There was immense skill to the grafting of the flawless, redolent blossoms. People paid to walk along winding paths to see and smell the profligate profusion. They would line up for hours, then come back to see the changes from one day to the next.
Even women were among them, bright blossoms in their hair. This was a time of year, and a place—Yenling during the Peony Festival—when the increasing restrictions on women’s movements were superseded, simply because they could not be enforced.
It was springtime. There were loud, excited crowds and the heady scent of extravagantly coloured blossoms. There was flute music, singing, dancers in the streets, jugglers, storytellers, men with trained animals. Wine and food were sold in booths, throngs given over to merriment—and to undeniably immoral behaviour in courtyards and lanes and bedchambers (not only in the pleasure district) as twilight descended each day.
Another reason for philosophers to lament the folly and the flower.
WALKING BESIDE HER FATHER, Shan is dizzy with excitement and trying not to show it. That would be undignified, childlike.
She is concentrating on seeing everything, taking it in, registering details. Songs succeed (or fail) in the details, she believes. They are more than the pairing of words and music. It is the acuteness of observation that sets a work apart, makes it worth ... worth anything, really.
She is seventeen years old this spring. Will be married by this same season next year. A distant thought still, mostly, but not a displeasing one.
But right now she’s in Yenling with her father amid the morning crowds of the festival. Sight, sound, smell (flowers everywhere and a heavy crush of bodies; the glory and the assault, she thinks). She is hardly the only woman here, but she’s aware of people looking at her as she and her father make their way back up Long Life Temple Road from the city wall.
People had begun looking at her about two years ago. One would have to be in love or a poet to name her beautiful, but there seems to be something about the way she walks or stands, the way her gaze moves and then settles on objects or on people, that draws the attention of others back to her. She has wide-set eyes, a long nose, long fingers. She is tall for a woman. She gets the height from her father.
Lin Kuo is an extremely long-limbed man, but so self-effacing he has stood with a slight stoop for as long as his daughter can remember—as if denying any proud assertion of height, or endlessly ready to bow respectfully.
He had passed the jinshi examinations on his third attempt (perfectly honourable) but has never received a posting, even to the provinces. There are many men like that, graduates without a position. He wears the robes and belt of a civil servant and carries the title of court gentleman, which just means he is without office. He claims the monthly salary attached to that title. He writes with perfectly acceptable calligraphy, and has just completed (and had printed) a small book on gardens in Yenling, which is why they are here.
He has no obvious enemies—important these days—and seems to be unaware that he’s considered a figure of amusement by some. His daughter, more observant perhaps, has registered this, however.
He is instinctively kind, a little afraid of the world. His only expression of adventurousness lies in the fact that he has educated his one living child as if she were a boy. Not a trivial decision, not without consequence, if one thinks of individual lives as important.
Shan has read the classics and the poets, major and minor, back to the beginnings of writing in Kitai. She has a very good running hand and an even better formal one. She sings, of course, can play a pipa—most women from good families can do that—but she also writes songs, the new ci form emerging in this Twelfth Dynasty, words grafted (like peonies! she suddenly thinks) to well-known melodies of the countryside or the pleasure districts.
Her father has even had bows made for each of them, with a supply of arrows. They’ve taken lessons together from a retired archer he found, another quiet reaction against the customs of the day, where all well-bred men (let alone their daughters!) loftily disdain all military traditions.
It is not proper for a girl to do any of this, of course. In music they are to pluck a pipa fetchingly, and sing the words men write. The women doing such singing tend to be entertainers and courtesans. It has always been so.
Lin Kuo has betrothed his daughter this past winter, taking care and thought, to a man he believes will accept what she is, and be happy in that. It is more than any daughter can expect.
Shan loves her father without reserve or condition, though also without illusions as to his limitations.
She loves the world, too, this morning, equally without illusions—or so she proudly believes. She is very young.
She is wearing a crimson peony in her hair, carrying a yellow one, as they walk towards the home of the man her father has come to visit. They do have an invitation: Lin Kuo would not be going there without one.
Two and a half years have passed, on this bright morning, since the boy, Ren Daiyan, also young but without a similar belief that he understood the world (yet), walked into a forest east of his village, carrying a bow and bloodied arrows, and two swords from a man he’d killed.
THERE WAS NO FIGURE more respected in Kitai than Xi Wengao of Yenling. Craggy-faced and white-haired now (what was left of his hair), he knew his stature, was not above taking pride in it. You lived your life as honourably as you could, were rewarded, in some instances, with recognition in your lifetime.
He was a civil servant and a scholar, the official historian of the dynasty, a poet. He had even written songs when younger, had made the ci form almost acceptable among serious writers. (Others of his circle had followed, pushing the form even further.) He was renowned for his calligraphy, for advancing the careers of disciples at court. He was a celebrated lover of beauty (including the beauty of women) and had held just about every important office there was through the years, including prime minister to the last emperor and then, briefly, to the son who reigned now.
That “briefly” told its tale, of course.
