They taxi, lift off, and almost immediately plow into clouds thick as mud. The windows streak with moisture. The plane shivers and the metal seems to twist in the grip of the powerful air currents. They rattle upward at a steep angle for a few minutes, then suddenly they’ve broken into blue sky with the morning sun at their backs and below them a mattress of white cloud. Like magic, the ride smoothes out.
Her thinking goes back to Aurora, to her husband. They’ve always had a rule: Never go to bed mad. There should be a corollary, she thinks: Never separate for a long trip with anger still between you.
In the seat opposite, Edgar Little Bear, not a young man, closes his purblind eyes and lays his head back to rest. Next to him, No Day, slender and with a fondness for turquoise and silver, opens a dog-eared paperback and begins to read. In the seats directly ahead of Jo and LeDuc, Washington and Tall Grass continue a discussion begun the night before, comparing the merits of the casinos on the Vegas Strip to those on Fremont Street. Jo pulls a folder from the briefcase at her feet and opens it on her lap.
LeDuc says, “Hell, if we’re not prepared now, we never will be.”
“It helps me relax,” she tells him.
He smiles. “Whatever.” And like his old contemporary Edgar Little Bear, he lays his head back and closes his eyes.
They’re all part of a committee tasked with drafting recommendations for oversight of Indian gaming casinos, recommendations they’re scheduled to present at the annual conference of the National Congress of American Indians. Her mind isn’t at all on the documents in her hands. She keeps returning to the argument the day before, to her final exchange with Cork just before she boarded the flight.
“Look, I promise I won’t make any decisions until you’re home and we can talk,” he’d said.
“Not true,” she’d replied. “Your mind’s already made up.”
“Oh? You can read my mind now?”
She used the blue needles of her eyes to respond.
“For Christ sake, Jo, I haven’t even talked to Marsha yet.”
“That doesn’t mean you don’t know what you want.”
“Well, I sure as hell know what you want.”
“And it doesn’t matter to you in the least, does it?”
“It’s my life, Jo.”
“Our life, Cork.”
She’d turned, grabbed the handle of her suitcase, and rolled it away without even a good-bye.
She’s always said good-bye, always with a kiss. But not this time. And the moment of that heated separation haunts her. It would have been so easy, she thinks now, to turn back. To say I’m sorry. I love you. Good-bye. To leave without the barbed wire of their anger between them.
They’ve been in the air forty-five minutes when the first sign of trouble comes. The plane jolts as if struck by a huge fist. LeDuc, who’s been sleeping, comes instantly awake. Washington and Tall Grass, who’ve been talking constantly, stop in midsentence. They all wait.
Up front, the pilot calls back to them in an easy voice, “Air pocket. Nothing to worry about.”
They relax. The men return to their conversation. LeDuc closes his eyes. Jo focuses on the presentation she’s put together for Seattle.
With the next jolt a few minutes later, the sound of the engines changes and the plane begins to descend, losing altitude rapidly. Very quickly they plunge into the dense cloud cover below.
“Hey!” No Day shouts toward the pilot. “What the hell’s going on?”
“Fasten your seat belts!” the pilot calls over his shoulder. He grips the radio mic with his right hand. “Salt Lake, this is King Air N7723X. We have a problem. I’m descending out of thirty-five hundred feet.”
The folder that was on Jo’s lap has been thrown to the floor, the pages of her careful presentation scattered. She grips the arms of her seat and stares out at the gray clouds screaming past. The plane rattles and thumps and she’s afraid the seams of rivets will pop.
“Goddamn!” No Day cries out. “Shit!”
LeDuc’s hand covers her own. She looks into his brown eyes. The left wing dips precariously and the plane begins to roll. As they start an irrevocable slide toward earth, they both know the outcome. With this knowledge, a sense of peaceful acceptance descends, and they hold hands, these old friends.
Her greatest regret as she accepts the inevitable—Cork imagines this, because it is his greatest regret as well—is that they didn’t say to each other, I’m sorry. Didn’t say, I love you. Didn’t say good-bye.
Look for a free collection of excerpts from all of William Kent Krueger’s Cork O'Connor novels at your favorite ebook seller.
