WEST McCRAY:
You refused, initially.
JAVI CRUZ:
I was fucked up. Scared out of my mind.
WEST McCRAY:
When you told Sadie that, how did she react?
JAVI CRUZ:
She left me there.
WEST McCRAY:
But you ended up making the call right after.
911 DISPATCHER [PHONE]:
911, what is your emergency?
JAVI CRUZ [PHONE]:
Uh, I want to report a dead body.
WEST McCRAY:
Javi did as Sadie suggested: he left directions to the house and hung up before he could identify himself.
After the pornography was found, the Montgomery Sheriff’s Department pulled security footage from outside the Rose Mart and identified their mystery caller. I got to look at it. Sadie isn’t with Javi as he braces himself to make the call. It was after she drove off. He stands in front of the phone, pacing back and forth for ten minutes, before finally bringing the receiver to his ear. He makes the call and he goes home, where he shuts himself in his room and won’t talk to anyone until the police knock on his door.
Sadie ended up at Silas Baker’s.
JAVI CRUZ:
Kendall and Noah blew up my phone about it. I never answered their texts, but …
WEST McCRAY [STUDIO]:
The Bakers are not granting any media requests.
JAVI CRUZ:
They said Sadie showed up at their place because I told her to meet me there, which was a lie. Noah tried to get ahold of me, but I wasn’t answering my texts.
I guess it was fine, for a little while, and then Mr. Baker came home. They told me Sadie wasn’t who she said she was and that I was a dumbass for falling for her. They said she stole Mr. Baker’s phone and attacked him—
WEST McCRAY:
Attacked him?
JAVI CRUZ:
Yeah, with a knife. In their driveway.
They said she got in her car and cleared out before anyone could do anything about it and that Mr. Baker didn’t want to press charges because it was obvious she was “disturbed.”
All the time that was happening, the police were at that house.
WEST McCRAY:
So Kendall and Noah suggested it got physically violent between Mr. Baker and Sadie. Did they say that he hurt her?
JAVI CRUZ:
They didn’t say anything about that. Doesn’t mean he didn’t though, just that they knew not to put it in writing, if he did.
WEST McCRAY:
And Sadie wasn’t hurt when you met her the previous night at Cooper’s or that morning at Lili’s?
JAVI CRUZ:
Like hurt … how?
WEST McCRAY:
According to a young lady who met up with Sadie when she was in the process of leaving Montgomery, Sadie was injured. She had a bruised face, suggesting a broken nose, and a scraped chin.
If it didn’t happen at the Bakers’ house, it would have happened shortly thereafter.
JAVI CRUZ:
Jesus.
WEST McCRAY:
Did Sadie ever mention a man named Darren or Keith to you?
JAVI CRUZ:
No … no, not that I can remember.
You think she’s okay?
WEST McCRAY:
That’s what I’m trying to find out.
JAVI CRUZ:
But do you think she’s okay?
AUTOMATED FEMALE VOICE [PHONE]:
You have reached the voicemail of—
MARLEE SINGER [PHONE]:
Marlee Singer.
AUTOMATED FEMALE VOICE [PHONE]:
Please leave a message at the tone.
WEST McCRAY [PHONE]:
Marlee, West McCray here.
Look, I know you don’t want me to keep calling you, but here’s the thing—I have mounting evidence that suggests you saw Sadie, that you directed her to your brother, Silas’s house. You knew Darren. I think it’s likely Silas did too. I would really appreciate if we could talk about that. I’m just trying to bring a girl back home to a family who misses her.
Please call me.
WEST McCRAY [PHONE]:
Hey, May Beth. Is Claire around?
MAY BETH FOSTER [PHONE]:
No. She’s still … she hasn’t been back.
WEST McCRAY [PHONE]:
Since I last called? Are you kidding me?
MAY BETH FOSTER [PHONE]:
No. I don’t know if—I mean, she’s got some things here I’d like to think she wouldn’t have left without, but …
WEST McCRAY [PHONE]:
I’m headed back to Cold Creek. Call me if she turns up in the meantime.
