Lucy was behind them in a flowing swimsuit cover-up. Her gray hair was still dry, so apparently she hadn't even had time to get in the pool before whatever the current crisis was had struck.
"What the hell is going on?" I asked.
Peter said something, but Dixie was yelling so much that I couldn't understand it.
I realized that part of the problem was that Donna was yelling at Edward in the room behind us, so that we were getting a double dose of yelling women. Edward's voice was a low, angry rumble; he was holding on to his control and his temper. Donna seemed to feel that all bets were off, because she was cursing like a sailor.
It was Wyatt who leaned in and told me, "Peter said he doesn't know how to put her down without hurting one of them again."
I wasn't really sure what Peter meant about getting hurt again, but I looked at Peter and the woman across his shoulders and did some quick physical math. "We're too short to make a smooth transfer," I said.
"I'm not," Nicky said, "but I'm working."
"We'll cover for you," Rodina said.
Nicky looked at Bram. "Let's help the kid."
Bram shook his head. "I'm working. Nothing takes precedence over that."
Bernardo came over to us. "I'm not on the job."
"Let's do it," Nicky said.
They moved toward the struggling pair. Peter's lips moved again, but I still couldn't hear him. Nathaniel leaned in and said, "Peter said be careful, she bites and scratches."
"Look at Peter's right hand," Micah said.
I looked and there were bloody nail marks in Peter's hand, where he was still fighting to keep the leg from kicking along with the other leg that he hadn't managed to pin. I saw the bloody marks on his thigh about the time that Nathaniel said, "Jesus, look at his thigh."
"I didn't know Dixie had that kind of fight in her."
The men shook their heads in agreement.
Bernardo grabbed the one leg that Peter hadn't managed to pin. Dixie started to scream louder, which I hadn't thought possible. "Let go of me! Help me! Someone help me!" But no matter what words she was using, she didn't sound scared; she sounded pissed.
Nicky wrapped his hands over the one hand that Peter was using to pin her wrists. Bernardo got both her ankles in his hands. They said something to Peter, or to each other, but all I could hear was Dixie calling them sons of bitches and to let her go. I'd underestimated Dixie; she was hell on wheels when she finally got going. It was going to take all three men to get her off of Peter's shoulders and to the floor without hurting her or letting her hurt any of them. If they'd been willing to hurt her, it would have been easier, a lot easier. She certainly hadn't minded hurting Peter. I wondered where she'd bitten him.
Bernardo and Nicky held and lifted as Peter did a sort of overhead press with the main part of Dixie's body. All that weight lifting paid off, because her body weight didn't seem to be hard for him. What was hard was that the "weight" was wiggling and struggling as hard as it could. He didn't exactly drop her, but he wasn't able to hold on to her past a certain point, and Bernardo and Nicky suddenly had all of Dixie's body weight just at the ankles and wrists. They didn't drop her, but she probably thought they were going to, because she stopped struggling as hard but gave a nice blood-curdling scream. If hotel security hadn't been alerted before, someone was sure as hell going to call now. Great.
They laid Dixie's body on the floor but didn't let go of her. Bernardo pinned her legs between his arms and body, which cut down on a lot of the squirming. Nicky was having more issues with her arms, because when he tried to change his grip, he got closer to her face and she snapped at him like a dog. Fuck.
The noise brought Edward and Donna out of the far room, so they were with us when Rodina joined Nicky and took one wrist and arm. Dixie went wild as they pinned her more securely to the floor. She kept trying to bite something or drive her nails into someone. It was like she didn't know where she was, or didn't care.
Peter went to his mother and said, "She's your friend, Mom. Tell her we'll let her go if she stops trying to hurt us."
Donna went forward reluctantly, as if she were a little afraid of the struggling woman, too. I didn't blame her. I was pretty sure that Dixie would hurt any flesh she could reach. She seemed like she'd gone a little crazy. I wasn't sure Donna would be able to calm her down. It looked like a kind of violent hysteria.
