Read The Complete Aeschylus, Volume I: The Oresteia Page 17


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  Apollo, then, is spokesman for his father Zeus.

  I make these gods the prelude of my prayer,

  yet in all I say I also honor Pallas

  whose shrine stands there, apart, and revere the

  Nymphs

  whose dwelling is the hollowed Corycian rock,

  sweet haunt of birds and spirits lingering.

  And Bromius too (I don’t forget) has held

  sway in this region ever since the day

  he, in his true form, led his troop of women,

  his wild bacchants, to hunt down Pentheus,

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  to snare him like a hare in a net of death.

  I call on the streams of Pleistus in the gorge below,

  and on Poseidon’s power, and on Zeus,

  who brings all to fulfillment, the Most High.

  And as I take my seat to prophesy,

  may they all grant me foresight that exceeds

  whatever foresight I have had before.

  If there are any Greeks here, let them enter

  in order of the lots they drew, as the custom is.

  My prophecies will follow where the god leads.

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  The PYTHIA enters the temple, then immediately returns,

  but now crawling at first on hands and knees.

  Terror for tongue to tell of, for eyes to see,

  sheer terror has driven me away, again,

  from Apollo’s house, so that my strength falters,

  and I can’t stand on my own two legs, and

  I go on all fours, trembling, inch by inch,

  because a terrified old woman’s nothing

  at all, no better than a child.

  I was

  making my way into the inner chamber

  where the air glows green from the garlands left there

  when I saw a man polluted before the gods

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  sitting the way a suppliant would sit

  on the navel stone, blood dripping from his hands,

  blood also dripping from his just drawn sword;

  he held a tall branch of an olive tree

  wreathed as it should be with a shock of wool,

  the white fleece radiant—this I can say for sure.

  But an astounding gang of women sleeps

  around him, all slouched in chairs. Women?

  No, not women. Gorgons maybe, but, no,

  not even Gorgon shapes could do them justice.

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  I saw a painting once of flying female-

  creatures snatching food from Phineus,

  but this gang has no wings, and they’re all black,

  disgusting, and their phlegmy snores spew out

  a stink that blinds and repels, and their eyes drip

  a sickening ooze. Their dark rags, too, aren’t fit

  to wear before the statues of the gods,

  or even right to bring into the house.

  I’ve never seen the tribe this crew belongs to,

  or known a land that could rear a brood like this

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  and not be damaged and regret the labor.

  How this will end up now is his concern,

  the master of the house, great Loxias

  himself, the wily one. He is the prophet,

  the healer; he scans the signs to see what is

  to come; he has the power to purify.

  The PYTHIA exits to the right. APOLLO and

  ORESTES enter from the temple.

  APOLLO I won’t betray you. Your guardian to the end,

  both when I’m here with you and far away—

  I won’t ease up against your enemies.

  See how I’ve tamed, for now, these crazed hags,

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  lulled them to sleep, these maidens of filth, these

  wrinkled

  children no god, or man, or any beast

  would want to touch: born evil, born for evil,

  their only dwelling place the evil darkness

  of the deepest underground, despised

  alike by men and all the gods above.

  They’re tamed for now. But flee them, don’t let up,

  for they will dog you, there at your heels, as you run

  on from horizon to horizon, fast

  at your pounding heels, over the vast mainland,

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  and across the sea to sea-encircled cities.

  Don’t tire or lose heart till you’ve shepherded

  your hard task all the way to Pallas Athena’s

  city. Once there, sit as a suppliant,

  holding her age-old image in your arms.

  And we’ll have judges for your case, and words

  that spellbind; we will find the means to free you

  from this toil you’ve been caught in, once and for all.

  For I persuaded you to kill your mother.

  ORESTES My lord Apollo, you know how not to be

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  unjust; learn, too, how not to be neglectful.

  Your strength assures me of your power for good.

  APOLLO Remember, don’t let fear overtake you.

  Now, Hermes, my brother, son of my father too,

  watch over him; be your own namesake and

  escort him, guide him well, for he’s my suppliant,

  and Zeus honors the rights of outcasts who are blessed

  with such a guide back to the world of men.

  ORESTES exits to the left and APOLLO enters the

  temple. After a brief pause, CLYTEMNESTRA’s

  ghost appears, perhaps on the roof

  of the stage building.

