* * *
Rachel dreams. She is back at home in the ranch house. It is night and she is alone. Outside, coyotes yip and howl. The coyote is the voice of the desert, wailing as the wind wails when it stretches itself thin to squeeze through a crack between two boulders. The people native to this land tell tales of Coyote, a god who was a trickster, unreliable, changeable, mercurial.
Rachel is restless, anxious, unnerved by the howling of the coyotes. She is looking for Aaron. In the dream, she knows he is not dead, and she searches the house for him, wandering from his cluttered bedroom to her small room to the linoleum-tiled lab.
She is in the lab when she hears something tapping: a small dry scratching, like a wind-blown branch against the window, though no tree grows near the house and the night is still. Cautiously, she lifts the curtain to look out.
She looks into her own reflection: a pale oval face, long blonde hair. The hand that holds the curtain aside is smooth and white with carefully clipped fingernails. But something is wrong. Superimposed on the reflection is another face peering through the glass: a pair of dark brown eyes, a chimp face with red-brown hair and jug-handle ears. She sees her own reflection and she sees the outsider; the two images merge and blur. She is afraid, but she can’t drop the curtain and shut the ape face out.
She is a chimp looking in through the cold, bright windowpane; she is a girl looking out; she is a girl looking in; she is an ape looking out. She is afraid and the coyotes are howling all around.
* * *
Rachel opens her eyes and blinks until the world comes into focus. The pain and tingling has retreated, but she still feels a little sick. Her left eye aches. When she rubs it, she feels a raised lump on the eyelid where the woman pricked her. She lies on the floor of a wire mesh cage. The room is hot and the air is thick with the smell of animals.
In the cage beside her is another chimp, an older animal with scruffy dark brown fur. He sits with his arms wrapped around his knees, rocking back and forth, back and forth. His head is down. As he rocks, he murmurs to himself, a meaningless cooing that goes on and on. On his scalp, Rachel can see a gleam of metal: a permanently implanted electrode protrudes from a shaven patch. Rachel makes a soft questioning sound, but the other chimp will not look up.
Rachel’s own cage is just a few feet square. In one corner is a bowl of monkey pellets. A water bottle hangs on the side of the cage. Rachel ignores the food, but drinks thirstily.
Sunlight streams through the windows, sliced into small sections by the wire mesh that covers the glass. She tests her cage door, rattling it gently at first, then harder. It is securely latched. The gaps in the mesh are too small to admit her hand. She can’t reach out to work the latch.
The other chimp continues to rock back and forth. When Rachel rattles the mesh of her cage and howls, he lifts his head wearily and looks at her. His red-rimmed eyes are unfocused; she can’t be sure he sees her.
—Hello, she gestures tentatively.—What’s wrong?
He blinks at her in the dim light.—Hurt, he signs in ASL. He reaches up to touch the electrode, fingering skin that is already raw from repeated rubbing.
Who hurt you? she asks. He stares at her blankly and she repeats the question.—Who?
Men, he signs.
As if on cue, there is the click of a latch and the door to the lab opens. A bearded man in a white coat steps in, followed by a clean-shaven man in a suit. The bearded man seems to be showing the other man around the lab. “…only preliminary testing, so far,” the bearded man is saying. “We’ve been hampered by a shortage of chimps trained in ASL.” The two men stop in front of the old chimp’s cage. “This old fellow is from the Oregon center. Funding for the language program was cut back and some of the animals were dispersed to other programs.” The old chimp huddles at the back of the cage, eying the bearded man with suspicion.
—Hungry? the bearded man signs to the old chimp. He holds up an orange where the old chimp can see it.
—Give orange, the old chimp gestures. He holds out his hand, but comes no nearer to the wire mesh than he must to reach the orange. With the fruit in hand, he retreats to the back of his cage.
The bearded man continues, “This project will provide us with the first solid data on neural activity during use of sign language. But we really need greater access to chimps with advanced language skills. People are so damn protective of their animals.”
“Is this one of yours?” the clean-shaven man asks, pointing to Rachel. She cowers in the back of the cage, as far from the wire mesh as she can get.
