"Hold on." Arima stood up and walked over to the shelves built into the wall. Bound files were lined up from one end of the shelf to the other; he took one down. It contained the portfolios applicants submitted when they took the entrance exam.
"Including her, there were eight interns who joined in 1965." He waved their portfolios in the air.
"May I have a look?"
"Go right ahead."
Each portfolio had two photos attached, a head shot and a full-body shot. Trying to remain calm, Yoshino pulled out Sadako Yamamura's portfolio. He looked at her photos.
"Hey, didn't you say she was 'eerie' a few minutes ago?" Yoshino was confused. There was too much of a gap between the Sadako he'd imagined from Arima's description and the Sadako in the photos. "Eerie? You've got to be kidding me. I've never seen such a pretty face."
Yoshino wondered why he had phrased it that way-why he'd said "pretty face" instead of "pretty girl". Certainly her facial features were perfectly regular. But she lacked a certain womanly roundness. But looking at the full-body shot, he had to admit that her slender waist and ankles were strikingly feminine. She was beautiful-and yet, the passage of twenty-five years had corroded their impressions of her, until they remembered her as "eerie", as "that creepy girl". Normally they should have recalled her as "that wonderfully beautiful young woman". Yoshino's interest was piqued by this "eeriness" that seemed to elbow out the salient prettiness of her face.
9
October 17-Wednesday
Standing at the intersection of Omotesando and Aoyamadori, Yoshino once more took out his notebook. 6-1 Minami Aoyama, Sugiyama Lodgings. That had been Sadako's address twenty-five years before. The address had him worried. He followed Omotesando as it curved, and sure enough, 6-1 was the block opposite the Nezu Museum, one of the more upmarket districts in the city. Just as he'd feared, there were nothing but imposing red-brick condos where the cheap Sugiyama Lodgings should have been.
Who were you kidding anyway? How were you supposed to follow this woman's tracks twenty-five years later?
His only remaining lead was the other kids who'd joined the theatre group at the same time as Sadako. Of the seven who'd come in that year, he'd only been able to find contact information for four. If none of them knew anything about Sadako's whereabouts, then the trail would have gone dead. And Yoshino had a feeling that was exactly what would happen. He looked at his watch: eleven in the morning. He dashed into a nearby stationery shop to send a fax to the Izu Oshima bureau. He might as well tell Asakawa everything he'd found out up to this point. At that very moment, Asakawa and Ryuji were at that "bureau", Hayatsu's home.
"Hey, Asakawa, calm down!" Ryuji yelled toward Asakawa, who was pacing around the room with his back turned. "Panicking won't help, you know."
The typhoon warnings flowed steadily from the radio: maximum wind velocity, barometric pressure near the eye of the storm, millibars, north-northeasterly winds, areas of violent winds and rain, heaving swells… It all rubbed Asakawa the wrong way.
At the moment, Typhoon No. 21 was centred on a point in the sea roughly a hundred and fifty kilometres south from Cape Omaezaki, advancing in a north-northeasterly direction at a speed of roughly twenty kilometres an hour, maintaining wind speeds of forty meters per second. At this rate it would hit the sea just south of Oshima by evening. It would probably be tomorrow - Thursday - before air and sea travel was restored. At least, that was Hayatsu's forecast.
"Thursday, he says!" Asakawa was seething. My deadline is tomorrow night at ten! You damn typhoon, hurry up and blow through, or turn into a tropical depression, or something. "When the hell are we going to be able to catch a plane or a boat off this island?" Asakawa wanted to get angry at someone, but he didn't even know who. I never should've come here. I'll regret it forever. And that's not all-I don't even know where to begin regretting. I never should have watched that video. I never should have got curious about Tomoko Oishi and Shuichi Iwata 's deaths. I never should have taken a cab that day… Shit.
"Don't you know how to relax? Complaining to Mr Hayatsu isn't going to get you anywhere." Ryuji grabbed Asakawa's arm, with an unexpected gentleness. "Think about it this way. Maybe the charm is something that can only be carried out here on the island. It's at least possible. Why didn't those brats use the charm? Maybe they didn't have the money to come to Oshima. It's plausible. Maybe these storm clouds will have a silver lining-at least try to believe it, and maybe you'll be able to calm down."
