Read Revolutionary Road Page 32

“Well, but I mean really congenial people,” she said. “Our kind of people. Oh, I was very fond of the Wheelers, but they always were a bit—a bit whimsical, for my taste. A bit neurotic. I may not have stressed it, but they were often very trying people to deal with, in many ways. Actually, the main reason the little house has been so hard to sell is that they let it depreciate so dreadfully. Warped window frames, wet cellar, crayon marks on the walls, filthy smudges around all the doorknobs and fixtures—really careless, destructive things. And that awful stone path going halfway down the front lawn and ending in a mud puddle—can you imagine anyone defacing a property like that? It’s going to cost Mr. Brace a small fortune to get it cleared away and replanted. No, but it was more than that. The kind of thing I mean goes deeper than that.”

  She paused to press the excess varnish from her brush against the side of the can, frowning, working her lips in an effort to find words for the kind of thing she meant.

  “It’s just that they were a rather strange young couple. Irresponsible. The guarded way they’d look at you; the way they’d talk to you; unwholesome, sort of. Oh, and another thing. Do you know what I came across in the cellar? All dead and dried out? I came across an enormous box of sedum plantings that I must have spent an entire day collecting for them last spring. I remember very carefully selecting the best shoots and very tenderly packing them in just the right kind of soil—that’s the kind of thing I mean, you see. Wouldn’t you think that when someone goes to a certain amount of trouble to give you a perfectly good plant, a living, growing thing, wouldn’t you think the very least you’d do would be to—”

  But from there on Howard Givings heard only a welcome, thunderous sea of silence. He had turned off his hearing aid.

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  Stories

  by Tobias Wolff

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  INDEPENDENCE DAY

  by Richard Ford

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  MACHINE DREAMS

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  Having lived through World War II, Mitch and Jean Hampson struggle to keep their marriage intact in the decades of change that follow. Their son, Billy, dreams of airplanes and goes missing in action in Vietnam. Their daughter, Danner, becomes the sole bond linking their family, whose dissolution mirrors the fractured state of America in the 1960s.

  Fiction/Literature/0-375-70525-2

  MOHAWK

  by Richard Russo

  Mohawk, New York, is one of those small towns that lie almost entirely on the wrong side of the tracks. Dallas Younger, a star athlete in high school, now drifts from tavern to poker game, while his ex-wife, Anne, is stuck in a losing battle with her mother over the care of her sick father. Out of detailed ambitions and old loves, secret hatreds and communal myths, Russo creates a novel that captures every nuance of America’s backyard.

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  WILL YOU PLEASE BE QUIET, PLEASE?

  by Raymond Carver

  With this, his first collection of stories, Raymond Carver breathed new life into the American short story and instantly became the recognized master of the form. Carver shows us the humor and tragedy that dwell in the hearts of ordinary people; his stories are the classics of our time.

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  VINTAGE CONTEMPORARIES

  Available at your local bookstore, or call toll-free to order: 1-800-793-2665 (credit cards only).

  Richard Yates

  REVOLUTIONARY ROAD

  Richard Yates was born in 1926 in New York and lived in California. His prize-winning stories began to appear in 1953 and his first novel, Revolutionary Road, was nominated for the National Book Award in 1961. He is the author of eight other works, including the novels A Good School, The Easter Parade, and Disturbing the Peace, and two collections of short stories, Eleven Kinds of Loneliness and Liars in Love. He died in 1992.

  ALSO BY RICHARD YATES

  Eleven Kinds of Loneliness

  A Special Providence

  Disturbing the Peace

  The Easter Parade

  A Good School

  Liars in Love

  Young Hearts Crying

  Cold Spring Harbor

  Acclaim for Richard Yates’s

  REVOLUTIONARY ROAD

  “Every phrase reflects to the highest degree integrity and stylistic mastery. To read Revolutionary Road is to have forced upon us a fresh sense of our critical modern shortcomings: failures of work, education, community, family, marriage…and plain nerve.”

  —The New Republic

  “Richard Yates is a writer of commanding gifts. His prose is urbane yet sensitive, with passion and irony held deftly in balance. And he provides unexpected pleasures in a flood of freshly minted phrases and in the thrust of sudden insight, precise notation of feeling, and mordant unsentimental perceptions.”

  —Saturday Review

  “A powerful treatment of a characteristically American theme, which might be labeled ‘trapped.’…A highly impressive performance. It is written with perception, force and awareness of complexity and ambiguity, and it tells a moving and absorbing story.”

  —The Atlantic Monthly

  THIRD VINTAGE CONTEMPORARIES EDITION, MAY 2008

  Copyright © 1961, copyright renewed 1989 by Richard Yates

  All rights reserved. Published in the United States by Vintage Books, a division of Random House, Inc., New York, and in Canada by Random House of Canada Limited, Toronto. Originally published in hardcover in the United States by Little, Brown & Co., Boston, Massachusetts, in 1961.

  Vintage and colophon are registered trademarks and Vintage Contemporaries is a trademark of Random House, Inc.

  Library of Congress Cataloging-in-Publication Data

  Yates, Richard, 1926–1992.

  Revolutionary road / Richard Yates.—Vintage Contemporaries ed.

  p. cm.

  1. Married people—Connecticut—Fiction. 2. Suburban life—Connecticut—Fiction. I. Title.

  PS3575.A83 R4 2000

  813'54—dc21 99-055503

  Author photograph © 1989 by Jill Krementz

  www.vintagebooks.com

  eISBN: 978-0-307-45627-4

  v3.0

 


 

  Richard Yates, Revolutionary Road

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