled by this memory of the past, had died away: he was an old sick man again, and he had turned his dead eyes away from his son and was staring dully out across the city.
"Good-bye, Papa," the boy said, and then paused uncertainly, not knowing further what to say. From the old man there had come suddenly the loathsome stench of rotting death, corrupt mortality, and he turned swiftly away with a feeling of horror in his heart, remembering the good male smell of childhood and his father's prime--the smell of the old worn sofa, the chairs, the sitting-room, the roaring fires, the plug tobacco on the mantelpiece.
At the screen door he paused again and looked back down the porch. His father was sitting there as he had left him, among the other old dying men, his long chin loose, mouth half open, his dead dull eye fixed vacantly across the sun-hazed city of his youth, his great hand of power quietly dropped upon his cane.
Down in the city's central web, the boy could distinguish faintly the line of the rails, and see the engine smoke above the railroad yards, and as he looked, he heard far off that haunting sound and prophecy of youth and of his life--the bell, the wheel, the wailing whistle--and the train.
Then he turned swiftly and went to meet it--and all the new lands, morning, and the shining city. Upon the porch his father had not moved or stirred. He knew that he should never see him again.
BOOK II
YOUNG FAUSTUS
VII
The train rushed on across the brown autumnal land, by wink of water and the rocky coasts, the small white towns and flaming colours and the lonely, tragic and eternal beauty of New England. It was the country of his heart's desire, the dark Helen in his blood forever burning--and now the fast approach across October land, the engine smoke that streaked back on the sharp grey air that day!
The coming on of the great earth, the new lands, the enchanted city, the approach, so smoky, blind and stifled, to the ancient web, the old grimed thrilling barricades of Boston. The streets and buildings that slid past that day with such a haunting strange familiarity, the mighty engine steaming to its halt, and the great train-shed dense with smoke and acrid with its smell and full of the slow pantings of a dozen engines, now passive as great cats, the mighty station with the ceaseless throngings of its illimitable life, and all of the murmurous, remote and mighty sounds of time for ever held there in the station, together with a tart and nasal voice, a hand's-breadth off that said: "There's hahdly time, but try it if you want."
He saw the narrow, twisted, age-browned streets of Boston, then, with their sultry fragrance of fresh-roasted coffee, the sight of the man-swarm passing in its million-footed weft, the distant drone and murmur of the great mysterious city all about him, the shining water of the Basin, and the murmur of the harbour and its ships, the promise of glory and of a thousand secret, lovely and mysterious women that were waiting somewhere in the city's web.
He saw the furious streets of life with their unending flood-tide of a million faces, the enormous library with its million books; or was it just one moment in the flood-tide of the city, at five o'clock, a voice, a face, a brawny lusty girl with smiling mouth who passed him in an instant at the Park Street station, stood printed in the strong October wind a moment--breast, belly, arm, and thigh, and all her brawny lustihood--and then had gone into the man-swarm, lost for ever, never found?
Was it at such a moment--engine-smoke, a station, a street, the sound of time, a face that came and passed and vanished, could not be forgot--here or here or here, at such a moment of man's unrecorded memory, that he breathed fury from the air, that fury came?
He never knew; but now mad fury gripped his life, and he was haunted by the dream of time. Ten years must come and go without a moment's rest from fury, ten years of fury, hunger, all of the wandering in a young man's life. And for what? For what?
What is the fury which this youth will feel, which will lash him on against the great earth for ever? It is the brain that maddens with its own excess, the heart that breaks from the anguish of its own frustration. It is the hunger that grows from everything it feeds upon, the thirst that gulps down rivers and remains insatiate. It is to see a million men, a million faces and to be a stranger and an alien to them always. It is to prowl the stacks of an enormous library at night, to tear the books out of a thousand shelves, to read in them with the mad hunger of the youth of man.
It is to have the old unquiet mind, the famished heart, the restless soul; it is to lose hope, heart, and all joy utterly, and then to have them wake again, to have the old feeling return with overwhelming force that he is about to find the thing for which his life obscurely and desperately is groping--for which all men on this earth have sought--one face out of the million faces, a wall, a door, a place of certitude and peace and wandering no more. For what is it that we Americans are seeking always on this earth? Why is it we have crossed the stormy seas so many times alone, lain in a thousand alien rooms at night hearing the sounds of time, dark time, and thought until heart, brain, flesh and spirit were sick and weary with the thought of it: "Where shall I go now? What shall I do?"
He did not know the moment that it came, but it came instantly, at once. And from that moment on mad fury seized him, from that moment on, his life, more than the life of any one that he would ever know, was to be spent in solitude and wandering. Why this was true, or how it happened, he would never know; yet it was so. From this time on--save for two intervals in his life--he was to live about as solitary a life as a modern man can have. And it is meant by this that the number of hours, days, months, and years--the actual time he spent alone--would be immense and extraordinary.