MAY BETH FOSTER [PHONE]:
Why, what have you found?
WEST McCRAY [PHONE]:
I don’t know.
sadie
Farfield is five days from Langford.
I feel every single mile like a cut across my skin. This drive has been the hardest. The ache of it, the ugliness. The pain of holding the same position for hours, the way the joints in my fingers have started to seize from gripping the wheel so tight that when I finally stop the car, I know I’ll still feel it there in my hands.
When the town sign comes into view at last, there’s no relief in it.
Farfield makes up the averages of all the places I’ve been; not so riddled by poverty it hurts to look at, or as painful as Montgomery was in all of its shine. Here, some parts are ravaged, others only a little down on their luck, then it turns into this economic gradient going up: nice, nicer, nicest. The place Keith is living is on the Down on Its Luck side of a town, a kiss in the direction of something nicer, except it’s facing the wrong way. It’s a plain two-story with flaking white paint on its worn siding.
I park across the street.
My heart pounds, my blood flows through my veins, everything working how it’s supposed to. I watch the house for a long time, like I did outside of Silas’s, steeling myself for that moment I’ll have to see him before I do anything else.
All I have to do is survive that moment to get through the rest.
I’m hot, sweating. I lean my head against the seat and close my eyes briefly, or maybe longer than that because the next time I open them, there’s a little girl on the front stoop. She’s surrounded by paper, scribbles all over them, but at some point she abandoned drawing for the well-worn book in her hands. She looks so much like something out of a Norman Rockwell painting that I don’t believe she’s really real. She’s small. Ten, maybe. She’s wearing pink denim shorts, a striped shirt and her brown hair is tied in pigtails so lopsided, I can only guess she’s done them herself. The book is a paperback and she’s clutching it like it’s a lifeline. She’s getting close to the end. She has Band-Aids on each of her knees.
The unexpectedness of her is more than I can bear. I don’t know why I wasn’t expecting her. I don’t want to feel it, but I can’t keep myself from feeling it.
I pull the sleeves of my red hoodie down. It’s too warm to wear, but it’s all I had to cover the bandage. My arm has been hurting since Langford, little dots of red creeping through the gauze, but I don’t want to think about it. I check my face in the mirror. It’s turned colors I can only liken to bruised fruit. Purples and browns and hints of yellow. I hate looking at it because it reminds me of Silas Baker, out there, still.
But maybe after Keith, I could go back.
Get it right this time.
I step out of the car, my body protesting every part of this simple act.
The girl looks up as I approach. The closer I get to her, the more I see that she’s frail, a little feral. Her milk-white skin is dotted with freckles. Her face is sharp with a long nose, small brown eyes. I stare at her and she stares back. She closes the book—a copy of The Baby-Sitters Club. I offer her a small smile, and she eyes me warily in return. I don’t blame her. I look scary, ghoulish.
“H-hi th-there.”
&
nbsp; “You talk funny,” she says immediately, and she sounds smaller than I was expecting. Her voice is thinner, even, than Mattie’s.
“I st—I stutter.”
“What happened to your face?”
“I’m c-clumsy as hell.”
I bend down until I’m roughly her height and point to the BSC book in her hand. On its torn-edged cover, Stacey runs toward the other members of the club with her arms outstretched. I remember that one and it’s strange to remember it. I forget that at times, I was a kid, that I did kid things. That I read about the girls I dreamed of being. That I did things like play in the dirt and made mud cakes. Drew pictures myself. Caught fireflies in the summertime.
“St-Stacey was my favorite, but I always w-w-wanted to dress like C-Claudia.”
“I hate Stacey.”
Tough crowd. “Who’s your f-favorite?”
“Mallory,” she says after a long minute. “And Jessi. I’m almost as old as them. I like reading about girls being … my age.”
She lowers her gaze and I can feel how old she thinks she is because I felt it then myself, years on me no one else could see, craving those moments where adults treated me like I was as young as I was. I wonder if Keith has her tag, all ready to take that part of her with him when he goes. I want so badly to have arrived in time but if he’s already here, that means I’m too late.
