“I’m honored. You ready to risk your life and reputation?”
“Maybe. I mean, let’s go.”
A young Hispanic housekeeper came to the door under the portico, smiled pleasantly, said, “I’m sorry. No one is home.”
Del Rio held up his badge, opened his jacket to show the woman his nine. He said, “It’s okay, miss, we’re authorized to do a quick search and seizure.”
“We’re painting the great room,” the young woman wailed.
Justine said, “Don’t worry. We’ll be careful not to step in anything. Where is the master bedroom?”
Some other day, Justine would have enjoyed the house tour of the first-class chef’s kitchen, the loggia and pool, the screening room, the master bedroom that looked like a set from a James Bond film and was equipped with more high-def, high-tech gizmos than the Situation Room at the White House.
Justine expected a tidy closet in the master suite, but this one was a mess. Expensive clothes were hung haphazardly and draped over hooks. Heaps of shoes were under the racks, all types, in no particular order.
While Rick stood in the bedroom doorway, Justine used gloved hands to pick through the shoes. She was looking for a rubberlike sole that could match the three inches of usable shoe print Sci had found next to the tire tread.
Justine paused, trying to sort the shoes in her mind before diving in, and then she saw what she was looking for, a pair of ASICS GEL-Kayanos, the current trend in men’s conspicuous casual footwear.
She plucked the left shoe off the heap and turned it over. She called to Rick, and when he came to the closet, she showed him the bottom of the shoe.
“The good thing about transfer is it works both ways. The shoe makes an impression on the soil. And the soil—see it?”
“I see a dark crumb of something.”
“I see a happy day for Dr. Sci.”
Justine sealed the shoe in an evidence bag, starting as she saw that the housekeeper was now standing behind Rick at the entrance to the closet.
“You get me in trouble,” she said.
“No, no,” said Rick, using his very patient, even fatherly voice. “You don’t tell anyone that we were here. This is a top-secret investigation, covered by the California Seal of Silence. Understand?”
They were leaving North Bentley Avenue when Justine’s phone rang. It was Nora.
“You have something?” Justine asked. She put Nora on speaker for Rick’s benefit.
“We’ve got the Porsche at six stoplights from two to two-thirty this morning, traveling from Bel Air to Topanga Canyon. He was driving fast and leaning over the wheel, so we got close-ups of his mug.”
“This is good, Nora. And I think we have a cherry on top for you.”
CHAPTER 96
I WAS DRESSED in my best, had on the nice aftershave Justine had given me, and was driving the Lambo at a pretty good clip from the office toward Beverly Hills. Justine was sitting beside me and urging me to go faster.
She was edgy, and she was talking to me like I was hired by the hour.
I got onto the 110. Although it was largely ignored, the posted speed limit was fifty-five. I nudged the accelerator until I was going a shade over sixty, and still Justine was applying the whip.
“If we get pulled over,” she said, “don’t worry. I’ve got a friend in the LAPD.”
“I’m the one who’s out on bail, Justine. Bail can be revoked. Let’s not push my luck, all right?”
Justine said, “Uh-huh,” looked at her watch, then stared through the windshield. I knew she wasn’t seeing anything on the freeway. She was inside her head, thinking back, projecting forward.
“Justine. Hello. It’s me. Jack. I’m right here.”
“I’m running it all through my mind again,” she said, her voice heavy with exasperation.
“Okay.”
“Danny could have finished the film, but he’s so messed up, it would have been a joke. It would have been panned. And a bomb at the box office meant certain bankruptcy.”
“Piper’s death killed the film.”
“Yeah. Who would’ve guessed that could be a good thing?”
I left Justine to her thoughts, dwelling on other fights we’d had, how I hated them, how much I wanted things to be all right with us. Christ, I missed her. I wished she missed me.
After a one-minute mile on the freeway I got off and took a route through the streets of Beverly Hills that saved us a couple of minutes, finally taking a right onto North Crescent Drive, which brought us to the entrance of the famous pink-stucco, five-star Beverly Hills Hotel.
