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  RING OF FIRE II

  Eric Flint

  This is a work of fiction. All the characters and events portrayed in this book are fictional, and any resemblance to real people or incidents is purely coincidental.

  Copyright © 2007 by

  All rights reserved, including the right to reproduce this book or portions thereof in any form.

  A Baen Books Original

  Baen Publishing Enterprises

  P.O. Box 1403

  Riverdale, NY 10471

  www.baen.com

  ISBN 10: 1-4165-7387-9

  ISBN 13: 978-1-4165-7387-6

  Cover art by Tom Kidd

  Maps by Gorg Huff

  First printing, January 2008

  Distributed by Simon & Schuster

  1230 Avenue of the Americas

  New York, NY 10020

  Library of Congress Cataloging-in-Publication Data

  Ring of fire II / edited by Eric Flint.

  p. cm.

  ISBN-13: 978-1-4165-7387-6

  ISBN-10: 1-4165-7387-9

  1. Fantasy fiction, American. 2. Alternative histories (Fiction), American. 3. Science fiction, American. 4. Time travel—Fiction. 5. Thirty Years' War, 1618–1648—Fiction. 6. Europe—History—17th century—Fiction. 7. Americans—Europe—Fiction. 8. West Virginia—Fiction. I. Flint, Eric.

  PS648.F3R553 2008

  813'.0876608—dc22

  2007042362

  10 9 8 7 6 5 4 3 2 1

  Pages by Joy Freeman (www.pagesbyjoy.com)

  Printed in the United States of America

  To Hank Landau,

  Ken Diamond, and

  Matthew Diamond

  Baen Books by Eric Flint

  Ring of Fire series:

  1632 by Eric Flint

  1633 by Eric Flint & David Weber

  1634: The Baltic War by Eric Flint & David Weber

  Ring of Fire ed. by Eric Flint

  1634: The Galileo Affair by Eric Flint & Andrew Dennis

  1635: The Ram Rebellion by Eric Flint and Virginia DeMarce et al.

  1635: The Cannon Law by Eric Flint & Andrew Dennis

  1634: The Bavarian Crisis by Eric Flint & Virginia DeMarce

  Grantville Gazette ed. by Eric Flint

  Grantville Gazette II ed. by Eric Flint

  Grantville Gazette III ed. by Eric Flint

  Grantville Gazette IV ed. by Eric Flint

  Ring of Fire II ed. by Eric Flint

  Time Spike by Eric Flint & Marilyn Kosmatka (forthcoming)

  Standalone titles:

  Mother of Demons

  Crown of Slaves (with David Weber)

  The Course of Empire (with K.D. Wentworth)

  Mountain Magic (with Ryk E. Spoor, David Drake

  & Henry Kuttner)

  With Mercedes Lackey & Dave Freer:

  The Shadow of the Lion

  This Rough Magic

  With Dave Freer:

  Rats, Bats & Vats

  The Rats, The Bats & The Ugly

  Pyramid Scheme

  Pyramid Power

  Joe's World series:

  The Philosophical Strangler

  Forward the Mage (with Richard Roach)

  With David Drake:

  The Tyrant

  The Belisarius Series with David Drake:

  An Oblique Approach

  In the Heart of Darkness

  Destiny's Shield

  Fortune's Stroke

  The Tide of Victory

  The Dance of Time

  Edited by Eric Flint

  The World Turned Upside Down (with David Drake & Jim Baen)

  The Best of Jim Baen's Universe

  The Best of Jim Baen's Universe 2007 (forthcoming)

  Preface

  This is the second of the Ring of Fire anthologies, following the one that came out four years ago, in January of 2004. As was the case with the original Ring of Fire, the stories in this anthology are all part of the 1632 series which I began in 2000 with the founding novel, 1632, and have since continued with the following novels:

  1633

  1634: The Baltic War

  1634: The Galileo Affair

  1634: The Bavarian Crisis

  1635: The Cannon Law

  In addition to the six novels so far published in the series and the two Ring of Fire anthologies, other stories in the 1632 setting have been published in the part-anthology/part-novel titled 1634: The Ram Rebellion, as well as the Grantville Gazette. The Gazette is an electronic magazine devoted to the 1632 series which I began publishing in 2003, the fifteenth issue of which has just come out. Beginning in the summer of last year, the Gazette is published on a regular bi-monthly basis. The first three volumes of the magazine were published by Baen Books in a paper edition, and the fourth volume is coming out in paper in June of this year.

  (For information on how to subscribe to the Gazette, see the end of this preface.)

  To put it another way, short fiction is as integral a part of this series as novel length stories. "Integral," not simply in the sense that the stories are part of the setting, but that they often play a major role in shaping the series. They are not simply, as is usually the case with spin-off anthologies attached to a popular series, stories "off to the side." What happens in these stories very often lays the basis for major developments in the novels, as well as either introducing important characters or developing them still further.

  That's especially true of the stories which appear in the Ring of Fire anthologies. There is no sharp and clear dividing line between stories that appear in the Gazette and stories that appear in the RoF anthologies. The distinction is certainly not one of literary quality in the abstract. But, as much as possible, I try to select stories for the Ring of Fire anthologies which connect more directly with the series as a whole than do most of the stories in the Gazette.

