Read Runaway Odysseus: Collected Poems 2008-2012 Page 4


  clay bark of the tree that once arched

  like architecture over the forest,

  the forest under which the deer

  and beers once marched – the march

  where the winter receded, a change

  that was bureaucratically needed –

  and so spring sprang forth in hearts.

  That desk’s writing surface is far from

  perfect. True. It shows off all those

  deep, subconscious intentions, all because

  I write with a stony fist and press down

  too hard with a pen. And that is my fault –

  I press down with my poetry, all because

  I want to impress my words in your

  your mind so that you can fall in love.

  I will only write it if you will only like it.

  Nature’s far from perfect, so much

  so that it’s hugging the true. Still, I’m

  glad my desk is bearing its scars in

  those record grooves and scratches,

  because if you sleep your eyes and graze

  this desk with your fingers – it’s like

  you’re running against the tree in which

  all those ravens and bluebirds nested.

  It’s a static shock that will always linger.

  So even though it’s now just a desk – no longer a tree –

  it will always be deeply rooted inside me.

  Dream Weave

  She looms up our dreams into patterns

  we love to understand.

  Yet, with two underhands,

  she breaks the rudder,

  steering us in

  a direction we’re not

  looking for. She said

  it was the wind’s fault,

  knowing how she’ll reap the windfall

  she seeded and irrigated

  with waterfalls just to make sure

  her lies thrive, growing into roses, the

  thorns cutting our skin like knives,

  letting corrupt air in and blood out

  in transactions only the thorn determines

  when the time comes. And still we rush

  away with your answers, never

  bothering to question answers

  for we’re only too gladden to happen

  upon an answer to think to question

  the stranger who hands out the

  solution like dollars to the poor on the

  coldest Christmas Eve

  since records started being kept

  in 1864 when our nation

  wasn’t even sure to keep the word

  “united” in USA anymore since

  we were at war with ourselves

  and the only thing the North

  and South had in common

  was that their armies were built on the

  backs of the poor who could

  not afford to bribe themselves

  off those battlefields where

  the soldiers wield bayonets

  and cavalry horses neighed their death

  and dying soldiers called out

  for their mothers and their lovers

  and prayed beneath their final breath.

  Dreaming Muddy Cappuccinos

  All you could dream of were

  muddy cappuccinos and she

  smiled at the thought of bone

  marbled homes just south

  of paradise and he got lost

  in the thoughts of sports cars

  spitting poison as they lapped

  up the californian highways

  and he daydreamed a thousand

  loves with a thousand girls and

  paying for it all with a newspaper

  coupon and she imagined

  foamy champagne and he

  wondered how much air

  you can cut with speedboat

  and you dreamed of mixing

  up the dinners you need with

  the logos you want.

  Drenched in Windchimes

  For too many years, I’ve gathered moss

  here, drenched in dry windchimes,

  which crumble into dust at the mere

  whisper of a gust –

  but though I could not

  have caused myself, I could still

  pause and draw myself into a new

  painting for the gallery –

  but how can I erase the awful

  and redraw the good shine into

  my body when even my own

  paints are humbled by

  the troubles of these ages?

  Driving By An Amish Couple

  We drive past their buggy

  so quickly, it is hard to

  see them – their colors blend

  in so easily with the bales

  of hay, the Lancaster timber,

  the cattle with their

  firsthand leather jackets.

  He sits in his wooden seat

  like a man who’s spent a life

  in the fields, a man who’s

  been built by sunbeams

  of steel. But if he’s stamped

  with iron, then what does

  he wear for his armor? He

  could wear his Bible as a

  breastplate, but that wouldn’t

  work. True, his God may

  have written it, but his God,

  for some reason, chose to write

  the important things down

  on flammable paper.

  The lady wears her hair

  as plain as the sunlight creeping

  through the morning clouds.

  She’s so pale and thin, it’s like

  looking through a window at

  something else: perhaps

  what we used to be, perhaps

  what we might become.

  August 25, 2011

  Drowning Lessons

  I’m at the trough, my head

  down in prayer like the others,

  forcing down the pints –

  my medicine – my bloody lips

  tasting the murk before

  my tongue ever does.

  Man next to me takes a

  moment to stop drowning –

  he comes up for air,

  he tells me, “Who would

  have thought a rough

  night could taste so smooth?”

