‘It’s day out there, can’t we pull the curtains?’
‘I suppose it is,’ said Gerard, ‘how ghastly!’ He pulled back the curtains and let in the dreadful cold sunlight.
‘I couldn’t see Duncan anywhere, but I gather a lot of people are in the deer park.’
‘They’re not supposed to be.’
‘Well, they are.’
Heavy uncertain footsteps were heard on the stairs. ‘That must be Duncan,’ said Jenkin, and opened the door.
Duncan blundered in and made straight for an armchair and fell into it with a crash. He stared up blankly for a moment. Then passed his hand over his face as Gerard had done earlier, frowned, and gathered himself. With an effort he sat up a little.
‘Good heavens, you’re soaking wet!’ said Jenkin.
It was so. Duncan’s trousers and part of his jacket were drenched with water, muddy too, and muddy water was dripping darkly onto the carpet.
Duncan noticed this and said, ‘Christ, what will Levquist say!’
‘I’ll deal,’ said Gerard. He fetched two towels from the bedroom, gave one to Duncan, and with the other began to mop up the pool on the carpet, while Duncan dabbed at his clothes.
‘I’m sloshed,’ said Duncan. Then he explained. ‘I fell in the river. Crazy!’
‘I’m sloshed too,’ said Jenkin sympathetically.
‘Is that whisky? Can I have some?’
Jenkin poured out a small whisky and filled the glass up with water. Duncan took it with an unsteady hand.
More footsteps were heard on the stairs. It was Rose. She came in and saw Duncan at once. ‘Duncan, dear, there you are, I’m so glad!’ She could not think what to say to him next, so exclaimed, ‘So you’re all onto whisky, are you, no I won’t have any! What’s that mess on the floor?’
‘I fell in the Cher,’ said Duncan. ‘Idiotic old drunk!’
‘Poor darling! Gerard, put the electric fire on. And stop doing that, you’re only making things worse. Give me the towel. See if there’s any water in the jug in the bedroom.’
There was. Rose, tucking up her green dress, on her knees, began an artful operation with little doses of water and careful use of the towel, blending the muddy stain into the fortunately fairly dark and ancient carpet. ‘I’m afraid we’re messing up Levquist’s towels, but the scout will replace them. Don’t forget to tip him, Gerard.’
Someone was running up the stairs, stumbling in his haste, and now bursting open the door. It was Gulliver Ashe. Not immediately noticing Duncan he cried out his news. ‘There’s been such a to-do down there, they say that Crimond has thrown a man into the Cherwell!’ Then he caught sight of Duncan and the water scene and put his hand over his mouth.
‘Go away, Gull, would you,’ said Gerard.
Gull reeled away down the stairs.
Gulliver had lost Lily Boyne; he was sorry about this, he had enjoyed dancing with her, yet he was not absolutely sorry since he had come to realise that although he had drunk nothing recently except a glass of champagne which he had discovered on the grass, he was once more feeling very drunk, and a little sick, and also extremely tired. Lily, who had in the course of dancing divested herself of her white blouse, which she had rolled up and thrown away among the dancers (where it was caught and appropriated by a young man) revealing a just decently extensive and lacy petticoat beneath, had also at last declared herself ‘flaked’ and gone to sit down. Gull had gone out to attend to a natural need and coming back had found her gone. It was after this that he had heard some people talking about Crimond. Expelled from Levquist’s rooms he now began to wander, first round the cloister where he managed to acquire, although he didn’t really want it, a glass of beer, and then out onto the main lawns between the tents.
It was now full daylight, the terrible inquisitional finalising daylight had come, sending away the enchanted forest and all the magic of the night and revealing a scene, more resembling a battlefield, of trampled grass, empty bottles, broken glasses, upturned chairs, errant garments, and every sort of unattractive human debris. Even the tents, in the relentless sunshine, looked dirty and bedraggled. The blackbirds, thrushes, tits, swallows, wrens, robins, starlings and innumerable other birds were singing loudly, the doves were cooing and the rooks were cawing, and, nearer now, in the big trees of the deer park, came the hollow repetitive cry of the cuckoo. Dance music continued unabated however, sounding in the more open space of the high cloudless blue sky and surrounded by all that bird song, diminished and unreal. A queue was forming for breakfast, but a considerable number of people seemed unable to stop dancing, possessed by ecstasy or by a frenzied desire to maintain the enchantment, and to postpone the misery to come: remorse, regret, the tarnished hope, the shattered dream, and all the awful troubles of ordinary life. Gull would have liked some breakfast, the idea of bacon and eggs was suddenly extremely attractive, but he did not fancy waiting in the queue by himself, and he felt a more urgent and immediate need to sit down, preferably to lie down. He decided to rest for a short time and to come for the grub later when the crush was less. The desecrated littered grass was also scattered here and there with prostrate human figures, mostly male, some fast asleep. Making his way between these Gulliver even passed, though of course did not recognise, Tamar’s cashmere shawl, now a stained screwed-up bundle, which had been used by someone to deal with a disaster to a bottle of red wine. A faint mist was hanging over the Cherwell. He found his way through the archway and out into the deer park. The park had been declared, for ecological and security reasons, out of bounds to the dancers. Now however, presumably since the dance was nearly over, the bowler-hatted guardians had melted away and couples were strolling here and there in the groves of trees. In the distance, in misty green glades, deer wandered and rabbits ran impetuously to and fro. Gulliver staggered on a little way, breathing the delicious fresh rivery early morning air and appreciating the untrodden grass. Then he sat down under a tree and fell asleep.
