CHAPTER XV
“Alexander. ‘When will you finish Campaspe?’ Apelles. ‘Never finish: for always in absolute beauty there is somewhat above art.’” LYLY’S Campaspe.
And now, what song should I sing to unveil my Isis, if indeed she waspresent unseen? I hurried away to the white hall of Phantasy, heedlessof the innumerable forms of beauty that crowded my way: these mightcross my eyes, but the unseen filled my brain. I wandered long, up anddown the silent space: no songs came. My soul was not still enough forsongs. Only in the silence and darkness of the soul’s night, do thosestars of the inward firmament sink to its lower surface from the singingrealms beyond, and shine upon the conscious spirit. Here all effort wasunavailing. If they came not, they could not be found.
Next night, it was just the same. I walked through the red glimmer ofthe silent hall; but lonely as there I walked, as lonely trod my soulup and down the halls of the brain. At last I entered one of thestatue-halls. The dance had just commenced, and I was delighted to findthat I was free of their assembly. I walked on till I came to the sacredcorner. There I found the pedestal just as I had left it, with the faintglimmer as of white feet still resting on the dead black. As soon as Isaw it, I seemed to feel a presence which longed to become visible; and,as it were, called to me to gift it with self-manifestation, that itmight shine on me. The power of song came to me. But the moment myvoice, though I sang low and soft, stirred the air of the hall, thedancers started; the quick interweaving crowd shook, lost its form,divided; each figure sprang to its pedestal, and stood, a self-evolvinglife no more, but a rigid, life-like, marble shape, with the whole formcomposed into the expression of a single state or act. Silence rolledlike a spiritual thunder through the grand space. My song had ceased,scared at its own influences. But I saw in the hand of one of thestatues close by me, a harp whose chords yet quivered. I rememberedthat as she bounded past me, her harp had brushed against my arm; sothe spell of the marble had not infolded it. I sprang to her, and with agesture of entreaty, laid my hand on the harp. The marble hand, probablyfrom its contact with the uncharmed harp, had strength enough to relaxits hold, and yield the harp to me. No other motion indicated life.Instinctively I struck the chords and sang. And not to break upon therecord of my song, I mention here, that as I sang the first four lines,the loveliest feet became clear upon the black pedestal; and ever as Isang, it was as if a veil were being lifted up from before the form, butan invisible veil, so that the statue appeared to grow before me, notso much by evolution, as by infinitesimal degrees of added height. And,while I sang, I did not feel that I stood by a statue, as indeed itappeared to be, but that a real woman-soul was revealing itself bysuccessive stages of imbodiment, and consequent manifestatlon andexpression.
Feet of beauty, firmly planting Arches white on rosy heel! Whence the life-spring, throbbing, panting, Pulses upward to reveal! Fairest things know least despising; Foot and earth meet tenderly: ‘Tis the woman, resting, rising Upward to sublimity, Rise the limbs, sedately sloping, Strong and gentle, full and free; Soft and slow, like certain hoping, Drawing nigh the broad firm knee. Up to speech! As up to roses Pants the life from leaf to flower, So each blending change discloses, Nearer still, expression’s power.
Lo! fair sweeps, white surges, twining Up and outward fearlessly! Temple columns, close combining, Lift a holy mystery. Heart of mine! what strange surprises Mount aloft on such a stair! Some great vision upward rises, Curving, bending, floating fair.
Bands and sweeps, and hill and hollow Lead my fascinated eye; Some apocalypse will follow, Some new world of deity. Zoned unseen, and outward swelling, With new thoughts and wonders rife, Queenly majesty foretelling, See the expanding house of life!
Sudden heaving, unforbidden Sighs eternal, still the same-- Mounts of snow have summits hidden In the mists of uttered flame. But the spirit, dawning nearly Finds no speech for earnest pain; Finds a soundless sighing merely-- Builds its stairs, and mounts again.
Heart, the queen, with secret hoping, Sendeth out her waiting pair; Hands, blind hands, half blindly groping, Half inclasping visions rare; And the great arms, heartways bending; Might of Beauty, drawing home There returning, and re-blending, Where from roots of love they roam.
Build thy slopes of radiance beamy Spirit, fair with womanhood! Tower thy precipice, white-gleamy, Climb unto the hour of good. Dumb space will be rent asunder, Now the shining column stands Ready to be crowned with wonder By the builder’s joyous hands.
All the lines abroad are spreading, Like a fountain’s falling race. Lo, the chin, first feature, treading, Airy foot to rest the face! Speech is nigh; oh, see the blushing, Sweet approach of lip and breath! Round the mouth dim silence, hushing, Waits to die ecstatic death.
Span across in treble curving, Bow of promise, upper lip! Set them free, with gracious swerving; Let the wing-words float and dip. DUMB ART THOU? O Love immortal, More than words thy speech must be; Childless yet the tender portal Of the home of melody.
Now the nostrils open fearless, Proud in calm unconsciousness, Sure it must be something peerless That the great Pan would express! Deepens, crowds some meaning tender, In the pure, dear lady-face. Lo, a blinding burst of splendour!-- ‘Tis the free soul’s issuing grace.
Two calm lakes of molten glory Circling round unfathomed deeps! Lightning-flashes, transitory, Cross the gulfs where darkness sleeps. This the gate, at last, of gladness, To the outward striving me: In a rain of light and sadness, Out its loves and longings flee!
With a presence I am smitten Dumb, with a foreknown surprise; Presence greater yet than written Even in the glorious eyes. Through the gulfs, with inward gazes, I may look till I am lost; Wandering deep in spirit-mazes, In a sea without a coast.
Windows open to the glorious! Time and space, oh, far beyond! Woman, ah! thou art victorious, And I perish, overfond. Springs aloft the yet Unspoken In the forehead’s endless grace, Full of silences unbroken; Infinite, unfeatured face.
Domes above, the mount of wonder; Height and hollow wrapt in night; Hiding in its caverns under Woman-nations in their might. Passing forms, the highest Human Faints away to the Divine Features none, of man or woman, Can unveil the holiest shine.
Sideways, grooved porches only Visible to passing eye, Stand the silent, doorless, lonely Entrance-gates of melody. But all sounds fly in as boldly, Groan and song, and kiss and cry At their galleries, lifted coldly, Darkly, ‘twixt the earth and sky.
Beauty, thou art spent, thou knowest So, in faint, half-glad despair, From the summit thou o’erflowest In a fall of torrent hair; Hiding what thou hast created In a half-transparent shroud: Thus, with glory soft-abated, Shines the moon through vapoury cloud.