  I agree – I can drown to that.

  I mean, if his Jesus turned

  the water to wine, who says

  that we can’t learn to swim

  in the bottles? I think I’ll

  save that question, though,

  for when I have the answer.

  November 6, 2011

  Dry Rain

  Rain's the static greying the 

  hairs in the painted window –

  until all's lightwhite like a 

  mattress resting on the floor.

  Old man gone.  I close the 

  blinds with a cold hand,

  my fingers wet with the 

  chill of August's rain.  The rust

  strains, the house's 

  strutting lames into a shuffle,

  the rain ruffling the 

  palm tree leaves like feathers.

  The eaves are all streams,

  greening the cream paint.

  I already forget what the sunshine

  looks like, although it's been ten

  minutes since it stopped raining.

  August 5, 2010

  East River Mythology

  I – Brooklyn Bridge

   

  In these torn calendar pages since August,

  we’ve watched that shuffle of suns parading

  into the East, splashing into the

  unforgiven murk.  All of those dives

  of orange live longer than the darkness

  does, throttling the river’s dusky

  currents against the mercurial rust

/>   in the piers, the statues, the sidewalk curbs.

   

  Only against rock can waves grow taller.

   

  Sometimes – when we look through

  your kitchen window at just the right

  moment – we can see flickers of that

  citric electricity branching through

  the thickwick water – it’s a fine

  live death.  Who would’ve ever

  thought that the hydrologist would

  have made gold before

  the alchemist ever did?

   

  And still more and more raw

  temper nuzzles against

  the steel, dredging a firebed

  from the bottom – a mattress

  that becomes brighter than

  Manhattan as if by magic.

  It’s one of those warm beds

  in the winter months that –

  as soon as you hit it – you

  crush into a crater, stitched

  into the fabric.

   

  The only time we ever –

  even vaguely – wish we’re forgotten.

   

   

  II – Manhattan Bridge

   

  All the planets – all of those wandering stars –

  hang like swollen grapes, suspended.  Each

  a globe at its edges, nectar in its stomach.

  Suspended until they’re ripened, splashing

  and swirling invisible with this horizon,

  mixing with the currents until the taste

  remains only in our urgent imagination.

  The clock on the kitchen wall – its hour

  hand is a sharp karate, reaping the sky

  down because even those stars can

  be blown out. 

   

  My watch – the one that’s

  always breaking – is the breath that

  blasts them down.  Breath is breeze

  and breeze is whatever tomorrow is

  supposed to mean. 

   

  I mean, I dream

  that we’re not the sacrificial herd

  but we’re instead the contract tapped

  out with invisible ink.  Ink that –

  when it dribbles – gives us swift

  sprints of inspiration.  A contract

  held together with a morse rhythm –

  a rhythm heard by the blind men

  and felt by the deaf women. 

   

  The whole march down to earth

  from heaven is nothing but a meeting

  for us, and the stretched hours are our minutes.

   

  Our vows are our constants, leading

  us to the end of some run-on,

  fragmented sentence.

   

   

   

  III – Williamsburg Bridge

   

  But the river is our sea and our sea is our

  peace.  It’s all a deep beckon, all of those

  waves waving us on with their curves

  of hand, a sleigh to some, to others a

  sleight that’s sprayed and

  slain the weaker men. 

   

  It’s pitch – it pitches

  and crescendos

  in more shades of black

  than they taught us in art

  class in grade school. 

   

  It’s a crest – a crust of some

  infinite loaf, darker than

  buttered pumpernickel.

   

  The water’s stiller than mirrors although

  the boats can never see themselves in

  their wakes.  And the tide’s malnourished,

  rolling more like the lines on a seashell –

  and the piers all along the shores

  are their collectors.  Hobbyists trading

  with all of the wharfs in Portugal and Maine,

  in Honolulu and Sydney, until all

  gets lost and confused and you don’t

  know whose baseball cards are whose.

   

  Everything’s a variable then in those

  churned moments – all you can hope

  for is an expanse of unknowns, but

  all you really get is a sea of shellfish

  clenching onto the night

  tighter than scallops.

   

   

   

  IV – Queensboro Bridge

   

  The Earth’s curves make for the

  straightest lines sometimes.  On

  the dryer nights, that is.  Even in

  darkness, you can hear the rubber

  fog being stretched bulimic, bursting

  like pipes of fireworks.  But the

  4ths of July just make day of the

  nights – the green days, the red

  ones, the orange and too many others

  for me to mention. 