Tamar had at last found Conrad. For a while she had sat on a chair in one of the tents and actually slept for a short time. When she came out the sky was light and the sun had risen. The light was terrible. The skirt of her white dress had become mysteriously covered with grey smudges. She felt terrible, like an ugly ghost. She decided to comb her hair with her little comb, then accidentally dropped the comb and did not turn to pick it up. She walked slowly, for something to do and because she might attract more attention if she stood still. Everything about her looked unreal and appalling, the laughter and the music came to her in gusts like little blows, making her blink and frown. Her head drooped, her mouth drooped. She came to the pop tent where recorded music was still being played, was about to pass it, then looked in. In a second the world changed. There he was, Conrad, her tall fellow, leaping, smiling, twirling round and round by himself. Tamar was about to cry out and rush to him. Then she saw that he was dancing with Lily Boyne.
Tamar turned quickly away, raising her hand to shield her face, and began to run away across the grass. She raced, lifting her skirt, through the cloisters and on to the main gate and out into the High Street. The curving High was empty, beautiful, solemn, in the quiet early sunshine. Tamar made her way, desperately, like a fugitive, hurrying now not running. During her run the strap of one of her sandals had snapped, and she hurried on, skipping a little, limping a little, past the silent magisterial buildings which were glowing in the clear cool sunlight against the radiant blue sky. She felt cold, but the coat which, anticipating this chill daybreak, she had brought with her was locked up in Conrad’s car. Fortunately, during the whole nightmare of the dark hours, although she had lost her shawl, she had not mislaid her little evening bag, with cosmetics, money, keys, which she had carried unconsciously looped onto her wrist. She rushed along, holding her dirtied skirt high, her dress crumpled, her hair uncombed, her face unpowdered, in the direction of the bus station. The few early passers-by saw her streaming tears and turned to look after her. As she reached the
bus station and boarded a bus for London all the bells of Oxford were tolling six o’clock.
After Gulliver’s departure, the four in the room did not look at each other. Rose brought the electric fire near to Duncan’s soaked trousers, asked if it was too hot, and commented with a laugh at the steam which immediately began to rise. Duncan replied suitably, said really he was almost dry, not to trouble and so on. Jenkin and Duncan went on drinking whisky. It was agreed to be unfortunate that there was now nothing to eat, Gulliver was blamed for having eaten up all the sandwiches. Jenkin wished he had brought some chocolate, said he had intended to. Gerard and Jenkin discussed whether one of them should sally out to the breakfast scene and bring back some sausages and bread. They wondered if they could now do this without having to queue. No decision was reached. They were all silently wondering if Jean would turn up and what on earth they were going to do if she did not.
After about half an hour Jean Kowitz-Cambus did appear. She clopped audibly, neatly, up the stairs and entered the room already wearing her coat over the famous red dress with black lace which Rose admired so much. Jean had evidently planned her appearance and her entrance carefully. She was already dressed for a quick departure and had attended to her make-up and arranged her hair. Her very dark hair, sleek and glowing like the feathers of an exotic bird, so orderly in its even lines that it might have been enamelled, flowed evenly back from her delicate hawk-face. Her rather stern, though calm, expression relaxed suitably to Rose’s greeting.
‘Darling Jean, you’ve come, oh good!’
Rose put her arms round Jean, Jean patted Rose’s shoulder and said how lovely it was to hear the birds singing. Gerard and Jenkin stood back. Then Jean approached Duncan who remained slumped in his chair. She said, ‘How’s the old man? Sozzled as usual? Can someone help him up?’
Duncan stretched out his hands, and Jenkin took one hand and Gerard the other and they hauled him to his feet.
