Pagan Babies(2000)
Father Terry Dunn thought he’d seen everything on the mean streets of Detroit, but that was before he went on a little retreat to Rwanda to evade a tax-fraud indictment. Now the whiskey-drinking, Nine Inch Nails T-shirt-wearing padre is back trying to hustle up a score to help the little orphans of Rwanda. But the fund-raising gets complicated when a former tattletale cohort pops up on Terry’s tail. And then there’s the lovely Debbie Dewey. A freshly sprung ex-con turned stand-up comic, Debbie needs some fast cash, too, to settle an old score. Now they’re in together for a bigger payoff than either could finagle alone. After all, it makes sense . . . unless Father Terry is working a con of his own.
Entertainment Weekly: “Wildly entertaining.”
From the novel:
The church had become a tomb where forty-seven bodies turned to leather and stains had been lying on the concrete floor the past five years, though not lying where they had been shot with Kalashnikovs or hacked to death with machetes. The benches had been removed and the bodies reassembled: men, women and small children laid in rows of skulls and spines, femurs, fragments of cloth stuck to mummified remains, many of the adults missing feet, all missing bones that had been carried off by scavenging dogs.
Since the living world no longer enter the church, Fr. Terry Dunn heard confessions in the yard of the rectory, in the shade of the old pines and silver eucalyptus trees.
“Bless me, Fatha, for I have sin. It has been two months from the last time I come to Confession. Since then I am fornicating with a woman from Gisenyi three times only and this is all I have done.”
They would seem to fill their mouths with the English words pro-nounc-ing each one carefully, with an accent Terry believed was heard only in Africa. He gave fornicators ten Our Fathers and ten Hail Marys, murmured what passed for an absolution while the penitent said the Act of Contrition, and dismissed them with a reminder to love God and sin no more.
“Fire in the Hole”(2001)
In Elmore Leonard’s first original e-book, U.S. Marshal Raylan Givens (featured in Pronto and Riding the Rap) returns to the eastern Kentucky coal-mining country of his youth. When Boyd Crowder, a mail-order-ordained minister who doesn’t believe in paying his income taxes, decides to blow up the IRS building in Cincinnati, Givens is asked by the local marshal to intervene. This sets up an inevitable confrontation between two men on opposite sides of the law who still have a lingering respect for each other. Throw into the mix Boyd’s sister-in-law, Ava, who carries a torch for Raylan along with a deer rifle, and you’ve got a funny, adrenaline-charged story only Elmore Leonard could have written.
Book Page: “’Fire in the Hole,’ is classic Leonard, even if the medium is not.”
From the story:
They had dug coal together as young men and then lost touch over the years. Now it looked like they’d be meeting again, this time as lawman and felon, Raylan Givens and Boyd Crowder.
Boyd did six years in a federal penitentiary for refusing to pay his income tax, came out and found religion. He received his ordination by mail order from a Bible college in South Carolina and formed a sect he called Christian Aggression. The next thing he did, Boyd formed the East Kentucky Militia with a cadre of neo-Nazi skinheads, a bunch of boys wearing Doc Martens and swastika tattoos. They were all natural-born racists and haters of authority, but still had to be taught what Boyd called “the laws of White Supremacy as laid down by the Lord,” which he took from Christian Identity doctrines. Next thing, he trained these boys in the use of explosives and automatic weapons. He told them they were now members of Crowder’s Commandos, sworn to take up the fight for freedom against the coming Mongrel World Order and the govermint’s illegal tax laws.