   

  But here, here is where

  the fog bursts into the

  word mirage.  The dictionary has

  its definition, but no one believes

  it – everyone just makes their own.

  You say you can only see

  the foglights of Manhattan, but

  all I can see is Eden, the sprigs

  swigging drunkenly off the ground,

  sighing hotwhite seedlings that

  may dance flagrant but

  smell ohso fragrant, enough

  to turn you into a sneeze.  These

  fields are all sparrow, seedeaters

  down to their last sunlit veneration.

   

  The tornado of laces tightens on all

  of us trapped in the corset, closing

  us in as we gasp more from the thrill

  and less from the reflex.  We’re all

  hourglass figures, numbers as infinite

  as the times you flip us like a page.  Yes,

  we might be as black and white as

  justice, but we’re all swans beneath the

  dabs of pigment. 

   

  Still, we’re cygnets

  on the water when

  we want to be that foam,

   

  gliding as if puffed,

  glowing as if smoked.

   

   

   

  V – Triborough Bridge

   

  We’re swimming now like dolphin

  fins, homing for all of the homes

  we’ve never been, hearths that are

  vanished – never vanquished – into

  the distance like a cheshire grin. 

   

  The tide is a thick one, bouncing us back

  and forth between Manhattan and

  Astoria – we’re embers tossed

  like a good game of ball between

  the flames.  There is nothing fair to

  nature’s blind justice – there is

  a tyrant working late nights

  at the democracy – rustling up

  good newspapers for some and a

  funeral shoulder for others. 

   

  Can’t you see the

  rosy cheeks in the

  skyline? 

  Ashen but healthy,

  vibrant?

   

  Whether those flowers taste like

  medicine or perfume, it’s all

  good luck to me and I burn

  for it, all of that

  juniper steam that teaches

  me how to swim a stroke harder,

  a breath faster.  I can hear

  immortality in our children’s

  giggles, laughter that’s too

  diamond for even the sharpest

  harvest moon to cut through.

   

  But all I real
ly want from you

  is to get lost until no one

  can hear me cry mayday.

  April 23, 2011

  Easter White Pages

  She hasn’t believed in gravity for years –

  so now she’s good and stretched out

  like gum baptized inside the bored mouth.

  She wants to hold her head tall for her God

  although she could have found Him

  in all the faces she walked past on the street –

  all of them are mirrors with even clearer eyes.

  She’s afraid to touch me when I say I’m illiterate

  with a Bible. Afraid to touch me like I’m already lava.

  She doesn’t let me finish – she doesn’t let me say

  I read the good book – the phone book.

  I’ve already read through B and I will keep on reading,

  until there’s no longer a stranger in this city,

  until I laugh with millions for family.

  February 4, 2011

  Encyclopedia Sounds

  You and your wine freckles

  spill out on the bedsheets of

  milk cream, and here I thought

  I wasn’t supposed to feel

  anything inside of dreams like these.

  You’re a gorgeous persuasion,

  you know, dragging me in with your

  siren moan, tiring my bones

  from the inside-out, driving

  my feet down to bald tires.

  The covers crackle

  through the solstice

  night like dried timber –

  it’s a cold fire.

  The rustling guzzles

  in all the days we forgot.

  And now we’re back on the road,

  and love’s the engine

  and nothing more.

  September 18, 2010

  Englyns

  I limp and melt like wax, every flame

  wears my name down to flat

  puddles – cold of love – which tax

  the world slower than clock ticks…

  This dirt shoveled on my wings, I feel these

  feathers freeze up like wind –

  but as I breathe dirt, I sing

  for the world that buries me…

  I dropped my heart down the stairs,

  watched it break as shards to share

  with a world picked clean of fair-eyed muses –

  shouldn’t have had that pear…

  I once slept in a bed of dusty stars.

  Sure, we all dream such love –

  we just cannot grab such doves.

  But I have falconer’s gloves…

  You wore Sunday eyes for me

  and though you think they’re lovely,

  I know with those you can’t see…

  I dreamt worlds onto paper,

  and saved them all for later

  when my world’s up in vapors.

  Essay on Argument

  We’re running on these sentences, feet swaying on the words.