The girl brightens suddenly, says, “Someone sold their entire BSC collection to the bookstore downtown. I’m tryin’ to get them all before someone else does, but I don’t have the money.”
I pick up one of the drawings. They’re better than they have any right to be at her age, I think. Moody landscapes and sad little girls who all look just a little bit too much like her. It’s painful when pain like that is so obvious. I bet her mother hangs these on the fridge, proud, looking at them without ever really seeing. All the pictures are signed by NELL.
I see you, Nell.
“N-Nell,” I say. “That’s y-you.”
“I’m not supposed to talk to strangers,” she says.
“I’m n-not a st—not a stranger. I know your mom’s b-boyfriend.”
“You know Christopher?”
How she sounds, when she asks me this, makes me want to burn the world down. The sudden, fearful light in her eyes tells me all I need to know. I watch her hands tremor, watch her tighten her grip on the book to stop it, to hide it.
She’s ten years old and she’s already fighting her own cries for help.
I wish I could tell her that soon she won’t have to worry about it. That I know what’s happening, it’s going to be okay. She’s never heard those words before, I’m sure of it, like I never heard them, and I know she has to be starved for them, just like I was.
“H-he around?”
I move toward the house and she says, “No!” I turn to her. “He’s sleepin’. This is quiet time. I’m not supposed to wake him up for anything or he’ll be mad.”
“Th-that’s why you’re out h-here?”
“I can get through a whole book nearly, by the time he wakes up.”
This, she says with pride.
“That’s a-a-amazing.” She beams. “W-where’s your m-mom, Nell?”
“She works at Falcon’s.”
“W-what’s that?”
“A bar.”
Of course. I straighten. My knees crack.
“When’s she h-home?”
“After I’m in bed.”
It’s almost too perfect. I could let myself into his house and find him, stretched on a couch or a bed, prone and sleeping. I could stand over him, his switchblade in my hands, poised over his beating heart and plunge it down, ending him. I imagine his eyes flying open just so I’m the last thing he sees before he dies. Painting an entire room red, leaving. And when they ask Nell if she saw anything, she’ll say no, I was outside, I’m not supposed to be inside during quiet time …
The thought, the heady thrill of it, guides me to the door and then my hand is on its handle, making the turn, when she panics. Nell runs to me, putting her small hands around my wrist. Hands as small as Mattie’s were at that age. She’s not Mattie, I think to myself, but my heart wants to take me to that place where she could be. She’s not Mattie, she’s not Mattie, she’s not Mattie, she is not Mattie … but her hands are small … and warm …
“You can’t go inside,” she says desperately.
And alive.
“C-come with me,” I tell her. She stares at me, dumbstruck. But what if she did? What if I just take her, what if I could take her away from what’s beyond this door?
“N-Nell, c-come with me.” She lets go of my hand and moves away from me. I reach for her, and she steps back again and I reach for her again, because I can’t stop myself, because we know what’s inside. I can feel my stutter’s hold strengthen as the desperation inside me grows. “I-I think you should come w-with me. It’s n-n—it’s not—”
Safe.
So come with me.
Please.
“My mom will be home soon,” she says, shaking her head, forgetting that she just told me her mom is at work, that she doesn’t come home until late. “My mom—” I move in a way she must not like because she opens her mouth wide and screams, “Mom!”
It rips me out of the fantasy, forces me back into my body. My sore, bruised and tired body. My tired heart. I take a fumbling step away and she’s scared out of her mind.
“I’m s—I’m sorry.” I dig into my pocket, my wallet, and hold out a twenty to her. “W-wait. Here. T-take th-this.”
She closes her mouth and eyes me suspiciously, while I glance up and down the street. If anyone heard the little girl screaming, they’re not coming. I swallow and wave the bill in her face. Take the money, Nell. She has to understand money. I did, at her age.
“You c-could get a lot of BSC b-books w-with this.”
