Kiss
Have you ever fallen from a severe height and had your wind knocked forth so that, in the strict jolt’s sway, you did experience stopped time? Matilda Roy did when she saw her father kiss the teacher. The world halted. There sounded a great gong made of sky. A gasp. Silence. Then the leaves ticked again, the guineas scornfully gossiped, the burly black hound that had whelped of the Indian dog pawed a cool ditch in the sand for itself. Sliding back from the window to the bench behind the house where she sat afternoons to shell peas, shuck corn, peel dinner’s potatoes, pluck guinea hens, and dream, Matilda Roy looked at the gold-brown skin on her arms, turned her arms over, turned them back, flexed her pretty, agile hands.
The kiss had been long, slow, and of growing interest and intensity, more educational than any lesson yet given her by Miss Peace McKnight. Matilda shut her eyes. Within herself at all times a silent darkness sifted up and down. A pure emptiness fizzing and gliding. Now, along with the puzzling development between her friend and her father, something else. It took a long concentration on her stillness to grasp the elusive new sensation of freedom, of relief.
Ozhaawashkmashkodikwe / Blue Prairie Woman
The child lost in the raid was still nameless, still a half spirit, yet her mother mourned her for a solid year’s time and nearly died of the sorrow. A haunting uncertainty dragged the time out. Ozhaawashkmashkodiwe might be picking blueberries and she feared she would come across her daughter’s bones. In the wind at night, she heard her baby wailing, a black twig skeleton. As she stirred the fire, a cleft of flame recalled the evil day itself, the massed piles of meat put to the torch, their robes and blankets smoldering, the stinking singe of hair, and the hot iron of the rifle barrels. At night, for the first month after that day, her breasts grew pale and hard and her milk impacted, spoiling in her, leaking out under her burnt clothes so that she smelled of sour milk and fire. An old midwife gave her a new puppy and she put it to her breasts. Holding to her nipple the tiny wet muzzle, cradling the needy bit of fur, she cried. All that night the tiny dog mercifully drew off the shooting pains in her breasts and at dawn, drowsy and comfortable, she finally cuddled the sweet-fleshed puppy to her, breathed its salty odor, and slept.
Wet ash when the puppy weaned itself. Blood. Her moons began and nothing she pressed between her legs could stop the rush of life. Her body wanting to get rid of itself. She ate white clay, scratched herself with bull thorns for relief, cut her hair, grew it long, cut it short again, scored her arms to the bone, tied the bundle of a pretend baby to her chest, and for six moons ate nothing but dirt and leaves. It must have been a rich dirt, said her grandmother, for although she slept little and looked tired, Blue Prairie Woman was healthy as a buffalo cow. When Shawano the younger returned from his family’s wild rice beds, she gave her husband such a night of sexual pleasure that his eyes followed her constantly after that, narrow and hot. He grew molten when she passed near other men, and at night they made their own shaking tent. They got teased too much and moved farther off, into the brush, into the nesting ground of shy and holy loons. There, no one could hear them. In solitude they made love until they became gaunt and hungry, pale wiindigoog with aching eyes, tongues of flame.
Twins are born of such immoderation.
By the time her husband left again with his sled of traps, she was pregnant and calm. During that winter, life turned more brutal. The tribe’s stores had been burned by order, and many times in starving sleep Blue Prairie Woman dreamed the memory of buffalo fat running in rivulets across the ground, soaking into the earth, fat gold from piles of burning meat. She still dreamed, too, with wide-eyed clarity of the young, fleet brown dog, the cradle board bound to its body. Even carrying two, she dreamed of her first baby bewildered, then howling, then at last riding black as leather, mouth stretched wide underneath a waterless sky. She dreamed its bones rattled in the careful stitching of black velvet, clacked in the moss padding, grown thin. She heard their rhythm and saw the dog, the small skeleton flying. She howled and scratched herself half blind and at last so viciously took leave of her mind that the old ones got together and decided to change her name.