Donna bent over so that she could be sure that the other woman could see her, but Dixie didn't stop struggling or screaming. Donna yelled her name until the struggling slowed down, and then she told the other woman, "If you stop struggling, they'll let you go. Do you understand that, Dixie? If you stop trying to hurt them, they'll just let you go."
The woman on the floor stopped moving and just lay staring up at Donna.
"I think you can let her go," Donna said.
Edward said, "Don't let go of her until she says something coherent to Donna."
Donna started to protest that, but Peter stepped into her line of sight again and pulled his T-shirt down at the neck to show a bloody bite impression of Dixie's teeth in the top of his shoulder and back. She'd damn near taken a piece out of him.
"Talk to her, Mom."
Donna looked a little pale after seeing the bite and him holding up his bleeding hand. She didn't argue with him anymore, just went back to talk to Dixie. She kept talking until Dixie started talking in full sentences and seemed to be making sense. Even then, when Bernardo, Nicky, and Rodina let go of her, they counted to three, let go at the same time, and moved back fast from her. She actually lay there for a second or two, as if she didn't realize they'd let her go. Donna offered her hand and Lucy came to take her other hand, and together they got her on her bare feet. Dixie stood there in her yellow one-piece bathing suit holding her friends' hands. She seemed very quiet, too quiet, as if she'd gone somewhere deep inside herself. It was almost as unnerving as the screaming and fighting had been. What the hell was going on?
Peter stood to one side, close to Donna, but not too close to Dixie. I think he'd had all of her he wanted for the day, or forever. "She's your friend, Mom, and this is your fault."
"What are you talking about, Peter?"
Lucy chimed in, "Dixie was determined to tell Becca at the pool. The little girls were playing together, being so happy."
Dixie looked angry again at that. She jerked her hands away from the other women and backed up into the corner where there was a chair, but she didn't sit down in it. She stood beside it with the wall at her back, one hand on the chair as if to steady herself.
Donna had gone pale. "Did she tell Becca?"
"No," Peter yelled, "because I stopped her."
"He tried being polite first," Lucy said, "but Dixie wouldn't shut up. She said that Becca deserved the truth, that she should know what kind of father she was getting."
"You did not," Donna said, staring at Dixie.
Dixie gripped the back of the chair hard enough for her hand to mottle with the pressure. "She does deserve the truth, just like you deserve a husband that won't cheat on you."
"I told you that it's not true, Dixie. Ted isn't cheating on me with anyone. If you tell Becca the lie, then I don't . . . I don't think I can forgive you for it."
"You'd throw twenty years of friendship away over me telling the truth?"
"Becca doesn't need to know everything about our grown-up problems. Her therapist explained that some things are not supposed to be shared with children until you have run out of options, and it's not true, so there are lots of options."
"Why did you tell Dixie at all? Even when you believed it was true, why tell her?" Peter asked.
"I have a right to talk to my friends."
"Not when it impacts Becca and me to this degree. You're the mom, the grown-up. That means that you suck it up and deal instead of messing up our lives because you can't deal."
"How dare you talk to me like that."
"If you don't want me to talk to you like that, then act
better, do better." He was waving his arms wide as he talked, big, upset gestures. Donna looked small beside him, but she didn't flinch and she didn't give ground.
"I'm sorry that Dixie didn't keep my confidence, but it was bothering me more than I thought it would, Peter. I thought I could do it. It was knowing that I've never had Ted's undivided attention. Them getting involved in a case on our wedding trip proves that even if they're not having an affair, it's still true."
"What's true, Mom?"
"That there are parts of him that he never shares with me, but only with Anita. It hurts me. Don't you understand that?"
"You aren't a marshal, Mom. He can't share work with you."
"But he shares with her in ways he doesn't share with Bernardo."
"What made you think they were more than just best friends?" Peter asked.
She gave him a scathing look, one hand on her hip. "You see how they are together."
