In the kitchen were occupied with meals,
And she stood upon her head
In her little trundle-bed,
And then began hooraying with her heels.
Her mother heard the noise,
And she thought it was the boys
A-playing at a combat in the attic;
But when she climbed the stair,
And found Jemima there,
She took and she did spank her most emphatic.
Edgar Allen Poe
Edgar Allan Poe (born Edgar Poe; January 19, 1809 – October 7, 1849) was an American author, poet, editor and literary critic. He is best known for his stories of the mysterious and macabre.
The Raven is one of Poe’s best known poems. It tells the spooky story of a lonely man’s encounter with a raven, and is an ideal prose to share with children on Halloween.
The Raven
ONCE upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore,
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
"'Tis some visiter," I muttered, "tapping at my chamber door—
Only this, and nothing more."
Ah, distinctly I remember it was in the bleak December,
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow;—vainly I had sought to borrow
From my books surcease of sorrow—sorrow for the lost Lenore—
For the rare and radiant maiden whom the angels name Lenore—
Nameless here for evermore.
And the silken sad uncertain rustling of each purple curtain
Thrilled me—filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating
"'Tis some visiter entreating entrance at my chamber door—
Some late visiter entreating entrance at my chamber door;—
This it is, and nothing more."
Presently my soul grew stronger; hesitating then no longer,
"Sir," said I, "or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you"—here I opened wide the door;——
Darkness there, and nothing more.
Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortal ever dared to dream before;
But the silence was unbroken, and the darkness gave no token,
And the only word there spoken was the whispered word, "Lenore!"
This I whispered, and an echo murmured back the word, "Lenore!"
Merely this, and nothing more.
Back into the chamber turning, all my soul within me burning,
Soon I heard again a tapping somewhat louder than before.
"Surely," said I, "surely that is something at my window lattice;
Let me see, then, what thereat is, and this mystery explore—
Let my heart be still a moment and this mystery explore;—
'Tis the wind and nothing more!"
Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately raven of the saintly days of yore;
Not the least obeisance made he; not an instant stopped or stayed he;
But, with mien of lord or lady, perched above my chamber door—
Perched upon a bust of Pallas just above my chamber door—
Perched, and sat, and nothing more.
Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore,
"Though thy crest be shorn and shaven, thou," I said, "art sure no craven,
Ghastly grim and ancient raven wandering from the Nightly shore—
Tell me what thy lordly name is on the Night's Plutonian shore!"
Quoth the raven, "Nevermore."
Much I marvelled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning—little relevancy bore;
For we cannot help agreeing that no living human being
Ever yet was blessed with seeing bird above his chamber door—
Bird or beast upon the sculptured bust above his chamber door,
With such name as "Nevermore."
But the raven, sitting lonely on the placid bust, spoke only
That one word, as if his soul in that one word he did outpour.
Nothing farther then he uttered—not a feather then he fluttered—
Till I scarcely more than muttered "Other friends have flown before—
On the morrow he will leave me, as my hopes have flown before."
Then the bird said "Nevermore."
Startled at the stillness broken by reply so aptly spoken,
"Doubtless," said I, "what it utters is its only stock and store
Caught from some unhappy master whom unmerciful Disaster
Followed fast and followed faster till his songs one burden bore—
Till the dirges of his Hope that melancholy burden bore
Of 'Never—nevermore.'"
But the raven still beguiling all my sad soul into smiling,
Straight I wheeled a cushioned seat in front of bird, and bust and door;
Then, upon the velvet sinking, I betook myself to linking
Fancy unto fancy, thinking what this ominous bird of yore—
What this grim, ungainly, ghastly, gaunt, and ominous bird of yore
Meant in croaking "Nevermore."
This I sat engaged in guessing, but no syllable expressing
To the fowl whose fiery eyes now burned into my bosom's core;
This and more I sat divining, with my head at ease reclining
On the cushion's velvet lining that the lamplight gloated o'er,
But whose velvet violet lining with the lamplight gloating o'er,
She shall press, ah, nevermore!
Then, methought, the air grew denser, perfumed from an unseen censer
Swung by angels whose faint foot-falls tinkled on the tufted floor.
"Wretch," I cried, "thy God hath lent thee—by these angels he hath sent thee
Respite—respite and nepenthe from thy memories of Lenore!