On a cool day in spring in the maple-sap-running moon the elders held a pitiful feast—only nothing seems pitiful to survivors. In weak sunlight they chewed spring-risen mud-turtle meat, roasted waabooz, the remaining sweet grains of manoomin, acorns, puckoons from a squirrel’s cache, and the fresh spears of dandelion. Blue Prairie Woman’s name was covered with blood, singed with fire. Her name was old and exquisite and had belonged to many powerful mothers. Yet the woman who had fit inside of it had walked off. She couldn’t stop following the child and the dog. Someone else had taken her place. Who, as yet, was unclear. But the old ones agreed that the wrong name would kill what was in there and it had to go—like a husk dried off and scattered. Like a shell to a nut. Hair grown long and sacrificed to sorrow. They had to give her another name if they wanted her to return to the living.
The name they gave her had to be unused. New. Oshki. They asked the strongest of the namers, the one who dreamed original names. This namer was nameless and was neither a man nor a woman, and so took power from the in-between. This namer had long, thick braids and a sweet shy smile, charming ways but arms tough with roped muscle. The namer walked like a woman, spoke in a man’s deep voice. Hid coy behind a fan and yet agreed to dream a name to fit the new thing inside Blue Prairie Woman. But what name would help a woman who could be calmed only by gazing into the arrowing distance? The namer went away, starved and sang and dreamed, until it was clear that the only name that made any sense at all was the name of the place where the old Blue Prairie Woman had gone to fetch back her child.
Other Side of the Earth
Once she was named for the place toward which she traveled, the young mother was able to be in both places at once—she was following her child into the sun and also pounding the wiiyaas between rocks to dried scruffs of pemmican. She was searching the thick underbrush of her own mind. She was punching holes to sew tough new soles on old makizinan and also sew new ones, tiny, the soles pierced before she beaded the tops. She starved and wandered, tracking the faint marks the dog left as she passed into the blue distance. At the same time, she knocked rice. She parched and stored the grains. Killed birds. Tamed horses. Her mind was present because she was always gone. Her hands were filled because they grasped the meaning of empty. Life was simple. Her husband returned and she served him with indifferent patience this time. When he asked what had happened to her heat for him, she gestured to the west.
The sun was setting. The sky was a body of fire.
In the deep quiet of her blood the two babies were forming, creating themselves just as the first twin gods did at the beginning. As yet, no one had asked what might happen next. What would happen to the woman called Other Side of the Earth when Blue Prairie Woman found Matilda Roy?
A Dog Named Sorrow
The dog nursed on human milk grew up coyote gray and clever, a light-boned, loping bitch who followed Blue Prairie Woman everywhere. Became her second thought, lay outside the door when she slept, just within the outer flap when it rained, though not in. Not ever actually inside a human dwelling. Huge with pups or thin from feeding them, teats dragging, the dog still followed. Close and quiet as her shadow, it lived within touch of her, although they never did touch after the dog drew from Blue Prairie Woman’s soaked and swollen nipples the heat, the night milk, the overpowering sorrow.
Always there, jumping up at the approach of a stranger, guarding her in the dusk, alert for a handout, living patiently on bits of hide, guts, offal, the dog waited. And was ready when Blue Prairie Woman set down her babies with their grandmother and started walking west, following at long last the endless invisible trail of her daughter’s flight.
She walked for hours, she walked for years. She walked until she heard about them. The man. The young girl and the blue beads she wore. Where they were living. She heard the story. The twins, two
girls, she left behind to the chances of baptism. They were named Mary, of course, for the good blue-robed woman, and Josephette, for the good husband. Only the Ojibwe tongue made Zosie of the latter name. Zosie. Mary. Their relatives, who had survived the blue-coat massacre, would raise them as their own.
When she reached the place, Blue Prairie Woman settled on a nearby rise, the dog near. From that distance, the two watched the house—small, immaculate, scent of a hearth fire made of crackling oak twigs. Illness. There was sickness in the house, she could sense it—the silence, then the flurries of motion. Rags hung out. Water to haul. One shrill cry. Silence again. All day in thin grass, the dog, the woman, sunlight moving across them, breathed each other’s air, slept by turns, waited.
