I step upon the special surface-treated concrete and walk forward. Behind me I can hear my brothers and friends walking. No one is stopping them at least, and for that much I am grateful.
Yeah, I think with a burst of morbid humor, if they were going to have me face a firing squad, I don’t think this would be the best place for it. So at least I am not getting executed—just yet.
On the other hand, I could be facing a trip “upstairs”—up to the closest mothership for some kind of special Atlantis brand of judgment and/or punishment. Well then, on the bright side, I would at least get to see one of their great ships up-close and personal, before I am Disqualified or worse.
We approach the shuttle and the people near it. With a sinking feeling, fueled to a significant degree by embarrassment—for what, I don’t know, but I do tend to become particularly ashamed of being reprimanded by authority figures, especially teachers, maybe because it happens so rarely—I recognize most of them.
Nefir Mekei stands next to Xelio Vekahat, talking softly. The sun shines with molten metal reflecting off Nefir’s hair, but disappears into the black-hole abyss that is Xelio’s black mane. A few steps away are the two Correctors who interrogated me, silent and impassive, heads glinting with halos of light like stern angels of judgment, observing me approach, with unblinking eyes. Then there’s Mr. Warrenson, of all people, appearing both out-of-place ordinary in this gathering of Atlanteans, and also nervous and somewhat curious at the same time. Next to him, Oalla Keigeri and Keruvat Ruo look at me with undisguised disapproval.
Last of all, there is Aeson Kass. He stands silently watching me approach, with his arms folded at his chest in his typical stance. The wind moves strands of his long hair, and he too seems to have a halo of light about him—only his light is all implacable merciless brightness, scalding like the sun.
I get it, suddenly. . . .
Phoebos Apollo.
I am made to stop before these people—my Instructors, and now apparently my judges. The guards stand aside and retreat, and I am left alone. Somewhere behind me, I hear my siblings and friends, gathered to support me in whatever this thing is.
I feel them with the back of my head like a sixth sense.
Or I merely tell myself that’s how it is.
“Candidate Gwen Lark, today you made a claim that you were able to safely levitate and then land a shuttle just like this one, purely with your voice—a voice that is mechanically unassisted.” Aeson Kass looks into my eyes as he speaks, and his gaze is neutral and impassive, or maybe it is veiled in so many layers that it’s impossible to fathom. “I do not for a moment believe that you have this exceedingly rare ability. However, before further measures are taken against you, I have been advised to allow you to prove yourself one way or another.”
He pauses, and I can hear a wave of voices swell behind me, as Candidates suddenly understand what is going on here, what is about to happen.
And I too understand at last. Holy lord!
This is a demonstration. A demonstration of me being a liar, or not.
A public shaming and humiliation, before the rest of whatever it is they have in store for me.
Immediately I am overwhelmed by a general numbing sense. It is pure terror and panic and it blankets me with weakness.
They want me to sing. And not just sing, but sing loudly, at the top of my voice, sing with all I’ve got. . . .
Mr. Warrenson anticipates my thoughts and says gently, “Ms. Lark, if you might recall from our class, please sing the initial sequence that keys an object to yourself. Follow it up by a sequence to lift an object vertically. And—only if you manage to do such a thing, naturally—once the shuttle is airborne, let’s say at just about the height of the nearest building, about fifty feet up should do it, then you sing the hover sequence. That is—if you manage it, of course—”
At which point I hear a soft sound of disdain. It comes from Aeson Kass. I glance briefly at him and see that he shakes his head, while his lips curve into a dark smile.
A jolt of anger strikes me in the pit of my stomach. It acts as a strangely energizing force, and suddenly I am burning with something—a sense of rightness, of injustice that needs to be rooted out.
“Now, I suggest you use a C Major sequence for your tonic starting point, since it’s easiest,” Mr. Warrenson continues.
“Well, Candidate?” Aeson Kass says. “Any time now is good. So—will you grace us with your demonstration, or are we to conclude correctly that your claim is a sham, and return you to your confinement?”