Jean and Duncan then had a conversation. Jean said where was his coat, and he said he thought he had left it in the car, but where was the car? Jean told him where it was, not in the car park, but in a road nearby. They both said it was a good thing it was not in the car park, Jenkin agreed, you could get boxed in, young people were so thoughtless. Rose said lightly that she hoped that Jean was driving, and Jean said she certainly was. Jean kissed Gerard and Jenkin and Rose. Duncan kissed Rose and tried to argue with Gerard about contributing to the tip for the scout. Rose hugged Jean and kissed her and stroked her hair. Then she put her arms round Duncan in a special embrace. Jean told Duncan to come along and took his arm. Amid various valedictory remarks and waves of the hand they took their leave. Their footsteps receded down the stairs.
After a suitable interval of silence, Jenkin stifled a little snort of laughter, then went to look out of the window and compose his face. Rose looked at Gerard who frowned slightly and looked away.
Gerard, expected by the other two to make a statement, said, ‘Well, I daresay it’s all all right, and we won’t have to think about it any more, I certainly hope so.’
‘You may be able not to think about it,’ said Jenkin, returning from the window with a composed face, ‘but I doubt if I will.’
‘Gerard’s good at not thinking about things when he doesn’t feel he ought to,’ said Rose.
‘Or feels he oughtn’t to,’ said Jenkin.
Gerard said briskly, ‘Time to be off. I’ll leave an envelope for Levquist’s chap.’
Rose wished she was going to drive back to London with Gerard, but she had brought her own car, partly because Gerard had said he was driving Jenkin down, and partly because she wanted to be able to leave earlier than the others if she felt very tired. She fetched her coat which she had left in Levquist’s bedroom. They all did a little elementary tidying up, but their heart was not in it. They went down the stairs and through the cloister and faced the warm sunlight and the deafening chorus of birds and the loud cries of the cuckoo.
Gulliver was having a marvellous dream. A beautiful girl with big liquid dark eyes and long thick eyelashes and a moist sensuous mouth was leaning over towards him. He felt her warm sweet breath, her soft lips touched his cheek, and then his mouth. He woke up. A face was close to his, and big dark beautiful eyes were gazing into his eyes. One of the deer, finding this black bundle curled up under a familiar tree, had thrust a dark wet muzzle down towards it. Gulliver jolted up. The deer sprang back, gazed for another moment, then trotted with dignity away. Gulliver wiped his face, wet with the creature’s gentle touch. He got to his feet. He felt terrible, he looked terrible. He began to walk back. He felt giddy, bright lights danced around him and little black hieroglyphs kept appearing at the side of his vision.
As he emerged, rubbing his eyes, from the archway of the New Building onto the main lawn, he stopped dead. A dreadful and extraordinary sight which he could not interpret met his gaze. Somewhere, how far away he could not at first estimate, for the phenomenon was so odd, a long line of people, two long lines of people, one above the other, were drawn up directly opposite to him and staring straight at him. He felt helpless panic as at some shattering of a natural law. He rubbed his eyes. They were still there, standing rigidly at attention and looking at him in silence. Then he realised what it was. It was the dance photograph. Nearer, with his back to him, the photographer was marshalling his camera which was mounted on a tripod, looking through it at the posed silent ranks which were looking at him. The dancers were immobile, mostly solemn, many of them looking as terrible as Gull, their clothes disordered, their faces bleary with exhaustion, exposed, graceless and haggard, in the cruel light of day. Under the song of the birds the silence of the music made itself felt. Frowning and focusing his eyes Gulliver scanned the large staring assembly for any familiar faces. He could not see Gerard or Rose or Tamar or Jean or Duncan or Crimond. He spotted Lily however. She was standing beside Conrad Lomas with her arm around his waist. Gulliver began to slink along the front of the building in the direction of the car park. He wondered if his car would be boxed in. It was.
Gerard turned the key in the door and entered the silent house. In the car driving to London he had told Jenkin of his father’s death. Jenkin had been shocked and distressed, and the spontaneity of his grief for Gerard’s father, whom he had known for many years, was touching. But after the first few exclamatory exchanges Jenkin had begun to think, to worry about how much Gerard would suffer, to wonder whether Gerard felt guilty because he had not left the dance at once. Jenkin did not say any of this, but Gerard intuited it behind some clumsy expressions of sympathy and was irritated. He was driving into the sun. He told Jenkin to go to sleep and Jenkin obediently did so, tilting the seat back, settling his head, and going to sleep instantly. The presence of his sleeping friend was soothing, at the moment Jenkin asleep was preferable to Jenkin awake. Coming into London they hit the early rush hour, and as the car crawled slowly past Uxbridge and Ruislip and Acton Jenkin continued to sleep, his hands clasped upon his stomach, his shirt rumpled, his legs stretched out, his trousers undone at the waist, his plump face expressing trustful calm. The sleeping presence, surrendering itself to his protection, calmed Gerard’s painful thoughts, held them off a little, catching their sharpness as in a soft bandage. When they reached the little terrace house in Shepherd’s Bush where Jenkin lived Gerard woke his friend up, came around and opened the car door and pulled him out, not forgetting the little suitcase into which Jenkin had put, so he said, a woollen cardigan to put on if it was cold, and slippers in case his feet became swollen with dancing. The chocolate had been left behind. Gerard refused the suggestion, less than wholehearted perhaps, that he should come in for a cup of tea. They both felt it was time to part, and the door closed before Gerard had even started the car. He had no doubt that Jenkin would go upstairs, undress, put on pyjamas, pull the curtains, get into bed, and fall asleep again at once. Something about the orderliness of his friend’s arrangements irritated Gerard sometimes.
