In the evening we went to the club. One of the men we had played with the day before got up from his chair as we entered.
'Ready for a rubber?' he said.
'Where's our fourth?' I asked.
'Oh, there are several fellows here who'll be glad to play.'
'What about that man we played with yesterday?' I had forgotten his name.
'Hardy?' He's not here.'
'It's not worth while waiting for him,' said Featherstone.
'He very seldom comes to the club. I was surprised to see him last night.'
I did not know why I had the impression that behind the very ordinary words of these two men there was an odd sense of embarrassment. Hardy had made no impression on me and I did not even remember what he looked like. He was just a fourth at the bridge table. I had a feeling that they had something against him. It was no business of mine and I was quite content to play with a man who at that moment joined us. We certainly had a more cheerful game than before. A good deal of chaff passed from one side of the table to the other. We played less serious bridge. We laughed. I wondered if it was only that they were less shy of the stranger who had happened in upon them or if the presence of Hardy had caused in the other two a certain constraint. At half-past eight we broke up and Featherstone and I went back to dine at his house.
After dinner we lounged in arm-chairs and smoked cheroots. For some reason our conversation did not flow easily. I tried topic after topic, but could not get Featherstone to interest himself in any of them. I began to think that in the last twenty-four hours he had said all he had to say. I fell somewhat discouraged into silence. It prolonged itself and again, I did not know why, I had a faint sensation that it was charged with a significance that escaped me. I felt slightly uncomfortable. I had that queer feeling that one sometimes has when sitting in an empty room that one is not by oneself. Presently I was conscious that Featherstone was steadily looking at me. I was sitting by a lamp, but he was in shadow so that the play of his features was hidden from me. But he had very large brilliant eyes and in the half darkness they seemed to shine dimly. They were like new boot-buttons that caught a reflected light. I wondered why he looked at me like that. I gave him a glance and catching his eyes insistently fixed upon me faintly smiled.
'Interesting book that one you lent me last night,' he said suddenly, and I could not help thinking his voice did not sound quite natural. The words issued from his lips as though they were pushed from behind.
'Oh, the Life of Byron?' I said breezily. 'Have you read it already?'
'A good deal of it. I read till three.'
'I've heard it's very well done. I'm not sure that Byron interests me so much as all that. There was so much in him that was so frightfully second-rate. It makes one rather uncomfortable.'
'What do you think is the real truth of that story about him and his sister?'
'Augusta Leigh? I don't know very much about it. I've never read Astarte.'
'Do you think they were really in love with one another?'
'I suppose so. Isn't it generally believed that she was the only woman he ever genuinely loved?'
'Can you understand it?'
'I can't really. It doesn't particularly shock me. It just seems to me very unnatural. Perhaps "unnatural" isn't the right word. It's incomprehensible to me. I can't throw myself into the state of feeling in which such a thing seems possible. You know, that's how a writer gets to know the people he writes about, by standing himself in their shoes and feeling with their hearts.'
I knew I did not make myself very clear, but I was trying to describe a sensation, an action of the subconscious, which from experience was perfectly familiar to me, but which no words I knew could precisely indicate. I went on.
'Of course she was only his half-sister, but just as habit kills love I should have thought habit would prevent its arising. When two persons have known one another all their lives and lived together in close contact I can't imagine how or why that sudden spark should flash that results in love. The probabilities are that they would be joined by mutual affection and I don't know anything that is more contrary to love than affection.'
I could just see in the dimness the outline of a smile flicker for a moment on my host's heavy, and it seemed to me then, somewhat saturnine face.
'You only believe in love at first sight?'
'Well, I suppose I do, but with the proviso that people may have met twenty times before seeing one another. "Seeing" has an active side and a passive one. Most people we run across mean so little to us that we never bestir ourselves to look at them. We just suffer the impression they make on us.'
'Oh, but one's often heard of couples who've known one another for years and it's never occurred to one they cared two straws for each other and suddenly they go and get married. How do you explain that?'
'Well, if you're going to bully me into being logical and consistent, I should suggest that their love is of a different kind. After all, passion isn't the only reason for marriage. It may not even be the best one. Two people may marry because they're lonely or because they're good friends or for convenience' sake. Though I said that affection was the greatest enemy of love, I would never deny that it's a very good substitute. I'm not sure that a marriage founded on it isn't the happiest.'
'What did you think of Tim Hardy?'
I was a little surprised at the sudden question, which seemed to have nothing to do with the subject of our conversation.
'I didn't think of him very much. He seemed quite nice. Why?'
'Did he seem to you just like everybody else?'
'Yes. Is there anything peculiar about him? If you'd told me that I'd have paid more attention to him.'