“Can I have some water first?” I say, as I begin to hear a pulse racing in my temples. “I’ve not had anything to drink since morning. Can’t sing with a parched throat.” And saying this, I stare directly at him.
In response he makes another mocking sound. But he turns to one of the guards and indicates for him to bring what I ask.
“Oh! Gwen, janik, wait! I have a bottle here!” I hear from behind me, and it’s Hasmik. I turn to look and she is waving at me and raising a water bottle.
I look at Aeson and he nods.
The guard goes over and brings me Hasmik’s water bottle. I unscrew the cap with trembling fingers—trembling with energized fury and not fear—and I take a sip then a few deep gulps. The cool water runs down my throat and dribbles down my chin, but I don’t care that I look like a fool while a whole crowd of people is watching me drink from a bottle—talk about a moment of crazy zen.
“Had enough?” Aeson says.
“Yeah . . .” I reply, wiping my mouth with the back of my sleeve, as I hand the water bottle back to the guard.
And then I turn to the shuttle, take a deep breath and remember the desperate scream I made, back when what now seems to be so many days ago. . . .
I close my eyes to focus, and my eyelids flutter momentarily as the same terrible haunting note issues out of me.
Middle F, weird comfortable middle of my vocal range. I belt it out, gripping my hands into fists at my sides, and the pure fierce note blasts through the air. . . . I quickly follow it up with A and C, and then repeat the three-note keying sequence.
The shuttle before me lurches slightly and then it floats up about a foot off the ground, lighter than a cloud.
In the stunned silence all around me, I continue to sing. And then I think of the F note that’s an octave higher, knowing that this time I need to do a rising octave slide, the opposite of what I did that last time. . . . Can I aim that high and make it stick?
My voice sweeps up an octave into heaven, effortlessly reaching the high F.
And so does the shuttle—it lifts up, and rises with amazing speed, and it is suddenly far above the building and racing into the clouds.
“Stop! Enough, bring it back down!” Mr. Warrenson exclaims, and I hear him with the back of my mind as I concentrate. And then I sing the levitating hover sequence “F-A-C.”
The shuttle stops in the air. Like a dark weather balloon it hovers in silhouette against the setting sun. It is so far up that I have no idea if my voice would even reach it now.
Crud! What have I done?
“Oh dear! Now bring it down! Gently, gently!” Mr. Warrenson mutters again with excitement in the general silence, and he is the only one speaking.
I take another deep breath and this time start with the high F that blasts through the clearing and resounds into the sky. Then I drop it down an octave into an object lowering slide.
My voice ends back on the Middle F.
And amazingly, the shuttle responds. Even from that impossible distance, it starts coming back down. . . .
I watch its plasma underbelly glowing faintly in the daylight, and just before it’s about to hit the ground from twenty feet above, I sing the hovering “F-A-C.”
The shuttle stops and hovers two feet above the ground.
I grow silent. And then, with an insolent triumphant glare of perfect disdain of my own, I turn to look at Aeson Kass.
I look directly into his eyes.
And I barely hear the wild woots and catcalls and clapping from my friends behind me, as the crowd of Candidates acknowledges what I’ve just done.
Because the look on Aeson’s face is priceless.
And now everyone is coming toward me. “Amazing, absolutely amazing! I never thought I’d live to see something like this in action!” Mr. Warrenson is speaking excitedly. “What I don’t understand is, why haven’t you demonstrated the strength of your voice in Tech class, my dear? You were competent, but never particularly loud or unusual, and yes of course, you did earn a credit that one time for having perfect pitch—”
Nefir Mekei stops before me and there is an out-of-the-ordinary living expression on his normally reserved face. “Gwen, you have a remarkable voice,” he says, placing one hand lightly on my shoulder. “You have no idea how rare it is.”
“How?” I say, while I am still riding high with the emotion.