In his garden, awaiting guests, he sipped Szechen tea from a green celadon cup—that gorgeous green, in honour of the season. One of those visiting this morning was a source of great sorrow, another promised to be a diversion. In late-morning light he thought about emperors and court factions and the arc of a man’s life. You could live too long, he thought, as well as not long enough.
Some lives didn’t actually have an arc, not in the eyes of the world. Yes, everyone could pass from tottering child to vigorous man and then become someone for whom a change in the weather or a walk as far as the gazebo in his garden brought an ache in knees and back, but that wasn’t a career arc. A farmer didn’t arc, he passed through good or bad years, depending on the weather, on locusts, on whether a son was drafted into the army and marched away to war at sowing time.
But a civil servant in Kitai could rise and fall—and rise and fall again, depending on the mood at court, on whether a battle had been lost in the west or a comet seen in the sky, frightening an emperor. He could even be exiled—a greater fall, like a celestial object hurtling to the earth.
That kind of fall could kill you if you were sent all the way south to the lands of sickness and decay.
He had friends down there now. If they were still alive. Letters came infrequently from towards the pearl divers’ sea. It was a grief. These were men he had loved. The world was a hard place. One needed to learn that.
He was exiled himself, of course, but only this far, only to Yenling, his family home. A distance from court, from influence, but not a hardship.
He was too well known, too widely admired for even Hang Dejin and his followers to ask the emperor to do more. Even a prime minister set on changing the ways of a thousand years knew better than to push too hard on that.
In fairness, it was unlikely that Prime Minister Hang wanted him dead. They had exchanged letters and even a poetry sequence once. Years ago, but still. They had debated policies with courtesy b
efore the last emperor, though not in front of the son, the current one. Times changed. Arcs. His old rival Hang was ... old now, too. It was said his eyesight was failing. There were others, younger, colder, near the throne now.
Still, he had only been ordered away from Hanjin, from palace and office. He was allowed his own house and garden, books and brush, ink stone and paper. He hadn’t been driven ten thousand li south to a place from which men did not return.
They didn’t execute out-of-favour civil servants in the Twelfth Dynasty of Kitai under the Emperor Wenzong. That, he thought wryly, would have been barbaric, and theirs was an emperor of exquisite cultivation. They just sent members of the disgraced faction away, sometimes so far that their ghosts couldn’t even return to threaten anyone.
One of the two men coming to him today was on his way to a savage exile: across the Great River and the rice-rich lands, over two mountain ranges, through thick, wet forests, all the way to the lowlying, poisonous island that was only nominally part of the empire.
Lingzhou was where the very worst political offenders were sent. They were expected to write their last letters or poems in the steaming heat and die.
He’d been a pupil once, the one going there now, a follower, though he’d moved far beyond that. Another man he loved. Perhaps (probably?) the one he’d loved most of all of them. It would be important today, Master Xi told himself sternly, to preserve equanimity. He would break a willow twig in farewell, the old custom, but he must not shame himself or weaken the other with an old man’s tears.
It was a reason he’d invited the second visitor. To change the tone and mood. Impose the restraint that preserved dignity, the illusion that this was not a final meeting. He was old, his friend was banished. Truth was, they were never going to climb again to a high place on the Ninth of Ninth Festival and celebrate friendship with too much wine.
It was important not to think about that.
Old men wept too easily.
He saw one of his woman servants, the young one, coming from the house and through the garden. He preferred messages to be brought by the women, not his steward. It was unusual, but he was in his own home, could devise his own protocols, and he so much enjoyed the sight of this one—in blue silk today, her hair elegantly pinned (both things also unusual, she was only a servant)—as she approached along the curved pathway to the gazebo where he sat. He had curved all the paths when he designed his small garden, just as they were curved or angled at court. Demons could only travel a straight line.
She bowed twice, announced his first visitor. The amusing one, as it turned out. He wasn’t really in a mood for that, but he didn’t want to be desperately sad when the other one came. There were too many memories, called back by a springtime morning.
Then he saw that Lin Kuo had someone with him, and his mood did change a little. It was a source of immediate inward wryness. He had always been able to laugh at himself. A saving feature in a powerful man. But how was it that even today, at his age, the sight of a very young girl, fresh-faced to face the world, graceful and awkward at the same time (she was tall for a woman, he saw), poised on the threshold of life, could still enchant him so much?
Once, a long time ago—another memory, a different kind—his enemies had tried to drive him from power by claiming he’d incestuously seduced a young cousin. There had been a trial. The accusation had been a lie and they had failed, but they’d been clever with it, and there was an interval when his friends had feared for him. This had been in the years when the faction ugliness at court had begun to claim lives.
His accusers had presented a song at the trial, purporting to be something he’d written to her. It was even a good song. You needed to respect your foes at this court. But the real cleverness had been that they’d chosen to attack him this way, given his well-known love of women.
All his life. His too-long life.
That sweet, shy cousin had died years ago, a wife and mother. His own wives had died, both of them. He’d liked the second one better. Two concubines were gone, and mourned. He hadn’t taken another. Two sons were dead. Three emperors he’d known. Too many friends (too many enemies) to name or number.