'He's very quiet, isn't he? I suppose no one who knew nothing about him would give him a second thought.'
I tried to remember what he looked like. The only thing that had struck me when we were playing cards was that he had fine hands. It passed idly through my mind that they were not the sort of hands I should have expected a planter to have. But why a planter should have different hands from anybody else I did not trouble to ask myself. His were somewhat large, but very well formed, with peculiarly long fingers, and the nails were of an admirable shape. They were virile and yet oddly sensitive hands. I noticed this and thought no more about it. But if you are a writer instinct and the habit of years enable you to store up impressions that you are not aware of. Sometimes of course they do not correspond with the facts and a woman for example may remain in your subconsciousness as a dark, massive and ox-eyed creature when she is indeed rather small and of a nondescript colouring. But that is of no consequence. The impression may very well be more exact than the sober truth. And now, seeking to call up from the depths of me a picture of this man I had a feeling of some ambiguity. He was clean-shaven and his face, oval but not thin, seemed strangely pale under the tan of long exposure to the tropical sun. His features were vague. I did not know whether I remembered it or only imagined now that his rounded chin gave one the impression of a certain weakness. He had thick brown hair, just turning grey, and a long wisp fell down constantly over his forehead. He pushed it back with a gesture that had become habitual. His brown eyes were rather large and gentle, but perhaps a little sad; they had a melting softness which, I could imagine, might be very appealing.
After a pause Featherstone continued:
'It's rather strange that I should run across Tim Hardy here after all these years. But that's the way of the FMS. People move about and you find yourself in the same place as a man you'd known years before in another part of the country. I first knew Tim when he had an estate near Sibuku. Have you ever been there?'
'No. Where is it?'
'Oh, it's up north. Towards Siam. It wouldn't be worth you while to go. It's just like every other place in the FMS. But it was rather nice. It had a very jolly little club and there were some quite decent people. There was the schoolmaster and the head of the police, the doctor, the padre and the gov
ernment engineer. The usual lot, you know. A few planters. Three or four women. I was ADO. It was one of my first jobs. Tim Hardy had an estate about twenty-five miles away. He lived there with his sister. They had a bit of money of their own and he'd bought the place. Rubber was pretty good then and he wasn't doing at all badly. We rather cottoned on to one another. Of course it's a toss-up with planters. Some of them are very good fellows, but they're not exactly ...' he sought for a word or a phrase that did not sound snobbish. 'Well, they're not the sort of people you'd be likely to meet at home. Tim and Olive were of one's own class, if you understand what I mean.'
'Olive was the sister?'
'Yes. They'd had a rather unfortunate past. Their parents had separated when they were quite small, seven or eight, and the mother had taken Olive and the father had kept Tim. Tim went to Clifton, they were West Country people, and only came home for the holidays. His father was a retired naval man who lived at Fowey. But Olive went with her mother to Italy. She was educated in Florence; she spoke Italian perfectly and French too. For all those years Tim and Olive never saw one another once, but they used to write to one another regularly. They'd been very much attached when they were children. As far as I could understand, life when their people were living together had been rather stormy with all sorts of scenes and upsets, you know the sort of thing that happens when two people who are married don't get on together, and that had thrown them on their own resources. They were left a good deal to themselves. Then Mrs Hardy died and Olive came home to England and went back to her father. She was eighteen then and Tim was seventeen. A year later the war broke out. Tim joined up and his father, who was over fifty, got some job at Portsmouth. I take it he had been a hard liver and a heavy drinker. He broke down before the end of the war and died after a lingering illness. They don't seem to have had any relations. They were the last of a rather old family; they had a fine old house in Dorsetshire that had belonged to them for a good many generations, but they had never been able to afford to live in it and it was always let. I remember seeing photographs of it. It was very much a gentleman's house, of grey stone and rather stately, with a coat of arms carved over the front door and mullioned windows. Their great ambition was to make enough money to be able to live in it. They used to talk about it a lot. They never spoke as though either of them would marry, but always as though it were a settled thing that they would remain together. It was rather funny considering how young they were.'
'How old were they then?' I asked.
'Well, I suppose he was twenty-five or twenty-six and she was a year older. They were awfully kind to me when I first went up to Sibuku. They took a fancy to me at once. You see, we had more in common than most of the people there. I think they were glad of my company. They weren't particularly popular.'
'Why not?' I asked.
'They were rather reserved and you couldn't help seeing that they liked their own society better than other people's. I don't know if you've noticed it, but that always seems to put people's backs up. They resent it somehow if they have a feeling that you can get along very well without them.'
'It's tiresome, isn't it?' I said.