And then for the first time today Nefir smiles. “In Atlantis,” he says, “such a natural power singing voice is only found among the most ancient families. And these days, only the members of the Imperial Family still wield the ability to sing like that. In the early days, thousands of years ago, they sang to move rocks and mountains, to align things of immense weight, to move and build pyramids and erect cities. Logos anima mundi you later came to call it here on Earth, forgetting the original meaning. But the Logos voice is not only the soul of the world, it is the ancient voice of creation. . . .”
I stare in new wonder, as it all begins to sink in, the weird things he just said.
“How is it,” Keruvat says, “that she can have the Logos voice, here on Earth?” He comes to stand on the other side of us. “We thought it was extinct, the genetic code long gone from the Earth homo sapiens DNA. How is it possible? We might need to retest samples of the population—”
“If only there was time,” Oalla says. And she looks at me with new appreciation.
All this while I keep glancing at Aeson. He stands off to the side, for some reason—away from me and the others as they surround me—and he is looking away into the distance.
I don’t understand if he’s stunned, or angry, or both.
Or maybe it’s something else.
Because when he finally moves toward me, his face has a strange exalted look of wonder—a peculiar vulnerability almost—before it becomes veiled once more with composure.
“Candidate Lark,” he says, facing me at last. “This changes everything.”
“Command Pilot Kass—how so?” I stare back at him—still half-insolent in the way I dare to address him, almost a parallel taunt to what he just called me—but also I am curious. “What will you do now? What happens to me?”
“Because of your voice, its intrinsic value to us, we cannot simply set you aside. Therefore, we cannot Disqualify you or proceed with the normal course of legal actions,” he says coldly. “However, don’t think for a moment that you are relieved of suspicion of wrongdoing. The investigation into your role in the tragic sabotage will continue. But for the moment, you are no longer in custody.”
“What? You’re letting me go?” I say, amazed. Okay, I did not see that coming.
“You may return to your Dorm and your classes. You will continue in the Qualification process, but you will be watched closely.” He pauses, and his lips form a severe line. Once again there’s the sense that he is looking through me, drowning me with the pressure of his gaze in order to force the truth from me. “In addition, it gives me no pleasure, but you will be working with me from now on. We will work on your voice. I will also train you in other things you will need to know, to improve your chances for Qualification.”
“So . . . what does that mean?”
“It means, I will see you in my office at eight, starting today. You know where it is. Now, dismissed.” And speaking curtly, Aeson Kass turns his back on me.
I pause momentarily, still feeling the echoes of his voice cutting through me, and watch him move away and speak in even cool tones of Atlantean with the two Correctors. Nefir and Oalla join them, and they all begin walking from the airfield, while the others also start dispersing.
I turn, and in that moment George and Gordie are at my side. “Wow, Gwen, what was that? That was incredible!” George says, putting his arm around me. “I had no idea you had a voice like that! When did that come about?”
“Yeah, it was like Mom’s! Like you were singing an opera aria, Gee Two! And then you levitated an effing shuttle! Whoa!” Gordie says, with a big smile and slaps me on the back of the neck around the collar of my jacket, then pats my shoulder awkwardly. Gordie’s never been much for hugging or physical contact, so coming from him this is huge.
Laronda and Dawn and the others surround me also. Laronda squeezes past Gordie and throws herself around my neck in a crazy embrace. She hugs me till it hurts and says, “Wow, girl, what a day! You and me both locked up! And why didn’t you tell me you could sing like that? Holy cannoli, what was it that you did to make the shuttle go up like that? I’ve never seen anything like it in my life! Oooh, they must really be making plans for you now!”
“Well, they let her go, didn’t they!” Dawn says, and I swear, I have never observed Dawn crack a full-blown smile, but here she is, smiling wide at me, and patting my arm.
“Oh! Thank you for the water, Hasmik!” I turn around and see the girl, and she waves with her hand like it was nothing, and finally gives me a big hug.
In the next couple of minutes I give and receive a bunch of hugs and pats and squeezes and other good things from these people who, I can pretty much say, are all my friends, in one way or another.