  That was true for the first Ring of Fire anthology, as I explained in some detail in my preface to that volume. It is true of this second one, as well. To give some examples:

  Andrew Dennis' "Lucky at Cards" is an integral part of the story line which he and I began in 1634: The Galileo Affair, developed further in 1635: The Cannon Law, and will be continuing in novels to come. It depicts an episode in the career of Giulio Mazarini—now Jules Mazarin, having taken service with Cardinal Richelieu's France.

  Gorg Huff and Paula Goodlett's "A Trip to Amsterdam," along with Iver Cooper's "The Chase," develop further the adventures of a group of young American entrepreneurs whose story was begun by Gorg as far back as the first volume of the Gazette (see "The Sewing Circle") and has continued in a number of stories published in later issues of the magazine. So far, those characters and their activities have only received incidental mention in the novels, but that will be changing in the future. These kids are not about to go away, to say the least.

  David Carrico's "Command Performance" is one of several stories he's written, the first of which appeared in the Gazette, that depicts the impact of the time-transplanted Americans on seventeenth-century music and musicians. These same characters will figure prominently in a murder mystery novel he and I are co-authoring titled 1635: Symphony for the Devil.

  K.D. Wentworth's "Eddie and the King's Daughter" tells the story of how the romance between Eddie Cantrell and the Danish king's daughter Anne Cathrine, which figured prominently in 1634: The Baltic War, got started in the first place.

  Virginia's DeMarce's "Second Thoughts" continues the story of Noelle Murphy, one of the central characters in 1634: The Ram Rebellion, and serves as a preface to the final story in this anthology.

  That's my own short novel, "The Austro-Hungarian Connection," which ties the development of Noelle as a character to major changes taking place in political and milit
ary developments in Austria and Hungary with the accession to the throne of a new emperor. The story also features Denise Beasley, one of the major characters in a new novel I've co-authored with Virginia entitled 1635: The Dreeson Incident, which will be coming out within a year.

  And this preface is probably long enough. I hope you enjoy the book.

  Eric Flint

  July, 2007

  Those of you interested in subscribing to the Grantville Gazette can find it at the following URL: http://www.grantvillegazette.com.

  Horse Thieves

  Karen Bergstralh

  Fall 1633

  The rain pelted down solidly, stirring up the puddles in the road's many ruts. Four men and a boy slowly rode along, huddled in misery. This stretch of road passed through several still-abandoned villages and the nearest inn lay several miles down it.

  "Why does it always rain when the four of us travel together? Twice I've gone with Herr Parker and it only rained a little. It didn't rain at all when we went to Magdeburg and Jena with Fraulein Parker. Why does it do so now? If we had brought them, would they keep the rain from falling?" The soft tenor grumble came from Reichard Blucher, a huge man with a cheerful smile not reflected in his voice.

  "It rained plenty when Rob was with us," Dieter replied. "I think it is just France telling us it is time to go home."

  "We've been out of France for a week," Wilfram Jones muttered back. A trickle of cold water traced down the back of his neck and he tried fruitlessly to adjust the collar of his rain slicker. The battered old Stetson he wore directed the rain away from the back of his neck better than any other headgear he'd worn, yet some cold water always got through. The true miracle was the slicker. It shed water better than any oiled wool cloak and was far lighter.

  "Papa, will it rain all the way home?" Jacques asked. The thirteen-year-old boy had been adopted the previous year. Some of the former mercenaries had stumbled into Jacques' village and found only two women and four children alive. Christian was now married to one of the women and had adopted the surviving children. This horse-buying trip was the first time Jacques had come along.

  "No, son," Christian replied, smiling at the boy. That gentle smile on Christian's face always surprised the other men. Christian du Champ generally looked like a priest about to launch into a three-hour sermon on mortal sin.

  Despite the rain, it had been a good trip. The results, forty large horses, followed quietly on lead ropes behind the men. On this trip they had gone to Le Perche in their search for draft horses. The mercenaries-turned-horsetraders had gotten a good selection of young mares and two yearling colts. The animals were slated for Ev Parker's heavy horse breeding program, but only the colts belonged to Herr Parker. All the rest belonged to them.

  A sense of satisfaction settled on Wilf. Two years before they had all been mercenaries in one of Tilly's tercios, marching on Badenburg. The tercio had found out that the rumors of "wizards" nearby were true, as up-time guns had shattered it. Taken prisoner, the men had been saved by Gretchen Richter. It still amazed him, to have gone from mercenary to prisoner to hired farm help and now to partner in Herr Parker's draft horse breeding operation—all in the space of those two years. Give them another year like the last, and they would be rich men. A better end, he thought, than his father had predicted years before. Maybe next spring he would travel back to England and see if his father still lived.

  Lightning bloomed overhead followed immediately by thunder, making several of the horses dance. When eyes and ears had adjusted, Wilf signaled his companions to silence. He had caught the sounds of someone else swearing. Christian moved his horse ahead of Jacques, giving Dieter the lead rope of his string of horses. Reichard swung his mount alongside Wilf's and handed over his string also. Hands now free, the two men moved slightly ahead of the rest.

