Read One Hundred Years of Solitude Page 42


  GABRIEL GARCIA MARQUEZ

  CHRONICLE OF A DEATH FORETOLD

  COLLECTED STORIES

  IN EVIL HOUR

  INNOCENT ERENDIRA AND OTHER STORIES

  LEAF STORM

  LIVING TO TELL THE TALE

  LOVE IN THE TIME OF CHOLERA MEMORIES OF MY MELANCHOLY WHORES

  NEWS OF A KIDNAPPING

  NO ONE WRITES TO THE COLONEL

  OF LOVE AND OTHER DEMONS

  STRANGE PILGRIMS

  THE AUTUMN OF THE PATRIARCH

  THE GENERAL IN HIS LABYRINTH

  THE STORY OF A SHIPWRECKED SAILOR

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  GABRIEL GARCIA MARQUEZ

  CHRONICLE OF A DEATH FORETOLD

  'My favourite book by one of the world's greatest authors. You're in the hands of a master' Mariella Frostrup

  'On the day they were going to kill him, Santiago Nasar got up at five-thirty in the morning to wait for the boat the bishop was coming on ...'

  When newly-wed Angela Vicario and Bayardo San Roman are left to their wedding night, Bayardo discovers that his new wife is no virgin. Disgusted, he returns Angela to her family home that very night, where her humiliated mother beats her savagely and her two brothers demand to know her violator, whom she names as Santiago Nasar.

  As he wakes to thoughts of the previous night's revelry, Santiago is unaware of the slurs that have been cast against him. But with Angela's brothers set on avenging their family honour, soon the whole town knows who they plan to kill, where, when and why.

  'A masterpiece' Evening Standard

  'A work of high explosiveness - the proper stuff of Nobel prizes. An exceptional novel' The Times

  'Brilliant writer, brilliant book' Guardian

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  GABRIEL GARCIA MARQUEZ

  COLLECTED STORIES

  'The stories are rich and unsettling, confident and eloquent. They are magical' John Updike Sweeping through crumbling towns, travelling fairs and windswept ports, Gabriel Garcia Marquez introduces a host of extraordinary characters and communities in his mesmerising tales of everyday life: smugglers, bagpipers, the President and Pope at the funeral of Macondo's revered matriarch; a very old angel with enormous wings. Teeming with the magical oddities for which his novels are loved, Marquez's stories are a delight.

  'These stories abound with love affairs, ruined beauty, and magical women. It is essence of Marquez' Guardian

  'Of all the living authors known to me, only one is undoubtedly touched by genius: Gabriel Garcia Marquez' Sunday Telegraph

  'Marquez writes in this lyrical, magical language that no one else can do' Salman Rushdie

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  GABRIEL GARCIA MARQUEZ

  IN EVIL HOUR

  'A masterly book' Guardian

  'Cesar Montero was dreaming about elephants. He'd seen them at the movies on Sunday ...'

  Only moments later, Cesar is led away by police as they clear the crowds away from the man he has just killed.

  But Cesar is not the only man to be riled by the rumours being spread in his Colombian hometown - under the cover of darkness, someone creeps through the streets sticking malicious posters to walls and doors. Each night the respectable townsfolk retire to their beds fearful that they will be the subject of the following morning's lampoons.

  As paranoia seeps through the town and the delicate veil of tranquility begins to slip, can the perpetrator be uncovered before accusation and violence leave the inhabitants' sanity in tatters?

  'In Evil Hour was the book which was to inspire my own career as a novelist. I owe my writing voice to that one book!' Jim Crace 'Belongs to the very best of Marquez's work ... Should on no account be missed' Financial Times

  'A splendid achievement' The Times

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  GABRIEL GARCIA MARQUEZ

  INNOCENT ERENDIRA AND OTHER STORIES

  'These stories abound with love affairs, ruined beauty, and magical women. It is the essence of Marquez' Guardian

  'Erendira was bathing her grandmother when the wind of misfortune began to blow ...'

  Whilst her grotesque and demanding grandmother retires to bed, Erendira still has floors to wash, sheets to iron, and a peacock to feed. The never-ending chores leave the young girl so exhausted that she collapses into bed with the candle still glowing on a nearby table - and is fast asleep when it topples over ...

