I wasn’t holding out a lot of hope about the bath being much more modern, but I was wrong. The toilet was distinctly old-fashioned and the taps might have been a hundred years old, but they worked. The hot water was nearly scalding, whereas the cold water seemed to have been drawn through the rocky foundations of the house, so it was icy and tasted mineral and sharp. The tub was a large built-in basin, covered in tiny, painted tiles, long and deep enough that even I could probably submerge myself in it without significant body parts sticking out. Tiled pillars rose from the corners of the bath to support the ceiling above, which was also covered in tiles that made a mosaic of the night sky. A modern handheld shower thing had been attached to the plumbing, somewhat ruining the palatial effect. The room smelled of bleach and orange peels.
A door on the other side of the bathroom led to another bedroom and sitting room, the mirror image of the suite I’d been assigned. Curious, I walked through it, past furniture shrouded by covers, to the tall windows at the back, and I pushed them open. The hinges of the windows squealed and the air stirred up a draft of old dust. The scent of oranges and lemons came from a small walled garden at the back of the house. A steep slope beyond put the first floor of the next house up the hill almost on a level with the bedroom I was standing in. Tilting my head back, I looked farther up the slope.
Stone walls with square crenellated tops rose beyond the next house and a fringe of palm trees. I couldn’t make out more of the castle looking up, but from this position there was no other building as far as I could see from side to side, just castle walls checkered with quarried stones of white, gray, and butter yellow as they caught the sunlight over the housetops. Even in the shade at the back of the house, it was warm.
I returned to my bedroom and hunted for the change of clothes my hostess had mentioned. I hadn’t been able to pack my own clothes and I was surprised to find the wardrobe half full with blouses and skirts that all appeared to be my size, though I’d never seen any of them before. My own sweater and jeans from the night I’d gone to sleep looked scruffy hanging next to them. Someone had gone to a lot of trouble, and I supposed I should be grateful, though at that moment, I felt a little creeped out.
The whole reason I’d slipped illegally into the country in the guise of a corpse was to remain below certain people’s radar by letting them think I was still in Seattle, doing what I usually do. Staying off anyone’s scope meant blending into the background, which was going to be difficult enough as an American who spoke no Portuguese. But it would be easier if I didn’t look like an American tourist. So I was grateful to Carlos—or to whomever he’d had pick up the clothes in my size—because they were lightly used and appeared to be of local or at least southern European manufacture. If I kept my mouth shut and my head down, I would at least be slightly less conspicuous and seem slightly less American. My height would be a problem, though, and there was nothing I could do about that but try to stay out of places where I’d stand out.
I didn’t have time to take a full bath, but I did wash the makeup off and put on what I hoped was a boring outfit of blouse, skirt, and flat shoes. I didn’t have my usual shoulder bag full of useful stuff—including my gun, which was locked in a safe-deposit box at my bank in Seattle. I did need some kind of purse or shopping bag to put a few items in, since the skirt—which would have been midcalf on many women but barely covered my knees—had only two shallow pockets and the blouse had none. It was much too hot to wear a jacket. I started downstairs feeling a bit naked, since I rarely wear skirts or any shoes of a lighter construction than sneakers since I gave up professional dance. I’m much more at home in jeans and boots.
On the second floor just before the head of the stairs, a ghost stood in my way and stared intently at me. She looked like the medieval woman I’d seen ascending the staircase earlier, but it was hard to be sure since I hadn’t had a good look at her before. I stopped and gazed back at her. A mist swirled and ran around her feet like a whirlpool, expanding outward and rising slowly, as if she were being swallowed up in the maelstrom. She was very young, a teenager, really, in an age before that concept existed. Her face was long and serious. Long dark hair that fell to her hips was swept back from her high forehead with a band of cloth. She studied me, saying nothing and pursing her mouth as if she couldn’t make up her mind.
I took a step toward her and put out my hand, palm up. “My name is Harper. I won’t be staying very long.”
