On the other side of the lintel, a similar set of pictures showed that he also, the younger brother, had made the pious pilgrimage which is incumbent upon every Copt of religious principles.
The main gateway was flanked on each side by a pigeon-tower — those clumsy columns built of earthen pitchers pasted together anyhow with mud-cement: which are characteristic of country houses in Egypt and which supplied the choicest dish for the country squire’s table. A cloud of its inhabitants fluttered and crooned all day over the barrel-vaulted court. Here all was activity: the negro night-watchman, the ghaffirs, factors, stewards came forth one by one to salute the eldest brother, the heir. He was given a bowl of wine and a nosegay of flowers while Narouz stood by proudly smiling.
Then they went at ceremonial pace through the gallery with its windows of many-coloured glass which for a brief moment transformed them into harlequins, and then out into the rose garden with its ragged and unkempt arbour and winding paths towards the little summer-house where Leila sat reading, unveiled. Narouz called her name once to warn her as they neared the house, adding ‘Guess who has come!’ The woman quickly replaced her veil and turned her wise dark eyes towards the sunlit door saying: ‘The boy did not bring the milk again. I wish you would tell him, Narouz. His mind is salt. The snake must be fed regularly or it becomes ill-tempered.’ And then the voice, swerving like a bird in mid-air, foundered and fell to a rich melodious near-sob on the name ‘Nessim’. And this she repeated twice as they embraced with such trembling tenderness that Narouz laughed, swallowing, and tasted both the joy of his brother’s love for Leila and his own bitterness in realizing that he, Nessim, was her favourite — the beautiful son. He was not jealous of Nessim; only heartsick at the melody in his mother’s voice — the tone she had never used in speaking to him. It had always been so.
‘I will speak to the boy’ he said, and looked about him for signs of the snake. Egyptians regard the snake as too lucky a visitant to a house to kill and so tempt ill-luck, and Leila’s long self-communing in the little summer-house would not have been complete without this indolent cobra which had learned to drink milk from a saucer like a cat.
Still holding hands they sat down together and Nessim started to speak of political matters with those dark, clever, youthful eyes looking steadily into his. From time to time, Leila nodded vigorously, with a determined air, while the younger son watched them both hungrily, with a heavy admiration at the concise way Nessim abbreviated and expressed his ideas — the fruit of a long public life. Narouz felt these abstract words fall dully upon his ear, fraught with meanings he only half-guessed, and though he knew that they concerned him as much as anyone, they seemed to him to belong to some rarer world inhabited by sophists or mathematicians — creatures who would forge and give utterance to the vague longings and incoherent desires he felt forming inside him whenever Egypt was mentioned or the family estates. He sucked the knuckle of his forefinger, and sat beside them, listening, looking first at his mother and then back to Nessim.
‘And now Mountolive is coming back’ concluded Nessim, ‘and for the first time what we are trying to do will be understood. Surely he will help us, if it is possible? He understands.’
The name of Mountolive struck two ways. The woman lowered her eyes to her own white hands which lay before her upon a half-finished letter — eyes so brilliantly made up with kohl and antimony that to discern tears in them would have been difficult. Yet there were none. They sparkled only with affection. Was she thinking of those long letters which she had so faithfully written during the whole period of their separation? But Narouz felt a sudden stirring of jealousy in his brain at the mention of the name, under which, interred as if under a tombstone, he had hidden memories of a different epoch — of the young secretary of the High Commission whom his mother had — (mentally he never used the word ‘loved’ but left a blank space in his thoughts where it should stand); moreover of the sick husband in the wheelchair who had watched so uncomplainingly. Narouz’ soul vibrated with his father’s passion when Mountolive’s name, like a note of music, was struck. He swallowed and stirred uneasily now as he watched his mother tremblingly fold a letter and slide it into an envelope. ‘Can we trust him?’ she asked Nessim. She would have struck him over the mouth if he had answered ‘No.’ She simply wanted to hear him pronounce the name again. Her question was a prompting, nothing more. He kissed her hand, and Narouz greedily admired his courtier’s smiling air as he replied ‘If we cannot, who can we trust?’