"That's if we can figure out what the charm is!" Asakawa brushed away Ryuji's hand. Asakawa saw Hayatsu and his wife Fumiko exchange a glance, and it seemed to him they were laughing.
Two grown men going on about charms.
"What's so funny?" He started to advance on them, but Ryuji grabbed his arm, with more force than before, and pulled him back.
"Knock it off. You're wasting your energy."
Seeing Asakawa's irritation, the kind-hearted Hayatsu had begun to feel almost responsible for transportation being disrupted on account of the typhoon. Or perhaps he was just sympathetic at the sight of people suffering so because of the storm. He prayed for the success of Asakawa's project. A fax was due to arrive from Tokyo, but waiting seemed only to ratchet up Asakawa's annoyance. Hayatsu tried to defuse the situation.
"How is your investigation coming?" Hayatsu asked gently, seeking to calm Asakawa.
"Well…"
"One of Shizuko Yamamura's childhood friends lives right nearby. If you'd like, I can call him over and you can hear what he has to say. Old Gen won't be out fishing on a day like this. I'm sure he's bored-he'd be happy to come over."
Hayatsu figured that if he gave Asakawa something else to investigate it would be bound to distract him. "He's nearing seventy, so I don't know how well he'll be able to answer your questions, but it has to be better than just waiting."
"Alright…"
Without even waiting for the answer, Hayatsu turned around and called to his wife in the kitchen: "Hey, call Gen's place and have him get over here right away."
Just as Hayatsu had said, Genji was happy to talk to them. He seemed to like nothing better than talking about Shizuko Yamamura. He was sixty-eight, three years older than Shizuko would have been. She'd been his childhood playmate, and also his first love. Whether it was because the memories became clearer as he talked about them or just because he was stimulated by having an audience, the recollections came pouring out of him. For Genji, talking about Shizuko was talking about his own youth.
Asakawa and Ryuji learned a certain amount from his rambling, occasionally tearful stories about Shizuko. But they were aware that they could only trust Old Gen so far. Memories were always liable to being prettified, and all of this had happened over forty years ago. He might even be getting her confused with another woman. Well, maybe not-a man's first love was special, not someone he'd mix up with someone else.
Genji wasn't exactly eloquent. He used a lot of roundabout expressions, and Asakawa soon got tired of listening. But then he said something that had Asakawa and Ryuji listening intently. "I think that what made Shizu change was that stone statue of the Ascetic we pulled up out of the sea. There was a full moon that night…" According to the old man, Shizuko's mysterious powers were somehow connected to the sea and the full moon. And on the night it happened, Genji himself had been beside her, rowing the boat. It was 1946, on a night toward the end of summer; Shizuko was twenty-one and Genji was twenty-four.
It was hot for so late in the season, and even nightfall brought no relief. Genji spoke of these events of forty-four years ago as though they had happened last night.
That sweltering evening, Genji was sitting on his front porch lazily fanning himself, gazing at the night sky calmly reflected on the moonlit sea. The silence was broken when Shizu came running up the hill to his house. She stood in front of him, tugging at his sleeve, and cried, "Gen, get your boat! We're going fishing." He asked her why, but all she would say was, "We'll never have another
moonlit night like this." Genji just sat there as if in a daze, looking at the most beautiful girl on the island. "Wipe that stupid look off your face and hurry up!" She pulled at his collar until he got to his feet. Genji was used to having her push him around and tell him what to do, but he asked her anyway, "What in the world are we going fishing for?" Staring at the ocean, she gave a brisk reply: "For the statue of the Ascetic."
"Of the Ascetic?"
With raised eyebrows and a note of regret in her voice, Shizuko explained that earlier in the day, some Occupation soldiers had hurled the stone statue of the Ascetic into the sea.