She cocked her head as if straining to hear me. Then she turned her head aside sharply, disrupting her rising tide of mist so it blew outward and swirled away, dissolving into empty air. I walked to the stair rail and looked down, but she wasn’t on the stairs. My mysterious hostess stepped out from one of the arches along the side of the entry and glanced up at me.
“Are you all right, senhora?”
“I’m fine. Did you see her?”
“The ghost? I see them sometimes. They don’t care to show themselves to me often. Where are you going?”
“I’m not sure . . . someplace where sick toys go to get well?” The only open part of the message had used the phrase “where sick toys get well.”
She frowned for a moment as if she had to translate the phrase. “Ah. O Hospital de Bonecas. The doll hospital. It is in the Baixa—the lower town—on Praça da Figueira. It will be faster to walk than take the tram. I will draw you a map.”
I followed her back into the tiled hallway to a kitchen, which was probably of the same vintage as the bathroom upstairs but not as luxuriously appointed. The sink and counters looked to have been carved from granite and there was still a cooking hearth on one side of the room, though it had clearly not been used in a century or so. She took a pad of paper and a jasmine-scented pencil from the worktable and drew quickly. I watched her. Her hands were bony and thin, but not like an old woman’s, and they moved swift as birds, drawing little sketches of the landmarks she thought I’d need to navigate by. It was a remarkable piece of work for something done so casually. When she was finished, she tore the page off and handed it to me. I took it, blinking at her in surprise.
“Thank you. What is your name, by the way?”
She puzzled that question for a moment, then gave a small smile that vanished as quickly as it arrived. “Meu nome é Rafa.”
“Thank you, Rafa.” I looked at her map again. “This is very kind of you.”
She blushed, which seemed to take her by surprise, and she put her hands to her cheeks. “De nada. And you look very nice.” She reached up and touched my hair. “But you should wear a scarf or a hat. You are very pale.”
Even at the end of an unusually dry summer, I hadn’t gotten much of a tan in Seattle, though I wouldn’t have said I was pale. Compared to Rafa, though, I looked as white as the ghost on the staircase. “I don’t have a hat. Or a purse for that matter.”
“I will find a purse and a hat for you.” She scurried out and, although I followed her as quickly as I could through the cluttered kitchen, she’d vanished by the time I came to the hall. I stopped where I was, rather than wander off and get lost. In a moment, Rafa returned with a wide-brimmed straw hat, a blue silk scarf, and a sort of purse made of the same soft, woven straw as the hat. Giving me no time to object, she gathered my hair back and tied it with the scarf, then put the hat on my head and looped the purse over my arm. “You look perfect now.”
Apparently I was doomed to be dressed by strangers whether I liked it or not.
She walked me to the front door and handed me another key. “This is for the front gates. Be back before sundown and don’t lose the key.”
She stood behind the door when she opened it, keeping to the shadow, and shooed me out.
THREE
I was in a tiny courtyard facing iron gates across an expanse of cobbles. A car no bigger than a shoe was parked on the cobbles to my left next to a small fountain in the shape of a leonine face mounted to the tiled wall
of the courtyard. The fountain looked slightly surprised to see me as water dribbled out of its oval mouth into the small basin of carved stone beneath it. I waved at it and walked over to unlatch the gates and let myself into the street. I used the key to lock the gates behind me—the ironwork looked like the vines of Sleeping Beauty’s castle, closing out the world from a secret realm within. I took note of the number carved into the stone above the gateway and started down the steep, stone-paved street. I tried to tuck my things into my skirt pockets, but the keys were too large to stay securely in the shallow spaces. I put them into the purse and folded Rafa’s map into my pocket instead.