She steps forward, hesitantly, doesn’t want to get too close to this monster girl with the mottled face. She rips the twenty out of my hands and then she runs down the street. She doesn’t look back. I blink away the threat of tears and make a promise at her retreating figure.
I’ll finish this.
I face the house.
I let myself inside.
It’s quiet but for the low hum of electricity and the clock ticking on the wall. I stand in a small hallway, which leads to a door at the back of the house. To the left, a kitchen and to the right, the stairs leading to the second floor. I close the door behind me quietly and then I lean against it, forcing myself to take deep, even breaths in and out. There’s a glass of milk and a half-eaten sandwich on the kitchen table. Dishes drying on a rack. There’s a room beyond the kitchen and that’s where I move to next, surprised at the silence of my own body, how made it was for this moment. It’s a living room, and this is where the clock is, the television, the couch I imagined Keith on, one leg hanging off it, mouth wide open as he sleeps.
But he’s not there.
So upstairs.
Everything was easy until the moment my right foot meets the first step. The stairs are old, and they let me know it, groaning loudly under the weight of my body. Each time it sounds, I feel like I did when I was driving and the car would take the curve of a hill, that strange anxious rising and falling sensation in the pit of my stomach.
When I reach the landing, I exhale. I don’t realize how hard I’m shaking until the moment before I grip the banister, and I catch sight of my trembling fingers.
There are three doors, the closest one open, revealing a bathroom, leaving two left. I push the first door open and find myself in Nell’s room.
I thought I might.
I hoped I wouldn’t.
Her room is neat, in the way I kept my room neat, like everything was put into place by small, uncertain hands. There’s faded pink wallpaper on the wall with yellowing seams that I think has been here longer than she has. A small bed with a mint green comforter, a little too deflated, secondhand. I cross the threshold an
d move to the tiny desk across from her bed. This is where she makes her masterpieces. A sketchbook and colored pencils with dollar-store stickers on them. I move to her closet, next to the bed, and open the door where I’m met with the scent of baby-soft detergent and all of Nell’s impossibly small clothes.
I was this small once.
A lifetime ago.
I sift through them almost unconsciously. This wasn’t something I set out to do, but now that I’m doing it, I can’t stop because I know. I know I’ll find exactly what I don’t want to find, and it’s there, in the back. A shirt with the tag cut out of it. I take it off the hanger and press it against my face and a fierce, near unbearable wave of grief follows. I’m going to save you, Nell. I’m going to save you, but everything after that, I think, is beyond saving. I can stop Keith but I can’t undo everything that’s already been done. How do you forgive the people who are supposed to protect you? Sometimes I don’t know what I miss more; everything I’ve lost or everything I never had.
“Always wondered if you’d show up on my doorstep one day.”
I take a faltering step forward and then steady myself, his quiet, edgeless voice turning me small, like that, turning me into a small girl, sick with the knowledge that she’s done this wrong. I’ve done this wrong because when I turn Keith is standing right in front of me.
I wish his darkness lived outside of him, because you have to know it’s there to see it. Like all real monsters, he hides in plain sight. He is tall, has always been tall. He’s wearing jeans, scruffed and ratty at the bottoms, threads hanging against his bare feet. His legs stretch up to his torso, his arms taut and muscular in a way I don’t remember them being when I was young. His face is as sharp as it ever was, shadowed and in need of a shave. The lines beside his eyes are so much deeper now than they were when I was eleven, and they were harsh even then. Eight years. It’s been eight years since I saw him in the flesh, but I feel that time between us disappear. I cannot keep looking at him if I want to keep myself in this moment, but I can’t look away and he’s making me small. I’m not. I’m not small, I’m not small, I’m not small … The floor creaks under him. He positions himself against the door frame, leaning against it and blocking my way out. I keep Nell’s shirt pressed to my face. The skin of my hands is stretched so tight over my knuckles from my grip. I close my eyes. I listen to the sound of him breathing, remember the sound of him breathing late at night, I remember … I’m not small …