  CLYTEMNESTKA Keep sleeping! You there! Ah, what good are you

  to me asleep? Because of you I go

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  dishonored among the other dead. The spirits

  of those I killed won’t stop accusing me,

  I wander in disgrace. I tell you, day

  and night they hector me with blame. And though

  I too have suffered from my blood relations,

  none of the gods is angry on my behalf,

  though I was slaughtered by my own son’s hands.

  Picture my wounds in your heart (for the sleeping

  mind

  can see more clearly than the mind awake).

  Remember where they came from, and don’t forget

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  how many offerings I made to you,

  how you would lap them up, the wineless pourings,

  sober propitiations, holy feasts

  burned in a hearth pit in the darkest recess

  of the night, at an hour not shared by other gods—

  And all for what? To see my offerings trampled

  while I watch him slip away so easily

  and vanish like a fawn, watch him leap free

  out from the middle of your net, and taunt you,

  mock you, winking, as he bounds off? Hear me!

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  My very being hinges on my plea.

  Wake up now, goddesses from beneath the ground,

  for I am Clytemnestra, the dream that calls you.

  (whining from within the temple)

  The more you whine, the farther away he gets,

  for his friends, unlike mine, know how to help.

  (more whining)

  More sleep’s in you than pity for my pain.

  Orestes, who ran me—his mother!—through, is gone.

  (moaning)

  How can you sleep and moan like this? Get up!

  Get up! Ruin’s the job you’re meant to do!

  (more moaning)

  Sleep and exhaustion, those arch-conspirators,

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  have drained the poison from the dread snake’s tooth.

  CHORUS (moaning twice as loud, still from within) Get him!

  Get him! Get him! There! Over there!

  CLYTEMNESTRA The quarry you keep hunting’s just a dream,


  and yet you still bay like a hound that can’t

  stop sniffing out the bloodtrail. What are you doing?

  Get up! Don’t let exhaustion overcome you!

  Don’t let sleep slacken your pace, make you forget

  my misery! Let my just accusations

  sting your heart awake, for they are sharp

  goads to the sensible. Breathe over him the blood-

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  reek of your breath, shrivel him in the sizzling

  gust of your belly’s fire! Get after him,

  wither him away with a fresh pursuit!

  (CIYTEMNESTRA’s GHOST DISAPPEARS. The CHORUS

  enters from the temple by ones and twos.)

  CHORUS Up now! Wake her, just as I wake you!

  Still sleeping? Come on, get up! Kick sleep away,

  let’s see if this dream is a truthful prelude.

  IOU! IOU! POPAX

  Strophe 1

  Wronged, sorely wronged, my sisters,

  Oh I have suffered so much, and for what?

  Yes we have suffered

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  such searing pain, oh yes, a hurt

  no one could bear,

  the beast has slipped free of the net and vanished:

  sleep took me, and the prey is lost.

  O child of Zeus, you thief! So young

  Antistrophe 1

  yet you have trampled down the gray gods

  by guarding the suppliant,

  the godless, the mother-hating man.

  A god yourself,

  you’ve spirited away the mother-killer.

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  Could anyone call these actions just?

  Blame came to me in my dream—over

  and over

  Strophe 2

  it struck me like a charioteer,

  with the goad gripped

  tight in his fist; in the heart, in the guts,

  it struck, and I feel

  the cold sting of the scourger’s cruel

  quick public lash.

  This is what all of you do, you younger

  gods,

  Antistrophe 2

  your power knows no bounds, respects none.

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  Gore oozes over

  Apollo’s throne, from the top, to the bottom,

  it drips, and I see

  the earth’s stone navel smeared with filth

  from bloody deeds.

  A prophet himself, he’s dirtied his own

  shrine,

  Strophe 3

  defiled his hearth

  at no one’s bidding but his own,

  invited blight

  by placing men above the god-

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  set limits, breaking

  the age-old power of the fates.

  Although he hurts me too, he still won’t

  save

  Antistrophe 3

  Orestes, never;

  for even hid beneath the earth,

  this suppliant

  will not escape, but come stained,

  cursed, to where

  a new avenger will rise against him.

  APOLLO enters from the temple.

  APOLLO Get out of this house, right now, I order you!

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  Away from my temple’s deep prophetic chamber

  or you’ll be bitten by a flying snake

  shot from my bowstring’s beaten gold, and retch

  in agony, coughing up all the black

  scum sucked from men, the clotted gore you guzzled.

  You have no rights here, no business in this house,

  your jurisdiction is where heads are lopped off

  in retribution, eyes gouged out, throats slashed;

  where the manhood of mere boys is cut away,

  their seed squandered, and men—their hands, their

  feet,

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  their ears and nose—are maimed, and they are stoned

  to death, and where they feel the sharp stake driven

  into their backs and groan out loud and long.