At a bend in the street, I paused to read the street’s name off a tiled plaque on a wall. I checked the map, turned to continue on my way, and found myself looking out at a sea of red-tiled roofs and hidden courtyards, tumbling in a maze of streets down the slope toward a wide band of glittering water that must have been the Tagus River. For a moment I just stood there and stared at it. The hill was so steep that the houses were almost like terraces in a photo of Asian rice paddies, each little bastion bounded by its own short sweep of walls that fell sharp and straight down to the next. The angles were all higgledy-piggledy and random, like the honeycomb of disturbed bees. And they were old . . . so old that the narrow, twisted streets thronged with more of the dead than the living—the dead of centuries stretching back so far, I couldn’t even guess the eras. They climbed, ran, strolled, and urged their beasts of burden through the stone-paved passages, between tall houses real and ghostly, their collective voices twining into the noise of the Grid as a song both beautiful and sad that coiled through the twisted streets like fog. The houses they passed, current and not, were mostly plastered in cream, red, blue, and yellow, the colors faded and peeling from the unremitting sun. The rest were covered in tiles glazed with repeating geometric patterns that crazed the eye, broken by symmetrical ranks of windows with small iron balconies strung with drying laundry, or piled with flower boxes drooping red and purple blossoms over their filigreed metal sides. Here and there, the ghost of an older house or a terraced Moorish garden of tiled fountains and orange trees hung over another, but the overlay of phantom buildings was rare—at least from the outside.
I couldn’t afford to stand and stare, but it was a hard sight to turn from, so unlike anything American. I had to keep an eye on my feet as I continued down the road, the twisting slope so long and precipitous that it made the Counterbalance up Queen Anne Avenue North in Seattle look like a speed bump. I was glad it wasn’t raining, as it would have been at home. The dust in the road was dry and tamped down too much to make the sidewalks of laid flat stones slippery with grit. All stone and plaster, wood and iron, Alfama was old the way things in the Americas never are.
I wended my way down until I passed through an arch in a wall and out into a sort of arrow-shaped intersection of two narrow streets shaded with trees. A sign on the wall to my left gave information about the Castelo de São Jorge, which now lay behind me. I could no longer see the river and I wasn’t sure which direction I was facing. I looked at Rafa’s map and recognized the switchback hard on my right where the pedestrian path doubled back on itself, past a row of shops, and downward to a flatter bit of road. My shins and knees ached from the activity after so many hours of lying still.
I rounded the corner and the river reappeared as an aqua ribbon that seemed to float above the end of the street as if the paving rolled down into it. It didn’t. The street turned abruptly after a block—though “block” was a complete misnomer here—and I turned to my right with it and continued.
The route was necessarily twisted and longer than the distance point to point, but with a few more turns and a walk past a small triangular plaza created by the high, pink-painted embankments that held up the streets, I was into much flatter streets that first went down and then rose gently upward again, turning away from the river. The architecture changed from the close-packed old houses of Alfama and its yellow stone walls to broader, younger buildings with flat fronts and stone pediments—a sort of plain-Jane version of Baroque.
The road was covered in tarmac now instead of cobbles, but the sidewalks were still paved in small squares of pale stone. The farther I walked, the wider the doors and windows of the buildings became, evolving slowly toward the eighteenth century and away from the medieval maze of the castle’s hill. This road was mostly shops at street level. Ground-floor frontages were more frequently of dressed stone than painted plaster, though the tiling continued in fits. One front I passed had a vibrantly glazed tile mural of fish and seaweed. Signs from the simple to the slick hung over doorways, businesses as divergent as a sleek contemporary furniture retailer side by side with hole-in-the-wall taverns and shops selling medicines and herbs.
I tired to puzzle out some of the words as I passed, some like the Spanish I had grown up with in Southern California, but many more utterly meaningless. English words stood out in odd places, “snack bar” and “seaside” jostling with words like “malhas.” I wondered what a “mundo das malhas” was. “World of Sweaters,” judging by the window display—an item I wasn’t feeling much use for at that moment, even on the shady side street that was busy with the cold spirits of merchants and farmers driving goods to some long-gone marketplace.
