The cabbie pulled to a stop and lowered the window a bit. “Sorry, buddy, I’m off duty for the night.”
Thaddeus jumped forward and kicked his front tire. “Yeah, right, you morons are always off duty.”
“Hey, dude!” The cabbie gave him the finger and peeled out.
Alana frowned at him. “Why’d you kick the tire?”
“Guy’s a moron. I mean, look, you’ve got on high heels, and now we’ll have to walk over to Club Mephisto.”
“Nah, I think he’s right. I’m feeling like going off duty myself, too. It’s getting late. I think I should be getting on home now. Maybe we can go this weekend? You free?”
He lightly touched a long, thin white finger to her cheek. “I’ll walk you home. You live close, right? That’s what the bartender told me.”
She nodded, smiling, and she stumbled. “Whoa, what’s this? I only had three ales, and they weren’t that strong.”
“Maybe it was all those peanuts.” He laughed, told her not to worry about it, pulled her closer, and walked her to her building on Hudson Avenue. He walked her up two flights of stairs, down a long, well-lit corridor. “Give me your key.”
She knew you didn’t give a guy your key, not a guy you’d just met, even though he was funny and really nice. It just wasn’t smart. But wasn’t he about her size? Didn’t that make him safe enough? Alana was feeling really sick now, nausea churning in her stomach, sneaking up in her throat, and she swallowed, but it didn’t help. She knew she was going to throw up, and she hated that. She tried to focus on getting inside and popping two Alka-Seltzer tablets in a glass of water from her bathroom sink, watching them dissolve. She gave him her key.
When he helped her inside her apartment, she knew she wasn’t going to make it to the Alka-Seltzer, she was going to throw up now. She pulled away from him, fell to her knees, and vomited on the highly polished oak floor of her small entry hall. She felt like her insides were churning backward, spewing out bile that would choke her. She huddled there, her knees drawn up to her chest.
He knelt down beside her, laid his palm on her forehead. His hand felt warm and soft. She whispered, “I’m sorry, Thaddeus, I’m feeling really sick.”
He stroked her forehead. “That’s all right, Alana. I’m the one who made you sick, and now it’s time to end it.”
“You made me sick? But how? Why?” She saw him twist a loop of wire in his hands, saw him reach down over her as she vomited again, beer and peanuts all over the front of him. She heard him curse as the wire went around her neck.
CHAPTER 3
Washington, D.C.
Hoover Building, Criminal Apprehension Unit
Thursday morning, two days later
Lucy Carlyle addressed the group of five agents seated with her around the CAU conference table. “Her name was Alana Rafferty, age thirty-one, divorced, no children. She was a graphic artist for Bloomfield Designs in Cleveland, Ohio. She was outgoing, loaded with talent, and just plain old nice, according to her coworkers and friends, and she met the wrong person at Nielson’s Bar and Grill on West Blake Street Tuesday night. The bartender, who’s also the owner, said she left with a guy all duded up in black, even a black beret, said he looked sort of gay, at about nine o’clock Tuesday night. Another couple saw the guy wave down a taxi, but the cabbie was off duty. Then the guy yelled out an insult, even kicked the tire. The couple said Alana looked a bit tipsy, and when they walked away, the guy was holding her arm because she wasn’t all that steady on her feet. They walked west, toward her apartment, two blocks farther on, at the corner of Hudson Avenue.” She nodded a bit unwillingly at Agent Cooper McKnight, wanting to continue and not turn it over to him, but she said, “Coop.”
Coop said, “Her body was found in her apartment at noon yesterday by the manager and a coworker from Bloomfield Designs. The Cleveland PD put a rush on the autopsy since the murder bore some similarities to four recent murders, two in San Francisco and two in Chicago. This was the first victim in Cleveland.
“The bartenders in all three cities describe the guy as looking arty, maybe gay, in his late twenties, early thirties, with longish black hair under a black beret, tall, thin to gaunt. Two of the bartenders said he looked like he’d dusted his face with white powder, and he had long white hands that he seemed to like to show off, you know, picking out individual pretzels or nuts from a bowl.
