Read Skeleton Crew Page 47


  McCutcheon's truck broke down and was repaired, broke down again and was repaired again. When the Cresswell finally gave up, it gave up in spectacular fashion. It went like the wonderful one-hoss shay in the Holmes poem.

  McCutcheon and Uncle Otto were coming up the Black Henry Road one day in 1953, and by Uncle Otto's own admission both of them were "shithouse drunk." Uncle Otto downshifted to first in order to get up Trinity Hill. That went fine, but, drunk as he was, he never thought to shift up again coming down the far side. The Cresswell's tired old engine overheated. Neither Uncle Otto nor McCutcheon saw the needle go over the red mark by the letter H on the right side of the dial. At the bottom of the hill, there was an explosion that blew the engine-compartment's folding sides out like red dragon's wings. The radiator cap rocketed into the summer sky. Steam plumed up like Old Faithful. Oil went in a gusher, drenching the windshield. Uncle Otto cramped down on the brake pedal but the Cresswell had developed a bad habit of shooting brake fluid over the last year or so and the pedal just sank to the mat. He couldn't see where he was driving and he ran off the road, first into a ditch and then out of it. If the Cresswell had stalled, all still might have been well. But the engine continued to run and it blew first one piston and then two more, like firecrackers on the Fourth of July. One of them, Uncle Otto said, zinged right through his door, which had flopped open. The hole was big enough to put a fist through. They came to rest in a field full of August goldenrod. They would have had a fine view of the White Mountains if the windshield hadn't been covered with Diamond Gem Oil.

  That was the last roundup for McCutcheon's Cresswell; it never moved from that field again. Not that there was any squawk from the landlord; the two of them owned it, of course. Considerably sobered by the experience, the two men got out to examine the damage. Neither was a mechanic, but you didn't have to be to see that the wound was mortal. Uncle Otto was stricken--or so he told my father-and offered to pay for the truck. George McCutcheon told him not to be a fool. McCutcheon was, in fact, in a kind of ecstasy. He had taken one look at the field, at the view of the mountains, and had decided this was the place where he would build his retirement home. He told Uncle Otto just that, in tones one usually saves for a religious conversion. They walked back to the road together and hooked a ride into Castle Rock with the Cushman Bakery truck, which happened to be passing. McCutcheon told my father that it had been God's hand at work-he had been looking for just the perfect place, and there it had been all the time, in that field they passed three and four times a week, with never a spared glance. The hand of God, he reiterated, never knowing that he would die in that field two years later, crushed under the front end of his own truck--the truck which became Uncle Otto's truck when he died.

  McCutcheon had Billy Dodd hook his wrecker up to the Cresswell and drag it around so it faced the road. So he could look at it, he said, every time he went by, and know that when Dodd hooked up to it again and dragged it away for good, it would be so that the construction men could come and dig him a cellar-hole. He was something of a sentimentalist, but he was not a man to let sentiment stand in the way of making a dollar. When a pulper named Baker came by a year later and offered to buy the Cresswell's wheels, tires and all, because they were the right size to fit his rig, McCutcheon took the man's twenty dollars like a flash. This was a man, remember, who was then worth a million dollars. He also told Baker to block the truck up aright smart. He said he didn't want to go past it and see it sitting in the field hip-deep in hay and timothy and goldenrod, like some old derelict. Baker did it. A year later the Cresswell rolled off the blocks and crushed McCutcheon to death. The old-timers told the story with relish, always ending by saying that they hoped old Georgie McCutcheon had enjoyed the twenty dollars he got for those wheels.

  I grew up in Castle Rock. By the time I was born my father had worked for Schenck and McCutcheon almost ten years, and the truck, which had become Uncle Otto's along with everything else McCutcheon owned, was a landmark in my life. My mother shopped at Warren's in Bridgton, and the Black Henry Road was the way you got there. So every time we went, there was the truck, standing in that field with the White Mountains behind it. It was no longer blocked up-Uncle Otto said that one accident was enough--but just the thought of what had happened was enough to give a small boy in knee-pants a shiver.