As I handed my keys to the valet, Justine called to Nora Cronin, who was getting out of her own car. Unmarked police cars pulled up to the hotel entrance, and I heard Nora telling the valets to leave the cop cars right where they were.
There was a poster on an easel near the front door; a life-sized photo of Piper Winnick, draped in black crepe, the dates of her birth and death beneath her young and angelically beautiful face.
Justine and Nora spoke briefly under the porte cochere, then Justine broke away from Nora and said to me, “We’re late, Jack. But not too late.”
I gave her the crook of my arm and together we walked up the red carpet that ran between pairs of square columns and up three steps. Still on the carpet, we entered the dazzling hotel.
CHAPTER 97
JUSTINE TRIED TO see everything at once as she entered the Crystal Ballroom.
It was a sumptuous place, a grande dame of a room; round, pale, decorated in an art deco style, looking much as it had when the hotel was built in 1931.
Justine did a visual check of the exits, the walls of silk-draped windows, the tall French doors leading out to the Crystal Garden. And she checked out the tables under the magnificent chandelier.
There were celebrities at every place: movie stars both young and old, fashion designers, and talk show hosts. Piper’s parents were near the stage, and Danny’s people were at a table in the center of the room. Larry Schuster was there, and Alan Barstow, as well as Danny’s entourage and their dates and wives.
If she and Nora didn’t screw this up, Danny Whitman could be out of jail tonight.
Across the room was a large stage, the wall behind it forming a backdrop for a Piper Winnick slide show. Still shots from Piper’s films and endearing candid photos from her childhood flashed by. Four-foot-tall vases of white roses flanked the stage, and there were candles everywhere.
Mervin Koulos stood behind the podium at center stage.
He looked impressive today: a six-foot-tall, perfectly groomed Hollywood producer of a shattered picture with an untraditional, non-Hollywood ending.
One of his stars was dead. The other star was in jail. And he’d figured that this disaster would be his salvation.
Justine walked along the left-hand wall toward the steps to the stage. Nora Cronin advanced on the stage from the other side of the room.
Meanwhile, Merv Koulos was telling a story about Piper, and he was having a hard time getting his words out.
He said, “I’ll never forget when Piper was cast in the role of Gia in Shades of Green. She said to me, ‘Merv, it’s been a lifelong dream of mine to work with Danny Whitman.’
“Lifelong dream,” he choked, his voice cracking. “Imagine that. She was just sixteen.”
Justine and Nora had both reached the stage, but Koulos saw only Justine, who had walked right up to the podium and touched his arm.
Koulos started. He looked bewildered.
He put his hand over the microphone and said, “Dr. Smith. What is this?”
Justine said, “Merv, I want you to say this into the mic. ‘I’m sorry, I’ve been called away. It’s an emergency.’”
Koulos kept his hand over the mic and whispered, “Whatever the hell you think you’re doing, it can wait. If you didn’t notice, I’m giving a eulogy.”
“Merv. Look to your left. See that woman in the blue blazer, waggling her fingers at you? That’s Lieutenant Cronin. Homici
de. She needs to speak with you, urgently.”
Koulos scowled. The buzzing of conversation rose up from the tables. Koulos spoke into the microphone.
“Ladies and gentlemen, Mr. and Mrs. Winnick, I’m very sorry for the interruption. This is some kind of prank, and it’s in very poor taste. Will someone please call security?”
Nora crossed the stage. She had her badge in her hand and three uniformed officers following her as she came toward Koulos. She said, “Mr. Koulos, please put your hands behind your back.”
“Are you crazy?” Koulos peered out into the audience. “I need help here. Alan? Give me a hand, will you?”
All conversation died—then Koulos panicked.
He broke away from the podium, knocking the microphone to the floor. He ran toward the stage door, but the cops were quicker and they brought him down, pulling back his arms for Nora, who clapped on the handcuffs.
