Toby and I scattered Cooper’s ashes over the hiking trail one afternoon in late November, even though it was illegal. In eulogy, I read from my dog-eared copy of Gatsby, reciting that famous line about the foul dust that floated in the wake of his dreams as I emptied the funerary urn into the wind.
As Toby and I walked back toward the park, my cane sinking into the freshly watered grass, the light was on in Cassidy’s bedroom, and I remember glancing at it and wondering. I wondered what things became when you no longer needed them, and I wondered what the future would hold once we’d gotten past our personal tragedies and proven them ultimately survivable.
When Cassidy failed to show up at school for the spring semester, I wasn’t particularly surprised. I’d been expecting for some time that she’d go back to boarding school, returning to the panopticon that she had never truly escaped, and it was just as well. The finality of her leaving allowed me to reclaim the places that had once been ours as mine, to say good-bye to my childhood parks and hiking trails rather than grasping for lost moments with a lost girl who refused to be found.
I’m at college now, and it’s been some weeks since the leaves turned to memory beneath our feet and trays began disappearing from the dining hall, smuggled out under wool coats in anticipation of the first snow.
Incidentally, it’s snowing again as I write this, the fat flakes drifting past the window of my dorm, which faces out onto a gothic quadrangle. Toby came down from Boston over the weekend, and my room still bears the unmistakable signs of his visit; some art book on Magritte his boyfriend insisted on sending along for me, even though I can’t imagine where he got the idea that I’m a fan of surrealist art. An inflatable mattress, which I’ve meant to return to the girl down the hall for days, except our schedules never seem to match up. And this fantastic picture from my eighteenth birthday that Toby taped up over my desk when I went to rinse out the French press in our hall kitchen.
Phoebe took the picture, twisting around in her seat on the roller coaster at the last moment, even though the Disneyland cast member was yelling at her to face front. It’s a blurry shot of Toby and me in the back row of the Thunder Mountain Railroad. Toby’s laughing at something Austin just said, and I’m almost but not quite looking at the camera. I’m smiling at Phoebe, at the whispered promises of that last summer, and the profound reluctance I’d discovered for leaving good people behind. But we had plenty of time for youthful indecision, both apart and together, for limping into the future past the unforgettable ash heaps of our histories.
I often wonder what will become of Cassidy Thorpe. She was the first of us to leave Eastwood, returning to the Barrows School that senior spring with what I can only imagine to be tales in which we’re all elaborately misrepresented. I can’t say I forgive her for refusing to indulge the perhapsness of what we might have been, but I understand why she chose to do it, and she never asked for my forgiveness.
She was right, though, in the end. I never should have given her so much credit. It all got tangled together, her appearance and Toby coming back into my life and the first time I ever read a book that spoke to me, and the question of who I wanted to be in the aftermath of my personal tragedy. Because I made a decision that year, to start mattering in a way that had nothing to do with sports teams or plastic crowns, and the reality is, I might have made that decision without her, or if I’d never fallen in love with a girl who considered love to be the biggest disaster of all.
The truth of it was, I’d been running the wrong experiment my whole life, and while Cassidy was the first person to realize, she didn’t add the elements that allowed me to proceed down a different path. She lent a spark, perhaps, or tendered the flame, but the arson was mine. Oscar Wilde once said that to live is the rarest thing in the world, because most people just exist, and that’s all. I don’t know if he’s right, but I do know that I spent a long time existing, and now, I intend to live.
Acknowledgments
If thank-yous were notes, I’d probably sing them off-key, so be glad I haven’t awarded each of you a literal thank-you note. Instead, I have condensed you—like soup!—into this handy little list.
First, to my agent, the wonderful Merrilee Heifetz. Your unwavering faith in both me and this little book has quite honestly changed my life. Sorry for emailing you so many pictures of giraffes sticking their tongues out (although I still maintain that you enjoy it). To my editor, Katherine Tegen, for helping me to give this book a super-cool plot mohawk and for being the best thing on Facebook. Sarah Nagel, for being delighted by everything to do with this book and for conspiring to send me a stuffed sloth when I was in the hospital. Liane Graham, for sitting on Brooklyn rooftops with me and talking about love. If books can be written as presents for people, this one’s for you. Kaleb Nation, pretty much the only reason I go on Skype.
Philo, the indirect inspiration for everything, but particularly Sam and Cris, for being consulting, Ezra-gendered people and letting me smash a piano with a hammer and joking that I’m a manic pixie dream girl—but obviously not meaning it, ahem. The YouTube crowd, Paige, Karen, Adorian, Kayley, and Alexa. My roommate, Jennifer, for editing it before you were an editor and before it was a book. And everyone at HarperCollins, I can’t thank you enough. If I were allowed, I’d link a GIF here, but probably my acknowledgments shouldn’t be quite so Tumblr-like, so I’ll resist.
About the Author
ROBYN SCHNEIDER is a writer, actor, and online personality who misspent her youth in a town coincidentally similar to Eastwood. Robyn is a graduate of Columbia University, where she studied creative writing, and the University of Pennsylvania School of Medicine, where she studied medical ethics. She lives in Los Angeles, California, but also on the internet. You can watch her vlogs at youtube.com/robynisrarelyfunny and follow her on Twitter, Tumblr, Facebook, and Instagram.
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Credits
Cover art and design © 2013 by M80 Design/ Wes Youssi
Copyright
Katherine Tegen Books is an imprint of HarperCollins Publishers.
The Beginning of Everything
Copyright © 2013 by Robyn Schneider
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse-engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.
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Library of Congress Cataloging-in-Publication Data
Schneider, Robyn.
The beginning of everything / Robyn Schneider. — 1st ed.
p. cm.
Summary: “Star athlete and prom king Ezra Faulkner’s life is irreparably transformed by a tragic accident and the arrival of eccentric new girl Cassidy Thorpe.”— Provided by publisher.
ISBN 978-0-06-221713-4 (hardcover bdgs) — ISBN 978-0-06-227550-9 (int’l. ed.)
EPUB Edition JUNE 2013 ISBN 9780062217158
[1. People with disabilities—Fiction. 2. Interpersonal relations—Fiction. 3. High schools—Fiction. 4. Schools—Fiction. 5. Debates and debating—Fiction. 6. Family life—California—Fiction. 7. California—Fiction.] I. Title.
PZ7.S36426Beg 2013
2012030976
[Fic]—dc23
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13 14 15 16 17 CG/RRDH 10 9 8 7 6 5 4 3 2 1
FIRST EDITION
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Robyn Schneider, The Beginning of Everything
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