  Eight hundred and seventy-two thousand, three hundred and fifteen pesos, her grandmother calculates, is the amount that Erendira must repay her for the loss of the house. As she is dragged by her grandmother from town to town and hawked to soldiers, smugglers and traders, Erendira feels herself dying. Can the love of a virgin save the young whore from her hell?

  'It becomes more and more fun to read. It shows what "fabulous" really means' Time Out

  'Marquez writes in this lyrical, magical language that no-one else can do' Salman Rushdie 'One of this century's most evocative writers' Anne Tyler

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  GABRIEL GARCIA MARQUEZ

  LEAF STORM

  'Marquez writes in this lyrical, magical language that no-one else can do' Salman Rushdie 'Suddenly, as if a whirlwind had set down roots in the centre of the town, the banana company arrived, pursued by the leaf storm'

  As a blizzard of warehouses and amusement parlours and slums descends on the small town of Macondo, the inhabitants reel at the accompanying stench of rubbish that makes their home unrecognizable. When the banana company leaves town as fast as it arrived, all they are left with is a void of decay.

  Living in this devastated and soulless wasteland is one last honourable man, the Colonel, who is determined to fulfil a longstanding promise, no matter how unpalatable it may be. With the death of the detested Doctor, he must provide an honourable burial - and incur the wrath of the rest of Macondo, who would rather see the Doctor rot, forgotten and unattended.

  'The most important writer of fiction in any language' Bill Clinton 'Marquez is a retailer of wonders' Sunday Times

  'An exquisite writer, wise, compassionate, and extremely funny' Sunday Telegraph

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  GABRIEL GARCIA MARQUEZ

  LIVING TO TELL THE TALE

  'A treasure trove, a discovery of a lost land we knew existed but couldn't find. A thrilling miracle of a book' The Times

  Living to Tell the Tale spans Gabriel Garcia Marquez's life from his birth in Colombia in 1927, through his emerging career as a writer, up to the 1950s and his proposal to the woman who would become his wife. Insightful, daring and beguiling in equal measure, it charts how Garcia Marquez's astonishing early life influenced the man who, more than any other, has been hailed as the twentieth century's greatest and most-beloved writer.

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  GABRIEL GARCIA MARQUEZ

  LOVE IN THE TIME OF CHOLERA

  'An amazing celebration of the many kinds of love between men and women' The Times

  'It was inevitable: the scent of bitter almonds always reminded him of the fate of unrequited love ...'

  Fifty-one years, nine months and four days have passed since Fermina Daza rebuffed hopeless romantic Florentino Ariza's impassioned advances and married Dr. Juvenal Urbino instead. During that half century, Florentino has fallen into the arms of many delighted women, but has loved none but Fermina. Having sworn his eternal love to her, he lives for the day when he can court her again.

  When Fermina's husband is killed trying to retrieve his pet parrot from a mango tree, Florentino seizes his chance to declare his enduring love. But can young love find new life in the twilight of their lives?

  'A love story of astonishing power and delicious comedy' Newsweek

  'A delight' Melvyn Bragg

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  GABRIEL GARCIA MARQUEZ

  MEMORIES OF MY MELANCHOLY WHORES

  'A velvety pleasure to read. Marquez has composed, with his usual sensual gravity and Olympian humour, a love letter
to the dying light' John Updike 'The year I turned ninety, I wanted to give myself a gift of a night of wild love with an adolescent virgin ...'

  He has never married, never loved and never gone to bed with a woman he didn't pay. But on finding a young girl naked and asleep on the brothel owner's bed, a passion is ignited in his heart - and he feels, for the first time, the urgent pangs of love.

  Each night, exhausted by her factory work, 'Delgadina' sleeps peacefully whilst he watches her quietly. During these solitary early hours, his love for her deepens and he finds himself reflecting on his newly found passion and the loveless life he had led. By day, his columns in the local newspaper are read avidly by those who recognize in his outpourings the enlivening and transformative power of love.

  'Marquez describes this amorous, sometimes disturbing journey with the grace and vigour of a master storyteller' Daily Mail

  'There is not one stale sentence, redundant word, or unfinished thought' The Times

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  GABRIEL GARCIA MARQUEZ

  NEWS OF A KIDNAPPING

  'A story only a writer of Marquez's stature could tell so brilliantly' Mail on Sunday

  'She looked over her should before getting into the car to be sure no one was following her ...'