“The bartenders told police none of the women seemed to know him, but they all appeared to hit it off with him quickly. He always bought them beer or wine or whatever, and after about an hour or two, they all left with him.
“In each instance, the women were murdered in their apartments. Each had ketamine and Rohypnol in her bloodstream, probably due to spiked drinks. As you know, ketamine is an anesthetic and now a street drug known as Black Hole or Special K that’s become popular at raves. Rohypnol is your classic roofie, the date-rape drug. Together, they’re a potent cocktail. One Chicago detective said it looks like the guy uses a roll of common wire, impossible to trace, and he unrolls the length he wants and snips it off before strangling them.”
Lucy said, “There’s more information in the folders I handed out, photos of the crime scenes, copies of all the interviews, autopsy results, but those are the high points.” She nodded to Savich.
Savich said to the group, “Mr. Maitland wants us to handle the case now that this guy’s crossed state lines several times and is killing every few days.
“Look through the packets and familiarize yourselves with the cases in San Francisco and Chicago. All major police departments across the country have been alerted about this guy and are already on the lookout.
“Cleveland Police Chief Aaron Handler has moved fast. He compared the sketch their own police artist made from the bartender’s description to the other police sketches made in San Francisco and Chicago.” He held up the sketch. “This is a composite sketch, based on the descriptions provided by the three bartenders. Chief Handler had the sketches posted prominently in every neighborhood bar in Cleveland, and they’re running the sketch on local television channels. You can see the guy has a distinct look—dressed all in black, with his black beret and black jeans, boots, T-shirt, and leather jacket—and he’s kept to his initial pattern—always a neighborhood bar, always choosing a young woman who’s alone. He drugs her, and garrotes her in her own home or apartment, which means all of the women let him take them home.”
Ruth Warnecki-Noble said, “Well, if they were all feeling ill from the drug he fed them, I guess it makes some sense they would accept some help. Plus, if they think the guy is gay, they probably wouldn’t see him as a sexual threat.”
Lacey Sherlock said, “I guess he drugs the women so they won’t be able to fight him, either.”
Lucy nodded. “The bartenders all said the guy looks like a stereotypical artist type, white as a vampire with the white face powder, and bone thin, which means he does indeed need the drugs to make sure he can handle his victims. He looks harmless as a puppy, softspoken, real polite, attentive, a good listener. Another thing—Alana Rafferty didn’t look dizzy or shaky on her feet when she left the bar, so he probably put the drug in her last—” Lucy looked down. “In her last Burning River Pale Ale.”
There were a few more questions and comments, and then Savich brought things to a close. “Okay, Coop and Lucy are the leads on this case. Any of your specific input should go through them. I’d like each of you to think about this guy, about what makes him tick, and give all your ideas in writing to Lucy and Coop. Steve in Behavioral Analysis will get us a profile shortly.
“This police sketch and the local TV coverage might make the guy cut his losses and head out of Cleveland, or maybe he’ll change his outfit and ditch the beret. We’ll see.
“No matter what, this case is top priority. Whoever the guy is, we want to stop him before anyone else dies.”
Lucy said, “This is really ugly, guys, and really sick. Dillon wonders if he’ll realize he’s a sitting d
uck and change his routine or his clothes—and that’s my biggest worry. If he does change his routine and ditch the black, we’ll lose any edge we have.”
Sherlock said, “Whatever he decides to wear, I’ve got the weirdest feeling he’s not afraid of the cops and he’s not going to stop. He’s arrogant.”
Lucy nodded slowly. She agreed with Sherlock.
As Lucy and Coop walked back to their workstations, talking quietly, Sherlock said to Savich, “Why’d you put Lucy and Coop together? They don’t care much for each other. You can tell that by their body language. Look at the distance between them.”
“That’s why I put them together,” Savich said matter-of-factly. “They need to learn to get along. They’re both excellent agents, and I wouldn’t want to lose either of them. They’ve got to learn to respect each other, protect each other, or else one of them will have to go.”
“I’d hate to lose either of them. I wonder why they don’t get along well? They’re the new guys in the unit; you’d think they’d have bonded simply because they’re the rookies.”