Matilda Roy
She heard the gentle approach that night, the scrawl of leaves, the sighing resonance of discovery. She sat up in her crazy quilt, knowing. Next to her, held in the hot vise of fever, Peace muttered endlessly of buttons and sheep bones. Sounds—a slight tap. The clatter of her beads. In the morning, there was no Matilda Roy in the trunk bed. There was only a note, folded twice, penned in the same exquisite, though feminized, handwriting of her father.
She came for me. I went with her.
Scranton Roy
Peace McKnight was never devout, so there was no intimacy of prayer between the newlyweds. Their physical passion suffered, as well, because of the shortness of his bed. There was, after all, very little space inside the sod house. Scranton Roy had slept in a tiny berth on one side of the room, his daughter on the other. Both slept curled like snails, like babies in the wombs of their mothers. More difficult with an extra person in the bedding. It wasn’t long before, in order to get any rest at all, Peace slipped outside to sleep with the guineas, took up nightly residence apart from her husband.
Still, there were evenings when Scranton was inflicted with ardor and arranged them both, before she could leave, in the cramped and absurd postures of love. If only he had imagined how to use the armless rocking chair before the fire! Peace’s mind flashed on the possibility, but she was too stubborn to mention it. Even the floor, packed dirt covered with skins, would have been preferable. Again, she didn’t care to introduce that possibility into his mind. Anyway, as it happened she had every right to turn her back when the tiny knock of new life began in the cradle of her hip bones. As he retreated, missed the rasp of her breath, wondered about Matilda, and imagined the new life to come all at once, Scranton Roy prayed. Wrote poems in his head. Come to me, thou dark inviolate.
After her deliverance from the mottled-skin sickness, the gasping and fever that made her bones ache, Peace was in her weakness even warier of her new husband. For the rest of her pregnancy, she made him sleep alone. Her labor began on a snowy morning. Scranton Roy set out for the Swedish housewife’s in a swallowing blizzard that would have cost him his life but for his good sense in turning back. He reached the door. Smote, rattled, fell into the heat of a bloody scene in which Peace McKnight implored her neglected God in begging futility. For two days, then three, her labor shook her in its jaws. Her howls were louder than the wind. Hoarser. Then her voice was lost, a scrape of bone. A whisper. Her face bloated, dark red, then white, then gray. Her eyes rolled back to the whites, so she stared mystified with agony into her own thoughts when at last the child tore its way from her. A boy, plump and dead blue. Marked with cloudy spots like her earlier disease. There was no pulse in the birth cord but Scranton Roy thought to puff his own air into the baby’s lungs. It answered with a startled bawl.
Augustus. She had already named her baby. Known that it would be a boy.
Scranton wrapped the baby in a rabbit fur blanket and kissed the smoothed, ravaged temples of Peace with tender horror at her pains, at the pains of his own mother, and of all mothers, and of the unfair limitations of our bodies, of the hopeless settlement of our life tasks, and finally, of the boundless iniquity of the God to whom she had so uselessly shrieked. Look at her, he called the unseen witness. And perhaps God did or Peace McKnight’s mind, pitilessly wracked, finally came out of hiding and told her heart to beat twice more. A stab of fainting gold heeled through a scrap of window. Peace saw the wanton gleam, breathed out, gazed out. And then, as she stepped from her ripped body into the utter calm of her new soul, Peace McKnight saw her husband put his son to his breast.
Blue Prairie Woman
All that’s in a name is a puff of sound, a lungful of wind, and yet it is an airy enclosure. How is it that the gist, the spirit, the complicated web of bone, hair, brain, gets stuffed into a syllable or two? How do you shrink the genie of human complexity? How the personality? Unless, that is, your mother gives you her name, Other Side of the Earth.
Who came from nowhere and from lucky chance. Whose mother bore her in shit and fire. She is huge as half the sky. In the milk from her rescuer’s breasts she has tasted his disconcerting hatred of her kind and also protection, so that when she falls into the fever, she doesn’t suffer of it the way Peace did. Although they stop, make camp, and Blue Prairie Woman speaks to her in worried susurrations, the child is in no real danger.