  It was there in the summer; in the fall with oak and elm trees blazing on the three edges of the field like torches; in the winter with drifts sometimes all the way up and over its bug-eyed headlights, so that it looked like a mastodon struggling in white quicksand; in the spring, when the field was a quagmire of March-mud and you wondered that it just didn't sink into the earth. If not for the underlying backbone of good Maine rock, it might well have done just that. Through all the seasons and years, it was there.

  I was even in it, once. My father pulled over to the side of the road one day when we were on our way to the Fryeburg Fair, took me by the hand and led me out to the field. That would have been 1960 or 1961, I suppose. I was frightened of the truck. I had heard the stories of how it had slithered forward and crushed my uncle's partner. I had heard these tales in the barbershop, sitting quiet as a mouse behind a Life magazine I couldn't read, listening to the men talk about how he had been crushed, and about how they hoped old Georgie had enjoyed his twenty dollars for those wheels. One of them-it might have been Billy Dodd, crazy Frank's father-said McCutcheon had looked like "a pumpkin that got squot by a tractor wheel. " That haunted my thoughts for months . . . but my father, of course, had no idea of that.

  My father just thought I might like to sit in the cab of that old truck; he had seen the way I looked at it every time we passed, mistaking my dread for admiration, I suppose.

  I remember the goldenrod, its bright yellow dulled by the October chill. I remember the gray taste of the air, a little bitter, a little sharp, and the silvery look of the dead grass. I remember the whisssht-whissht of our footfalls. But what I remember best is the truck looming up, getting bigger and bigger--the toothy snarl of its radiator, the bloody red of its paint, the bleary gaze of the windshield. I remember fear sweeping over me in a wave colder and grayer than the taste of the air as my father put his hands in my armpits and lifted me into the cab, saying, "Drive her to Portland, Quentin ... go to her!" I remember the air sweeping past my face as I went up and up, and then its clean taste was replaced by the smells of ancient Diamond Gem Oil, cracked leather, mouse-droppings, and ... I swear it ... blood. I remember trying not to cry as my father stood grinning up at me, convinced he was giving me one hell of a thrill (and so he was, but not the way he thought). It came to me with perfect certainty that he would walk away then, or at least turn his back, and that the truck would just eat me-eat me alive. And what it spat out would look chewed and broken and ... and sort of exploded. Like a pumpkin that got squot by a tractor wheel.

  I began to cry and my father, who was the best of men, took me down and soothed me and carried me back to the car. He carried me up in his arms, over his shoulder, and I looked at the receding truck, standing there in the field, its huge radiator looming, the dark round hole where the crank was supposed to go looking like a horridly misplaced eye socket, and I wanted to tell him I had smelled blood, and that's why I had cried. I couldn't think of a way to do it. I suppose he wouldn't have believed me anyway.

  As a five-year-old who still believed in Santy Claus and the Tooth Fairy and the Allamagoosalum, I also believed that the bad, scary feelings which swamped me when my father boosted me into the cab of the truck came from the truck. It took twenty-two years for me to decide it wasn't the Cresswell that had murdered George McCutcheon; my Uncle Otto had done that.

  The Cresswell was a landmark in my life, but it belonged to the whole area's consciousness, as well. If you were giving someone directions on how to get from Bridgton to Castle Rock, you told them they'd know they were going right if they saw a big old red truck sitting off to the left in a hayfield three miles or so after the turn from
11. You often saw tourists parked on the soft shoulder (and sometimes they got stuck there, which was always good for a laugh), taking pictures of the White Mountains with Uncle Otto's truck in the foreground for picturesque perspective-for a long time my father called the Cresswell "the Trinity Hill Memorial Tourist Truck," but after a while he stopped. By then Uncle Otto's obsession with it had gotten too strong for it to be funny.

  So much for the provenance. Now for the secret.

  That he killed McCutcheon is the one thing of which I am absolutely sure. "Squot him like a pumpkin," the barbershop sages said. One of them added: "I bet he was down in front o' that truck, prayin like one o' them greaseball Ay-rabs prayin to Arlah. I can just pitcher him that way. They was tetched, y'know, t'both of them. Just lookit the way Otto Schenck ended up, if you don't believe me. Right across the road in that little house he thought the town was gonna take for a school, and just as crazy as a shithouse rat."

