Now, twenty years later, he got another shot at it. And it was a very long shot at that. He believed that every case had a black box. A piece of evidence, a person, a positioning of facts that brought a certain understanding and helped explain what had happened and why. But with Anneke Jespersen, there was no black box. Just a pair of musty cardboard boxes retrieved from archives that gave Bosch little direction or hope. The boxes included the victim’s clothing and bulletproof vest, her passport, and other personal items, as well as a backpack and the photographic equipment retrieved from her hotel room after the riots. There was also the single 9mm shell casing found at the crime scene, and the thin investigative file put together by the Riot Crimes Task Force. The so-called murder book.
The murder book was largely a record of inactivity on the case on the part of the RCTF. The task force had operated for a year and had had hundreds of crimes, including dozens of murders, to investigate. It was almost as overwhelmed as investigators like Bosch had been during the actual riots.
The RCTF had put up billboards in South L.A. that advertised a telephone tip line and rewards for information leading to arrests and convictions for riot-related crimes. Different billboards carried different photos of suspects or crime scenes or victims. Three of them carried a photo of Anneke Jespersen and asked for any information on her movements and murder.
The unit largely worked off what came in from the billboards and other public outreach programs and pursued cases where there was solid information. But nothing of value ever came in on Jespersen and so nothing ever came of the investigation. The case was a dead end. Even the one piece of evidence from the crime scene—the bullet casing—wasn’t of value without a gun to match it to.
In his survey of the archived records and case effects, Bosch found that the most noteworthy information gathered from the first investigation was about the victim. Jespersen was thirty-two years old and from Denmark, not Germany as Bosch had thought for twenty years. She worked for a Copenhagen newspaper called Berlingske Tidende, where she was a photojournalist in the truest sense of the word. She wrote stories and shot film. She had been a war correspondent who documented the world’s skirmishes with both words and pictures.
She had arrived in Los Angeles the morning after the riots had started. And she was dead by the next morning. In the following weeks, the Los Angeles Times ran short profiles of all those killed during the violence. The story on Jespersen quoted her editor and her brother back in Copenhagen and depicted the journalist as a risk taker who was always quick to volunteer for assignments in the world’s danger zones. In the four years prior to her death, she had covered conflicts in Iraq, Kuwait, Lebanon, Senegal, and El Salvador.
The unrest in Los Angeles was hardly on the level of war or some of the other armed conflicts she had photographed and reported on, but according to the Times, she happened to be traveling across the United States on vacation when rioting in the City of Angels broke out. She promptly called the photo desk at the BT, as the newspaper in Copenhagen was more commonly known, and left a message with her editor saying that she was heading to L.A. from San Francisco. But she was dead before she had filed any photos or a story with the newspaper. Her editor had never spoken to her after getting the message.
After the RCTF was disbanded, the unsolved Jespersen case was assigned to the homicide squad at 77th Street Division, the geographical policing area where the murder occurred. Given to new detectives with their own backup of open cases, the investigation was shelved. The notations in the investigative chronology were few and far between and largely just a record of the outside interest in the case. The LAPD wasn’t working the case with anything approaching fervor, but her family and those who knew Jespersen in the international journalism community did not give up hope. The chronology included records of their frequent inquiries about the case. These marked the record right up until the case files and effects were sent to archives. After that, those who inquired about Anneke Jespersen were most likely ignored, as was the case they were calling about.
Curiously, the victim’s personal belongings were never returned to her family. The archive boxes contained the backpack and property that was turned over to the police several days after the murder, when the manager of the Travelodge on Santa Monica Boulevard matched the name on a riot victim list printed in the Times to the guest registry. It had been thought that Anneke Jespersen had skipped out on her room. The belongings she had left behind were put in a locked storage closet at the motel. Once the manager determined that Jespersen wasn’t coming back because she was dead, the backpack containing her property was delivered to the RCTF, which was working out of temporary offices at Central Division in downtown.
The backpack was in one of the archive boxes that Bosch had retrieved from case storage. It contained two pairs of jeans, four white cotton shirts, and assorted underwear and socks. Jespersen obviously traveled light, packing like a war correspondent even for a vacation. This was probably because she was heading straight back to war following her vacation in the United States. Her editor had told the Times that the newspaper was sending Jespersen directly from the States to Sarajevo in the former Yugoslavia, where war had broken out just a few weeks earlier. Reports of mass rapes and ethnic cleansing were breaking in the media, and Jespersen was heading to the center of the war, due to leave the Monday after the riots erupted in Los Angeles. She probably considered the quick stop by L.A. to snap shots of rioters just a warm-up for what awaited in Bosnia.
Also in the pockets of the backpack were Jespersen’s Danish passport along with several packages of unused 35mm film.
Jespersen’s passport showed an INS entry stamp at John F. Kennedy International Airport in New York six days before her death. According to the investigative records and the newspaper accounts, she had been traveling by herself and had made it to San Francisco when the verdicts came down in Los Angeles and the violence began.