The two camp on the trail of a river cart. The sky opens brilliantly and the grass is hemmed, rife with berries. Blue Prairie Woman picks with swift grace and fills a new-made makak. She dries the berries on sheaves of bark, in the sun, so they’ll be easy to carry. Lying with her head on her mother’s lap, before the fire, Matilda asks what her name was as a little baby. The two talk on and on, mainly by signs.
Does the older woman understand the question? Her face burns. As she sinks dizzily onto the earth beside her daughter, she feels compelled to give her the name that brought her back. Other Side of the Earth, she says, teeth tapping. Hotter, hotter, first confused and then dreadfully clear when she sees, opening before her, the western door.
She must act at once if her daughter is to survive her.
The clouds are pure stratus. The sky is a raft of milk. The coyote gray dog sits patiently near.
Blue Prairie Woman, sick to death and knowing it, reaches swiftly to her left and sets her grip without looking on the nape of the dog’s neck. First time she has touched the dog since it drank from her the milk of sorrow. She drags the dog to her. Soft bones, soft muzzle then. Tough old thing now. Blue Prairie Woman holds the dog close underneath one arm and then, knife in hand, draws her clever blade across the beating throat. Slices its stiff moan in half and collects in the berry-filled makak its gurgle of dark blood. Blue Prairie Woman then stretches the dog out, skins and guts it, cuts off her head, and lowers the chopped carcass into a deep birch-bark container. She heats stones red-hot, lowers them into the water with a pair of antlers. Tending the fire carefully, weakening, she boils the dog.
When it is done, the meat softened, shredding off the bones, she tips the gray meat, brown meat, onto a birch tray. Steam rises, the fragrance of the meat is faintly sweet. Quietly, she gestures to her daughter. Prods the cracked oval pads off the cooked paws. Offers them to her.
IT TAKES SIXTEEN hours for Blue Prairie Woman to contract the fever and only eight more to die of it. All that time, as she is dying, she sings. Her song is wistful, peculiar, soft, questing. It doesn’t sound like a death song; rather, there is in it the tenderness and intimacy of seduction addressed to the blue distance.
Never exposed, healthy, defenseless, her body is an eager receptacle for the virus. She seizes, her skin goes purple, she vomits a brilliant flash of blood. Passionate, surprised, she dies when her chest fills, kicking and drumming her heels on the hollow earth. At last she is still, gazing west. That is the direction her daughter sits facing all the next day and the next. She sings her mother’s song, holding her mother’s hand in one hand and seriously, absently, eating the dog with the other hand—until in that spinning cloud light and across rich level earth, pale reddish curious creatures, slashed with white on the chest and face, deep-eyed, curious, pause in passing.
The antelope emerge from the band of the ligh
t at the world’s edge.
A small herd of sixteen or twenty flickers into view. Fascinated, they poise to watch the girl’s hand in its white sleeve dip. Feed herself. Dip. They step closer. Hooves of polished metal. Ears like tuning forks. Black prongs and velvet. They watch Matilda. Blue Prairie Woman’s daughter. Other Side of the Earth. Nameless.
She is ten years old, tough from chasing poultry and lean from the fever. She doesn’t know what they are, the beings, dreamlike, summoned by her mother’s song, her dipping hand. They come closer, closer, grazing near, folding their legs under them to warily rest. The young nurse from their mothers on the run or stare at the girl in fascinated hilarity, springing off if she catches their wheeling flirtation. In the morning when she wakens, still holding her mother’s hand, they are standing all around. They bend to her, huff in excitement when she rises and stands among them quiet and wondering. Easy with their dainty precision, she wanders along in their company. Always on the move. At night she makes herself a nest of willow. Sleeps there. Moves on. Eats bird’s eggs. A snared rabbit. Roots. She remembers fire and cooks a handful of grouse chicks. The herd flows in steps and spurting gallops deeper into the west. When they walk, she walks, following, dried berries in a sack made of her dress. When they run, she runs with them. Naked, graceful, the blue beads around her neck.
Chapter 2
Wiindigoo Story
The Cracker Tin
Scranton Roy touched the dirty brown hair of his beautiful son, Augustus, and said, “I am tired of my numb heart.”
Augustus looked down at his feet, knowing he would hear more.