“No, not mine. She was someone’s household pet, apparently. The county sheriff had us pick her up.” The bearded man peers into her cage. Rachel does not move; she is terrified that he will somehow guess that she knows ASL. She stares at his hands and thinks about those hands putting an electrode through her skull. “I think she’ll be put in breeding stock,” the man says as he turns away.
Rachel watches them go, wondering at what terrible people these are. Aaron was right: they want to punish her, put an electrode in her head.
After the men are gone, she tries to draw the old chimp into conversation, but he will not reply. He ignores her as he eats his orange. Then he returns to his former posture, hiding his head and rocking himself back and forth.
Rachel, hungry despite herself, samples one of the food pellets. It has a strange medicinal taste, and she puts it back in the bowl. She needs to pee, but there is no toilet and she cannot escape the cage. At last, unable to hold it, she pees in one corner of the cage. The urine flows through the wire mesh to soak the litter below, and the smell of warm piss fills her cage. Humiliated, frightened, her head aching, her skin itchy from the flea spray, Rachel watches as the sunlight creeps across the room.
The day wears on. Rachel samples her food again, but rejects it, preferring hunger to the strange taste. A black man comes and cleans the cages of the rabbits and rats. Rachel cowers in her cage and watches him warily, afraid that he will hurt her too.
When night comes, she is not tired. Outside, coyotes howl. Moonlight filters in through the high windows. She draws her legs up toward her body, then rests with her arms wrapped around her knees. Her father is dead, and she is a captive in a strange place. For a time, she whimpers softly, hoping to awaken from this nightmare and find herself at home in bed. When she hears the click of a key in the door to the room, she hugs herself more tightly.
A man in green coveralls pushes a cart filled with cleaning supplies into the room. He takes a broom from the cart, and begins sweeping the concrete floor. Over the rows of cages, she can see the top of his head bobbing in time with his sweeping. He works slowly and methodically, bending down to sweep carefully under each row of cages, making a neat pile of dust, dung, and food scraps in the center of the aisle.
* * *
The janitor’s name is Jake. He is a middle-aged deaf man who has been employed by the Primate Research Center for the past seven years. He works night shift. The personnel director at the Primate Research Center likes Jake because he fills the federal quota for handicapped employees, and because he has not asked for a raise in five years. There have been some complaints about Jake—his work is often sloppy—but never enough to merit firing the man.
Jake is an unambitious, somewhat slow-witted man. He likes the Primate Research Center because he works alone, which allows him to drink on the job. He is an easy-going man, and he likes the animals. Sometimes, he brings treats for them. Once, a lab assistant caught him feeding an apple to a pregnant rhesus monkey. The monkey was part of an experiment on the effect of dietary restrictions on fetal brain development, and the lab assistant warned Jake that if he would be fired if he was ever caught interfering with the animals again. Jake still feeds the animals, but he is more careful about when he does it, and he has never been caught again.
As Rachel watches, the old chimp gestures to Jake.—Give banana, the chimp signs.—Please banana. Jake stops sweeping for a minute and
reaches down to the bottom shelf of his cleaning cart. He returns with a banana and offers it to the old chimp. The chimp accepts the banana and leans against the mesh while Jake scratches his fur.
When Jake turns back to his sweeping, he catches sight of Rachel and sees that she is watching him. Emboldened by his kindness to the old chimp, Rachel timidly gestures to him.—Help me.
Jake hesitates, then peers at her more closely. Both his eyes are shot with a fine lacework of red. His nose displays the broken blood vessels of someone who has been friends with the bottle for too many years. He needs a shave. But when he leans close, Rachel catches the scent of whiskey and tobacco. The smells remind her of Aaron and give her courage.
—Please help me, Rachel signs.—I don’t belong here.
For the last hour, Jake has been drinking steadily. His view of the world is somewhat fuzzy. He stares at her blearily.
Rachel’s fear that he will hurt her is replaced by the fear that he will leave her locked up and alone. Desparately she signs again.—Please please please. Help me. I don’t belong here. Please help me go home.
