The Project Gutenberg eBook, Sentimental Education, Volume II, by Gustave Flaubert
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Title: Sentimental Education, Volume II
The History of a Young Man
Author: Gustave Flaubert
Release Date: December 15, 2008 [eBook #27537]
Language: English
Character set encoding: ISO-8859-1
***START OF THE PROJECT GUTENBERG EBOOK SENTIMENTAL EDUCATION, VOLUME II***
E-text prepared by Thierry Alberto, Meredith Bach,
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Transcriber's Note:
Some inconsistencies of spelling and grammar have been corrected, while others have been retained.
* * *
THE COMPLETE WORKS
OF
GUSTAVE FLAUBERT
Embracing
ROMANCES, TRAVELS, COMEDIES,
SKETCHES AND
CORRESPONDENCE
With a
Critical Introduction
by
FERDINAND BRUNETIERE
of the French Academy
and a
Biographical Preface by
Robert Arnot, M.A.
PRINTED
ONLY FOR SUBSCRIBERS BY
M. WALTER DUNNE,
NEW YORK AND LONDON
Sentimental Education
OR,
THE HISTORY OF A YOUNG MAN
BY
GUSTAVE FLAUBERT
VOLUME II.
M. WALTER DUNNE
NEW YORK AND LONDON
* * *
Copyright, 1904, by
M. WALTER DUNNE
* * *
Entered at Stationers' Hall, London
* * *
CONTENTS
* * *
SENTIMENTAL EDUCATION
(Continued.)
[vii] PAGE
CHAPTER XI.
A DINNER AND A DUEL 1
CHAPTER XII.
LITTLE LOUISE GROWS UP 47
CHAPTER XIII.
ROSANETTE AS A LOVELY TURK 62
CHAPTER XIV.
THE BARRICADE 110
CHAPTER XV.
"HOW HAPPY COULD I BE WITH EITHER" 193
CHAPTER XVI.
UNPLEASANT NEWS FROM ROSANETTE 214
CHAPTER XVII.
A STRANGE BETROTHAL 242
CHAPTER XVIII.
AN AUCTION 292
CHAPTER XIX.
A BITTER-SWEET REUNION 315
CHAPTER XX.
"WAIT TILL YOU COME TO FORTY YEAR" 323
* * *
ILLUSTRATIONS
* * *
[viii] FACING
PAGE
"AH! THANKS! YOU ARE GOING TO SAVE ME!"
(See page 107) Frontispiece
"CAN I LIVE WITHOUT YOU?" 58
WHEN A WOMAN SUDDENLY CAME IN 315
* * *
SENTIMENTAL EDUCATION
[CONTINUED]
* * *
CHAPTER XI.
A Dinner and a Duel.
rederick passed the whole of the[1] next day in brooding over his anger and humiliation. He reproached himself for not having given a slap in the face to Cisy. As for the Maréchale, he swore not to see her again. Others as good-looking could be easily found; and, as money would be required in order to possess these women, he would speculate on the Bourse with the purchase-money of his farm. He would get rich; he would crush the Maréchale and everyone else with his luxury. When the evening had come, he was surprised at not having thought of Madame Arnoux.
"So much the better. What's the good of it?"
Two days after, at eight o'clock, Pellerin came to pay him a visit. He began by expressing his admiration of the furniture and talking in a wheedling tone. Then, abruptly:
"You were at the races on Sunday?"[2]
"Yes, alas!"
Thereupon the painter decried the anatomy of English horses, and praised the horses of Gericourt and the horses of the Parthenon.
"Rosanette was with you?"
And he artfully proceeded to speak in flattering terms about her.
Frederick's freezing manner put him a little out of countenance.
He did not know how to bring about the question of her portrait. His first idea had been to do a portrait in the style of Titian. But gradually the varied colouring of his model had bewitched him; he had gone on boldly with the work, heaping up paste on paste and light on light. Rosanette, in the beginning, was enchanted. Her appointments with Delmar had interrupted the sittings, and left Pellerin all the time to get bedazzled. Then, as his admiration began to subside, he asked himself whether the picture might not be on a larger scale. He had gone to have another look at the Titians, realised how the great artist had filled in his portraits with such finish, and saw wherein his own shortcomings lay; and then he began to go over the outlines again in the most simple fashion. After that, he sought, by scraping them off, to lose there, to mingle there, all the tones of the head and those of the background; and the face had assumed consistency and the shades vigour—the whole work had a look of greater firmness. At length the Maréchale came back again. She even indulged in some hostile criticisms. The painter naturally persevered in his own course. After getting into a violent passion at her silliness, he said to himself that, after all, perhaps she was right.[3] Then began the era of doubts, twinges of reflection which brought about cramps in the stomach, insomnia, feverishness and disgust with himself. He had the courage to make some retouchings, but without much heart, and with a feeling that his work was bad.
He complained merely of having been refused a place in the Salon; then he reproached Frederick for not having come to see the Maréchale's portrait.
"What do I care about the Maréchale?"
Such an expression of unconcern emboldened the artist.