Quaff, oh quaff this kind nepenthe and forget this lost Lenore!"
Quoth the raven, "Nevermore."
"Prophet!" said I, "thing of evil!—prophet still, if bird or devil!—
Whether Tempter sent, or whether tempest tossed thee here ashore,
Desolate yet all undaunted, on this desert land enchanted—
On this home by Horror haunted—tell me truly, I implore—
Is there—is there balm in Gilead?—tell me—tell me, I implore!"
Quoth the raven, "Nevermore."
"Prophet!" said I, "thing of evil—prophet still, if bird or devil!
By that Heaven that bends above us—by that God we both adore—
Tell this soul with sorrow laden if, within the distant Aidenn,
It shall clasp a sainted maiden whom the angels name Lenore—
Clasp a rare and radiant maiden whom the angels name Lenore."
Quoth the raven, "Nevermore."
"Be that word our sign of parting, bird or fiend!" I shrieked, upstarting—
"Get thee back into the tempest and the Night's Plutonian shore!
Leave no black plume as a token of that lie thy soul hath spoken!
Leave my loneliness unbroken!—quit the bust above my door!
Take thy beak from out my heart, and take thy form from off my door!"
Quoth the raven, "Nevermore."
And the raven, never flitting, still is sitting, still is sitting
&n
bsp; On the pallid bust of Pallas just above my chamber door;
And his eyes have all the seeming of a demon's that is dreaming,
And the lamp-light o'er him streaming throws his shadow on the floor;
And my soul from out that shadow that lies floating on the floor
Shall be lifted—nevermore!
Christina Rosetti
Christina Georgina Rossetti (5 December 1830 – 29 December 1894) was an English poet who wrote a variety of romantic, devotional, and children's poems. She is well known for writing the Christmas carol, In the Bleak Midwinter.
The Rainbow is a poem of innocence reflecting on the beauty of a rainbow. Colour is useful in drawing attention to the myriad of colours which exist in nature.
The short poem, What are Heavy? encourages philosophical thought, while Flint helps us realise that even dull items have hidden usefulness.
The Rainbow
Boats sail on the rivers,
And ships sail on the seas;
But clouds that sail across the sky
Are prettier than these.
There are bridges on the rivers,
As pretty as you please;
But the bow that bridges heaven,
And overtops the trees,
And builds a road from earth to sky,
Is prettier far than these.
Colour
What is pink? a rose is pink
By a fountain's brink.
What is red? a poppy's red
In its barley bed.
What is blue? the sky is blue
Where the clouds float thro'.
What is white? a swan is white
Sailing in the light.
What is yellow? pears are yellow,
Rich and ripe and mellow.
What is green? the grass is green,
With small flowers between.
What is violet? clouds are violet
In the summer twilight.
What is orange? Why, an orange,
Just an orange!
What are heavy
What are heavy? sea-sand and sorrow:
What are brief? today and tomorrow:
What are frail? spring blossoms and youth:
What are deep? the ocean and truth.
Flint
An emerald is as green as grass,
A ruby red as blood;
A sapphire shines as blue as heaven;
A flint lies in the mud.
A diamond is a brillant stone,
To catch the world's desire;
An opal holds a fiery spark;
But a flint holds fire.
Kenneth Grahame
Kenneth Grahame (8 March 1859 – 6 July 1932) was a Scottish writer, most famous for The Wind in the Willows (1908), one of the classics of children's literature.
His poem, A Song of Toad features the character of Toad from this classic book and suggests his feeling of self-importance.
A Song of Toad
The world has held great Heroes,
As history-books have showed;
But never a name to go down to fame
Compared to that of Toad!
The clever men at Oxford
Know all there is to be knowed.
But they none of them know one half as much
As intelligent Mr Toad!
The animals sat in the ark and cried,
Their tears in torrents flowed.
Who was it said, ‘There’s land ahead’?
Encouraging Mr Toad!
The Army all saluted
As they marched along the road.
Was it the King? Or Kitchener?
No. It was Mr Toad.
The Queen and her ladies-in-waiting
Sat at the window and sewed.
She cried, ‘Look! Who’s that handsome man?’
They answered, ‘Mr Toad.’
The motor-car went Poop-poop-poop
As it raced along the road.
Who was it steered it into a pond?
Ingenious Mr Toad!