He watches her, considering the situation. Rachel does not move. She is afraid that any movement will make him leave. With a majestic speed dictated by his inebriation, Jake leans his broom on the row of cages behind him and steps toward Rachel’s cage again.—You talk? he signs.
—I talk, she signs.
—Where did you come from?
—From my father’s house, she signs.—Two men came and shot me and put me here. I don’t know why. I don’t know why they locked me in jail.
Jake looks around, willing to be sympathetic, but puzzled by her talk of jail.—This isn’t jail, he signs.—This is a place where scientists raise monkeys.
Rachel is indignant.—I am not a monkey, she signs.—I am a girl.
Jake studies her hairy body and her jug-handle ears.—You look like a monkey.
Rachel shakes her head.—No. I am a girl.
Rachel runs her hands back over her head, a very human gesture of annoyance and unhappiness. She signs sadly,—I don’t belong here. Please let me out.
Jake shifts his weight from foot to foot, wondering what to do.—I can’t let you out. I’ll get in big trouble.
—Just for a little while? Please?
Jake glances at his cart of supplies. He has to finish off this room and two corridors of offices before he can relax for the night.
—Don’t go, Rachel signs, guessing his thoughts.
—I have work to do.
She looks at the cart, then suggests eagerly,—Let me out and I’ll help you work.
Jake frowns.—If I let you out, you will run away.
—No, I won’t run. I will help. Please let me out.
—You promise to go back?
Rachel nods.
Warily he unlatches the cage. Rachel bounds out, grabs a whisk broom from the cart, and begins industriously sweeping bits of food and droppings from beneath the row of cages.—Come on, she signs to Jake from the end of the aisle.—I will help.
When Jake pushes the cart from the room filled with cages, Rachel follows him closely. The rubber wheels of the cleaning cart rumble softly on the linoleum floor. They pass through a metal door into a corridor where the floor is carpeted and the air smells of chalk dust and paper.
Doors from the corridor open into offices, each one a small room furnished with a desk, bookshelves, and a blackboard. Jake shows Rachel how to empty the wastebaskets into a garbage bag. While he cleans the blackboards, she wanders from office to office, trailing the trash-filled garbage bag.
At first, Jake keeps a close eye on Rachel. But after cleaning each blackboard, he pauses to sip whiskey from a paper cup. At the end of the corridor, he stops to refill the cup from the whiskey bottle that he keeps wedged between the Saniflush and the window cleaner. By the time he is halfway through the second cup, he is treating her like an old friend, telling her to hurry up so that they can eat dinner.
Rachel works quickly, but she stops sometimes to gaze out the office windows. Outside, moonlight shines on a sandy plain, dotted here and there with scrubby clumps of rabbit brush.
At the end of the corridor is a larger room in which there are several desks and typewriters. In one of the wastebaskets, buried beneath memos and candy bar wrappers, she finds a magazine. The title is Love Confessions and the cover has a picture of a man and woman kissing. Rachel studies the cover, then takes the magazine, tucking it on the bottom shelf of the cart.
Jake pours himself another cup of whiskey and pushes the cart to another hallway. Jake is working slower now, and as he works he makes humming noises, tuneless sounds that he feels only as pleasant vibrations. The last few blackboards are sloppily done, and Rachel, finished with the wastebaskets, cleans the places that Jake missed.
They eat dinner in the janitor’s storeroom, a stuffy windowless room furnished with an ancient grease-stained couch, a battered black-and-white television, and shelves of cleaning supplies. From a shelf, Jake takes the paper bag that holds his lunch: a baloney sandwich, a bag of barbequed potato chips, and a box of vanilla wafers. From behind the gallon jugs of liquid cleanser, he takes a magazine. He lights a cigarette, pours himself another cup of whiskey, and settles down on the couch. After a moment’s hesitation, he offers Rachel a drink, pouring a shot of whiskey into a chipped ceramic cup.
Aaron never let Rachel drink whiskey, and she samples it carefully. At first the smell makes her sneeze, but she is fascinated by the way that the drink warms her throat, and she sips some more.
As they drink, Rachel tells Jake about the men who shot her and the woman who pricked her with a needle, and he nods.—The people here are crazy, he signs.