As a girl, Leila had been both beautiful and rich. The daughter of a blue-stocking, convent-bred and very much in society, she had been among the first Coptic women to abandon the veil and to start to take up the study of medicine against her parents’ will. But an early marriage to a man very much older than herself had put an end to these excursions into the world of scope where her abilities might have given her a foot-hold. The temper of Egyptian life too was hostile to the freedom of women, and she had resigned a career in favour of a husband she very much admired and the uneventful round of country life. Yet somehow, under it all, the fire had burned on. She had kept friends and interests, had visited Europe every few years, had subscribed to periodicals in four languages. Her mind had been formed by solitude, enriched by books which she could only discuss in letters to friends in remote places, could only read in the privacy of the harim. Then came the advent of Mountolive and the death of her husband. She stood free and breathing upon the brink of a new world with no charge upon her but two growing sons. For a year she had hesitated between Paris and London as a capital of residence, and while she hesitated, all was lost. Her beauty, of which until then she had taken no particular account, as is the way with the beautiful, had been suddenly ravaged by a confluent smallpox which melted down those lovely features and left her only the magnificent eyes of an Egyptian sibyl. The black hideous veil which so long had seemed to her a symbol of servitude became now a refuge in which she could hide the ruins of a beauty which had been considered so outstanding in her youth. She had not the heart now to parade this new melted face through the capitals of Europe, to brave the silent condolences of friends who might remember her as she had once been. Turned back upon her tracks so summarily, she had decided to stay on and end her life in the family estates in such seclusion as might be permitted to her. Her only outlet now would be in letter-writing and in reading — her only care her sons. All the unsteadiness of her passions was canalized into this narrow field. A whole world of relations had to be mastered and she turned her resolution to it like a man. Ill-health, loneliness, boredom — she faced them one by one and overcame them — living here in retirement like a dethroned Empress, feeding her snake and writing her interminable letters which were full of the liveliness and sparkle of a life which now the veil masked and which could escape only through those still youthful dark eyes.
She was now never seen in society and had become something of a legend amongst those who remembered her in the past, and who indeed had once nicknamed her the ‘dark swallow’. Now she sat all day at a rough deal table, writing in that tall thoughtful handwriting, dipping her quill into a golden inkpot. Her letters had become her very life, and in the writing of them she had begun to suffer fromt hat curious sense of distorted reality which writers have when they are dealing with real people; in the years of writing to Mountolive, for example, she had so to speak re-invented him so successfully that he existed for her now not so much as a real human being but as a character out of her own imagination. She had even almost forgotten what he looked like, what to expect of his physical presence, and when his telegram came to say that he expected to be in Egypt again within a few months, she felt at first nothing but irritation that he should intrude, bodily as it were, upon the picture projected by her imagination. ‘I shall not see him’ she muttered at first, angrily; and only then did she start to tremble and cover her ravaged face with her hands.
‘Mountolive will want to see you’ said Nessim, at last, as the conve
rsation veered round in his direction again. ‘When may I bring him? The Legation is moving up to summer quarters soon, so he will be in Alexandria all the time.’
‘He must wait until I am ready’ she said, once more feeling the anger stir in her at the intrusion of this beloved figment. ‘After all these years.’ And then she asked with a pathetic lustful eagerness, ‘Is he old now — is he grey? Is his leg all right? Can he walk? That ski-ing fall in Austria.…’
To all this Narouz listened with cocked head and sullen heavy heart: he could follow the feeling in her voice as one follows a line of music.
‘He is younger than ever’ said Nessim, ‘hasn’t aged by a day’: and to his surprise she took his hand, and putting it to her cheek she said brokenly ‘Oh — you are horrible, both of you. Go. Leave me alone now. I have letters to write.’
She permitted no mirrors in the harim since the illness which had deprived her of her self-esteem; but privately in a gold-backed pocket-mirror, she touched and pencilled her eyes in secret — her remaining treasure — practising different make-ups on them, practising different glances and matching them to different remarks — trying to give what was left of her looks a vocabulary as large as her lively mind. She was like a man struck suddenly blind learning to spell, with the only member left him, his hands.