'It was rather a grievance to the other planters that Tim was his own master and had private means. They had to put up with an old Ford to get about in, but Tim had a real car. Tim and Olive were very nice when they came to the club and they played in the tennis tournaments and all that sort of thing, but you had an impression that they were always glad to get away again. They'd dine out with people and make themselves very pleasant, but it was pretty obvious that they'd just as soon have stayed at home. If you had any sense you couldn't blame them. I don't know if you've been much to planters' houses. They're a bit dreary. A lot of gimcrack furniture and silver ornaments and tiger skins. And the food's uneatable. But the Hardys had made their bungalow rather nice. There was nothing very grand in it; it was just easy and homelike and comfortable. Their living-room was like a drawing-room in an English country house. You felt that their things meant something to them and that they had had them a long time. It was a very jolly house to stay at. The bungalow was in the middle of the estate, but it was on the brow of a little hill and you looked right over the rubber trees to the sea in the distance. Olive took a lot of trouble with her garden and it was really topping. I never saw such a show of cannas. I used to go there for week-ends. It was only about half an hour's drive to the sea and we'd take our lunch with us and bathe and sail. Tim kept a small boat there. Those days were grand. I never knew one could enjoy oneself so much. It's a beautiful bit of coast and it was really extraordinarily romantic. Then in the evenings we'd play patience and chess or turn on the gramophone. The cooking was damned good too. It was a change from what one generally got. Olive had taught their cook to make all sorts of Italian dishes and we used to have great wallops of macaroni and risotto and gnocchi and things like that. I couldn't help envying them their life, it was so jolly and peaceful, and when they talked of what they'd do when they went back to England for good I used to tell them they'd always regret what they'd left.
'"We've been very happy here," said Olive.
'She had a way of looking at Tim, with a slow, sidelong glance from under her long eyelashes, that was rather engaging.
'In their own house they were quite different from what they were when they went out. They were so easy and cordial. Everybody admitted that and I'm bound to say that people enjoyed going there. They often asked people over. They had the gift of making you feel at home. It was a very happy house, if you know what I mean. Of course no one could help seeing how attached they were to one another. And whatever people said about their being standoffish and self-centred, they were bound to be rather touched by the affection they had for one another. People said they couldn't have been more united if they were married, and when you saw how some couples got on you couldn't help thinking they made most marriages look rather like a wash-out. They seemed to think the same things at the same time. They had little private jokes that made them laugh like children. They were so charming with one another, so gay and happy, that really to stay with them was, well, a spiritual refreshment. I don't know what else you could call it. When you left them, after a couple of days at the bungalow, you felt that you'd absorbed some of their peace and their sober gaiety. It was as though your soul had been sluiced with cool clear water. You felt strangely purified.'
It was singular to hear Featherstone talking in this exalted strain. He looked so spruce in his smart white coat, technically known as a bum-freezer, his moustache was so trim, his thick curly hair so carefully brushed, that his high-flown language made me a trifle uncomfortable. But I realized that he was trying to express in his clumsy way a very sincerely felt emotion.
'What was Olive Hardy like?' I asked.
'I'll show you. I've got quite a lot of snapshots.'
He got up from his chair and going to a shelf brought me a large album. It was the usual thing, indifferent photographs of people in groups and unflattering likenesses of single figures. They were in bathing dress or in shorts or tennis things, generally with their faces screwed up because the sun blinded them, or puckered by the distortion of laughter. I recognized Hardy, not much changed after ten years, with his wisp of hair hanging across his forehead. I remembered him better now that I saw the snapshots. In them he looked nice and fresh and young. He had an alertness of expression that was attractive and that I certainly had not noticed when I saw him. In his eyes was a sort of eagerness for life that danced and sparkled through the fading print. I glanced at the photographs of his sister. Her bathing dress showed that she had a good figure, well-developed, but slender; and her legs were long and slim.
'They look rather alike,' I said.
'Yes, although she was a year older they might have been twins, they were so much alike. They both had the same oval face and that pale skin without any colour in the cheeks, and they both had those soft brown eyes, very liquid and appealing, so that you felt whatever the
y did you could never be angry with them. And they both had a sort of careless elegance that made them look charming whatever they wore and however untidy they were. He's lost that now, I suppose, but he certainly had it when I first knew him. They always rather reminded me of the brother and sister in Twelfth Night. You know whom I mean.'
'Viola and Sebastian.'
'They never seemed to belong quite to the present. There was something Elizabethan about them. I don't think it was only because I was very young then that I couldn't help feeling they were strangely romantic somehow. I could see them living in Illyria.'
I gave one of the snapshots another glance.