Tishomingo Blues(2002)
Daredevil Dennis Lenahan has brought his act to the Tishomingo Lodge & Casino in Tunica, Mississippi — diving off an eighty-foot ladder into nine feet of water for the amusement of gamblers, gangsters, and luscious belles. His riskiest feat, however, was witnessing a Dixie-style mob execution while atop his diving platform. Robert Taylor saw the hit also. A blues-loving Detroit hustler touring the Southland in a black Jaguar, Taylor’s got his own secret agenda re the “Cornbread Cosa Nostra,” and he wants Dennis in on the game. But there’s a lot more in Robert Taylor’s pocket than a photo of his lynched great-grandfather. And high-diver Dennis could be about to take a long, fatal fall — right into a mess of hoop skirts, Civil War playacting . . . and more trouble than he ever dreamed possible.
Entertainment Weekly: “God bless Elmore Leonard. Grade A.”
Detroit Free Press: “Elmore Leonard is back at his sly, finger-popping best.”
Los Angeles Times Book Review: “Tishomingo Blues is typical Elmore Leonard. Who could ask for anything more?
From the novel:
Newton Hoon sat in his trailer with a jelly glass of bourbon watching the news: that little TV girl with the two last names in the woods showing where James Rein and Eugene Dean had shot each other, saying both men were from Tunica but nothing about Rose.
There she was now in the glade saying this was where Arlen Novis, former Tunica County sheriff’s deputy, and Detroit realtor Germano Mularoni staged their duel, calling them reenactors in a senseless confrontation of views that resulted in each man’s death. Oh, is that right? No mention of Walter. No mention of the smoke or the two greasers — Newton thinking of the one he’d asked that time where the nigger was and the one said he’d gone to fuck your wife. It had set him off, sure, even knowing it wasn’t true. One, Myrna wasn’t ever home, she played bingo every night of her life. And two, not even a smoke’d want to fuck her, Myrna going four hundred pounds on the hoof. Try and find the wet spot on her.
When the Women Come Out to Dance(2002)
In this collection of short fiction, Elmore Leonard demonstrates the superb characterizations, dead-on dialogue, vivid atmosphere, and driving plotting that have made him a household name. And once more, this master of crime illustrates that the line between the law and the lawbreakers is not as firm as we might think.
Federal Marshall Karen Sisco, from the bestselling novel Out of Sight, returns in “Karen Makes Out,” once again inadvertently mixing pleasure with business. In “Fire in the Hole,” Raylan Givens, last seen in Riding the Rap and Pronto, meets up with an old friend, but they’re now on different sides of the law. In the title story, “When the Women Come Out to Dance,” Mrs. Mahmood gets more than she bargains for when she conspires with her maid to end her unhappy marriage. In all nine stories — each unique in its own right — reluctant heroes and laid-back lowlifes struggle for power, survival, and their fifteen minutes of fame.
Vivid, hilarious, and unfailingly human, these stories ring true with Elmore Leonard’s signature deadpan social observations and diabolical eye for the foibles of the good guys and the bad.
Contains: “Sparks”; “Hanging Out at the Buena Vista”; “Chisaw Charlie Hoak”; “When the Women Come Out to Dance”; “Fire in the Hole”; “Karen Makes Out”; “Hurrah for Capt. Early”; “The Tonto Woman”; “Tenkiller”
From the collection:
“Hanging Out at the Buena Vista”
They lived in a retirement village of cottages set among palm trees and bougainvillea, maids driving golf carts. The woman, Natalie, wore silk scarves to cover what was left of her hair, a lavender scarf the afternoon Vincent appeared at her door. He told her through the screen he thought it was time they met. She said from the chair she sat in most of the day, “It’s open,” closed the book she was reading, a finger inside holding the page, and watched him come in in his khaki shorts and T-shirt.
“You didn’t have to get dressed up on my account.”
She liked his smile and the way he said, “I was right. I’ve found someone I can talk to.”
“About what?”
“Anything you want, except golf.”
“You’re in luck. I don’t play golf.”
“I know you d
on’t. I checked.”
She liked his weathered look, his cap of white hair, uncombed. “You’re here by yourself?”
“On my own, the first time in fifty-seven years.”
She laid the book on the table next to her. “So now you’re what, dating?”
He liked the way she said it, with a straight face.
