SANDY HEARD THE KNOT OF COPS COMING UP BEHIND her. She needed to talk to somebody on a phone before she turned herself in. One of the cops-maybe one of those behind her, maybe not-would have a face that matched the photos in her pocket.
If he was behind her, she might not get a chance to talk. When she heard the cops calling back and forth, she thought about running over to the dome, but the street was too wide, too open, and they were too close. She'd been leaving tracks, but there'd been no way to avoid that. Now she ran a few feet into the street, through fresh snow, heading toward the dome. As she got into the street, onto snow compacted by traffic, she swerved left.
An old house, with four or five mailboxes mounted next to the door, was only a few dozen feet away, and behind it, a ramshackle garage. All the windows in the house were dark, but somebody had left it not long ago. A set of tire tracks came out of the garage, into the street.
Sandy hurried to the drive, tiptoed up the car track,crouched, looked around, then lifted the garage door. The door rolled up easily. The garage was empty, except for three garbage cans and a pile of worn-out tires stacked on one side. She dropped the door, and in the pitch-blackness, felt her way across to the stack of tires and sat down.
She felt as though she'd been physically beaten, but there was hope now. If she could get to a phone...
Through the walls of the garage, as if from a distance, she could hear the cops calling back and forth, and then more sirens. She sat and waited.
STADIC AND TWO UNIFORMED COPS CROSSED THE street to the Metrodome. A ramp led up from the street to the concourse level, and they climbed it, spread out in a skirmish line. Four cars were parked in the tiny parking area above the ramp. Footprints led from the ramp area to the doors at the base of the dome. They couldn't tell if anyone else had walked up the ramp.
``Protect yourself, boys,'' Stadic said to the others. `` Davenport might be right that she's helping out, but he don't know everything. If you come up on her, be ready.''
The uniforms nodded, and as they approached the line of doors, they saw that one was propped open with a plastic wastebasket. ``Five'll get you ten that she came in here,'' one of the cops muttered. They eased through the first set of doors, then went through a revolving door onto the circular concourse.
Nobody in sight. The concourse was only dimly lit, but somewhere, somebody was running a machine that sounded like an oversized vacuum. Stadic said, ``You guys go that way. Holler if you see anything. She could be anywhere.''
At that instant, one of the cops saw movement over Stadic's shoulder. He yelled, ``Hold it... You! Hold it.''
Stadic spun, and saw a figure in the dim light. The figurehad stopped in the center of the concourse, and then the other uniform yelled, ``Minneapolis police, hold it.'' All three of them trotted toward the figure. A man; a janitor.
``What happened?'' the man asked. He was holding a hot TV dinner in one hand, a plastic fork in the other.
``Sorry,'' the first cop said. He put his pistol away. ``You work here?''
``Uh, yeah...''
``Did you see a woman come through here? Hiding out?''
``Haven't seen anybody but the guys down working on the rug,'' the man said.
``The rug?''
``Yeah, you know, the Astroturf.''
``All right: we're looking for a woman. If you see anybody, you let us know. We'll be walking around the concourse.''
``What'd she do?'' the janitor asked.
``She's that woman with the guys killing the cops,'' Stadic said.
``Yeah?'' This was something different. ``Is she, like... armed?''
``We don't know,'' Stadic said. ``Don't take any chances. If you see her or any of your guys see her, get to a phone.'' He waved over his shoulder. There were phones all along the concourse. He scribbled a number on a business card. ``Call this number. It'll ring me, right here, and we'll come running.''
The janitor took the card. ``I'll tell the other guys. We don't try to take her?''
``No. Don't go near her,'' Stadic said. ``We know her sister used to shoot people for sport.''
``I'll tell you what I can do-I can go up on top and look down,'' the janitor said. ``We can get up there, see almost everything inside.''
``Good. Give me a call,'' Stadic said. To the uniforms hesaid, ``You guys go that way. Check all the stairwells, go up and down, look in the women's cans. I'll meet you on the other side.''
``Got it.''
``And I'll go up on top,'' the janitor said.
CARS WENT BY EVERY FEW MINUTES, SOME FAST, SOME slow. Sandy could hear nothing else, except the whisper of the falling snow. Finally she stood up and edged back to the door, lifted it two feet, squatted and looked out. Nobody. She pushed it up another foot, duckwalked out into the snow. She looked at the house, the windows still dark, then across the street at the dome. She could knock on the door of the house, maybe get somebody up, get a phone.
But there had to be a phone right there, across the street. No cars coming.
She ran across the street and up the approach ramp. A number of car and foot tracks went up the ramp. As she followed them, she brushed past a green pole set into the concrete. The pole was a modernistic phone kiosk, with a phone hanging on the other side-dial 911, no charge-but she never saw it.
Instead, she went on to the door, opened it, stepped through into the dead space between the inner and outer doors, then pushed through the revolving door onto the concourse. Nobody in sight, just a bunch of wet foot tracks. But she could hear rock music coming from somewhere. Tom Petty, she thought.
Down the hall she saw a sign: rest rooms and phones. She went that way and found a bank of phones. She picked up a phone, listened, got a dial tone, punched in 911. The call was answered instantly.