Now the two men walked back into the old house, with its cool but dusty rooms whose walls were hung with ancient carpets and embroidered mats, and crowded with gigantic carcasses of furniture long since outmoded — a sort of Ottoman Buhl such as one sees in the old houses of Egypt. Nessim’s heartstrings were tugged by the memory of its ugliness, its old-fashioned Second Empire pieces and its jealously guarded routines. The steward, according to custom, had stopped all the clocks. This, in the language of Narouz, said ‘Your stay with us is so brief, let us not be reminded of the flight of the hours. God made eternity. Let us escape from the despotism of time altogether.’ These ancient and hereditary politenesses filled Nessim with emotion. Even the primitive sanitary arrangements — there were no bathrooms — seemed to him somehow in keeping with the character of things, though he loved hot water. Narouz himself slept naked winter and summer. He washed in the courtyard — a servant threw water over him from a pitcher. Indoors, he usually wore an old blue cloak and Turkish slippers. He smoked tobacco too in a narguileh the length of a musket.
While the elder brother unpacked his clothes, Narouz sat on the end of the bed studying the papers which filled the briefcase, musing with a quiet intentness, for they related to the machinery with the help of which he proposed to keep up and extend his attack on the dead sand. In the back of his mind he could see an army of trees and shrubs marching steadily forward into the emptiness — carob and olive, vine and jujube, pistachio, peach and apricot, spreading around them the green colours of quickness in those tenantless areas of dust choked with sea-salt. He looked almost lustfully upon the pictures of equipment in the shiny brochures Nessim had brought him, lovingly touching them with his finger, hearing in his imagination the suck and swell of sweet water through pumps gradually expressing the dead salts from the ground and quickening it to nourish the sipping roots of his trees. Gebel Maryut, Abusir — his mind winged away like a swallow across the dunes into the Nitrian desert itself — mentally conquering it.
‘The desert’ said Narouz. ‘By the way, will you ride out with me to the tents of Abu Kar tomorrow? I have been promised an Arab and I want to break it myself. It would make a pleasant excursion.’ Nessim was at once delighted at the prospect. ‘Yes’ he said. ‘But early’ said Narouz, ‘and we can pass the olive plantation for you to see what progress we’re making. Will you? Please do!’ He squeezed his arm. ‘Since we started with the Tunisian chimlali we haven’t had a single casualty. Oh, Nessim! I wish you stayed here. Your place is here.’
Nessim as always was beginning to wish the same. That night they dined in the old-fashioned way — so different from the impertinent luxury of Alexandrian forms — each taking his napkin from the table and proceeding to the yard for the elaborate hand-washing ceremony which preceded a meal in the country. Two servants poured for them as they stood side by side, washing their fingers with yellow soap, and rinsed them off with orange-water. Then to the table where their only cutlery was a wooden spoon each for dealing with soup — otherwise they broke the flat thin cakes of the country to dip into the dishes of cooked meats. Leila had always dined alone in the women’s quarters, and retired to bed early so that the two brothers were left alone to their repast. They ate in leisurely fashion, with long pauses between the courses, and Narouz acted host, placing choice morsels upon Nessim’s plate and breaking up the fowl and the turkey with his strong fingers the better to serve his guest. At last, when sweetmeats and fruit had been served, they returned once more to where the waiting servants stood and washed their hands again.
In the interval, the table had been cleared of dishes and set back to make room for the old-fashioned divans to pass through the room and out on to the balcony. Smoking materials had been set out — the long-barrelled narguilehs with Narouz’ favourite tobacco and a silver dish of sweets. Here they sat together for a while in silence to drink their coffee. Nessim had kicked off his slippers and drawn his legs up under him: he sat with his chin in his hand wondering how he could impart his news, the marriage which nibbled at the edge of his mind: and whether he should be frank about his motives in choosing for a wife a woman who was of a different faith from his own. The night was hot and still, and the scent of magnolia blossom came up to the balcony in little drifts and eddies of air which made the candles flutter and dance; he was gnawed by irresolution.