I turn with a smile and there’s Logan. He stands before me, hands in the pockets of his windbreaker, and his warm hazel eyes never leave my face. A light beautiful smile dances on his lips, and then he leans in close to my ear and says softly, “Thank God that’s over. . . .”
His breath gently tickles my cheek and immediately I get swept into a warm rising ocean. I am filled with a sensation like champagne bubbles, and I can only whisper back, “Thank you for being here for me.”
“You bet,” he says. “How are you feeling?”
I smile up at him. “Okay, I guess. . . . Better—now that you and everyone are here, and I am not locked up.”
“Okay, Gwen, you must be starving,” Laronda interrupts our moment of reverie.
“Oh, yeah!” I say. “I could eat an elephant! Not that I would want to eat an elephant, poor elephant, but you know what I mean—”
Logan smiles.
“Yeah, yeah! Now, shut it, girl!” Laronda chatters. “The cafeteria is still open, but just barely, if we hurry we can make it to the nearest dorm!”
“That would be my Green Dorm Eleven,” George says and points to a nearby building across the airfield.
“Okay, let’s go!” And Laronda pulls me by the hand.
We eat a last-minute dinner at George’s dorm, all of us packed around a small table in the nearly empty cafeteria, while they close down the place around us. After everything that’s happened, I am ravenous, and wolf down whatever mysterious macaroni casserole the cafeteria’s serving today.
My brothers sit on both sides of me, and we elbow each other in friendly banter. It feels really strange and amazingly good to have my bros here like this, protective and comfortable. I briefly wonder if Gracie is okay, and if she is still freaked out about what happened to me. I probably should go see her after all this. . . .
Meanwhile, Logan is only one seat away, on the other side of George. They talk among themselves, but often I find, as I sneak peeks in his direction, that Logan is also glancing at me. And whenever our gazes meet, he does not look away and smiles.
Okay, that makes me feel amazing and incredibly giddy. I constantly forget to chew and swallow my food and blush a whole lot so that Laronda gives me funny googly-eyed looks across the table.
“So when di
d they let you out, Laronda?” I say in order to say something. “What time was it?”
“Not too long after they got you locked up instead.” Laronda glances at Dawn who has her mouth full of casserole. “What was it, Dawn, around nine AM?”
Dawn nods at me, swallows. “Uh-huh, yeah. I was still waiting for you when I saw Laronda was released. Then we both asked about you and they told us you’re arrested. That’s when everything got really crazy. . . . Yeesh.”
“So, Gwen,” Logan says suddenly. “Any plans to go running tonight? I was thinking to do some laps at the AC building track.”
“Oh . . .” I say. “Oh, yeah, sure. After all that lazing around in my four-star jailhouse hotel room, I could use some exercise. Except I have that thing at eight—you know—the evil appointment. I have to be over at his office—for whatever training or torture Command Pilot Kass has planned for me.”
“Okay,” he says. “But we could fit in a few laps for fifteen minutes before you have to be there, right?”
“I guess! Okay, then!” I smile shyly.
“Great!” And Logan finishes the rest of the juice in his glass.
After everyone disperses, Logan and I head over to the Arena Commons super structure. As we walk, I notice how a few Candidates who are also out and about, stare at me.
In fact, I should mention, this staring phenomenon started as soon as we got back from my “demonstration” ordeal at the airfield and went to eat dinner—news must have spread fast around the dorms, and everyone in the lobby of Green Dorm Eleven was watching and talking about me in quiet and not-so-quiet ways, as soon as they saw us coming.
“Gwen, how are you holding up?” Logan says, as he matches his longer stride to mine and then suddenly places his arm around my shoulders. His touch is light but tangible enough to send jolts of electricity racing all throughout my body. His arm is pressed around me and I look up at him with a quick shy glance, then immediately look straight ahead, while I feel like my lungs are about to burst.
“Well,” I say, “it’s been both terrifying and sort of cathartic. It’s weird to have people think I’m either some kind of criminal terrorist or freak of nature—or both. But it’s a relief to have the whole thing out in the open—even though they still suspect me of horrible things I didn’t do.”