In the middle of the island's eastern shore there was a beach called the Ascetic's Beach, with a small cave called the Ascetic's Grotto. It contained a stone statue of En no Ozunu, the famed Buddhist ascetic, who had been banished here in the year 699. Ozunu had been born with great wisdom, and long years of discipline had given him command of occult and mystic arts. It was said that he could summon gods and demons at will. But Ozunu's power to foretell the future had made him powerful enemies in the world of books and weapons, and he'd been judged a criminal, a menace to society, and exiled here to Izu Oshima. That had been almost thirteen hundred years ago. Ozunu holed himself up in a small cave on the beach and devoted himself to even more strenuous disciplines. He also taught farming and fishing to the people of the island, earning respect for his virtue. Finally he was pardoned and allowed to return to the mainland, where he founded the Shugendo monastic tradition. He was thought to have spent three years on the island, but stories of his time there abounded, including the legend that he had once shod himself with iron clogs and flown off to Mt Fuji. The islanders still retained a great deal of affection for En no Ozunu, and the Ascetic's Grotto was considered the holiest place on the island. A festival, known as the Festival of the Ascetic, was held every year on June 15th.
Right after the end of World War II, however, as part of their policy toward Shintoism and Buddhism, the Occupation forces had taken En no Ozunu's statue from where it was enshrined in the cave and tossed it into the ocean. Shizuko, who had deep faith in Ozunu, had evidently been watching. She had hid herself in the shadow of the rocks at Worm's Nose Point and watched carefully as the statue was cast from the American patrol boat. She memorized the exact spot.
Genji couldn't believe his ears when he heard that they were going fishing for the statue of the Ascetic. He was a good fisherman with strong arms, but he'd never tried to catch a stone statue. But there was no way he could just turn Shizuko down, given the secret feelings he nursed for her. He launched his boat into the night, thinking to take this opportunity to put her in his debt. And truth be told, being out on the sea under a beautiful moon like this, just the two of them, promised to be a wonderful thing.
They'd built fires on Ascetic's Beach and at Worm's Nose as landmarks, and now they rowed farther and farther out to sea. Both of them were quite familiar with the ocean here-the lie of the seafloor, the depth, and the schools of fish that swam here. But now it was night time, and no matter how bright the moon was, it illuminated nothing beneath the surface. Genji didn't know how Shizuko intended to find the statue. He asked her, while working the oars, but she didn't answer. She just checked their position again by the bonfires on the beach. One might have been able to get a pretty good idea of where they were by gazing over the waves at the fires on the beach, and estimating the distance between them. After they'd rowed several hundred meters, Shizuko cried, "Stop here!"
She went to the stern of the boat, leaned down close to the surface of the water, and peered into the dark sea. "Look the other way," she commanded Genji. Genji guessed what Shizuko was about to do, and his heart leapt. Shizuko stood up and took off her splash-patterned kimono. His imagination aroused by the sound of the robe slipping across her skin, Genji found it hard to breathe. Behind him he heard the sound of her jumping into the sea. As the spray hit his shoulders he turned around and looked. Shizuko was treading water, her long black hair tied back with a rag and one end of a slender rope clenched between her teeth. She thrust her upper body out of the water, took two deep breaths, then dived to the bottom of the sea.
How many times did her head pop up from the surface of the water to gasp for air? The last time, she no longer had the end of the rope in her mouth. "I've tied it fast to the Ascetic. Go ahead and pull him up," she said in a trembling voice.
Gen shifted his body to the bow of the boat and pulled on the rope. In no time Shizuko climbed aboard, draped her kimono around her body, and came up beside Genji in time to help him haul up the statue. They placed it in the centre of the boat and headed back to the shore. The whole way back, neither Genji nor Shizuko said a word. There was something in the atmosphere that quashed all questions. He found it mysterious that she'd been able to locate the statue in the darkness at the bottom of the sea. It was only three days later that he was able to ask her. She said that the Ascetic's eyes had called to her on the ocean floor. The green eyes of the statue, master of gods and demons, had glowed at the bottom of the deep dark sea… That's what Shizuko had said.
After that, Shizuko began to feel physical discomfort. She'd never even had a headache up until then, but now she often experienced searing pains in her head, accompanied by visions of things she'd never seen before flashing across her mind's eye. And it happened that these scenes she had glimpsed very soon manifested themselves in reality. Genji had questioned her in some detail. It seemed that when these future scenes inserted themselves into her brain, they were always accompanied by the same citrus fragrance in her nostrils. Genji's older sister had married and moved to Odawara, on the mainland; when she died, the scene had presented itself to Shizuko beforehand. But it didn't sound like she could actually, consciously predict things that would happen in the future. It was just that these scenes would flash across her mind, with no warning, and with no inkling of why she'd witnessed those exact scenes. So Shizuko never allowed people to ask her to predict their futures.
