So later that night I ended up in the parking lot with Ace Merrill, and he beat the living Jesus out of me. It was cold, bitterly cold, and at the end I began to sob, not caring who was watching or listening, which by then was everybody. The single sodium arc lamp looked down on all of it mercilessly. I didn't even land a punch on him.
"Okay," he said, squatting down next to me. He wasn't even breathing hard. He took a switchblade out of his pocket and pressed the chrome button. Seven inches of moon-drenched silver sprang into the world. "This is what you get next time. I'll carve my name on your balls." Then he got up, gave me . one last kick, and left. I just lay there for maybe ten minutes, shivering on the hard-packed dirt. No one came to help me up or pat me on the back, not even Bill. Betsy didn't show up to make it all better.
Finally I got up by myself and hitchhiked home. I told Mrs. Hollis I'd hitched a ride with a drunk and he drove off the road. I never went back to the bowling alley again.
I understand that Ace dropped Betsy not long after, and from then on she went downhill at a rapidly increasing rate of speed-like a pulp truck with no brakes. She picked up a case of the clap on the way. Billy said he saw her one night in the Manoir up in Lewiston, hustling guys for drinks. She had lost most of her teeth, and her nose had been broken somewhere along the line, he said. He said I would never recognize her. By then I didn't much care one way or the other.
The pickup had no snow tires, and before we got to the Lewiston exit I had begun to skid around in the new powder. It took us over forty-five minutes to make the twenty-two miles.
The man at the Lewiston exit point took my toll card and my sixty cents. "Slippery traveling?"
Neither of us answered him. We were getting close to where we wanted to go now. If I hadn't had that odd kind of wordless contact with her, I would have been able to tell just by the way she sat on the dusty seat of the pickup, her hands folded tightly over her purse, those eyes fixed straight ahead on the road with fierce intensity. I felt a shudder work through me.
We took Route 136. There weren't many cars on the road; the wind was freshening and the snow was coming down harder than ever. On the other side of Harlow Village we passed a big Buick Riviera that had slewed around sideways and climbed the curb. Its fourway flashers were going and I had a ghostly double image of Norman Blanchette's Impala. It would be drifted in with snow now, nothing but a ghostly lump in the darkness.
The Buick's driver tried to flag me down but I went by him without slowing, spraying him with slush. My wipers were clogging with snow and I reached out and snapped at the one on my side. Some of the snow loosened and I could see a little better.
Harlow was a ghost town, everything dark and closed. I signaled right to go over the bridge into Castle Rock. The rear wheels wanted to slide out from under me, but I handled the skid. Up ahead and across the river I could see the dark shadow that was the Castle Rock Youth League building. It looked shut up and lonely. I felt suddenly sorry, sorry that there had been so much pain. And death. That was when Nona spoke for the first time since the Gardiner exit.
"There's a policeman behind you."
"Is he--?"
"No. His flasher is off."
But it made me nervous and maybe that's why it happened. Route 136 makes a ninety-degree turn on the Harlow side of the river and then it's straight across the bridge into Castle Rock. I made the first turn, but there was ice on the Rock side.
"Damn--"
The rear end of the truck flirted around and before I could steer clear, it had smashed into one of the heavy steel bridge stanchions. We went sliding all the way around like kids on a Flexible Flyer, and the next thing I saw was the bright headlights of the police car behind us. He put on his brakes-I could see the red reflections in the falling snow--but the ice got him, too. He plowed right into us. There was a grinding, jarring shock as we went into the supporting girders again. I was jolted into Nona's lap, and even in that confused split second I had time to relish the smooth firmness of her thigh. Then everything stopped. Now the cop had his flasher on. It sent blue, revolving shadows chasing across the hood of the truck and the snowy steel crosswork of the Harlow-Castle Rock bridge. The dome light inside the cruiser came on as the cop got out.
If he hadn't been behind us it wouldn't have happened. That thought was playing over and over in my mind, like a phonograph needle stuck in a single flawed groove. I was grinning a strained, frozen grin into the dark as I groped on the floor of the truck's cab for something to hit him with.