None of the records or news stories accounted for where in the United States Jespersen had been during the five days leading up to the riots. It apparently wasn’t seen as germane to the investigation of her death.
What did seem clear was that the breakout of violence in Los Angeles was a strong pull to Jespersen and she immediately diverted, apparently driving through the night to Los Angeles in a rental car she had picked at San Francisco International. On Thursday morning, April 30, she presented her passport and Danish press credentials at the LAPD media office in order to get a press pass.
Bosch had spent most of 1969 and 1970 in Vietnam. He had encountered many journalists and photographers in the base camps and out in fire zones as well. In all of them, he had seen a unique form of fearlessness. Not a warrior’s fearlessness but almost a naive belief in one’s ultimate survival. It was as though they believed that their cameras and press passes were shields that would save them, no matter the circumstance.
He had known one photographer particularly well. His name was Hank Zinn and he worked for the Associated Press. He had once followed Bosch into a tunnel in Cu Chi. Zinn was the kind of guy who never turned down an opportunity to go out into Indian country and get what he called “the real thing.” He died in early 1970 when a Huey he had jumped on for transport to the front was shot down. One of his cameras was recovered intact in the debris field and somebody at base developed the film. It turned out Zinn was shooting frames the whole time the chopper was taking fire and then going down. Whether he was valiantly documenting his own death or thinking he was going to have great shots to file when he got back to base camp could never be known. But knowing Zinn, Bosch believed he thought he was invincible and the chopper crash would not be the end of the line.
As Bosch took up the Jespersen case after so many years, he wondered if Anneke Jespersen had been like Zinn. Sure of her invincibility, sure that her camera and press pass would lead her through the fire. There was no doubt that she had put herself in harm’s way. He wondered what her last thought was when her killer pointed the gun
at her eye. Was she like Zinn? Had she taken his picture?
According to a list provided by her editor in Copenhagen and contained in the RCTF investigation file, Jespersen carried a pair of Nikon 4s and a variety of lenses. Of course, her field equipment was taken and never recovered. Whatever filmed clues might have been in her cameras were long gone.
The RCTF investigators developed the canisters of film found in the pockets of her vest. Some of these black-and-white 8 × 10 prints, along with four proof sheets showing miniatures of all ninety-six shots, were in the murder book, but they offered very little in the way of evidence or investigative leads. They were simply shots of the California National Guard mustering at the Coliseum after being called into the fray in Los Angeles. Other shots were of guardsmen manning barricades at intersections in the riot zone. There were no shots of violence or burning and looting, though there were several of guardsmen on post outside businesses that had been looted or burned. The photos were apparently taken on the day of her arrival, after she had gotten her press pass from the LAPD.
Beyond their historic value as documentation of the riots, the photos were deemed useless to the murder investigation in 1992, and Bosch couldn’t disagree with that assessment twenty years later.
The RCTF file also contained a property report dated May 11, 1992, and detailing the recovery of the Avis rental car that Jespersen had picked up at San Francisco International. The car had been found abandoned on Crenshaw Boulevard seven blocks from the alley where her body was found. In the ten days it had been sitting there, it had been broken into and its interior stripped. The report stated that the car and its contents, or lack thereof, had no investigative value.
What it came down to was that the one piece of evidence found by Bosch within the first hour of the investigation remained the most important hope for a resolution. The bullet casing. Over the past twenty years, law enforcement technologies had grown at light speed. Things not even dreamed about then were routine now. The advent of technological applications to evidence and crime solving had led to reassessments of old unsolved crimes everywhere on the planet. Every major metropolitan police department had teams assigned to cold case investigations. Using new technologies on old cases sometimes came down to shooting fish in a barrel: DNA matches, fingerprint matches, and ballistics matches often led to slam-bang cases against culprits who had long believed they had gotten away with murder.
But sometimes it was more complicated.
One of the first moves Bosch made upon reopening case number 9212-00346 was to take the bullet casing to the Firearms Unit for analysis and profiling. Because of the workload backup and the nonpriority status of cold case requests coming from the Open-Unsolved Unit, three months went by before Bosch got a return. The response wasn’t a panacea, an answer that would immediately solve the case, but it gave Bosch a pathway. After twenty years of no justice for Anneke Jespersen, that wasn’t bad at all.
The firearms report gave Bosch the name Rufus Coleman, forty-one years old and a hard-core member of the Rolling 60s Crips gang. He was currently incarcerated for murder in the California State Penitentiary at San Quentin.
2
It was almost noon by the time the door opened and Coleman was led in by two prison guards. He was locked with his arms behind his back into the seat across the table from Bosch. The guards warned him that they would be watching and then left the two of them staring at each other across the table.
“You a cop, right?” Coleman said. “You know what puttin’ me in a room with a cop could do to me, if one a these hacks put word ’round?”