&nbs
p; Now he was in his own house in Notting Hill, standing in the hall and listening. He did not call out. He hoped Patricia was asleep. The house, a fairly large detached brick-built villa, had belonged to Robin Topglass’s father, the bird man, then to Robin. For some time Robin and Gerard had lived in it together. Then when Robin got married and went to Canada he sold the house to Gerard. He stood in the familiar smell and familiar silence of the house, seeing and feeling the presence of the familiar quiet things, the paintings of birds by John Gould which had belonged to Robin’s father, the carved Victorian hallstand which they had bought at an auction, the red and brown Kazakh rug which Gerard had brought from Bristol. The house seemed to be waiting for Gerard, expecting something of him, that he would bring comfort, restore order, take charge. Yet also the house was a spectator, it was not all that involved, it was not a very old house, it was built in 1890, but it had already seen many things. It had seen much, it would see more. Perhaps it was just watching with curiosity to see what Gerard would do. Gerard hung up his coat, which he had brought in from the car, upon the hall stand. He took off his black evening jacket and his black tie. He undid his shirt at the neck and rolled up his sleeves. His heart, quiet earlier, began to race. He took off his shoes and began, holding them in his hand, to mount the stairs, stepping long-legged over the stair that creaked.
On the landing, he saw that the door of Patricia’s bedroom was closed. He did not hesitate but walked on and opened the door of his father’s room. The curtains were pulled against the sunshine but there was a bright twilight in the room. The long thin figure on the bed was entirely covered by a sheet. It was somehow startling that the face had been covered up. The bedclothes had been removed. So had all the paraphernalia of illness, pills, bottles, tumblers, even his father’s glasses had gone, even the book he had been reading, Sense and Sensibility. Gerard put down his shoes and crossed the room and pulled the curtains well back. Their movement made a familiar running metallic sound which, in the particular silence of the room, made Gerard shudder, perhaps at some unconscious memory from a time, much earlier, when he had slept in the room himself. He looked out at the harsh sunlight which revealed the back garden surrounded by an old brick wall dark with grime, the damp mossy rockery, the gaudy rose bushes (Robin’s choice) in full flower, the walnut tree, the many trees in other gardens. He turned and quickly, gently, not touching what lay beneath, drew back the sheet from his father’s face. The eyes were closed. He had wondered about that in the car. He drew a chair up beside the bed and sat down. So lately dead, so only just, but so absolutely, gone. He thought, I shall lie so one day, neatly upon my back with my eyes closed and look just so thin and so long; unless I drown and am never found, or smash to pieces like Sinclair. The face was not exactly calm, but withdrawn, absorbed, expressing perhaps a quiet thoughtful puzzlement, the good kind face, abstracted, already alien, already waxen and very pale above the faint beard, already shrinking, like his father’s face yet unlike, like a work of art, as if someone had made quite a good but rather stolid simulacrum. One could see that the soul was gone, no one looked out, the puzzled look was something left behind, like a farewell letter. He lifted the sheet at the side to look at one of the hands, but quickly replaced it. The hand looked uncanny, more alive, its familiar thin spotty claws relaxed. The neck was darker in colour, sunken, the muscles and tendons prominent, the skin stretched not wrinkled. The wrinkles of the face looked like artificial lines scored in pale thick wax. His father’s face, so long youthful, had lately become very wrinkled, the eyes deep in skinny folds, the lower lids curiously fractured in the centre, forming runnels for a perpetual discharge of moisture from the eyes. These were now dry, the face was dry, the hidden eyes were tearless. Death dries the tears of the dead. The dead dry face looked older, the ageing process, after the great change, being gently metamorphosed. Faster it would go on soon, and faster. His father looked gaunt, a gauntness disguised before by the glow of stoical humour which made every further misery of terminal illness into a self-depreciating joke. Without the transparentrimmed glasses and the false teeth the mask looked ancient now, the nose thinner, the chin sunk, the helpless affronted mouth a little open. So he had eased himself into death as into a garment which now, perfectly, fitted him.