There was an open toolbox. I came up with a socket wrench and laid it on the seat between Nona and me. The cop leaned in the window, his face changing like a devil's in the light from his flasher.
"Traveling a little fast for the conditions, weren't you, guy?"
"Following a little close, weren't you?" I asked. "For the conditions?"
He might have flushed. It was hard to tell in the flickering light.
"Are you lipping off to me, son?"
"I am if you're trying to pin the dents in your cruiser on me."
"Let's see your driver's license and your registration."
I got out my wallet and handed him my license.
"Registration?"
"It's my brother's truck. He carries the registration in his wallet."
"That right?" He looked at me hard, trying to stare me down. When he saw it would take a while, he looked past me at Nona. I could have ripped his eyes out for what I saw in them. "What's your name?"
"Cheryl Craig, sir."
"What are you doing riding around in his brother's pickup in the middle of a snowstorm, Cheryl?"
"We're going to see my uncle."
"In the Rock."
"That's right, yes."
"I don't know any Craigs in Castle Rock."
"His name is Emonds. On Bowen Hill."
"That right?" He walked around to the back of the truck to look at the plate. I opened the door and leaned out. He was writing it down. He came back while I was still leaning out, spotlighted from the waist up in the glare of his headlights. "I'm going to ... What's that all over you, boy?"
I didn't have to look down to know what was all over me. I used to think that leaning out like that was just absentminded-ness, but writing all of this has changed my mind. I don't think it was absentminded at all. I think I wanted him to see it. I held on to the socket wrench.
"What do you mean?"
He came two steps closer. "You're hurt--cut yourself, looks like. Better--"
I swung at him. His hat had been knocked off in the crash and his head was bare. I hit him dead on, just above the forehead. I've never forgotten the sound that made, like a pound of butter falling onto a hard floor.
"Hurry," Nona said. She put a calm hand on my neck. It was very cool, like air in a root cellar. My foster mother had a root cellar.
Funny I should remember that. She sent me down there for vegetables in the winter. She canned them herself. Not in real cans, of course, but in thick Mason jars with those rubber sealers that go under the lid.
I went down there one day to get a jar of waxed beans for our supper. The preserves were all in boxes, neatly marked in Mrs. Hollis's hand. I remember that she always misspelled raspberry, and that used to fill me with a secret superiority.
On this day I went past the boxes marked "razberry" and into the corner where she kept the beans. It was cool and dark. The walls were plain dark earth and in wet weather they exuded moisture in trickling, crooked streams. The smell was a secret, dark effluvium composed of living things and earth and stored vegetables, a smell remarkably like that of a woman's private parts. There was an old, shattered printing press in one corner that had been there ever since I came, and sometimes I used to play with it and pretend I could get it going again. I loved the root cellar. In those days-I was nine or ten--the root cellar was my favorite place. Mrs. Hollis refused to set foot in it, and it was against her husband's dignity to go down and fetch up vegetables. So I went there and smell
ed that peculiar secret earthy smell and enjoyed the privacy of its womblike confinement. It was lit by one cobwebby bulb that Mr. Hollis had strung, probably before the Boer War. Sometimes I wiggled my hands and made huge, elongated rabbits on the wall.
I got the beans and was about to go back when I heard a rustling movement under one of the old boxes. I went over and lifted it up.
There was a brown rat beneath it, lying on its side. It rolled its head up at me and stared. Its sides were heaving violently and it bared its teeth. It was the biggest rat I had ever seen, and I leaned closer. It was in the act of giving birth. Two of its young, hairless and blind, were already nursing at its belly. Another was halfway into the world.
The mother glared at me helplessly, ready to bite. I wanted to kill it, kill all of them, squash them, but I couldn't. It was the most horrible thing I'd ever seen. As I watched, a small brown spider-a daddy longlegs, I think-crawled rapidly across the floor. The mother snatched it up and ate it.