Bosch didn’t answer. He studied the man across from him. He had seen mug shots but they only framed Coleman’s face. He knew Coleman was big—he was a known Rolling 60s enforcer—but not this big. He had a heavily muscled and sculpted physique, a neck wider than his head—including his ears. Sixteen years of pushups and sit ups and whatever exercises he could manage in his cell had given him a chest that easily extended beyond his chin, and biceps-triceps vises that looked like they could crush walnuts to powder. In the mug shots, his hair had always had a stylized fade. Now his head was clean-shaven and he had used his dome as a canvas for the Lord. On either side he had blue prison-ink crosses wrapped in barbed wire. Bosch wondered if that was part of the lobbying effort with the parole board. I’m saved. It says so right here on my cranium.
“Yes, I’m a cop,” Bosch finally said. “Up from L.A.”
“Sher’ff’s or PD?”
“LAPD. My name’s Bosch. And Rufus, this is going to be the single luckiest or unluckiest day of your life. The cool thing is you’re going to get to pick which one of those days it is. Most of us, we never get the chance to choose between good luck and bad luck. One or the other of them just sort of happens. It’s fate. But this time you do, Rufus. You get to choose. Right now.”
“Yeah, how’s that? You the man with all the luck in your pockets?”
Bosch nodded.
“Today I am.”
Bosch had placed a file folder on the table before Coleman was brought in. He now opened it and lifted out two letters. He left the envelope, which was addressed and already stamped, in the file, just far enough away that Coleman wouldn’t be able to read it.
“So, next month you’re taking your second shot at parole, I hear,” Bosch said.
“That’s right,” Coleman said, a slight tone of curiosity and concern in his voice.
“Well, I don’t know if you know how it works but the same two board members who heard your first hearing two years ago come back for your second. So you got two guys coming who already turned you down once. That means you’re going to need help, Rufus.”
“I already got the Lord on my side.”
He leaned forward and turned his head from side to side so Bosch could get a good look at the tattooed crosses. They reminded Harry of the team logo on the side of a football helmet.
“I think you’re going to need more than a couple tattoos, you ask me.”
“I’m not asking you dick, Five-oh. I don’t need your help. I got my letters all sorted and the D-block chaplain and my good record. I even got a forgiveness letter from the Regis family.”
Walter Regis was the name of the man Coleman had murdered in cold blood.
“Yeah, how much you pay for that?”
“I didn’t pay. I prayed and the Lord provided. The family knows me and what I’m about now. They forgive my sins, as does the Lord.”
Bosch nodded and looked down at the letters in front of him for a long moment before continuing.
“All right, so you got it all set. You got the letter and you’ve got the Lord. You may not need me working for you, Rufus, but you sure don’t want me working against you. That’s the thing. You don’t want that.”
“So get to it. What’s your fucking play?”
Bosch nodded. Now they were down to it. He lifted the envelope.
“You see this envelope? It’s addressed to the parole board in Sacramento and it’s got your inmate number down here in the corner and it’s got a stamp on it all ready to go.”
He put the envelope down and picked up the letters, one in each hand, holding them out side by side for Coleman to look at and read.
“I’m going to put one of these two letters in that envelope and drop it in a mailbox as soon as I get out of here today. You’re going to decide which one.”
Coleman leaned forward and Bosch heard the shackles click against the back of his metal chair. He was so big it looked like he was wearing a linebacker’s shoulder pads under his gray prison jumpsuit.
“What are you talking about, Five-oh? I can’t read that shit.”
Bosch leaned back and turned the letters so he could read them.
“Well, they are letters addressed to the parole board. One speaks very favorably of you. It says you are remorseful about the crimes you have committed and have been cooperating with me in seeking the resolution of a long unsolved murder. It ends—”
/> “I ain’t cooperating with you on shit, man. You can’t put a snitch jacket on me. You watch your fucking mouth on that shit.”
“It ends with me recommending that you be granted parole.”
Bosch put the letter down and turned his attention to the other.
“Now, this second one is not so good for you. This one says nothing about remorse. It says that you have refused to cooperate in a murder investigation in which you have important information. And lastly it says that the LAPD’s Gang Intelligence Unit has gathered intel that suggests that the Rolling Sixties are awaiting your return to freedom so they can once again utilize your skills as a hit man for the—”
“That’s some bullshit right there! That’s a lie! You can’t send that shit!”
Bosch calmly put the letter down on the table and started folding it for the envelope. He looked at Coleman deadpan.
“You’re going to sit there and tell me what I can do and can’t do? Uh-uh, that’s not how this works, Rufus. You give me what I want and I give you what you want. That’s how it works.”
Bosch ran his finger along the creases of the letter and then started sliding it into the envelope.
“What murder you talking about?”
Bosch looked up at him. There was the first give. Bosch reached into the inside pocket of his jacket and pulled out the photo of Jespersen he’d had made from her press pass. He held it up for Coleman to see.
“A white girl? I don’t know nothin’ about no murdered white girl.”