And this fact was all the more astonishing because he never seemed to seek out solitude, nor did he shrink from life, or seek to build himself into a wall away from all the fury and the turmoil of the earth. Rather, he loved life so dearly that he was driven mad by the thirst and hunger which he felt for it. Of this fury, which was to lash and drive him on for fifteen years, the thousandth part could not be told, and what is told may seem unbelievable, but it is true. He was driven by a hunger so literal, cruel and physical that it wanted to devour the earth and all the things and people in it, and when it failed in this attempt, his spirit would drown in an ocean of horror and desolation, smothered below the overwhelming tides of this great earth, sickened and made sterile, hopeless, dead by the stupefying weight of men and objects in the world, the everlasting flock and flooding of the crowd.
Now he would prowl the stacks of the library at night, pulling books out of a thousand shelves and reading in them like a madman. The thought of these vast stacks of books would drive him mad: the more he read, the less he seemed to know--the greater the number of the books he read, the greater the immense uncountable number of those which he could never read would seem to be. Within a period of ten years he read at least 20,000 volumes--deliberately the number is set low--and opened the pages and looked through many times that number. This may seem unbelievable, but it happened. Dryden said this about Ben Jonson: "Other men read books, but he read libraries"--and so now was it with this boy. Yet this terrific orgy of the books brought him no comfort, peace, or wisdom of the mind and heart. Instead, his fury and despair increased from what they fed upon, his hunger mounted with the food it ate.
He read insanely, by the hundreds, the thousands, the ten thousands, yet he had no desire to be bookish; no one could describe this mad assault upon print as scholarly: a ravening appetite to him demanded that he read everything that had ever been written about human experience. He read no more from pleasure--the thought that other books were waiting for him tore at his heart for ever. He pictured himself as tearing the entrails from a book as from a fowl. At first, hovering over
bookstalls, or walking at night among the vast piled shelves of the library, he would read, watch in hand, muttering to himself in triumph or anger at the timing of each page: "Fifty seconds to do that one. Damn you, we'll see! You will, will you?"--and he would tear through the next page in twenty seconds.
This fury which drove him on to read so many books had nothing to do with scholarship, nothing to do with academic honours, nothing to do with formal learning. He was not in any way a scholar and did not want to be one. He simply wanted to know about everything on earth; he wanted to devour the earth, and it drove him mad when he saw he could not do this. And it was the same with everything he did. In the midst of a furious burst of reading in the enormous library, the thought of the streets outside and the great city all around him would drive through his body like a sword. It would now seem to him that every second that he passed among the books was being wasted--that at this moment something priceless, irrecoverable was happening in the streets, and that if he could only get to it in time and see it, he would somehow get the knowledge of the whole thing in him--the source, the well, the spring from which all men and words and actions, and every design upon this earth proceeds.
And he would rush out in the streets to find it, be hurled through the tunnel into Boston and then spend hours in driving himself savagely through a hundred streets, looking into the faces of a million people, trying to get an instant and conclusive picture of all they did and said and were, of all their million destinies, and of the great city and the everlasting earth, and the immense and lonely skies that bent above them. And he would search the furious streets until bone and brain and blood could stand no more--until every sinew of his life and spirit was wrung, trembling, and exhausted, and his heart sank down beneath its weight of desolation and despair.
Yet a furious hope, a wild extravagant belief, was burning in him all the time. He would write down enormous charts and plans and projects of all that he proposed to do in life--a programme of work and living which would have exhausted the energies of 10,000 men. He would get up in the middle of the night to scrawl down insane catalogues of all that he had seen and done:--the number of books he had read, the number of miles he had travelled, the number of people he had known, the number of women he had slept with, the number of meals he had eaten, the number of towns he had visited, the number of states he had been in.
And at one moment he would gloat and chuckle over these stupendous lists like a miser gloating over his hoard, only to groan bitterly with despair the next moment, and to beat his head against the wall, as he remembered the overwhelming amount of all he had not seen or done, or known. Then he would begin another list filled with enormous catalogues of all the books he had not read, all the food he had not eaten, all the women that he had not slept with, all the states he had not been in, all the towns he had not visited. Then he would write down plans and programmes whereby all these things must be accomplished, how many years it would take to do it all, and how old he would be when he had finished. An enormous wave of hope and joy would surge up in him, because it now looked easy, and he had no doubt at all that he could do it.