``This is Sandy Darling...''
``Ms. Darling, where are you?''
``I'm at the Metrodome, I'm inside.''
``Okay. We'll put you through to Chief Davenport. He's on his way there.''
A moment later they clicked through. ``Ms. Darling? This is Lucas Davenport. The policeman working with LaChaise- his name was Andy Stadic?''
``I don't know,'' Sandy said. ``They wouldn't tell me. They said if I turned them in, the cop was paid to come kill me. I've got some pictures of him. I took them out of Dick's pocket.''
``Okay. I'm two minutes away and we've...''
``Listen, I think Dick is going to the hospital where your wife works. You've got to get over there first.''
``Dick LaChaise was killed at the hospital,'' Lucas said.
``He's dead?''
``Yes.''
``Thank God...'' She said it half to herself, but Lucas picked it up.
``I'm just about there and we've got more people on the way,'' Lucas said. ``Stadic is in the dome with you, so you've got to stay out of sight.''
``He's in the dome?'' She could hear voices and footsteps.
``Yes.''
``Oh, God,'' she whispered. ``Somebody's coming.''
``Run,'' Lucas said. ``Run and hide.''
Sandy dropped the phone and ran across the hall. Two doors and a stairway led down to the first tier of seats: she pulled on a door, not expecting it to open. It did. She went through, down the stairs to the field of blue plastic seats, and turned left. Below her, on the football field, a half-dozen people were doing something to the dark green carpet. Stretching it? She couldn't tell.
She went down six rows, apparently unseen by the people on the field, slid halfway down the row of seats, and lay onher back. They'd have to look down every single row to see her, and she only had two minutes to go. Two minutes, Davenport had said. She thought she saw movement at the peak of the roof, but when she focused on the spot, there was nothing.
Less than two minutes, she thought.
STADIC'S PHONE RANG.
``This is the building engineer, I talked to you...''
``Yeah, yeah.''
``She's hiding third row down, lower tier, right behind the goalposts.
''
He had her. ``Which end?''
``South.''
``What the fuck end is that?'' Stadic snarled. North, south, he couldn't tell anything in this place.
``The, uh, hmm, I know: she's on the opposite end from where they're working on the rug.''
Stadic said, ``Go on back up there and watch in case she moves,'' then turned the phone off and started running. If he could get her. If he could get the phone away from Davenport. Christ, if LaChaise had Davenport's old lady, they could be there all day. He was still alive, if he could get the girl.
Stadic rounded the end of the concourse and saw people milling around. One of them yelled, ``Sandra Darling. Sandra Darling, where are you?''
Who was that? That couldn't be Davenport...
He dodged left, went down the stairs to the first tier. He was halfway around. He went down three rows and started running sideways. He was on the thirty-yard line, the twenty, the ten, but still a way to go.
A uniformed cop came out of one of the staircases, saw him and yelled, ``Andy Stadic. Stadic. Stop there, Andy.''
They had him.
No doubt. But he kept going, he was almost to the woman: he could do that, anyway. He could say that he didn't hear, that he was about to arrest her. He had the.380 in his pocket, if he could drop it, if they found her with the gun...
Sandy heard the cops shouting, heard somebody banging toward the seats. She peeked: the man in the photos was a hundred feet away, running right toward her. He knew where she was. She began to crawl down the space between the seats, got to the stairs, scrambled up them, hands and feet churning.
``Sandy Darling, stop,'' Stadic screamed. He brought the shotgun up, centered it on the back of her head and jerked the trigger. The shot boomed inside the stadium and he saw her go down. Had she gone down before the shot? Had he hit her?
Somebody shouted and he turned, dizzy, and a cop fired a pistol and a chair splintered behind him.
Then he saw the woman, scrambling, disappearing into a stairwell. He ran that way, and somebody fired another shot at him, but Stadic had lost it.
The woman, he thought. If he could just get the woman. He forgot about the phone: he thought about the small figure disappearing into the stairwell.
There was his problem. The woman.
DAVENPORT APPEARED, LARGE, HAIR STANDING OUT from his head as though somebody had deliberately mussed it, his long black coat dangling down his legs. He was a quarter of the way around the stadium, a pistol in his hand. ``Stadic, goddamnit...''
But Andy Stadic, too many days with no sleep, one inch from having pulled it off-Stadic was locked into a loop. Find the woman. He jerked the shotgun toward Davenport and pulled the trigger, once, twice, three times, four, and thenthe gun was empty. Lucas dropped and the shotgun blasts rattled harmlessly off the seats twenty yards away. Not even close. The cops farther up the dome fired three more shots, missing.
Stadic ignored them, dropped the shotgun, drew his pistol, a Glock nine-millimeter, and ran up the stairs, into the stairwell, going after the woman.
And he found blood.
A SMEAR ON THE CONCRETE, THEN A DRIBBLE. HE'D HIT her with his quick shot. He followed the blood around the corner and up. She'd moved to the next tier. Somebody was screaming at him: ``Stadic. Stadic...''
Not Davenport, one of the other cops.
He was so close.