"Yes, I do, which is why I'm asking the question that I should have asked months ago. What made you think they were more than friends?"
"He talks to her more than he talks to me. He confides in her the way a man does to his wife."
"Maybe some men, but Ted's not like that, Mom."
"I've been married before, Peter. I know how marriage works and what husbands do."
"You know how your first marriage worked. You know how Dad was with you, but from what I remember, he was nothing like Ted. They are such different men, Mom. Didn't it ever occur to you, or your therapist, that they might be very different husbands? If they're very different men, then they would be just as different in a relationship with you."
"I think I know more about marriage and relationships than you do, Peter."
"You've seen Anita with Micah and Nathaniel--hell, with Nicky now. She treats them completely different from how she treats Ted."
"I've always valued how respectful Anita and Ted are when they're around us. I know they're not having a physical affair, but I appreciate that they modify their emotional behavior when they're around me," Donna said.
"I have seen Ted with Anita when you're not around, Mom. They don't act like a couple, and they sure as hell don't interact the way she does with Micah and Nathaniel."
"They're engaged to each other; of course she acts differently with them."
Peter shook his head. "No, Mom, it's not that. She's not engaged to Nicky, but she treats him more like a boyfriend than she's ever treated Ted."
Dixie had caught on. "No, just no. You are not magically going to say there is no affair, so you can marry her now? That's just bullshit and more lies."
"If Anita had been a male friend from the Marshals Service, would you have suspected that Ted was having an affair with him?" Micah asked in a soothing voice, the kind of tone that you use to talk children back to sleep, or jumpers away from windows.
"You mean suspect Ted of being gay?" she asked.
"Yes."
She laughed as if it was too absurd to even think about. "Of course not."
"Are you saying that Anita's being a woman is the only reason you thought it was more than friendship?" Micah asked.
"No, of course not."
"Then what made you suspect?" he asked.
"He confides in Anita. He's always coming back from seeing her with every other sentence 'Anita this' and 'Anita that.' There's this look in his eyes when he talks about going out on a case with her that he doesn't get when he's home." Her voice grew soft at the end, as if she didn't like admitting that last part.
I knew that look in Edward's eyes wasn't about sexy time with me. It was about the fact that working with me usually meant it was going to be a tough job. Something that would challenge his skills, push his limits, allow him to use that part of him that enjoyed the action, the danger, and the violence. Sometimes that last part wasn't fun, but if we didn't enjoy it at some level, we'd have different jobs, or we wouldn't be good at the one we had. That was the real truth that Edward hadn't been able to explain to Donna.
"I told you that it wasn't Anita as a woman that made me act like that," Edward said.
"You told me it was the job, the action, the thrill of the chase, or some bullshit like that." The scorn in her voice was thick enough to walk on.
"Why didn't you believe him?" Micah asked quietly.
"Because it's too ridiculous. You put on a badge and a gun to protect people and put away the bad people, but the violence is a necessary evil, not the reason for it all."
I looked at Edward with renewed respect. "You really did try to tell her the truth."
He nodded. "I would never have asked you to tell such a complicated lie if I hadn't tried to tell Donna the truth first." His voice was still empty of accent, but now he sounded tired.
"He really did try, Anita," Peter said.
Donna and Dixie were looking at all of us. "What the hell is going on?" Dixie asked.
Edward ignored them both and talked to me. "Thank you for going along with the lie, Anita. I know it bothered you, and I know you thought it was ridiculous to confess to an affair we weren't having just so Donna would marry me."
"Ridiculous about covers it."
He smiled, but it left his eyes tired and unhappy.
"No," Dixie said. "You are not going to get out of the affair that easily."
"We can't get out of something we were never in to begin with," I said.
"But you are still involved with Anita in your work, Ted."
"I can't change my work, Donna."
"But on our wedding, Ted, to get involved in a case on our wedding."
"We're not involved yet; we're just being questioned like almost everyone in the hotel."
"But if they ask you to help with the case, you will. I know you will."