  Out of the darkness and rain emerged two sodden men on horseback—men dressed in uniforms with muskets at the ready. Wilf had just enough time to see Reichard's lifted eyebrow and nod before one of the soldiers spoke. The order for them to halt was no surprise. What had caught their attention was the uniforms and the muskets—flintlock muskets.

  Complying with the soldiers' orders, the group stopped and waited. After a brief consultation that looked more like a whispered argument, one soldier remained in front of them. The other rode past, peering intently at them as he passed. Having inspected them, the second soldier then rode back to join his companion. Another whispered argument followed with much gesturing.

  Reichard leaned toward Wilf and muttered under his breath, his eyes on the two soldiers. "They want our horses, from what I make out."

  "Aye," Wilf replied, "and they'll not care about any objections from us."

  Wilf turned his head and caught Dieter Wiesskamp's eye. Dieter smiled tightly and quickly tucked one of his lead ropes under his thigh. His free hand dipped into his slicker pocket. That pocket now contained an up-time revolver.

  At Reichard's side, Christian frowned blackly, nodding also. In his right hand, hidden by his slicker, would be one of those lovely small swords the up-timers called a "Bowie knife." In Christian's hands, blades had a deadly elegance.

  Turning back to face the soldiers, Wilf dallied both lead ropes around the saddle's horn with a quickly muttered prayer that the draft horses would remain calm and docile. Wilf's hand slipped through his own slicker pocket and the slit behind it to find the pistol at his waist. Easing it out of the holster, he snuggled it down in the raincoat's pocket.

  "They're going to split up, one riding next to me, the other next to Christian. Think we're the merchants." Reichard whispered. "Leave them to Christian and me. We can do it quietly and if we miss . . ."

  Wilf nodded in agreement. Gunshots from up-time guns sounded distinct to the trained ear. He had no wish to announce the group's connections with Grantville if it could be avoided. Soldiers like these wouldn't be alone. More would be somewhere nearby. If Reichard and Christian could dispose of these without having to shoot them, there was one less risk of bringing unwanted attention to them.

  Finally the two soldiers reached a decision. "You will come with us. Do not argue or we will kill you. If you try to escape, we will kill you." With that the speaker turned his horse and motioned for Reichard to join him. The second soldier moved to the side of the road and took up station alongside Christian.

  "You," growled the second soldier, his musket pointed at Christian, "will ride at the back." When Christian nodded in agreement, the first soldier motioned for the group to move out.

  The first soldier rode just to one side. His musket was aimed at Reichard but he was trying to watch all of them. Turned awkwardly, the soldier didn't see the tree branch looming ahead. Although it was barely more than a large twig, the slap of the branch against the side of his head distracted him. That was all Reichard needed. He reached out with one huge hand and wrapped it around the soldier's neck. A quick jerk dragged the man from his saddle to dangle over the road. Reichard's other hand grabbed a shoulder and twisted. The sound of the soldier's neck breaking was almost hidden by the splatter of the rain. Reichard dropped the limp body and spun his horse around.

  Behind them, Christian saw Reichard's first movement. Slamming his horse hard against the second soldier's, Christian's hand snaked out with the Bowie knife. The nearly headless body slumped down and slid off onto the muddy road.

  "Papa, weren't you afraid he would shoot you?" asked Jacques in a quivering voice.

  "No, son. Flintlocks aren't worth spit in heavy rain; wet powder won't fire. He wasn't a very good soldier, either. He rode too close to me. You did well, Jacques, for your first fight. Now, take the horses over there, under that tree, and wait."

  "Yes, Papa." The boy smiled, proud of his stepfather's praise.

  "We can make a soldier out of him," Dieter commented. "Now, what should we do with this one?"

  "Pray God he never becomes a soldier. I'll not have that life for him." Christian spat and shot a sour look at Diete
r. "As for this piece of filth . . ." He dismounted and approached the dead soldier. "Haul him into the woods and let the wolves deal with him."

  "Did you notice their horses and how the beasts move?" asked Dieter.

  "Like they were on their last legs. See, this one just stands here." Working gently Christian slipped a rope over the horse's head and unbuckled the bridle. "Ever seen a bit like this before?"

  "In several books—the same books that showed uniforms like they were wearing and saddles like that one," Reichard replied, bringing up the other loose horse.

  "Up-time books?" Wilf asked.

  "Yes, those ones on the Americans' civil war. Rob Clark loaned them to me, when my leg was broken. He thought I'd like it because it was about soldiers. The cavalry used this kind of saddle. Some Scotsman made them, I think. I've even seen one, at Herr Parker's."

  "Aye, Herr Parker has one of these saddles. 'McClellans,' they are called. Miserable things to ride, but they are lightweight and are supposed to fit horses better than ours. It appears someone else has been reading the same books."

  "Well, this saddle doesn't fit this horse very well. I've never seen such sores before." Christian cursed as he eased the saddle off. "As large as my fist, this one is—and another on the other side just as big."