The fallen microphone carried Koulos’s desperate cries for help and Nora Cronin’s response.
“Mervin Koulos, you’re under arrest for the murder of Piper Winnick.”
Now the audience panicked too. Women screamed. Chairs went over.
Koulos yelled at Nora over the recitation of the Miranda warnings. “So much hell is going to rain down on you. You’ll be a meter maid by the time I’m done with you. If you’re that lucky.”
Justine watched the cops drag Koulos to his feet. Then she turned away and walked down the stage steps, her job done.
As she moved toward the exit, she thought about greed: how Koulos had lived too large, had borrowed too much, had put every penny into this film starring Danny Whitman, a guy too damaged to bring it off.
But Koulos had an insurance policy on the film in the form of a completion bond worth a hundred million dollars.
He wouldn’t be collecting that money now.
Jack was waiting for her near the door. He put his hand to her waist and walked her out.
“Well played,” Jack said to Justine. “Well played and well done.”
PART FOUR
DEAD END
CHAPTER 98
IT WAS EIGHT P.M.
I was standing just inside Private’s front entrance, saying good night to my friend and attorney Eric Caine. He hadn’t said so directly, but he had let me know that without new evidence, my defense in the case of California v. Jack Morgan was looking bad.
As I closed the door, a storm came up out of the blue. Rain slashed against the floor-to-ceiling windows of the building and haloed the headlights of the traffic streaming along Figueroa.
Caine ran to his car, and I headed up the winding staircase to my office, where I planned to put in another four or five hours of work on my own behalf.
As I climbed the quarter-turn span between the third and fourth floors, I saw Justine coming down.
She was still wearing the black dress she had worn to Piper Winnick’s memorial service, and seeing her sent a jolt to my heart, as it did every time.
I said, “Hey.”
Justine returned the hey and kept going down the stairs. I stopped and said, “Justine, did you eat? Let’s go out and celebrate your Koulos bust—”
“No, thanks anyway, Jack. I’m wiped out. I can’t wait to get home.”
“Are you sure linguini marinara and some good wine wouldn’t beat being home alone? I need to talk to you.”
“Not tonight, Jack. Ask Cody to fit me into your schedule tomorrow.”
She started to pass me on the stairs, and I didn’t like it. She wasn’t tired so much as she didn’t want to deal with me. As though I were a guy standing behind her in line at Starbucks, breathing down her neck and yakking into his phone at the same time.
I said, “Then spare me a couple of minutes now. Are you going to take that job offer? I have to know.”
Justine sighed, shifted her weight, adjusted the strap on her shoulder bag.
“They’re matching my compensation plus fifteen percent.”
“So you’ve made your decision?”
“I like Private. I like my job.”
“Stay, Justine. I’ll match their offer and more.”
“Thanks. Let me think about it overnight.”
“You’re mad at me, Justine. I understand. But will you please talk to me? I want to talk about…us.”
Justine gave me the subzero look that I remembered well from fights we’d had when we lived together.
“There is no ‘us,’” Jack,” she snapped, “and I’m not sure there ever was. But I still give a damn. So as your friend, I want to say don’t ever take your eyes off Tommy.”
After the memorial service, I’d tailed Tommy’s car from his office to his house, watched him tinker with a sprinkler and then go inside for his home-cooked meal.
His phone was tapped, his car was bugged, and right now, Mo-bot was monitoring the live feed from the “spy eyes” I’d personally trained on his home.
I said, “Short of implanting a device in his skull, there’s not much more I can do.”
“Tommy hit on me again, Jack. I don’t take him seriously, but you should.”
Again?
Tommy had hit on Justine again?
I felt a knife slide into my gut. Not just because Tommy was still trying to beat me at girls, but because Justine had filed the edge of this news so that it would really cut deep.
I said, “Did you go out with him?”
“When you were in prison. Strictly business. At least it was for me.”
“Nice one, Justine. Thanks for keeping me in the loop.”