The following year she went up to Tokyo, despite Genji's efforts to stop her. She came to know Heihachiro Ikuma, and conceived his child. Then, at the end of the year, she went back to her hometown and gave birth to a baby girl. Sadako.
They didn't know when Genji's tale would end. Ten years later Shizuko jumped into the mouth of Mt Mihara, and to judge by the way Genji related the event, it seemed he had decided to blame it on her lover, Ikuma. It was perhaps a natural thought, as he had been Genji's rival in love, but his obvious resentment made his account hard to sit through. All they'd gleaned from him was the knowledge that Sadako's mother had been able to see the future, and the possibility that this power had been given her by a stone statue of En no Ozunu.
Just then the fax machine began to hum. It printed out an enlargement of the head shot of Sadako Yamamura that Yoshino had got from Theater Group Soaring.
Asakawa was strangely moved. This was the first actual look he'd had at this woman. Even though it had only been for the briefest moment, he'd shared the same sensations as her, seen the world from the same vantage point. It was like catching the first glimpse of a lover's face in the dim morning light, finally seeing what she looks like, after a night of entwined limbs and shared orgasms in the dark.
It was odd, but he couldn't think of her as hideous. That was only natural; although the photo that came through the fax machine was somewhat blurred around the edges, still it fully communicated the allure of Sadako's beautifully regular features.
"She's a fine woman, isn't she?" Ryuji said. Asakawa suddenly recalled Mai Takano. If you compared them purely on the basis of looks, Sadako was far more beautiful than Mai. And yet the scent of a woman was much more powerful with Mai. And what about that "eerie" quality that was supposed to characterize Sadako? It didn't come through in the photograph. Sadako had powers that ordinary people didn't have; they must have influenced the people around her.
The second page of the fax summarized information about Shizuko Yamamura. It picked up righ
t where Genji's story had left off just now.
In 1947, having left behind her hometown of Sashikiji for the capital, Shizuko suddenly collapsed with head pains and was taken to a hospital. Through one of the doctors, she came to know Heihachiro Ikuma, an assistant professor in the psychiatry department of Taido University. Ikuma was involved in trying to find a scientific explanation for hypnotism and related phenomena, and he became very interested in Shizuko when he discovered that she had startling powers of clairvoyance. The finding went so far as to change the thrust of his research. Thereafter Ikuma would immerse himself in the study of paranormal powers, with Shizuko as the subject of his research. But the two soon progressed beyond a mere researcher-subject relationship. In spite of his having a family, Ikuma began to have romantic feelings toward Shizuko. By the end of the year she was pregnant with his child, and to escape the eyes of the world she went back home, where she had Sadako. Shizuko immediately returned to Tokyo, leaving Sadako in Sashikiji, but three years later she returned to reclaim her child. From then until the time of her suicide, evidently, she never let Sadako leave her side.
When the 1950s dawned, the partnership of Heihachiro Ikuma and Shizuko Yamamura was a sensation in the pages of the news papers and the weekly news magazines. They provided a sudden insight into the scientific underpinnings of supernatural powers. At first, perhaps dazzled by Ikuma's position as a professor at such a prestigious university, the public unanimously believed in Shizuko's powers. Even the media wrote her up in a more-or-less favorable light. Still, there were persistent claims that she could only be a fake, and when an authoritative scholarly association weighed in with the one-word comment "questionable", people began to shift their support away from the pair.
The paranormal powers Shizuko exhibited were mainly ESP-related, such as clairvoyance or second sight, and the ability to produce psychic photographs. She didn't display the power of telekinesis, the ability to move things without touching them. According to one magazine, simply by holding a piece of film in a tightly sealed envelope against her forehead, she could psychically imprint upon it a specified design; she could also identify the image on a similarly concealed piece of film a hundred times out of a hundred. However, another magazine maintained that she was nothing more than a con-woman, claiming that any magician, with some training, could easily do the same things. In this way the tide of public opinion began to rise against Shizuko and Ikuma.