Savich said, “I asked Ruth what was going on between them, and she said she’d heard Lucy call Coop a dickhead—quote/unquote—because he dangles too many women on his string.”
“Hmm, I hadn’t heard that. Do you think it’s true? You think he’s some sort of idiot playboy?”
Savich shrugged, opened his office door, and ushered her in. “I’ve never seen anything in Coop’s behavior that’d make me think so. He’s got a good brain, he’s committed, a good team player, and I can usually kick his butt at the gym.” He grinned at her, flicked a finger over her cheek. “So, what’s not to like?”
Sherlock laughed, hugged him a moment. She leaned back in his arms, studied his face. “It’s only been two days since the shooting at Mr. Patil’s Shop ’n Go. Are you all right, Dillon?”
“Mr. Patil will make a full recovery, Dave Raditch and his kids are dealing okay with the shock, and yes, I’m fine as well. Look, Sherlock, I’m handling things, okay?”
Mr. Hardnose. She looked at him for a long time, and finally she nodded slowly. “Yes. All right, then.” She kissed him fast, then left his office to discuss with Ollie Hamish his bizarre case in Biloxi, Mississippi, where some shrimp fishermen seemed to be on a rampage, killing off their competition.
Lucy and Coop were studying the composite sketch of their murderer, tossing ideas back and forth, when Lucy’s cell phone rang. It was a Dr. Antonio Pellotti at Washington Memorial Hospital. Her father had suffered a massive heart attack and wasn’t expected to live.
CHAPTER 4
Washington Memorial Hospital
Thursday night
Lucy sat beside her father’s bed in the CCU and counted each breath. Dr. Pellotti had told her when they wheeled him out of the cath lab, honest grief in his voice, since he’d known her father for years, “They managed to open up his left coronary artery and found a large part of his heart was beating very poorly. We’re having to support his blood pressure with drugs. We’re not sure how much longer he’ll breathe on his own. We’ll discuss options when and if a respirator is necessary.” He’d taken her hands in his. “He may be in and out, Lucy, but I promise you he’s in no distress. He’s on morphine.”
How did he know her father wasn’t in distress? Lucy wondered now. Her father couldn’t tell them anything one way or the other. And when someone wasn’t conscious and was barely alive, where were they? Looking down at themselves lying there, helpless, wondering what was next? Praying they’d come back? Or were they asleep in the nether reaches of their mind, really unaware of anything at all?
Lucy stared at her father’s face through the oxygen mask, all lean lines and seams and so much thick, dark hair, only streaks of white at his temples. She’d had dinner with him on Tuesday night, her vibrant, handsome father, laughing over a federal regulator who’d overdrawn his own personal account and was raising hell about it. But now he looked old, his flesh slack, as if his life itself was leaching out of his body.
But he wasn’t old, he was only sixty-two, at the top of his banking game, he’d tell her, and it was true. But now he was still, as if his beloved face was a facade, as if he’d already left and was simply waiting for the door to close.
No, she couldn’t—wouldn’t—accept that. There was a chance he could come back; there was always a chance. If he was breathing, that meant his heart was pumping, and that meant—what?
It meant hope, at least to her.
“I told you to work out, Dad, or take a walk every evening; that would have done it.” But he hadn’t. He wasn’t at all fat, but he spent most of his time either reading his favorite newspapers and mysteries or working on his endless deals and strategic loan plans for the bank. He always had something going on, something he was excited about. He’d always been involved and excited about his life, and that was a blessing.
Joshua Acker Carlyle was a very successful man and a loving father. Everyone she knew thought of him as smart and honest, a man to trust. He’d never dabbled in junk bonds or sub-prime mortgages or any of the other shenanigans so many banks had been involved with. His three banks were as solvent as most Canadian banks.
She caught herself already hearing his eulogy, delivered by his uncle, Alan Silverman, only ten years older than he was, a parental afterthought, he’d say, and laugh. He’d always banked his money with her dad and played golf with him most weekends. Uncle Alan and Aunt Jennifer, and their children, Court and Miranda, had been there all through the evening, but the doctors had asked them to leave. Only Lucy was allowed to stay with him. She’d turned off her cell phone because so many friends were calling and she simply couldn’t deal with their sympathy and their endless questions.