The William Kent Krueger Reader's Companion: A Collection of Excerpts from the Cork O'Connor Novels
Praise for Northwest Angle
“William Kent Krueger can’t write a bad book. Northwest Angle is one of his best. A complex crime novel that contains meditations on the difficulties of loving and the paths we take to reach God, this Cork O’Connor novel has everything you want in a great read: depth, action, and credibility.” —Charlaine Harris, New York Times bestselling author
“… part adventure, part mystery, and all knockout thriller… Catch-your-breath suspense throughout.” —Booklist
Praise for Vermilion Drift
“As always, Krueger’s writing couples the best of literary and commercial fiction, with intelligent, well-defined characters populating the story. Although the book contains violence, the author never makes it extraneous or graphic. He is one of those rare writers who manage to keep the suspense alive until the final page. Krueger fans will find a feast in between these covers, and for those who have yet to sample his fine and evocative writing, the book offers a complex yet completely believable plot, all tied up in words sharpened by one of the modern masters of the craft.”—Kirkus Reviews (starred)
“Rock-solid prose combines with effective characterizations and a logical if complex plot for a thrilling read. This book succeeds on every level and ought to attract the author a deservingly wide readership.” —Publishers Weekly (starred)
Praise for Heaven’s Keep
“One of today’s automatic buy-today-read-tonight series… thoughtful but suspenseful, fast but lasting, contemporary but strangely timeless. Krueger hits the sweet spot every time.” —Lee Child
“A powerful crime writer at the top of his game.” —David Morrell
Praise for Red Knife
“Outstanding…. Simply and elegantly told, this sad story of loyalty and honor, corruption and hatred, hauntingly carves utterly convincing characters, both red and white, into the consciousness. Krueger mourns the death of ideals and celebrates true old values. As Cork tells an Ojibwa friend, ‘Maybe you can’t alter the human heart… but you can remove the weapons’—the first step, perhaps, in blazing a trail toward sanity and hope.” —Publishers Weekly (starred review)
“The Cork O’Connor mysteries are known for their rich characterizations and their complex stories with deep moral and emotional cores. This one is no exception…. If you don’t know Cork O’Connor, get to know him now.” —Booklist
Praise for Thunder Bay
“The deftly plotted seventh Cork O’Connor novel represents a return to top form… [T]he action builds to a violent and satisfying denouement.” —Publishers Weekly (starred review)
“Thunder Bay has everything that William Kent Krueger’s longtime fans have come to expect in this lovely series—and everything it needs to entice new readers into the fold. Steeped in place, sweetly melancholic in tone, it braids together multiple stories about love, loss and family. The result is a wholly satisfying novel that is over almost too soon.” —Laura Lippman, New York Times bestselling author
Praise for Copper River
“Copper River, like each of the previous entries in the Cork O’Connor series, is a riveting thriller rich in character, incident, insight, textured plotting, and evocative prose that captures the lore and rhythms of life—and the pain and sadn
ess of death—in America’s heartland. It’s a novel to be savored, and one that makes the reader eager for the next installment. William Kent Krueger may just be the best pure suspense novelist working today.” —Bill Pronzini, author of the Nameless Detective series and Blue Lonesome
“This series gets darker and more elegantly written with every book. Minnesota has a become a hotbed of hard-boiled crime fiction, and the Cork O’Connor novels are among the best.” —Booklist
Praise for Mercy Falls
“Fast-paced action and William Kent Krueger’s ability to weave multiple plot threads without a tangle make his new novel, Mercy Falls, a page-turner. Crime and complex family dynamics combine to create a novel that will keep the reader guessing through the final pages of the tale.” —Denver Post
“Cork, the sharp-witted small-town sheriff, continues to be an engaging and sympathetic series anchor; likewise, Krueger’s depiction of rural America and the cultural differences among its residents remains compassionate and authentic. Not just for fans of the series, the novel is a smart and satisfying mystery on its own.” —Booklist
Praise for Blood Hollow
“Cork O’Connor… is one of crime fiction’s more interesting series leads, and Krueger’s dead-on depiction of a rural American town is as vivid and realistic as any in the genre.” —Booklist
“Better than merely good, Blood Hollow is a brilliant, layered and moving mystery, one of the better efforts of this or any year…. The prose in Blood Hollow is so good and the plotting so deft that readers will be hard put to stop reading once they begin. Krueger has moved to the head of the crime fiction class with this one.”—Chicago Sun-Times
Praise for Purgatory Ridge
“The kind of work that is all too rare in the suspense genre, a book that combines a first-class plot with excellent writing… A wonderful page-turner.” —The Denver Post
“Krueger’s page-turner… opens with a bang… The plot comes full circle as credibly flawed central characters find resolution… Krueger prolongs suspense to the very end.”—Publishers Weekly
Praise for Boundary Waters
“Krueger follows up his sure-handed debut with an equally effective second thriller featuring former Chicago cop, now former local sheriff Cork O’Connor and his adventures in the warm-spirited little town of Aurora, Minnesota… Krueger’s writing, strong and bold yet with the mature mark of restraint, pulls this exciting search-and-rescue mission through with a hard yank.”—Publishers Weekly
“Cork remains a sprightly, intriguing hero in a world of wolves, portages, heavy weather, and worrisome humans…”—Kirkus Reviews
Praise for Iron Lake
“A fresh take… Krueger makes Cork a real person…. And the author’s deft eye for the details of everyday life brings the town and its peculiar problems to vivid life.”—Publishers Weekly (starred review)
“Krueger’s debut offers wonderful characters… realistic details and political deals do not slow a tense, fast pace punctuated with humor and surprise in a book that is sure to appeal to fans of Nevada Barr and Tony Hillerman.”—Booklist (starred review)
About Atria Books
Atria Books was launched in April 2002 by publisher Judith Curr as a new hardcover and paperback imprint within Simon & Schuster, Inc. The name Atria (the plural of atrium—a central living space open to the air and sky) reflects our goals as publishers: to create an environment that is always open to new ideas and where our authors and their books can flourish. We look for innovative ways to connect writers and readers, integrating the best practices of traditional publishing with the latest innovations in the digital world. We are committed to publishing a wide range of fiction and nonfiction for readers of all tastes and interests.