“If you’re interested, Jerry Vale’s coming next week.”
“I can hardly wait.”
He said, “I like the way you wear your scarves. You’ve got style, kiddo.”
“For an old broad? You should see me in a blond wig.”
“A woman can get away with a good one. But you see a rug on a guy, every hair in place? You can always tell.”
“That’s why you don’t comb your hair?” Again with the straight face. He shook his head.
“I made a decision,” Vincent said. “No chemo, no surgery. Why bother? I’m eighty years old. You hang around too long, you end up with Alzheimer’s, like Howard. You know Howard? He puts on a suit and tie every day and calls on the ladies. Has no idea where he is.”
“Howard’s been here. But now I think he and Pauline are going steady. Pauline’s the one with all the Barbie dolls.” Natalie paused and said, “I’ll be eighty-two next month.”
“You sure don’t look it.”
“Not a day over, what, seventy-five?”
“I’ll tell you something,” Vincent said. “You’re the best-looking woman here, and that’s counting the maids and the ones that pass for nurses. Some are okay, but they all have big butts. You notice that? Hospitals, the same thing. I’ve made a study: The majority of women who work in health care are seriously overweight.”
The Westerns
The Bounty Hunters(1953, the first Elmore Leonard novel)
The old Apache renegade Soldado Viejo is hiding out in Mexico, and the Arizona Department Adjutant has selected two men to hunt him down. One — Dave Flynn — knows war, the land, and the nature of his prey. The other is a kid lieutenant named Bowers. But there’s a different kind of war happening in Soyopa. And if Flynn and his young associate choose the wrong allies — and the wrong enemy — they won’t be getting out alive.
The Independent (London): “One of the most successful Western writers of his day . . . Leonard’s career as a novelist began with The Bounty Hunters.”
From the novel:
Rellis’s lip curled, grinning. “Mostly when I see a piss-ant I just step on him.”
“Rellis — “ It came unexpectedly, with the sound of the screen door closing.
As Rellis turned his head sharply, the grin died on his face.
Flynn stood in from the doorway. He came on a few strides and stopped, his eyes on Rellis, his right hand unbuttoning his coat.
Rellis wasn’t loose now. “I . . . was just asking where you were, Flynn.”
“I heard you asking.”
“Listen, I didn’t have any part in killing your friend.”
“Rellis,” Flynn said quietly, “you’re a liar.”
“You got no cause to say that.”
Flynn moved toward Rellis. “It’s said.” He paused, watching Rellis’ eyes. “I’m going outside. I’ll expect to see you within the next few minutes . . . with your gun in your hand.”
The Law at Randado(1954)
Phil Sundeen thinks Deputy Sheriff Kirby Frye is just a green local kid with a tin badge. And when the wealthy cattle baron’s men drag two prisoners from Frye’s jail and hang them from a high tree, there’s nothing the untried young lawman can do about it. But Kirby’s got more grit than Sundeen and his hired muscles bargained for. They can beat the boy and humiliate him, but they can’t make him forget the job he has sworn to do. The cattleman has money, fear, and guns on his side, but Kirby Frye’s the law in this godforsaken corner of the Arizona Territories. And he’ll drag Sundeen and his killers straight to hell himself to prove it.
USA Today: “Leonard has penned some of the best Western fiction ever.”
From the novel:
Frye felt the anger hot on his face. “Doesn’t killing two men mean anything to you?”
“You picked yourself a beauty,” Sundeen said to no one in particular. “Why does he pack that gun if he’s so against killin’?”
Jordan said, “Maybe it makes him feel important.”
“Now if it was me,” Sundeen said, “I wouldn’t pick a deputy that whined like a woman.”
Jordan was looking at Frye. “Maybe that’s what this deputy is . . . only dressed up like a man.
Sundeen grinned. “Maybe we ought to take his pants off and find out.”