SANDY WAS HURT. SHE DIDN'T KNOW WHETHER SHE'D been hit with shotgun pellets, or pieces of the plastic chairs, but she was bleeding from the right hip, thigh and calf, and maybe from her back. Her back hurt, anyway, a scratching pain, like a cut.
She emerged on the second level, saw a TV booth to her left. Try to hide. She ran to the booth. The door was locked. She went back down the stairs, thinking she might hide in the seats again-and noticed that the booth window was open. She stood on the back of a seat, and pulled herself in.
Not a broadcast booth, but a camera position. Empty, except for a heavy camera stand. No playoff games this year. She crouched below the window and listened to the cops yelling out in the stadium.
THE THOUGHTS WERE MAKING A LITTLE TUNE IN Stadic's head: get the woman, fuckin' Davenport; get the woman soon as you can...
He ran up the stairs, paused, looked for blood. Heard thecops calling behind him: ``Where'd he go? Get out in the goddamn concourse... I think he went up.''
More blood. Yes. Going up.
He followed, poked his head out of the stairwell, and a cop at the far end shouted, ``There he is. He's up on top.''
LUCAS RAN UP A STAIRWELL, PAUSED AT THE TOP, AND peeked. Stadic was in the next well, with a pistol. Lucas poked his head around the corner and yelled, ``Andy. Give it up, man.''
``Fuck you, Davenport.'' Stadic swiveled and fired. ``You caused this shit.''
Somebody shouted, ``He's gone, he went back down.''
STADIC JUMPED BACK INTO THE STAIRWELL, PAUSED A second, then came back out: and caught him. Lucas, hearing the other cops yelling, had come out of his stairwell and was headed down the aisle toward him. Stadic had his gun up: Lucas's gun was out to his side, as he balanced himself trying to run down the too-narrow row of seats. Stadic fired and Davenport flipped over, went down between the chairs.
WHEN SANDY HEARD LUCAS SHOUT, SHE STUCK HER head up and peeked. Stadic was twenty feet away, Davenport beyond him: she recognized him from TV, the funny shock when you realized that the TV image actually represented a person. Then Stadic fired and Davenport flipped over the chairs, going down.
Sandy looked wildly around the booth, saw the TV stand. The camera mounting-head was fixed to the end of a steel cylinder, which disappeared into a heavy steel base, fixed with two collars held by wing nuts. She loosened the wing nuts and pulled the cylinder out of the base. The cylinder wasa chromed-steel pipe four feet long, an inch and a half in diameter. She grabbed it like a baseball bat, hefted it.
STADIC FROZE AFTER FIRING AT DAVENPORT: STUNNED. He'd just killed a cop, for Christ's sake. He stood for a second, looking at his pistol. Maybe he could tell them Davenport was the one, that Davenport had set him up.
Glassy-eyed, he turned back to the trail the woman had left. Blood trail...
LUCAS'S HEAD CRACKED ONE OF THE BLUE PLASTIC chairs as he went over the side. The bullet had missed-he didn't have time to think about it, but he was whole, dizzy, disoriented, struggling to get up...
THE BLOOD TRAIL RAN TOWARD A DOOR ON A TV booth, then away from the door and up toward the window.
``ANDY, ANDY...'' THE UNIFORMED COPS, STILL HALF A stadium away, were firing at him. Stadic looked up at the window, climbed on the chair back, pulled himself up. A bullet clipped his coat, another the back of his neck, and he fell.
``Andy...''
That was Davenport? He popped up, gun in hand, and saw Lucas again, fired quickly, saw Lucas duck, go down.
He looked up. Christ, the window was right there. Blood on his hand, on his neck, blood on everything, slippery...
He went straight up, leaping, caught the window and hauled himself up, heard the cops yelling, ``Andy, Andy, Andy,'' a regular football cheer, doing the wave for Andy Stadic.
He hauled himself up, hands slippery with blood...
Sandy was there, looking down at him.
SANDY HEARD HIM SCRABBLING AT THE BOOTH, SAW HIS hand catch the edge, saw him fall. There were more shots, and then he was up again, bullet-headed, like a gorilla, like King Kong, climbing up the outside of the booth.
Back home, Sandy had always been the one who split wood for the wood stove. She liked doing it, feeling the muscles work.
Now here was this blood-covered man coming to kill her. A man she didn't know, with a gun, crawling up the wall...
She swung the steel cylinder with everything she had: for Elmore, for the times Martin and LaChaise had knocked her down, for the fear during the ledge walk, for all the blood. She swung the pipe like a wood-splitting maul.
STADIC LOOKED UP. SAW IT COMING. HAD JUST enough time left in the
world to let go of the window.
LUCAS WAS ON HIS KNEES, HIS GUN COMING UP, THINKING, Vest; he's wearing a vest...
The gunsight tracked up Stadic's back to his neck, just as Stadic's head went over the lip of the window, and Sandy loomed in front of him. Lucas snapped the barrel upright, afraid to touch off the shot...
He saw the steel cylinder come down.
Heard the crack.
Saw Stadic drop like a rag.
THERE WAS NO SOUND IN THE STADIUM. EVERYTHING had stopped: the workmen, the running cops. Lucas. Sandy. Stadic's body upside-down in the blue chairs.