"Would you believe that this brute has no interest in the thing any longer?"
What he did not mention was that he had asked her for a thousand crowns. Now the Maréchale did not give herself much bother about ascertaining who was going to pay, and, preferring to screw money out of Arnoux for things of a more urgent character, had not even spoken to him on the subject.
"Well, and Arnoux?"
She had thrown it over on him. The ex-picture-dealer wished to have nothing to do with the portrait.
"He maintains that it belongs to Rosanette."
"In fact, it is hers."
"How is that? 'Tis she that sent me to you," was Pellerin's answer.
If he had been thinking of the excellence of his work, he would not have dreamed perhaps of making capital out of it. But a sum—and a big sum—would be an effective reply to the critics, and would strengthen his own position. Finally, to get rid of his importunities, Frederick courteously enquired his terms.[4]
The extravagant figure named by Pellerin quite took away his breath, and he replied:
"Oh! no—no!"
"You, however, are her lover—'tis you gave me the order!"
"Excuse me, I was only an intermediate agent."
"But I can't remain with this on my hands!"
The artist lost his temper.
"Ha! I didn't imagine you were so covetous!"
"Nor I that you were so stingy! I wish you good morning!"
He had just gone out when Sénécal made his appearance.
Frederick was moving about restlessly, in a state of great agitation.
> "What's the matter?"
Sénécal told his story.
"On Saturday, at nine o'clock, Madame Arnoux got a letter which summoned her back to Paris. As there happened to be nobody in the place at the time to go to Creil for a vehicle, she asked me to go there myself. I refused, for this was no part of my duties. She left, and came back on Sunday evening. Yesterday morning, Arnoux came down to the works. The girl from Bordeaux made a complaint to him. I don't know what passed between them; but he took off before everyone the fine I had imposed on her. Some sharp words passed between us. In short, he closed accounts with me, and here I am!"
Then, with a pause between every word:
"Furthermore, I am not sorry. I have done my duty. No matter—you were the cause of it."
"How?" exclaimed Frederick, alarmed lest Sénécal might have guessed his secret.[5]
Sénécal had not, however, guessed anything about it, for he replied:
"That is to say, but for you I might have done better."
Frederick was seized with a kind of remorse.
"In what way can I be of service to you now?"
Sénécal wanted some employment, a situation.
"That is an easy thing for you to manage. You know many people of good position, Monsieur Dambreuse amongst others; at least, so Deslauriers told me."
This allusion to Deslauriers was by no means agreeable to his friend. He scarcely cared to call on the Dambreuses again after his undesirable meeting with them in the Champ de Mars.
"I am not on sufficiently intimate terms with them to recommend anyone."
The democrat endured this refusal stoically, and after a minute's silence:
"All this, I am sure, is due to the girl from Bordeaux, and to your Madame Arnoux."
This "your" had the effect of wiping out of Frederick's heart the slight modicum of regard he entertained for Sénécal. Nevertheless, he stretched out his hand towards the key of his escritoire through delicacy.
Sénécal anticipated him:
"Thanks!"
Then, forgetting his own troubles, he talked about the affairs of the nation, the crosses of the Legion of Honour wasted at the Royal Fête, the question of a change of ministry, the Drouillard case and the Bénier case—scandals of the day—declaimed against the middle class, and predicted a revolution.[6]
His eyes were attracted by a Japanese dagger hanging on the wall. He took hold of it; then he flung it on the sofa with an air of disgust.
"Come, then! good-bye! I must go to Nôtre Dame de Lorette."
"Hold on! Why?"
"The anniversary service for Godefroy Cavaignac is taking place there to-day. He died at work—that man! But all is not over. Who knows?"
And Sénécal, with a show of fortitude, put out his hand:
"Perhaps we shall never see each other again! good-bye!"
This "good-bye," repeated several times, his knitted brows as he gazed at the dagger, his resignation, and the solemnity of his manner, above all, plunged Frederick into a thoughtful mood, but very soon he ceased to think about Sénécal.
During the same week, his notary at Havre sent him the sum realised by the sale of his farm—one hundred and seventy-four thousand francs. He divided it into two portions, invested the first half in the Funds, and brought the second half to a stock-broker to take his chance of making money by it on the Bourse.
He dined at fashionable taverns, went to the theatres, and was trying to amuse himself as best he could, when Hussonnet addressed a letter to him announcing in a gay fashion that the Maréchale had got rid of Cisy the very day after the races. Frederick was delighted at this intelligence, without taking the trouble to ascertain what the Bohemian's motive was in giving him the information.
It so happened that he met Cisy, three days later. That aristocratic young gentleman kept his counte[7]ance, and even invited Frederick to dine on the following Wednesday.
On the morning of that day, the latter received a notification from a process-server, in which M. Charles Jean Baptiste Oudry apprised him that by the terms of a legal judgment he had become the purchaser of a property situated at Belleville, belonging to M. Jacques Arnoux, and that he was ready to pay the two hundred and twenty-three thousand for which it had been sold. But, as it appeared by the same decree that the amount of the mortgages with which the estate was encumbered exceeded the purchase-money, Frederick's claim would in consequence be completely forfeited.