  This was greeted with nods and wise looks, because by then they thought Uncle Otto was odd, all right-oh, ayuh! --but there wasn't a one of the barbershop sages who considered that image-McCutcheon down on his knees in front of the truck "like one o' them greaseball Ay-rabs prayin to Arlah"--suspicious as well as eccentric.

  Gossip is always a hot item in a small town; people are condemned as thieves, adulterers, poachers, and cheats on the flimsiest evidence and the wildest deductions. Often, I think, the talk gets started out of no more than boredom. I think what keeps this from being actually nasty--which is how most novelists have depicted small towns, from Nathaniel Hawthorne to Grace Metalious--is that most party-line, grocery-store, and barbershop gossip is oddly naive--it is as if these people expect meanness and shallowness, will even invent it if it is not there, but that real and conscious evil may be beyond their conception, even when it floats right before their faces like a magic carpet from one o' those greaseball Ay-rab fairy tales.

  How do I know he did it? you ask. Simply because he was with McCutcheon that day? No. Because of the truck. The Cresswell. When his obsession began to overtake him, he went to live across from it in that tiny house ... even though, in the last few years of his life, he was deathly afraid of the truck beached across the road.

  I think Uncle Otto got McCutcheon out into the field where the Cresswell was blocked up by getting McCutcheon to talk about his house plans. McCutcheon was always eager to talk about his house and his approaching retirement. The partners had been made a good offer by a much larger company-I won't mention the name, but if I did you would know it-and McCutcheon wanted to take it. Uncle Otto didn't. There had been a quiet struggle going on between them over the offer since the spring. I think that disagreement was the reason Uncle Otto decided to get rid of his partner.

  I think that my uncle might have prepared for the moment by doing two things: first, undermining the blocks holding the truck up, and second, planting something on the ground or perhaps in it, directly in front of the truck, where McCutcheon would see it.

  What sort of thing? I don't know. Something bright. A diamond? Nothing more than a chunk of broken glass? It doesn't matter. It winks and flashes in the sun. Maybe McCutcheon sees it. If not, you can be sure Uncle Otto points it out. What's that? he asks, pointing. Dunno, McCutcheon says, and hurries over to take a look-see.

  McCutcheon falls on his knees in front of the Cresswell, just like one o' them greaseball Ay-rabs prayin to Arlah, trying to work the object out of the ground, while my uncle strolls casually around to the back of the truck. One good shove and down it came, crushing McCutcheon flat. Squotting him like a pumpkin.

  I suspect there may have been too much pirate in him to have died easily. In my imagination I see him lying pinned beneath the Cresswell's tilted snout, blood streaming from his nose and mouth and ears, his face paper-white, his eyes dark, pleading with my uncle to get help, to get help fast. Pleading ... then begging ... and finally cursing my uncle, promising him he would get him, kill him, finish him . . . and my uncle standing there, watching, hands in his pockets, until it was over.

  It wasn't long after McCutcheon's death that my uncle began to do things that were first described by the barbershop sages as odd . . . then as queer . . . then as "damn peculiar." The things which finally caused him to be deemed, in the pungent barbershop argot, "as crazy as a shithouse rat" came in the fullness of time--but there seemed little doubt in anyone's mind that his peculiarities began right around the time George McCutcheon died.

  In 1965, Uncle Otto had a small one-room house built across from the truck. There was a lot of talk about what old Otto Schenck might be up to out there on the Black Henry by Trinity Hill, but the surprise was total when Uncle Otto finished the little building off by having Chuckie Barger slap on a coat of bright red paint and then announcing it was a gift to the town--a fine new schoolhouse, he said, and all he asked was that they name it after his late partner.

  Castle Rock's selectmen were flabbergasted. So was everyone else. Most everyone in the Rock had gone to such a one-room school (or thought they had, which comes down to almost the same thing). But all of the one-room schools were gone from Castle Rock by 1965. The very last of them, the Castle Ridge School, had closed the year before. It's now Steve's Pizzaville out on Route 117. By then the town had a glass-and-cinderblock grammar school on the far side of the common and a fine new high school on Carbine Street. As a result of his eccentric offer, Uncle Otto made it all the way from "odd" to "damn peculiar" in one jump.

  The selectmen sent him a letter (not one of them quite dared to go see him in person) thanking him kindly, and hoping he would remember the town in the future, but declining the little schoolhouse on the grounds that the educational needs of the town's children were already well provided for. Uncle Otto flew into a towering rage. Remember the town in the future? he stormed to my father. He would remember them, all right, but not the way they wanted. He hadn't fallen off a hay truck yesterday. He knew a hawk from a handsaw. And if they wanted to get into a pissing contest with him, he said, they were going to find he could piss like a polecat that had just drunk a keg of beer.

  "So what now?" my father asked him. They were sitting at the kitchen table in our house. My mother had taken her sewing upstairs. She said she didn't like Uncle Otto; she said he smelled like a man who took a bath once a month, whether he needed one or not--"and him a rich man," she would always add with a sniff. I think his smell really did offend her but I also think she was frightened of him. By 1965, Uncle Otto had begun to look damn peculiar as well as act that way. He went around dressed in green workman's pants held up by suspenders, a thermal underwear shirt, and big yellow workshoes. His eyes had begun to roll in strange directions as he spoke.

  "Huh?"

  "What are you going to do with the place now?"

  "Live in the son of a bitch," Uncle Otto snapped, and that's what he did.

  The story of his later years doesn't need much telling. He suffered the dreary sort of madness that one often sees written up in cheap tabloid newspapers. Millionaire Dies of Malnutrition in Tenement Apartment. Bag Lady Was Rich, Bank Records Reveal. Forgotten Bank Tycoon Dies in Seclusion.

  He moved into the little red house-in later years it faded to a dull, washed-out pink-the very next week. Nothing my father said could talk him out of it. A year afterward, he sold the business I believe he had murdered to keep. His eccentricities had multiplied, but his business sense had not deserted him, and he realized a handsome profit--staggering might actually be a better word.

  So there was my Uncle Otto, worth perhaps as much as seven millions of dollars, living in that tiny little house on the Black Henry Road. His town house was locked up and shuttered. He had by then progressed beyond "damned peculiar" to "crazy as a shithouse rat." The next progression is expressed in a flatter, less colorful, but more ominous phrase: "dangerous, maybe." That one is often followed by committal.

  In his own way, Uncle Otto became as much a fixture as the truck across the road, although I doubt if any
tourists ever wanted to take his picture. He had grown a beard, which came more yellow than white, as if infected by the nicotine of his cigarettes. He had gotten very fat. His jowls sagged down into wrinkly dewlaps creased with dirt. Folks often saw him standing in the doorway of his peculiar little house, just standing there motionlessly, looking out at the road, and across it.

  Looking at the truck--his truck.

  When Uncle Otto stopped coming to town, it was my father who made sure that he didn't starve to death. He brought him groceries every week, and paid for them out of his own pocket, because Uncle Otto never paid him back--never thought of it, I suppose. Dad died two years before Uncle Otto, whose money ended up going to the University of Maine Forestry Department. I understand they were delighted. Considering the amount, they should have been.

  After I got my driver's license in 1972, I often took the weekly groceries out. At first Uncle Otto regarded me with narrow suspicion, but after a while he began to thaw. It was three years later, in 1975, when he told me for the first time that the truck was creeping toward the house.

  I was attending the University of Maine myself by then, but I was home for the summer and had fallen into my old habit of taking Uncle Otto his weekly groceries. He sat at his table, smoking, watching me put the canned goods away and listening to me chatter. I thought he might have forgotten who I was; sometimes he did that . . . or pretended to. And once he had turned my blood cold by calling "That you, George?" out the window as I walked up to the house.

  On that particular day in July of 1975, he broke into whatever trivial conversation I was making to ask with harsh abruptness: "What do you make of yonder truck, Quentin?"

  That abruptness startled an honest answer out of me: "I wet my pants in the cab of that truck when I was five," I said. "I think if I got up in it now I'd wet them again."