"I love you, Donna. I love that you wear your heart on your sleeve, but I hate that you let your feelings overwhelm you to this degree. I accept that it's two sides of the same coin, that maybe you can't be as open and caring unless your emotions rule you, but I've let you manipulate me into a no-win scenario. I win, Donna, I always win, except with you. I let you win a lot. I should have just stuck to the truth and kept on living together, but I had this stupid idea that I wanted to marry you. I wanted to be the legal father for Peter and Becca. I wanted the white picket fence with you, enough to lie, enough to pretend that I was something I wasn't. I would never have an affair, never cheat you and our family like that. But now it's about emotional cheating. I don't even know what to say to that, Donna. I gave in on the stupid affair thing, and now you think I'll give in if you just push hard enough. Well, I won't. I can't."
"Ted," Peter said, "don't, please don't." Peter looked on the verge of tears.
Edward gripped his arm. "I'm sorry, Peter, sorrier than I've ever been about anything."
"No," Donna said, and started to cry. "No, don't . . . I love you. I love our family. I love the life we have together."
Edward looked at her, his face still empty, as if he'd shoved all his emotions away so that no one could see them. If you control your outside demeanor, sometimes you can almost pretend that you control your inside feelings; almost.
"Oh, Ted, don't look at me like that," she said, and started to cry harder.
Edward started to let go of Peter's arm, but Peter put his bigger hand over Edward's and kept them touching. The first tear slid down his cheek, his face struggling to stay in control the way Edward was controlling his. Peter didn't want to be like his sobbing mother; he wanted to be like Edward, and that had been true almost from the first time I'd seen them all together.
"How do you want me to look at you?" Edward asked in a voice that was empty. I'd heard him hurt people with that emptiness in his voice. Donna flinched as if she'd never heard it before, and she probably hadn't. If she only knew that it wasn't an affair with me Ted was hiding, but something much more violent and dangerous.
"Like you still love me," she said in a voice that was choked with tears, "like we're still a family."
/> Edward's eyes flinched then, because that was really it. He, Donna, Peter, and Becca were a family, and he wanted them to keep on being together. He'd wanted it so badly that he'd compromised who he was, and who we were, so that Donna would marry him. My chest was tight watching the three of them. I swallowed hard, because I would not cry here. This was their moment to cry, or not cry. I didn't want to take away from that by drawing attention to me.
"I want to be a family with you, all of you. I wanted it so much that I was willing to confess to an affair I wasn't having, because you wouldn't believe the truth. I love you and Peter and Becca, and those stupid fluffy dogs back home, so much that I convinced my best friend to confess to an affair she wasn't having either. But now you want us not to cheat emotionally. We're best friends. We have an emotional connection, Donna. That's what best friends means."
"Oh, Ted," she sobbed, and then wrapped her arms around him. He didn't hold her back, just let her hold him. Silent tears were running down Peter's face as he stood there watching them.
Nathaniel grabbed my hand. I glanced at him and watched a tear trail down his face. He'd spent more time with Donna and both kids than I had. He was Uncle Nathaniel to Becca. This would be a loss of more than just the wedding for a lot of us.
I squeezed his hand and then had to look away, because if I'd kept watching him tear up, I couldn't have stopped myself from joining him. I would not cry until it was done, for better or worse.
"I'm sorry that I'm insecure about Anita. I will do better, I swear, and if the police need you to help find that girl, of course you can help, of course."
Donna pressed her face harder into Edward's shoulder, the tears coming in huge, wracking sobs that seemed to be breaking her shoulders and back, she was shaking so hard from them. Slowly he raised one arm and wrapped it around her. It made her cry even harder, which I hadn't thought was possible, and she wrapped her arms tighter around his waist, as if holding on so that she didn't fall. Peter stepped into them and wrapped his arms around them both. Edward hugged him back and the three of them held one another. The only dry eyes were his, but he was holding them. I just wasn't sure if it was a good-bye hug or a sign of reconciliation from him.