The entire mischief arose from not having renewed the registration of the mortgage within the proper time. Arnoux had undertaken to attend to this matter formally himself, and had then forgotten all about it. Frederick got into a rage with him for this, and when the young man's anger had passed off:
"Well, afterwards——what?"
"If this can save him, so much the better. It won't kill me! Let us think no more about it!"
But, while moving about his papers on the table, he came across Hussonnet's letter, and noticed the postscript, which had not at first attracted his attention. The Bohemian wanted just five thousand francs to give the journal a start.
"Ah! this fellow is worrying me to death!"
And he sent a curt answer, unceremoniously refusing the application. After that, he dressed himself to go to the Maison d'Or.
Cisy introduced his guests, beginning with the most respectable of them, a big, white-haired gentleman.[8]
"The Marquis Gilbert des Aulnays, my godfather. Monsieur Anselme de Forchambeaux," he said next—(a thin, fair-haired young man, already bald); then, pointing towards a simple-mannered man of forty: "Joseph Boffreu, my cousin; and here is my old tutor, Monsieur Vezou"—a person who seemed a mixture of a ploughman and a seminarist, with large whiskers and a long frock-coat fastened at the end by a single button, so that it fell over his chest like a shawl.
Cisy was expecting some one else—the Baron de Comaing, who "might perhaps come, but it was not certain." He left the room every minute, and appeared to be in a restless frame of mind. Finally, at eight o'clock, they proceeded towards an apartment splendidly lighted up and much more spacious than the number of guests required. Cisy had selected it for the special purpose of display.
A vermilion épergne laden with flowers and fruit occupied the centre of the table, which was covered with silver dishes, after the old French fashion; glass bowls full of salt meats and spices formed a border all around it. Jars of iced red wine stood at regular distances from each other. Five glasses of different sizes were ranged before each plate, with things of which the use could not be divined—a thousand dinner utensils of an ingenious description. For the first course alone, there was a sturgeon's jowl moistened with champagne, a Yorkshire ham with tokay, thrushes with sauce, roast quail, a béchamel vol-au-vent, a stew of red-legged partridges, and at the two ends of all this, fringes of potatoes which were mingled with truffles. The apartment was illuminated by a lustre and some girandoles, and it was hung with red damask curtains.[9]
Four men-servants in black coats stood behind the armchairs, which were upholstered in morocco. At this sight the guests uttered an exclamation—the tutor more emphatically than the rest.
"Upon my word, our host has indulged in a foolishly lavish display of luxury. It is too beautiful!"
"Is that so?" said the Vicomte de Cisy; "Come on, then!"
And, as they were swallowing the first spoonful:
"Well, my dear old friend Aulnays, have you been to the Palais-Royal to see Père et Portier?"
"You know well that I have no time to go!" replied the Marquis.
His mornings were taken up with a course of arboriculture, his evenings were spent at the Agricultural Club, and all his afternoons were occupied by a study of the implements of husbandry in manufactories. As he resided at Saintonge for three fourths of the year, he took advantage of his visits to the capital to get fresh information; and his large-brimmed hat, which lay on a side-table, was crammed with pamphlets.
But Cisy, observing that M. de Forchambeaux refused to tak
e wine:
"Go on, damn it, drink! You're not in good form for your last bachelor's meal!"
At this remark all bowed and congratulated him.
"And the young lady," said the tutor, "is charming, I'm sure?"
"Faith, she is!" exclaimed Cisy. "No matter, he is making a mistake; marriage is such a stupid thing!"
"You talk in a thoughtless fashion, my friend!" returned M. des Aulnays, while tears began to gather in his eyes at the recollection of his own dead wife.[10]
And Forchambeaux repeated several times in succession:
"It will be your own case—it will be your own case!"
Cisy protested. He preferred to enjoy himself—to "live in the free-and-easy style of the Regency days." He wanted to learn the shoe-trick, in order to visit the thieves' taverns of the city, like Rodolphe in the Mysteries of Paris; drew out of his pocket a dirty clay pipe, abused the servants, and drank a great quantity; then, in order to create a good impression about himself, he disparaged all the dishes. He even sent away the truffles; and the tutor, who was exceedingly fond of them, said through servility;
"These are not as good as your grandmother's snow-white eggs."
Then he began to chat with the person sitting next to him, the agriculturist, who found many advantages from his sojourn in the country, if it were only to be able to bring up his daughters with simple tastes. The tutor approved of his ideas and toadied to him, supposing that this gentleman possessed influence over his former pupil, whose man of business he was anxious to become.
Frederick had come there filled with hostility to Cisy; but the young aristocrat's idiocy had disarmed him. However, as the other's gestures, face, and entire person brought back to his recollection the dinner at the Café Anglais, he got more and more irritated; and he lent his ears to the complimentary remarks made in a low tone by Joseph, the cousin, a fine young fellow without any money, who was a lover of the chase and a University prizeman. Cisy, for[11] the sake of a laugh, called him a "catcher"[A] several times; then suddenly: