There are protests from the crowd.
Billy Pilgrim rebukes them. "If you protest, if you think that death is a terrible thing, then you have not understood a word I've said." Now he closes his speech as he closes every speech--with these words: "Farewell, hello, farewell, hello."
There are police around him as he leaves the stage. They are there to protect him from the crush of popularity. No threats on his life have been made since 1945. The police offer to stay with him. They are floridly willing to stand in a circle around him all night, with their zap guns drawn.
"No, no," says Billy serenely. "It is time for you to go home to your wives and children, and it is time for me to be dead for a little while--and then live again." At that moment, Billy's high forehead is in the cross hairs of a high-powered laser gun. It is aimed at him from the darkened press box. In the next moment, Billy Pilgrim is dead. So it goes.
So Billy experiences death for a while. It is simply violet light and a hum. There isn't anybody else there. Not even Billy Pilgrim is there.
Then he swings back into life again, all the way back to an hour after his life was threatened by Lazzaro--in 1945. He has been told to get out of his hospital bed and dress, that he is well. He and Lazzaro and poor old Edgar Derby are to join their fellows in the theater. There they will choose a leader for themselves by secret ballot in a free election.
Billy and Lazzaro and poor old Edgar Derby crossed the prison yard to the theater now. Billy was carrying his little coat as though it were a lady's muff. It was wrapped around and around his hands. He was the central clown in an unconscious travesty of that famous oil painting, "The Spirit of '76."
Edgar Derby was writing letters home in his head, telling his wife that he was alive and well, that she shouldn't worry, that the war was nearly over, that he would soon be home.
Lazzaro was talking to himself about people he was going to have killed after the war, and rackets he was going to work, and women he was going to make fuck him, whether they wanted to or not. If he had been a dog in a city, a policeman would have shot him and sent his head to a laboratory, to see if he had rabies. So it goes.
As they neared the theater, they came upon an Englishman who was hacking a groove in the Earth with the heel of his boot. He was marking the boundary between the American and English sections of the compound. Billy and Lazzaro and Derby didn't have to ask what the line meant. It was a familiar symbol from childhood.
The theater was paved with American bodies that nestled like spoons. Most of the Americans were in stupors or asleep. Their guts were fluttering, dry.
"Close the fucking door," somebody said to Billy. "Were you born in a barn?"
Billy closed it, took a hand from his muff, touched a stove. It was as cold as ice. The stage was still set for Cinderella. Azure curtains hung from arches which were shocking pink. There were golden thrones and the dummy clock, whose hands were set at midnight. Cinderella's slippers, which were airman's boots painted silver, were capsized side by side under a golden throne.
Billy and poor old Edgar Derby and Lazzaro had been in the hospital when the British passed out blankets and mattresses, so they had none. They had to improvise. The only space open to them was up on the stage, and they went up there, pulled the azure curtains down, made nests.
Billy, curled in his azure nest, found himself staring at Cinderella's silver boots under a throne. And then he remembered that his shoes were ruined, that he needed boots. He hated to get out of his nest, but he forced himself to do it. He crawled to the boots on all fours, sat, tried them on.
The boots fit perfectly. Billy Pilgrim was Cinderella, and Cinderella was Billy Pilgrim.
Somewhere in there was a lecture on personal hygiene by the head Englishman, and then a free election. At least half the Americans went on snoozing through it all. The Englishman got up on the stage, and he rapped on the arm of a throne with a swagger stick, called, "Lads, lads, lads--can I have your attention, please?" And so on.
What the Englishman said about survival was this: "If you stop taking pride in your appearance, you will very soon die." He said that he had seen several men die in the following way: "They ceased to stand up straight, then ceased to shave or wash, then ceased to get out of bed, then ceased to talk, then died. There is this much to be said for it: it is evidently a very easy and painless way to go." So it goes.
The Englishman said that he, when captured, had made and kept the following vows to himself: To brush his teeth twice a day, to shave once a day, to wash his face and hands before every meal and after going to the latrine, to polish his shoes once a day, to exercise for at least half an hour each morning and then move his bowels, and to look into a mirror frequently, frankly evaluating his appearance, particularly with respect to posture.
Billy Pilgrim heard all this while lying in his nest. He looked not at the Englishman's face but his ankles.
"I envy you lads," said the Englishman.
Somebody laughed. Billy wondered what the joke was.
"You lads are leaving this afternoon for Dresden--a beautiful city, I'm told. You won't be cooped up like us. You'll be out where the life is, and the food is certain to be more plentiful than here. If I may inject a personal note: It has been five years now since I have seen a tree or flower or woman or child--or a dog or a cat or a place of entertainment, or a human being doing useful work of any kind.
"You needn't worry about bombs, by the way. Dresden is an open city. It is undefended, and contains no war industries or troop concentrations of any importance."
*
Somewhere in there, old Edgar Derby was elected head American. The Englishman called for nominations from the floor, and there weren't any. So he nominated Derby, praising him for his maturity and long experience in dealing with people. There were no further nominations, so the nominations were closed.
"All in favor?"
Two or three people said, "Aye."
Then poor old Derby made a speech. He thanked the Englishman for his good advice, said he meant to follow it exactly. He said he was sure that all the other Americans would do the same. He said that his primary responsibility now was to make damn well sure that everybody got home safely.
"Go take a flying fuck at a rolling doughnut," murmured Paul Lazzaro in his azure nest. "Go take a flying fuck at the moon."
The temperature climbed startlingly that day. The noontime was balmy. The Germans brought soup and bread in two-wheeled carts which were pulled by Russians. The Englishman sent over real coffee and sugar and marmalade and cigarettes and cigars, and the doors of the theater were left open, so the warmth could get in.
The Americans began to feel much better. They were able to hold their food. And then it was time to go to Dresden. The Americans marched fairly stylishly out of the British compound. Billy Pilgrim again led the parade. He had silver boots now, and a muff, and a piece of azure curtain which he wore like a toga. Billy still had a beard. So did poor old Edgar Derby, who was beside him. Derby was imagining letters to home, his lips working tremulously:
Dear Margaret--We are leaving for Dresden today. Don't worry. It will never be bombed. It is an open city. There was an election at noon, and guess what? And so on.
They came to the prison railroad yard again. They had arrived on only two cars. They would depart far more comfortably on four. They saw the dead hobo again. He was frozen stiff in the weeds beside the track. He was in a fetal position, trying even in death to nestle like a spoon with others. There were no others now. He was nestling with thin air and cinders. Somebody had taken his boots. His bare feet were blue and ivory. It was all right, somehow, his being dead. So it goes.
*
The trip to Dresden was a lark. It took only two hours. Shriveled little bellies were full. Sunlight and mild air came in through the ventilators. There were plenty of smokes from the Englishmen.
The Americans arrived in Dresden at five in the afternoon. The boxcar doors were opened, and the doorways framed the lovel
iest city that most of the Americans had ever seen. The skyline was intricate and voluptuous and enchanted and absurd. It looked like a Sunday school picture of Heaven to Billy Pilgrim.
Somebody behind him in the boxcar said, "Oz." That was I. That was me. The only other city I'd ever seen was Indianapolis, Indiana.
Every other big city in Germany had been bombed and burned ferociously. Dresden had not suffered so much as a cracked windowpane. Sirens went off every day, screamed like hell, and people went down into cellars and listened to radios there. The planes were always bound for someplace else--Leipzig, Chemnitz, Plauen, places like that. So it goes.
Steam radiators still whistled cheerily in Dresden. Streetcars clanged. Telephones rang and were answered. Lights went on and off when switches were clicked. There were theaters and restaurants. There was a zoo. The principal enterprises of the city were medicine and food-processing and the making of cigarettes.
People were going home from work now in the late afternoon. They were tired.
Eight Dresdeners crossed the steel spaghetti of the railroad yard. They were wearing new uniforms. They had been sworn into the army the day before. They were boys and men past middle age, and two veterans who had been shot to pieces in Russia. Their assignment was to guard one hundred American prisoners of war, who would work as contract labor. A grandfather and his grandson were in the squad. The grandfather was an architect.
The eight were grim as they approached the boxcars containing their wards. They knew what sick and foolish soldiers they themselves appeared to be. One of them actually had an artificial leg, and carried not only a loaded rifle but a cane. Still--they were expected to earn obedience and respect from tall, cocky, murderous American infantrymen who had just come from all the killing at the front.
And then they saw bearded Billy Pilgrim in his blue toga and silver shoes, with his hands in a muff. He looked at least sixty years old. Next to Billy was little Paul Lazzaro with a broken arm. He was fizzing with rabies. Next to Lazzaro was the poor old high school teacher, Edgar Derby, mournfully pregnant with patriotism and middle age and imaginary wisdom. And so on.
The eight ridiculous Dresdeners ascertained that these hundred ridiculous creatures really were American fighting men fresh from the front. They smiled, and then they laughed. Their terror evaporated. There was nothing to be afraid of. Here were more crippled human beings, more fools like themselves. Here was light opera.
So out of the gate of the railroad yard and into the streets of Dresden marched the light opera. Billy Pilgrim was the star. He led the parade. Thousands of people were on the sidewalks, going home from work. They were watery and putty-colored, having eaten mostly potatoes during the past two years. They had expected no blessings beyond the mildness of the day. Suddenly--here was fun.
Billy did not meet many of the eyes that found him so entertaining. He was enchanted by the architecture of the city. Merry amoretti wove garlands above windows. Roguish fauns and naked nymphs peeked down at Billy from festooned cornices. Stone monkeys frisked among scrolls and seashells and bamboo.
Billy, with his memories of the future, knew that the city would be smashed to smithereens and then burned--in about thirty more days. He knew, too, that most of the people watching him would soon be dead. So it goes.
And Billy worked his hands in his muff as he marched. His fingertips, working there in the hot darkness of the muff, wanted to know what the two lumps in the lining of the little impresario's coat were. The fingertips got inside the lining. They palpated the lumps, the pea-shaped thing and the horseshoe-shaped thing. The parade had to halt by a busy corner. The traffic light was red.
There at the corner, in the front rank of pedestrians, was a surgeon who had been operating all day. He was a civilian, but his posture was military. He had served in two world wars. The sight of Billy offended him, especially after he learned from the guards that Billy was an American. It seemed to him that Billy was in abominable taste, supposed that Billy had gone to a lot of silly trouble to costume himself just so.
The surgeon spoke English, and he said to Billy, "I take it you find war a very comical thing."
Billy looked at him vaguely. Billy had lost track momentarily of where he was or how he had gotten there. He had no idea that people thought he was clowning. It was Fate, of course, which had costumed him--Fate, and a feeble will to survive.
"Did you expect us to laugh?" the surgeon asked him.
The surgeon was demanding some sort of satisfaction. Billy was mystified. Billy wanted to be friendly, to help, if he could, but his resources were meager. His fingers now held the two objects from the lining of the coat. Billy decided to show the surgeon what they were.
"You thought we would enjoy being mocked?" the surgeon said. "And do you feel proud to represent America as you do?"
Billy withdrew a hand from his muff, held it under the surgeon's nose. On his palm rested a two-carat diamond and a partial denture. The denture was an obscene little artifact--silver and pearl and tangerine. Billy smiled.
The parade pranced, staggered and reeled to the gate of the Dresden slaughterhouse, and then it went inside. The slaughterhouse wasn't a busy place any more. Almost all the hooved animals in Germany had been killed and eaten and excreted by human beings, mostly soldiers. So it goes.
The Americans were taken to the fifth building inside the gate. It was a one-story cement-block cube with sliding doors in front and back. It had been built as a shelter for pigs about to be butchered. Now it was going to serve as a home away from home for one hundred American prisoners of war. There were bunks in there, and two potbellied stoves and a water tap. Behind it was a latrine, which was a one-rail fence with buckets under it.
There was a big number over the door of the building. The number was five. Before the Americans could go inside, their only English-speaking guard told them to memorize their simple address, in case they got lost in the big city. Their address was this: "Schlachthof-funf." Schlachthof meant slaughterhouse. Fun/was good old five.
7
BILLY PILGRIM got onto a chartered airplane in Ilium twenty-five years after that. He knew it was going to crash, but he didn't want to make a fool of himself by saying so. It was supposed to carry Billy and twenty-eight other optometrists to a convention in Montreal.
His wife, Valencia, was outside, and his father-in-law, Lionel Merble, was strapped to the seat beside him.
Lionel Merble was a machine. Tralfamadorians, of course, say that every creature and plant in the Universe is a machine. It amuses them that so many Earthlings are offended by the idea of being machines.
Outside the plane, the machine named Valencia Merble Pilgrim was eating a Peter Paul Mound Bar and waving bye-bye.
The plane took off without incident. The moment was structured that way. There was a barbershop quartet on board. They were optometrists, too. They called themselves "The Febs," which was an acronym for "Four-eyed Bastards."
When the plane was safely aloft, the machine that was Billy's father-in-law asked the quartet to sing his favorite song. They knew what song he meant, and they sang it, and it went like this:
In my prison cell I sit,
With my britches full of shit,
And my balls are bouncing gently on the floor.
And I see the bloody snag
When she bit me in the bag.
Oh, I'll never fuck a Polack any more.
Billy's father-in-law laughed and laughed at that, and he begged the quartet to sing the other Polish song he liked so much. So they sang a song from the Pennsylvania coal mines that
Me and Mike, ve vork in mine.
Holy shit, ve have good time.
Vunce a veek ve get our pay.
Holy shit, no vork next day.
Speaking of people from Poland: Billy Pilgrim accidentally saw a Pole hanged in public, about three days after Billy got to Dresden. Billy just happened to be walking to work with some others shortly after sunrise, and they came to a gallows and a s
mall crowd in front of a soccer stadium. The Pole was a farm laborer who was being hanged for having had sexual intercourse with a German woman. So it goes.
Billy, knowing the plane was going to crash pretty soon, closed his eyes, traveled in time back to 1944. He was back in the forest in Luxembourg again--with the Three Musketeers. Roland Weary was shaking him, bonking his head against a tree. "You guys go on without me," said Billy Pilgrim.
The barbershop quartet on the airplane was singing "Wait Till the Sun Shines, Nelly," when the plane smacked into the top of Sugarbush Mountain in Vermont. Everybody was killed but Billy and the copilot. So it goes.
The people who first got to the crash scene were young Austrian ski instructors from the famous ski resort below. They spoke to each other in German as they went from body to body. They wore black wind masks with two holes for their eyes and a red topknot. They looked like golliwogs, like white people pretending to be black for the laughs they could get.
Billy had a fractured skull, but he was still conscious. He didn't know where he was. His lips were working, and one of the golliwogs put his ear close to them to hear what might be his dying words.
Billy thought the golliwog had something to do with World War Two, and he whispered to him his address: "Schlachthof-funf."
Billy was brought down Sugarbush Mountain on a toboggan. The golliwogs controlled it with ropes and yodeled melodiously for right-of-way. Near the bottom, the trail swooped around the pylons of a chair lift. Billy looked up at all the young people in bright elastic clothing and enormous boots and goggles, bombed out of their skulls with snow, swinging through the sky in yellow chairs. He supposed that they were part of an amazing new phase of World War Two. It was all right with him. Everything was pretty much all right with Billy.