  Pablo Escobar: billionaire drugs baron; ruthless manipulator, brutal killer and jefe of the infamous Medellin cartel. A man whose importance in the international drug trade and renown for his charitable work among the poor brought him influence and power in his home country of Colombia, and the unwanted attention of the American courts.

  Terrified of the new Colombian President's determination to extradite him to America, Escobar found the best bargaining tools he could find: hostages.

  In the winter of 1990, ten relatives of Colombian politicians, mostly women, were abducted and held hostage as Escobar attempted to strong-arm the government into blocking his extradition. Two died, the rest survived, and from their harrowing stories Marquez retells, with vivid clarity, the terror and uncertainty of those dark and volatile months.

  'Reads with an urgency which belongs to the finest fiction. I have never read anything which gave me a better sense of the way Colombia was in its worst times' Daily Telegraph

  'A piece of remarkable investigative journalism made all the more brilliant by the author's talent for magical storytelling' Financial Times

  'Compellingly readable' Sunday Times

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  GABRIEL GARCIA MARQUEZ

  NO ONE WRITES TO THE COLONEL

  'An imaginative writer of genius, the topmost pinnacle of an entire generation of Latin American novelists of cathedral-like proportions' Guardian

  In a decaying Colombian town the Colonel and his sick wife are living from day to day, scraping together funds for food and medicine. Each Friday the Colonel waits for a letter to come in the post, hoping for the pension he is owed that will change their lives. While he waits the Colonel puts his hopes in his rooster - a prize bird that will make him money when cockfighting comes into season. But until then the bird - like the Colonel and his ailing wife - must somehow be fed ...

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  GABRIEL GARCIA MARQUEZ

  OF LOVE AND OTHER DEMONS

  'Superb and intensely readable' Time Out

  'An ash-gray dog with a white blaze on its forehead burst onto the rough terrain of the market on the first Sunday of December ...'

  When a witch doctor appears on the doorstep of the Marquis de Casalduero prophesizing a plague of rabies in their Colombian seaport, he dismisses her claims - until, that is, he hears that his young daughter, Sierva Maria, was one of four people bitten by a rabid dog, and the only one to survive.

  Sierva Maria appears completely unscathed - but as rumours of the plague spread, the Marquis and his wife wonder at her continuing good health. In a town consumed by superstition, it's not long before they, and everyone else, put her survival down to a demonic possession and begin to see her supernatural powers as the cause of the town's woes. Only the young priest charged with exorcising the evil spirit recognizes the girl's sanity, but can he convince the town that it's not her that needs healing?

  'Brilliantly moving. A tour de force' A.S. Byatt 'A compassionate, witty and unforgettable masterpiece' Daily Telegraph

  'At once nostalgic and satiric, a resplendent fable' Sunday Times

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  GABRIEL GARCIA MARQUEZ

  STRANGE PILGRIMS

  'Filled with greedy joys, with small pleasures, polished like apples against a sleeve' Observer

  'The first thing Senora Prudencia Linero noticed when she reached the port of Naples was that it had the same smell as the port of Riohacha ...'

  Their distant, nostalgic memories of home, their sense of anonymity in a foreign land, the terrifying pang of vulnerability they feel as they step over the threshold into an alien world ...

  Marquez's strange pilgrims - the ageing prostitute preparing for death by teaching her dog to weep at her grave, the panicked husband scared for the life of his injured wife, the old man who allows his mind to wander on a long-haul flight from Paris - experience with all his humour, warmth and colour, what it is to be a Latin American adrift in Europe or, indeed, any outsider living far from home.

  'Celebratory and full of strange relish at life's oddness. The stories draw their strength from Marquez's generous feel for character, good and bad, boorish and innocent' William Boyd 'The most important writer of fiction in any language' Bill Clinton 'Often touching, often funny, always unexpected, the experience is as enriching as travel itself' New Statesman

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  GABRIEL GARCIA MARQUEZ

  THE AUTUMN OF THE PATRIARCH

  'It asks to be read more than twice, and the rewards are dazzling' Observer