Jane and Ann Taylor
Jane Taylor (23 September 1783 – 13 April 1824) and her sister, Ann (30 January 1782 - 20 December 1866) were sisters and poets who together wrote a collection of poetry named Rhymes for the Nursery.
Jane is credited for writing the poem The Star, which is now better known as the lullaby, Twinkle Twinkle Little Star. My Mother was written by Ann, and is a beautiful tribute for any mother to hear aloud.
The Star
Twinkle, twinkle, little star,
How I wonder what you are.
Up above the world so high,
Like a diamond in the sky.
When the blazing sun is gone,
When he nothing shines upon,
Then you show your little light,
Twinkle, twinkle, all the night.
Then the traveller in the dark,
Thanks you for your tiny spark,
He could not see which way to go,
If you did not twinkle so.
In the dark blue sky you keep,
And often through my curtains peep,
For you never shut your eye,
'Till the sun is in the sky.
As your bright and tiny spark,
Lights the traveller in the dark.
Though I know not what you are,
Twinkle, twinkle, little star.
Twinkle, twinkle, little star.
How I wonder what you are.
Up above the world so high,
Like a diamond in the sky.
Twinkle, twinkle, little star.
How I wonder what you are.
How I wonder what you are.
My Mother
Who sat and watched my infant head
When sleeping on my cradle bed,
And tears of sweet affection shed?
My Mother.
When pain and sickness made me cry,
Who gazed upon my heavy eye,
And wept for fear that I should die?
My Mother.
Who taught my infant lips to pray
And love God’s holy book and day,
And walk in wisdom’s pleasant way?
My Mother.
And can I ever cease to be
Affectionate and kind to thee,
Who wast so very kind to me,
My Mother?
Ah, no! the thought I cannot bear,
And if God please my life to spare
I hope I shall reward they care,
My Mother.
When thou art feeble, old and grey,
My healthy arm shall be thy stay,
And I will soothe thy pains away,
My Mother.
Eugene Field
Eugene Field, Sr. (September 2, 1850 – November 4, 1895) was an American writer, best known for his children's poetry and humorous essays.
His poem, The Sugar Plum Tree is a whimsical allegory intended to be told at bedtime, involving a tree of delicious fruit which can only be discovered while sleeping.
The Sugar Plum Tree
Have you ever heard of the Sugar-Plum Tree?
'T is a marvel of great renown!
It blooms on the shore of the Lollipop sea
In the garden of Shut-Eye Town;
The fruit that it bears is so wondrously sweet
(As those who have tasted it say)
That good little children have only to eat
Of that fruit to be happy next day.
When you 've got to the tree, you would have a hard time
To capture the fruit which I sing;
The tree is so tall that no person could climb
To the boughs where the sugar-plums swing!
But up in that tree sits a chocolate cat,
And a gingerbread dog prowls below---
And this is the way you contrive to get at
>
Those sugar-plums tempting you so:
You say but the word to that gingerbread dog
And he barks with such terrible zest
That the chocolate cat is at once all agog,
As her swelling proportions attest.
And the chocolate cat goes cavorting around
From this leafy limb unto that,
And the sugar-plums tumble, of course, to the ground---
Hurrah for that chocolate cat!
There are marshmallows, gumdrops, and peppermint canes,
With stripings of scarlet or gold,
And you carry away of the treasure that rains
As much as your apron can hold!
So come, little child, cuddle closer to me
In your dainty white nightcap and gown,
And I 'll rock you away to that Sugar-Plum Tree
In the garden of Shut-Eye Town.
Abbie Farwell Brown
Abbie Farwell Brown (August 21, 1871 – March 5, 1927) was an American author who wrote poetry and children’s literature, among other genres.
We’ve included two of her better known poems in this anthology: The Fisherman,detailing the encounter of a child with a man of the sea, and Friends, which reminds us of the calmness nature can bring in the absence of company.
The Fisherman
The fisherman goes out at dawn
When every one’s abed,
And from the bottom of the sea
Draws up his daily bread.
His life is strange ; half on the shore
And half upon the sea —
Not quite a fish, and yet not quite
The same as you and me.
The fisherman has curious eyes ;
They make you feel so queer,
As if they had seen many things
Of wonder and of fear.
They’re like the sea on foggy days, —
Not gray, nor yet quite blue ;