He never asked himself in any practical way how he was going to live while this was going on, where he was going to get the money for this gigantic adventure, and what he was going to do to make it possible. If he thought about it, it seemed to have no importance or reality whatever--he just dismissed it impatiently, or with a conviction that some old man would die and leave him a fortune, that he was going to pick up a purse containing hundreds of thousands of dollars while walking in the Fenway, and that the reward would be enough to keep him going, or that a beautiful and rich young widow, true-hearted, tender, loving, and voluptuous, who had carrot-coloured hair, little freckles on her face, a snub nose and luminous grey-green eyes with something wicked, yet loving and faithful in them, and one gold filling in her solid little teeth, was going to fall in love with him, marry him, and be for ever true and faithful to him while he went reading, eating, drinking, whoring, and devouring his way around the world; or finally that he would write a book or play every year or so, which would be a great success, and yield him fifteen or twenty thousand dollars at a crack. Thus, he went storming away at the whole earth about him, sometimes mad with despair, weariness, and bewilderment; and sometimes wild with a jubilant and exultant joy and certitude as the conviction came to him that everything would happen as he wished. Then at night he would hear the vast sounds and silence of the earth and of the city, he would begin to think of the dark sleeping earth and of the continent of night, until it seemed to him it all was spread before him like a map--rivers, plains, and mountains and 10,000 sleeping towns; it seemed to him that he saw everything at once.
VIII
One morning, a few days after his arrival in Cambridge, he had received a letter, written on plain but costly paper in a fine but almost feminine hand. The letter read as follows:
"Dear Sir: I should be pleased to have your company for dinner Wednesday evening at eight-thirty at the 'Cock House Tavern' on Brattle Street. In case of your acceptance will you kindly call at my rooms in Holyoke House, opposite the Widener Library, at seven-fifteen?
"Sincerely yours,
"FRANCIS STARWICK."
He read that curt and cryptic note over and over with feelings mixed of astonishment and excitement. Who was Francis Starwick? Why should Francis Starwick, a stranger of whom he had never heard, invite him to dinner? And why was that laconic note not accompanied by a word of explanation?
It is likely he would have gone anyway, from sheer curiosity, and because of the desperate eagerness with which a young man, alone in a strange world for the first time, welcomes any hope of friendship. But before the day was over, he had learned from another student in Professor Hatcher's celebrated course for dramatists, of which he himself was now a member, that Francis Starwick was Professor Hatcher's assistant; and correctly inferring that the invitation had some connection with this circumstance, he resolved to go.
In this way, his acquaintance began with that rare and tragically gifted creature who was one of the most extraordinary figures of his generation and who, possessing almost every talent that an artist needs, was lacking in that one small grain of common earth that could have saved him, and brought his work to life.
No fatality rested on that casual meeting. He could not have foreseen in what strange and sorrowful ways his life would weave and interweave with this other one, nor could he have known from any circumstance of that first meeting that this other youth was destined to be that triune figure in his life, of which each man knows one and only one, in youth, and which belongs to the weather of man's life, and to the fabric of his destiny: his friend, his brother--and his mortal enemy. Nor was there, in the boy he met that night, any prefigurement of the tragic fatality with which that brilliant life was starred, the horrible end toward which, perhaps, it even then was directed.
They were both young men, and both filled with all the vanity, anguish and hot pride of youth, and with its devotion and humility; they were both strong in their proud hope and faith and untried confidence; they both had shining gifts and powers and they were sure the world was theirs; they were splendid and fierce and weak and strong and foolish; the prescience of wild swelling joy was in them; and the goat cry was still torn from their wild young throats. They knew that the most fortunate, good and happy life that any man had ever known was theirs, if they would only take it; they knew that it impended instantly--the fortune, fame, and love for which their souls were panting; neither had yet turned the dark column, they knew that they were twenty, and that they could never die.
Francis Starwick, on first sight, was a youth of medium height and average weight, verging perhaps toward slenderness, with a pleasant ruddy face, brown eyes, a mass of curly auburn-reddish hair, and a cleft chin. The face in its pleasant cast and healthy tone, and spacious, quiet intelligence was strikingly like those faces of young Englishmen which were painted by Hoppner and
Sir Henry Raeburn towards the beginning of the nineteenth century. It was an attractive, pleasant immensely sensitive and intelligent face, but when Starwick spoke this impression of warmth and friendliness was instantly destroyed.
He spoke in a strange and rather disturbing tone, the pitch and timbre of which it would be almost impossible to define, but which would haunt one who had heard it for ever after. His voice was neither very high nor low, it was a man's voice and yet one felt it might almost have been a woman's; but there was nothing at all effeminate about it. It was simply a strange voice compared to most American voices, which are rasping, nasal, brutally coarse or metallic. Starwick's voice had a disturbing lurking resonance, an exotic, sensuous, and almost voluptuous quality. Moreover, the peculiar mannered affectation of his speech was so studied that it hardly escaped extravagance. If it had not been for the dignity, grace, and intelligence of his person, the affectation of his speech might have been ridiculous. As it was, the other youth felt the moment's swift resentment and hostility that is instinctive with the American when he thinks some one is speaking in an affected manner.
As Starwick welcomed his guest his ruddy face flushed brick-red with the agonizing embarrassment of a shy and sensitive person to whom every new meeting is an ordeal; his greeting was almost repellently cold and formal, but this, too, with the studied affectation of his speech, was protective armour for his shyness.