I fled. Halfway up the stairs I fell and broke the jar of beans. Mrs. Hollis thrashed me, and I never went into the root cellar again unless I had to.
I stood looking down at the cop, remembering.
"Hurry," Nona said again.
He was much lighter than Norman Blanchette had been, or perhaps my adrenaline was just flowing more freely. I gathered him up in both arms and carried him over to the edge of the bridge. I could barely make out the falls downstream, and upstream the GS&WM railroad trestle was only a gaunt shadow, like a scaffold. The night wind whooped and screamed, and the snow beat against my face. For a moment I held the cop against my chest like a sleeping newborn child, and then I remembered what he really was and threw him over the side and down into the darkness.
We went back to the truck and got in, but it wouldn't start. I cranked the engine until I could smell the sweetish aroma of gas from the flooded carb, and then stopped.
"Come on," I said.
We went to the cruiser. The front seat was littered with violation tags, forms, two clipboards. The shortwave under the dash crackled and sputtered.
"Unit Four, come in, Four. Do you copy?"
I reached under and turned it off, banging my knuckles on something as I searched for the right toggle switch. It was a shotgun, pump action. Probably the cop's personal property. I unclipped it and handed it to Nona. She put it on her lap. I backed the cruiser up. It was dented but otherwise not hurt. It had snow tires and they bit nicely once we got over the ice that had done the damage.
Then we were in Castle Rock. The houses, except for an occasional shanty trailer set back from the road, had disappeared. The road itself hadn't been plowed yet and there were no tracks except the ones we were leaving behind us. Monolithic fir trees, weighted with snow, towered all around us, and they made me feel tiny and insignificant, just some tiny morsel caught in the throat of this night. It was now after ten o'clock.
I didn't see much of college social life during my freshman year at the university. I studied hard and worked in the library shelving books and repairing bindings and learning how to catalogue. In the spring there was JV baseball.
Near the end of the academic year, just before finals, there was a dance at the gym. I was at loose ends, studied up for my first two tests, and I wandered down. I had the buck admission, so I went in.
It was dark and crowded and sweaty and frantic as only a college social before the ax of finals can be. There was sex in the air. You didn't have to smell it; you could almost reach out and grab it in both hands, like a wet piece of heavy cloth. You knew that love was going to be made later on, or what passes for love. People were going to make it under bleachers and in the steam plant parking lot and in apartments and dormitory rooms. It was going to be made by desperate man/boys with the draft one step behind them and by pretty coeds who were going to drop out this year and go home and start a family. It would be made with tears and laughter, drunk and sober, stiffly and with no inhibition. But mostly it would be made quickly.
There were a few stags, but not many. It wasn't a night you needed to go anyplace stag. I drifted down by the raised bandstand. As I got closer to the sound, the beat, the music got to be a palpable thing. The group had a half circle of five-foot amplifiers behind them, and you could feel your eardrums flapping in and out with the bass signature.
I leaned up against the wall and watched. The dancers moved in prescribed patterns (as if they were trios instead of couples, the third invisible but between, being humped from the front and back), feet moving through the sawdust that had been sprinkled over the varnished floor. I didn't see anybody I knew and I began to feel lonely, but pleasantly so. I was at that stage of the evening where you fantasize that everyone is looking at you, the romantic stranger, out of the comers of their eyes.
About a half hour later I went out and got a Coke in the lobby. When I went back in somebody had started a circle dance and I was pulled in, my arms around the shoulders of two girls I had never seen before. We went around and around. There were maybe two hundred people in the circle and it covered half the gym floor. Then part of it collapsed and twenty or thirty people formed another circle in the middle of the first and started to go around the other way. It made me feel dizzy. I saw a girl who looked like Betsy Malenfant, but I knew that was a fantasy. When I looked for her again I couldn't see her or anyone who looked like her.
When the thing finally broke up I felt weak and not at all well. I made my way back over to the bleachers and sat down. The music was too loud, the air too greasy. My mind kept pitching and yawing. I could hear my heartbeat in my head, the way you do after you throw the biggest drunk of your life.