An old-fashioned-looking yellow tram clanged its bell and rattled along the tracks in the street past me as I stepped out into a large public square shrouded in the memory of several past buildings that had disappeared long ago to leave the acre or so in the middle nearly empty. One of these buildings was a Victorian monstrosity that reminded me a little, in kind more than style, of London’s Smithfield Market. Another was a much older building I couldn’t peg. A bronze statue of someone I took to be a soldier or a statesman was riding his bronze horse on a huge white stone plinth beside a tree off to the side of the square’s central expanse of white and gray stone tiles. There was no tarmac or road paint here. Every street and sidewalk surface was paved in the black or white stone squares, right down to the lane markers and pedestrian crossing lines. I turned right and paused, looking in the window of the World of . . . whatever, sweating a little from the change of exertion and the heat rising in the nearly shadeless square. The buildings facing the square were much more formal than the areas I’d already walked through, the shops giving off a higher-class sheen. This was saying quite a bit, since the last few blocks had been increasingly swanky in the modern era, in spite of being more working-class in the lingering past.
A sign placed high on the wall at the corner told me I was at Praça da Figueira. I looked at Rafa’s map again, having almost missed my destination because she’d drawn a tiny picture of the statue, but not the square it was standing in. The drawing was very good and even caught the way the plume on the rider’s head seemed to be flowing in the wind of his movement. The address I wanted was number seven. According to the map, it was somewhere on the long expanse of Baroque buildings facing the horse’s backside, but there wasn’t anything that instantly stood out to my sight as likely to be a doll hospital.
The openness of the square made me a little nervous about meeting Quinton here. There was no way to approach any of the shops, restaurants, or hotels without being in the open, and while the businesses on the square were moderately busy and traffic was heavy enough to qualify as the run-up to what passed for rush hour in Lisbon, it wasn’t exactly New York or Los Angeles busy. The cars, buses, and trams were more of a problem than the people, since the sidewalks had little raised curb to speak of and pedestrians were separated from the vehicular traffic by upright metal posts about hip high, placed every five feet or so along the white sidewalk edge.
As I stood at the corner, I saw a small car swoop around a bus by hiking its two closest wheels up on the edge of the curb where there weren’t any uprights and drive half up on the sidewalk, honking its horn like a frustrated goose before bolting back into traffic to a cacophony of other horns and
outraged curses from some of the pedestrians. Not all the pedestrians seemed upset or even surprised, however, even as they scattered away from the pushy little car. Two older women wearing black dresses simply stepped aside, watched the disturbance, and shook their heads. Then they shrugged, and walked on, their shopping bags hanging limply off their arms as they chattered to each other, heads turned inward.
I went into the sweater shop, buying time and hoping to get a better look at the area without being too conspicuous. The air-conditioning was on and I shivered in the sudden cool. An attractive middle-aged woman wished me bom dia and seemed to be offering assistance, but I wasn’t sure. She might have been asking if I liked cashmere socks for all I knew. I apologized for my lack of Portuguese, and she replied in unhalting English in the same not-quite-Spanish accent Rafa had.
“Oh, are you American?”
“I’m from Connecticut,” I replied, picking a state at random.
She seemed puzzled. “That is in the United States?”
“It’s on the East Coast, near New York.”
“Oh! Yes, I know New York. You will have beautiful autumn leaves soon. Perhaps you’ll want a warm shawl to take home,” she said, turning her hand gracefully toward a rack hung with folded lengths of knitted silk and wool, some so intricate and fine that they looked like lace.
“They’re lovely, but, in fact, I’m lost.”
She seemed disappointed but rallied a smile anyhow. “Perhaps I can help you with that. What place were you looking for?”
“The doll hospital.”
Her smile broadened, showing teeth that were clean and white, but more crooked than most Americans’—I’d noticed that our dental fetish doesn’t extend much past Canada. “Ah! O Hospital de Bonecas! It is on the north side, near the Nestlé kiosk—the blue ice-cream bar.” She walked me outside and pointed up the square to the small blue lump of a prefab vendor’s booth with a yellow post sticking out of its roof at an angle. I’d thought it was a newsstand, but I could just make out the word NESTLÉ on the post—which I supposed to be the stick of a blue-wrapped frozen dessert. The bright little building sat just inside the pedestrian bollards, almost daring cars or buses to swipe it. “The hospital’s door is just behind the kiosk,” the clerk said, “past A Coutada—the hunting shop—and next to the jeweler in the building with the tiles.”