Frye held his eyes on Sundeen. Just Sundeen — he felt his anger mounting. “Sundeen, if you want to try, stop by the jail tomorrow.”
Escape from Five Shadows (1956)
No one breaks out of the brutal convict labor camp at Five Shadows — but Corey Bowen is ready to die trying. They framed him to put him in there, and beat him bloody and nearly dead after his last escape attempt. He’ll have help this time — from a lady with murder on her mind and a debt to pay back. Because freedom isn’t enough for primed dynamite like Bowen. And he won’t leave the corrupt desert hell behind him until a few scores are settled . . . permanently.
Dallas Morning News: “As welcome as a thunderstorm in a dry spell.”
From the novel:
“I’m giving you warning now,” Renda said, including all the convicts. “One more out of line and somebody shoots. You’ll even think before spitting over the side of the wagon. You hesitate one second when you’re told to do something, you’re dead. You take one step in the wrong direction and you won’t know what hit you.”
He turned to Bowen suddenly. “You understand that?”
Bowen nodded, looking up at Renda.
“Listen,” Renda said, “I’ll tell you something else. That stunt you pulled a while back . . . jumping off the wagon. You wouldn’t get just twenty days for it the second time.”
He looked over the convicts. “You get past the guards, the Mimbres have got orders to take your scalp. You won’t be brought back here . . . just part of you. To prove you’re dead.”
Last Stand at Saber River(1959)
A one-armed man stood before Denaman’s store, and the girl named Luz was scared. Paul Cable could see that from the rise two hundred yards away, just as he could see that everything had changed while he was away fighting for the Confederacy. He just didn’t know how much. Cable and his family rode down to Denaman’s store and faced the one-armed man. Then they heard the story, about the Union Army and two brothers — and a beautiful woman — who had taken over Cable’s spread and weren’t going to give it back. For Paul Cable the war hadn’t ended at all. Among the men at Saber River, some would be his enemies, some might have been his friends, but no one was going to take his future away — not with words, not with treachery, and not with guns.
New York Daily News: “Very tough and realistic.”
From the novel:
Cable stood over Dancey with the Walker Colt in his hand. It was cocked and pointing directly at Dancey’s head. Joe Bob and Royce said nothing.
Dancey said, “You’re not proving anything with that gun in your hand.”
“I don’t have anything to prove.”
Royce said, “You think we won’t be back?”
Cable’s gaze shifted. “You’ll ride into a double load of buckshot if you do.”
Royce seemed to grin. “Man, you’re made to order. Duane’s going to have some fun with you.”
Dancey’s eyes held on Cable. “So one man’s going to stand us off.”
“That’s all it’s taken so far.”
Hombre(1961)
John Russell has been raised as an Apache. Now he’s on his way to live as a white man. But when the stagecoach passengers learn who he is, they want nothing to do with him — until outlaws ride down on them and they must rely on Russell’s guns and his ability to lead them out of the desert. He can’t ri
de with them, but they must walk with him or die.
Western Writers of America: “One of the twenty-five best Western novels of all time.”
San Francisco Chronicle: “Thrilling.”
From the novel:
[”Carl Everett Allen” is recalling how he came to write this account.]
At first I wasn’t sure at all where to begin. When I asked advice, this man from the Florence Enterprise said begin at the beginning, the day the coach departed from Sweetmary with everybody aboard. Which sounded fine until I got to doing it. Then I saw it wasn’t the beginning at all. There was too much to explain at one time. Who the people were, where they were going and all. Also, starting there didn’t tell enough about John Russell.
He is the person this story is mainly about. If it had not been for him, we would all be dead and there wouldn’t be anybody telling this. So I will begin with the first time I ever saw John Russell. . . .
[S]ome of my ideas about John Russell at the time are embarrassing to put on paper. But I was advised to imagine I was telling it to a good friend and not worry about what other people might think. Which is what I have done. If there’s anything anybody wants to skip, like innermost thoughts in places, just go ahead.