“Can you hear me, Dad?” Lucy lightly squeezed his hand. The skin seemed slack, as if it were hanging off him. They said it was from the medicines, to help his lungs, but she hated it. He’d awakened earlier but hadn’t said anything, simply looked at her through a veil of drugs and closed his eyes again. But maybe he could hear her. If he was hovering up there, looking down, of course he could hear her. Dr. Pellotti said he couldn’t, but one of the nurses rolled her eyes behind the doctor’s back and nodded.
And so Lucy talked. She told him about the case she was working on, the killer who targeted single women in neighborhood bars, and how he seemed to be coming this way, since he’d killed in San Francisco, Chicago, and now Cleveland. And why not Washington? There were so many single women here. She told him her partner on this case was Special Agent Cooper McKnight, a man she didn’t much like because he had the reputation of being a playboy. He always had a different woman on his arm, and he was too good-looking, and he knew it. She’d heard a couple of agents in the unit talking about all the women he dated, and they wondered, laughing in the way men did, about how he managed to keep them all straight. What did he think of her? She didn’t have a clue. So far he was polite and attentive, maybe checking her out to put her in his line to take to bed. He’d said a couple of funny things, and wouldn’t that make sense? Women tended to like guys who were funny. It fit with what she’d heard.
She talked and talked, and her father lay there, moving his legs now and then; sometimes, she’d swear, squeezing her hand. Once he’d mumbled words she couldn’t understand before he lapsed again into that frozen silence. He was breathing, so she’d hang on to that. She told him about her boss’s wild-hair adventure Tuesday night at his neighborhood convenience store, how he’d brought down two armed robbers with two children in the store. Dillon had said the kids were both champs, and their dad was a champ, too. “I wonder how I would have done if I’d seen that guy with a stocking on his face and a gun in his hand, while two kids were standing six feet away eating ice-cream bars.”
She told her father all the rest of it before she paused for a moment, then rubbed her fingers over his knuckles, wishing he would squeeze her hand again, show her he knew she was here and recognized her. “I saw Sherlock in Savich
’s office this morning, and she smacked him real hard on the arm, not that she could do much damage, he’s hard as a brick outhouse, and then she kissed him. I know she must still be replaying what happened again and again in her mind. Can you imagine, Dad? Two innocent kids, and knowing all the way to your soul their lives were in the balance?
“Sherlock called the father and gave him the name of a shrink for the kids. I’ll bet they’re going to have nightmares for a while.”
She smoothed her palm over her father’s forehead, his cheeks. His skin felt clammy, and why was that? His leg jerked, then he was motionless again, and there was only the sound of his slow, difficult breathing. Lucy laid her cheek against his chest. “You’re too young to leave me, Dad, please, you know it’s always been just you and me, so you need to stay. You need to get better and tell Dr. Pellotti you’re going to outlive him and his kids. Will you do that for me, Dad?”
She was crying silently when her father suddenly yelled, “Mom, what did you do? Why did you stab Dad? Oh my God, he’s not moving. There’s so much blood. Why, Mom?”
Lucy reared back, her mouth open to shout for the nurses when she saw he was looking at her, recognized her. He squeezed her hand. “Lucy,” he whispered, and then he closed his eyes and took in a hitching breath, and then he lay still.
She ran to the door to yell for the nurses, but she heard a nurse scream, “Code blue!” before she got there, and then the room filled up with men and women, and she stood by the lone window in the hospital room and watched them start to work frantically to save him, until she was ushered out.
Her father, Joshua Acker Carlyle, was pronounced dead by a young physician she’d never seen before, at 3:06 a.m.
Dawn was moments away when Lucy walked to the hospital parking lot. She realized she didn’t feel much of anything. Her brain, her heart, felt empty. But I’m really here, she thought. I’ve still got to put one foot in front of the other, walk to my car, get in, go home—and what?