In such a mood every promise of distraction offered relief, and he was pleased when Narouz suggested that the village singer should be called to play for them, a custom which they had so often enjoyed as youths. There is nothing more appropriate to the heavy silence of the Egyptian night than the childish poignance of the kemengeh’s note. Narouz clapped his hands and despatched a message and presently the old man came from the servant’s quarters where he dined each night on the charity of the house, walking with the slow and submissive step of extreme old age and approaching blindness. The sounding-board of his small viol was made from half a coconut. Narouz sprang up and settled him upon a cushion at the end of the balcony. There came footsteps in the courtyard and a familiar voice, that of the old schoolmaster Mohammed Shebab, who climbed the stairs, smiling and wrinkled, to clasp Narouz’ hand. He had the bright hairy face of a monkey and wore, as usual, an immaculate dark suit with a rose in his button-hole. He was something of a dandy and an epicure and these visits to the great house were his only distraction, living as he did for the greater part of the year buried in the depths of the delta; he had brought the old treasured narguileh mouthpiece which he had owned for a quarter of a century. He was delighted to hear some music and listened with emotion to the wild quasidas that the old man sang — songs of the Arab canon full of the wild heart-sickness of the desert. The old voice, crumpled here and there like a fragile leaf, rose and fell upon the night; tracing the quavering melodic line of the songs as if it were following the ancient highways of half-obliterated thoughts and feelings. The little viol scribbled its complaints upon the text reaching back into their childhood. And now suddenly the singer burst into the passionate pilgrim song which expresses so marvellously the Moslem’s longing for Mecca and his adoration of the Prophet — and the melody fluttered inside the brothers’ hearts, imprisoned like a bird with beating wings. Narouz, though a Copt, was repeating ‘All-ah, All-ah!’ in a rapture of praise.
‘Enough, enough’ cried Nessim at last. ‘If we are to be up early, we should sleep early, don’t you think?’
Narouz sprang up too, and still acting the host, called for lights and water and walked before him to the guest-room. Here he waited until Nessim had washed and undressed and climbed into the creaking old-fashioned bed before bidding him good night. As he stood in the doorway, Nessim said impulsi
vely: ‘Narouz — I’ve something to tell you.’ And then, overcome once more with shyness, added: ‘But it will keep until tomorrow. We shall be alone, shan’t we?’ Narouz nodded and smiled. ‘The desert is such torture for them that I always send them back at the fringe, the servants.’
‘Yes.’ Nessim well knew that Egyptians believe the desert to be an emptiness populated entirely by the spirits of demons and other grotesque visitants from Eblis, the Moslem Satan.
Nessim slept and awoke to find his brother, fully dressed, standing beside his bed with coffee and cigarettes. ‘It’s time’ he said. ‘I suppose in Alexandria you sleep late.…’
‘No’ said Nessim, ‘strangely enough I am usually at my office by eight.’
‘Eight! Oh! my poor brother’ said Narouz mockingly, and helped him to dress. The horses were waiting and together they rode out upon a dawn with a thick bluish mist rising from the lake. Crisp air, inclining to frost — but already the sun was beginning to soak into the upper air and dry up the dew upon the minaret of the mosque.
Narouz led now, down winding ways, along the tortuous bridle paths, and across embankments, quite unerringly, for the whole land existed in his mind like the most detailed map by a master cartographer. He carried it always in his head like a battle-plan, knowing the age of every tree, the poundage of every well’s water, the drift of sand to an inch. He was possessed by it.
Slowly they made a circuit of the great plantation, soberly assessing progress and discussing plans for the next offensive when the new machinery should be installed. And then, presently when they had come to a lonely spot by the river, screened on all sides by reeds, Narouz said ‘Wait a second.…’ and dismounted, taking as he did so the old leather game-bag from his shoulders. ‘Something to hide’ he said, smiling downwards shyly. Nessim watched him idly as he turned the bag over to tip its contents into the dank waters of the river. But he was not prepared to see a shrunken human head, lips drawn back over yellow teeth, eyes squinting inwards upon each other, roll out of the bag and sink slowly out of sight into the green depths beneath. ‘What the devil’s that?’ he asked, and Narouz gave his little hissing titter at the ground and replied ‘Abdel-Kader — head of.’ He knelt down and started washing the bag out in the water, moving it vigorously to and fro, and then with a gesture turned it inside out as one might turn a sleeve and returned to his horse. Nessim was thinking deeply. ‘So you had to do it at last’ he said. ‘I was afraid you might.’