Justine said, “See you tomorrow,” then she took the outside rail and walked past me.
I stood on the staircase until I could no longer hear the sound of her heels striking metal treads.
Point taken, Justine.
Parting shot duly noted.
CHAPTER 99
I DRANK DOWN a Red Bull in the break room while I waited for coffee to brew. I thought of a few comebacks for Justine—mostly why she should forgive my completely unpremeditated good-bye tryst with Colleen.
I’m human. I’m sorry. I couldn’t possibly be more sorry.
Why couldn’t she forgive me?
I went to my office, booted up my laptop, opened files in the “Colleen” folder, and revisited facts that Colleen had never told me.
Item: Right out of high school, Colleen had married a man named Kevin Molloy. The marriage was annulled six months later, but Colleen had kept her married name. In the year that Colleen and I had dated, she’d never mentioned an ex-husband, not once.
Had Molloy followed her to LA?
Did he still love her?
Item: A businessman named Sean McGough had paid Colleen’s way to the USA in 2009. McGough was still in Dublin, had not left Ireland in three years. Who was McGough to Colleen? And why had she also failed to mention him?
Item: Mike Donahue. Colleen had said he was like an uncle to her. As with Molloy and McGough, I had put Donahue’s life through an electronic sieve. Donahue had gotten his American citizenship in 2002. He’d gotten two DUIs in LA and another in Seattle, where he was supporting a boy of seven. He hadn’t married the child’s mother.
If Donahue had wanted to kill Colleen, it would have been easy. She’d trusted him. Still, I had never gotten any sense that he’d had a romance with her, that he’d been jealous of her feelings for me, that he was anything other than an avuncular man with an Irish pub that Colleen had frequented when she’d lived in Los Feliz. A dead end.
Another folder.
I had collected all of the personal e-mails between Colleen and me going back to the day I first kissed her. I went time-traveling for a while, got lost reading her words and mine, remembering the growing romance at the office, all the love we had made in her rose-covered cottage.
And I remembered Donahue calling me. “Come to the hospital, quickly.” Seeing Colleen with bloody gauze around her wrists. Knowing what she’d done to herself after I’d told her it was over.
; I got up, paced the hallway, made more coffee, stared out onto Figueroa. The rain had moved on. I went back to my desk and clicked on the video folder.
I’d seen all of the videos stored there, except for the one Mo-bot had shot while Tandy and Ziegler were perp-walking me out to the car at the curb.
Now I forced myself to play the video and look at myself from Mo-bot’s second-story point of view.
There I was, just ripped from the Private Worldwide meeting, stumbling between Tandy and Ziegler in the blinding sunshine. The media had been shouting questions and I’d kept my eyes down.
I watched every frame—and I saw something I hadn’t seen that day. Correction. I saw someone. Clay Harris.
Clay Harris was a Morgan family hand-me-down, not exactly harmless, almost a Morgan family curse.
It couldn’t be happenstance.
Harris lived in Santa Clarita, twenty miles out of town, yet there he was, standing behind the media surge with a very good view of me.
Why was Harris lurking in front of Private the moment I was taken in for Colleen’s murder? He was smiling, and I thought I knew why.
CHAPTER 100
EMILIO CRUZ DIDN’T like it.
This was what was called a “bad job.” Like if a middleweight found himself mixing it up on the street with a heavyweight. The best the smaller guy could hope for was not to get killed.
Cruz understood that Jack had to do this job for Noccia. The guy was lethal. He was vindictive. He killed people. And he got away with murder.
Not only was Cruz doing this for Jack, he was doing it for his partner.
Rick was over forty. He was stiff. He was slow. He was going to have to scale walls. In the dark.
Scotty picked up some of the slack for Del Rio. He could do one-armed cartwheels and run like a cheetah. But Scotty was a former motorcycle cop. He’d never gone outside the law like this, and doing a job for a mobster was against everything that had made Scotty a good cop.