I know, she says, thinking of the old chimp with the electrode in his head.—You won’t tell them I can talk, will you?
Jake nods.—I won’t tell them anything.
—They treat me like I’m not real, Rachel signs sadly. Then she hugs her knees, frightened at the thought of being held captive by crazy people. She considers planning her escape: she is out of the cage and she is sure she could outrun Jake. As she wonders about it, she finishes her cup of whiskey. The alcohol takes the edge off her fear. She sits close beside Jake on the couch, and the smell of his cigarette smoke reminds her of Aaron. For the first time since Aaron’s death she feels warm and happy.
She shares Jake’s cookies and potato chips and looks at the Love Confessions magazine that she took from the trash. The first story that she reads is about a woman named Alice. The headline reads: “I became a Go-go dancer to pay off my husband’s gambling debts, and now he wants me to sell my body.”
Rachel sympathizes with Alice’s loneliness and suffering. Alice, like Rachel, is alone and misunderstood. As Rachel slowly reads, she sips her second cup of whiskey. The story reminds her of a fairy tale: the nice man who rescues Alice from her terrible husband replaces the handsome prince who rescued the princess. Rachel glances at Jake and wonders if he will rescue her from the wicked people who locked her in the cage.
She has finished the second cup of whiskey and eaten half Jake’s cookies when Jake says that she must go back to her cage. She goes reluctantly, taking the magazine with her. He promises that he will come for her again the next night, and with that she must be content. She puts the magazine in one corner of the cage and curls up to sleep.
* * *
She wakes early in the afternoon. A man in a white coat is wheeling a low cart into the lab.
Rachel’s head aches with hangover and she feels sick. As she crouches in one corner of her cage, he stops the cart beside her cage and then locks the wheels. “Hold on there,” he mutters to her, then slides her cage onto the cart.
The man wheels her through long corridors, where the walls are cement blocks, painted institutional green. Rachel huddles unhappily in the cage, wondering where she is going and whether Jake will ever be able to find her.
At the end of a long corridor, the man opens a
thick metal door and a wave of warm air strikes Rachel. It stinks of chimpanzees, excrement, and rotting food. On either side of the corridor are metal bars and wire mesh. Behind the mesh, Rachel can see dark hairy shadows. In one cage, five adolescent chimps swing and play. In another, two females huddle together, grooming each other. The man slows as he passes a cage in which a big male is banging on the wire with his fist, making the mesh rattle and ring.
“Now, Johnson,” says the man. “Cool it. Be nice. I’m bringing you a new little girlfriend.”
With a series of hooks, the man links Rachel’s cage with the cage next to Johnson’s and opens the doors. “Go on, girl,” he says. “See the nice fruit.” In the new cage is a bowl of sliced apples with an attendant swarm of fruit flies.
At first, Rachel will not move into the new cage. She crouches in the cage on the cart, hoping that the man will decide to take her back to the lab. She watches him get a hose and attach it to a water faucet. But she does not understand his intention until he turns the stream of water on her. A cold blast strikes her on the back and she howls, fleeing into the new cage to avoid the cold water. Then the man closes the doors, unhooks the cage, and hurries away.
The floor is bare cement. Her cage is at one end of the corridor and two walls are cement block. A door in one of the cement block walls leads to an outside run. The other two walls are wire mesh: one facing the corridor; the other, Johnson’s cage.
Johnson, quiet now that the man has left, is sniffing around the door in the wire mesh wall that joins their cages. Rachel watches him anxiously. Her memories of other chimps are distant, softened by time. She remembers her mother; she vaguely remembers playing with other chimps her age. But she does not know how to react to Johnson when he stares at her with great intensity and makes a loud huffing sound. She gestures to him in ASl, but he only stares harder and huffs again. Beyond Johnson, she can see other cages and other chimps, so many that the wire mesh blurs her vision and she cannot see the other end of the corridor.
To escape Johnson’s scrutiny, she ducks through the door into the outside run, a wire mesh cage on a white concrete foundation. Outside there is barren ground and rabbit brush. The afternoon sun is hot and all the other runs are deserted until Johnson appears in the run beside hers. His attention disturbs her and she goes back inside.