I used to think what happened next happened because I was tired and a little nauseated from going around and around, but as I said before, all this writing has brought everything into sharper focus. I can't believe that anymore.
I looked up at them again, all the beautiful, hurrying people in the semidarkness. It seemed to me that all the men looked terrified, their faces elongated into grotesque, slow-motion masks. It was understandable. The women-coeds in their sweaters, short skirts, their bell-bottoms-were all turning into rats. At first it didn't frighten me. I even chuckled. I knew what I was seeing was some kind of hallucination, and for a while I could watch it almost clinically.
Then some girl stood on tiptoe to kiss her fellow, and that was too much. Hairy, twisted face with black buckshot eyes reaching up, mouth spreading to reveal teeth...
I left.
I stood in the lobby for a moment, half distracted. There was a bathroom down the hall, but I went past it and up the stairs.
The locker room was on the third floor and I had to run the last flight. I pulled the door open and ran for one of the bathroom stalls. I threw up amid the mixed smells of liniment, sweaty uniforms, oiled leather. The music was far away down there, the silence up here virginal. I felt comforted.
We had to come to a stop sign at Southwest Bend. The memory of the dance had left me excited for a reason I didn't understand. I began to shake.
She looked at me, smiling with her dark eyes. "Now?"
I couldn't answer her. I was shaking too badly for that. She nodded slowly, for me.
I drove onto a spur of Route 7 that must have been a logging road in the summertime. I didn't drive in too deeply because I was afraid of getting stuck. I popped off the headlights and flecks of snow began to gather silently on the windshield.
"Do you love?" she asked, almost kindly.
Some kind of sound kept escaping me, being dragged out of me. I think it must have been a close oral counterpart to the thoughts of a rabbit caught in a snare.
"Here," she said. "Right here."
It was ecstasy.
We almost didn't get back onto the main road. The snow-plow had gone by, orange lights winking and flashing in the night, throwing up a huge wall of snow in our way.
There was a shovel in the trunk of the police car. It took me half an hour to dig out, and by then
it was almost midnight. She turned on the police radio while I was doing it, and it told us what we had to know. The bodies of Blanchette and the kid from the pickup truck had been found. They suspected that we had taken the cruiser. The cop's name had been Essegian, and that's a funny name. There used to be a major-league ballplayer named Essegian--I think he played for the Dodgers. Maybe I had killed one of his relatives. It didn't bother me to know the cop's name. He had been following too close and he had gotten in our way.
We drove back onto the main road.
I could feel her excitement, high and hot and burning. I stopped long enough to clear the windshield with my arm and then we were going again.
We went through west Castle Rock and I knew without having to be told where to turn. A snow-crusted sign said it was Stackpole Road.
The plow had not been here, but one vehicle had been through before us. The tracks of its tires were still freshly cut in the blowing, restless snow.
A mile, then less than a mile. Her fierce eagerness, her need, came to me and I began to feel jumpy again. We came around a curve and there was the power truck, bright orange body and warning flashers pulsing the color of blood. It was blocking the road.
You can't imagine her rage-our rage, really-because now, after what happened, we were really one. You can't imagine the sweeping feeling of intense paranoia, the conviction that every hand was now turned against us.
There were two of them. One was a bending shadow in the darkness ahead. The other was holding a flashlight. He came toward us, his light bobbing like a lurid eye. And there was more than hate. There was fear--fear that it was all going to be snatched away from us at the last moment.
He was yelling, and I cranked down my window.
"You can't get through here! Go on back by the Bowen Road! We got a live line down here! You can't--"
I got out of the car, lifted the shotgun, and gave him both barrels. He was flung back against the orange truck and I staggered back against the cruiser. He slipped down an inch at a time, staring at me incredulously, and then he fell into the snow.
"Are there more shells?" I asked Nona.
"Yes." She gave them to me. I broke the shotgun, ejected the spent cartridges, and put in new ones.