And still the girl approaching beside the long, eager figure of Lin Kuo caused him to set down his green cup and rise (despite his knees) to greet the two of them on his feet. It was a good thing, he told himself. You could be dead while alive, lose all taste for life, and he didn’t want to do that.
He had strong opinions on where Hang Dejin and his followers were leading the emperor with their New Policies, and he was vain enough to believe his views might matter, even now. He loathed the long, foolish war against the Kislik, for one thing.
Lin Kuo bowed three times, stopping and advancing, which was flattering but excessive from another jinshi scholar and an invited guest. His daughter stayed a proper two steps behind and performed a proper two bows. Then, after hesitating, she offered a third.
Xi Wengao stroked his narrow beard and kept a smile from his face: she was matching her father’s manners, out of respect, to be in step with him, but clearly she had been inclined to stop after the proper level of salutation.
Not a word spoken, already an interesting girl. Not formally beautiful, he noted, but an alert, curious face. He saw her glance at his celadon teacup and the lacquered tray, take in details of the gazebo. He’d had the upper panels painted by San Tsai in the style of Chang Shao of the Seventh Dynasty.
Tsai was also dead. Last year. Another friend gone.
“Councillor, it is a very great honour to see you again,” said Lin Kuo. He had a light, pleasant voice. Wengao wasn’t an imperial councillor any more, but he didn’t mind being called one.
“The honour is surely mine,” he said formally, “that you grace a sad exile’s home with your esteemed presence. And bringing ... ?”
“My daughter, councillor. Her name is Shan. I have long wished to show her the Peony Festival, and have presumed to bring her with me to meet your excellence.”
“No presumption at all. You are welcome, child.” He smiled this time.
She didn’t smile back; a watchful face. “It is a privilege for me, sir, to be in the presence of the man instrumental in elevating the status of written songs in our time. I have read your essay on the ci form, with profit and illumination.”
Xi Wengao blinked. This is a good thing, he told himself again. Something to be cherished. That life could still surprise you.
Even from a man, the words would have been assured, a supremely confident thing to say as a first remark. This was, of course, a girl. A young woman, obviously unmarried, a peony in her hair, another in her hand, and she stood in his garden, specifying that among all he’d done ...
He sat down, motioned Lin Kuo to a chair. The tall man sat with another bow. The daughter remained standing, moving a little behind him. Wengao looked at her. “I will confess that essay is not what I normally expect to be saluted for.”
Lin Kuo laughed, indulgently. “She writes ci herself, councillor. I suspect she has wanted to say this to you for some time.”
The daughter flushed. Parents could create awkwardness for their children, but Kuo had spoken with a vivid, appealing pride. And Xi Wengao, for many reasons, had never subscribed to the more extreme limitations proposed by Cho teachers on the freedom allowed women in their time.
He knew too much about the past, for one thing. He loved women too much, for another. The ripple of voices, dance of eyes, their hands, their scent. The way some of them could read a gathering in an instant, and then guide it. He had known women like that. He had loved some of them.
“I shall enjoy reading or hearing her own ci, then,” he said, looking from daughter to seated father. Then he offered a gift, a kindness: “But come, come, let me see it! You wrote of having completed your book. Is it true, Master Lin?”
The father’s turn to flush. “Hardly a book! A mere essay, an exercise in a style, commentaries on a few gardens here. Including, of co
urse, your own serene refuge.”
“Serene? This ill-tended space? You can hardly even call it a proper garden. I have no peonies, for one thing.” He meant it as a jest.
“Why not, sir, if I may ask?”
The girl had wide-set eyes and that direct gaze. She held a yellow peony in her left hand. She had slipped it into and out of the sleeve of her robe when she’d bowed with arms folded. He was a man who noticed things like that. She was dressed in green for spring, a shade very like that of his teacups.
He said, “I would dishonour them, Miss Lin. I lack the skill and patience to grow and graft the king of flowers, and have no gardener with those gifts. It seemed to me wise for an aged scholar to plan a garden around reserve, simplicity. Peonies are too passionate for me now.”
“Your writings are your flowers,” said Lin Kuo, which was certainly graceful enough. One could, Wengao thought, underestimate the fellow. For one thing, for a man to bring up a daughter able to speak as she just had suggested complexity.
Complexity. Xi Wengao had lived a life torn between the seductive lure of that and a hunger for simplicity. The palace, deadly battles there, and then solitude where he could take up his brush and write.
Had he chosen to be here it would have been one thing. But he had not, and Hang Dejin was still prime minister, implementing his New Policies with an increasingly vicious group of younger associates.
Kitai was at war under their guidance—foolish, futile war—and the government of a distracted emperor was vulgarly engaged in trade and commerce, even in loans to farmers (whether they wanted them or not). And now came word of a revision of the jinshi examination system that he, Wengao, had put in place himself.
So he wasn’t happy to be exiled just now, no.
He heard a sound from towards the house, quickly turned. Saw Lu Chen—the familiar, dearly loved face. He had come.