The first book published under the Atria name, The Right Words at the Right Time by Marlo Thomas, became an instant #1 New York Times bestseller, and since then Atria has gone on to publish more than 185 New York Times bestsellers. Atria is the publishing home to many major bestselling authors including His Holiness the Dalai Lama, Jude Deveraux, Vince Flynn, T.D. Jakes, Shirley MacLaine, Kate Morton, Jodi Picoult, Sister Souljah, Brad Thor, Jennifer Weiner, Lauren Weisberger, Zane, and Rhonda Byrne, author of the international bestsellers The Secret and The Power.
In recent years, the imprint has placed a strategic emphasis on publishing for diverse audiences through the acquisition of the African American–oriented press Strebor Books, the launch of Atria Books Español, and co-publishing agreements with Beyond Words Publishers and Cash Money Records. Atria Books also publishes literary fiction and topical nonfiction in trade paperback under the Washington Square Press imprint, and popular fiction and nonfiction under the Emily Bestler Books imprint, launched in 2011.
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“Cork O’Connor . . . is one of those hometown heroes you rarely see . . . someone so decent and true, he might restore his town’s battered faith in the old values.”
—The New York Times Book Review
This “outstanding” (Publishers Weekly) installment in the New York Times bestselling Corcoran O’Connor series finds the charismatic private investigator caught in the middle of a racial gang war that’s turning picturesque Tamarack County, Minnesota, into a bloody battlefield.
When the drug-related death of a powerful businessman’s daughter is followed by the execution-style murder of the head of an Ojibwe gang, the Red Boyz, the citizens of Tamarack County brace themselves for war, white against red. Former sheriff Cork O’Connor, a man of mixed heritage, races to uncover answers before the bloodshed spreads—but finds himself involved in the darkest of deeds. While the unspeakable unfolds in the remote and beautiful place he calls home, Cork must confront the horrific truth: violence is a beast that cannot be contained.
Red Knife is a vivid picture of racial conflict in small-town America, as well as a sensitive look at the secrets we keep from even those closest to us and the destructive nature of all that is left unsaid between fathers and sons, husbands and wives, friends and lovers.
“William Kent Krueger is one of the best mystery writers out there. Any reader who has yet to pick up one of his Cork O’Connor suspense novels is in for a rare treat.”
—Vince Flynn
William Kent Krueger is the award-winning author of eleven Cork O’Connor novels, including the New York Times bestsellers Vermilion Drift and Northwest Angle. All are available from Atria Books. He lives in the Twin Cities with his family.
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REVIEWERS LOVE WILLIAM KENT KRUEGER’S AWARD-WINNING CORK O’CONNOR THRILLERS
“William Kent Krueger has one of the most fresh and authentic voices in crime fiction.”
—Edgar Award–winning author S. J. Rozan
“Superior series. Like sweet
corn and the state fair, William Kent Krueger’s novels are an annual summer highlight.”
—Minnesota Monthly
CRITICAL ACCLAIM FOR WILLIAM KENT KRUEGER’S LATEST RIVETING NOVEL OF SUSPENSE, RED KNIFE
“The atmosphere is as explosive as tinder.”
—The Boston Globe
“Outstanding. . . . Simply and elegantly told, this sad story of loyalty and honor, corruption and hatred, hauntingly carves utterly convincing characters into the consciousness.”
—Publishers Weekly (starred review)
“This tale of small-town racial tensions and drug trafficking by Native Americans is drawn from the pages of the newspaper [and] Krueger puts a very human face on these issues.”
—Library Journal
“Colorful characters, spot-on sense of place.”
—Kirkus Reviews
THUNDER BAY
“Thunder Bay is William Kent Krueger’s finest work. A strong story with a fast-beating heart, this is the kind of novel that will bring many new readers knocking on Cork O’Connor’s door. Count me as one of them.”
—New York Times bestselling author Michael Connelly
“Thunder Bay has everything that William Kent Krueger’s longtime fans have come to expect in this lovely series—and everything it needs to entice new readers into the fold. Steeped in place, sweetly melancholic in tone, it braids together multiple stories about love, loss, and family. The result is a wholly satisfying novel that is over almost too soon.”
—New York Times bestselling author Laura Lippman
“Krueger keeps up the pace and the suspense. . . . Crisp writing and original plots make this a series to watch.”