  Don’t you hear then what sort of feasts you crave

  that make the gods despise you? Your very shape

  and dress explain it. Creatures like you belong

  in caves with blood-befouled, blood-lapping lions;

  you have no business in this prophetic place,

  rubbing your stinking dirt off on those near you.

  Get out of here, you herd without a herdsman!

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  No god would ever tend a flock like this.

  CHORUS LEADER It’s your turn now to listen, lord Apollo.

  You are no mere accessory to this crime;

  From start to finish, the blame is yours alone.

  APOLLO How so? Say just enough to make it clear.

  CHORUS LEADER You told your guest-friend he should kill his mother.

  APOLLO I told him to avenge his father. What else?

  CHORUS LEADER You took him in, blood still wet on his hands.

  APOLLO I told him to come for cleansing to this shrine.

  CHORUS LEADER And you malign us for serving as his escort?

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  APOLLO You aren’t fit creatures to come near my house.

  CHORUS LEADER But we as well have our appointed task …

  APOLLO Appointed? You? Crow on about this noble job.

  CHORUS LEADER We hound all mother-killers from their houses.

  APOLLO And what about a wife who kills her husband?

  CHORUS LEADER That isn’t killing one’s own flesh and blood.

  APOLLO Why, then, you spit on, treat as less than nothing,

  the solemn vows of Hera, the fulfiller,

  and of Zeus; and Aphrodite, too, is thrown

  away like something worthless by your words,

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  yes, Aphrodite who gives to humankind

  the deepest and most intimate bond of all.

  Marriage is a thing of destiny,

  greater than any oath, and Justice guards it.

  And so if you let spouses kill each other

  and overlook it, neither punishing them

  nor looking on them with a wrathful vigilance,

  then I maintain this hounding of Orestes

  isn’t just. It’s clear to me you’re stirred

  to utter outrage by the one crime while

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  the other doesn’t move you in the least.

  But Pallas, goddess of wisdom that she is,

  will oversee the issue of this case.

  CHORUS LEADER We’ll never stop harassing him, not ever.

  APOLLO Go on, then. Make more trouble for yourself.

  CHORUS LEADER Don’t try to steal our rights with clever words.

  APOLLO If someone gave me your rights, I wouldn’t take them.

  CHORUS LEADER Why should you, high and mighty as you seem

  near Zeus’ throne? But the scent of motherblood

  drives us,

  and we will hunt the man down, get our justice.

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  The CHORUS exits to the left.

  APOLLO And I will help my suppliant and save him.

  A suppliant’s wrath’s a dreadful thing for gods

  and men alike. I never will betray him.

  APOLLO exits into the temple. There is a

  brief pause. The scene is now set in Athens.

  ORESTES enters from the left.

  ORESTES Queen Athena, I have come at Apollo’s

  command. Receive me graciously, a cursed,

  a hounded man, but one no longer stained,

  my hands now clean, my guilt’s keen edge now

  dulled,

  worn down to nothing by the crowded paths

  I’ve traveled, by the homes I’ve sheltered in.

  Holding a firm course over both sea and land,

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  obedient to Apollo’s orders, I’ve come

  at last, goddess, here t
o your house, your image,

  watching and waiting for justice to be fulfilled.

  The CHORUS enters by ones and twos,

  miming hounds tracking a scent.

  CHORUS LEADER So, finally, a clear sign of the man.

  Here, this way, this is where the voiceless snitch

  is leading! Like a blood hound on the scent

  of a wounded fawn, we track him by this trail

  of blood drops. And he’s panting out his guts

  from all the endless deadly labors, driven

  like a sheep over every stretch of land

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  while we flew wingless, faster than any ship,

  across sea after sea, pursuing. I know

  he’s cowering somewhere near here, for the scent

  of blood is like the warm smile of an old friend.

  CHORUS Look! Look again!

  Check everywhere—

  don’t let the mother-killer slip through our clutches

  and get away unpunished.

  There he is, himself, there in the flesh!

  and once again

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  protected, his arms around the image

  of the immortal goddess,

  eager to stand trial for his crime.

  But that won’t happen. Once a mother’s blood

  is spilled on the ground,

  it can’t return again, not ever.

  POPOI! The red

  stream pools there, seeps into earth, and then

  it’s gone for good.

  You’ll have to pay with your own blood for hers,

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  you’ll feel me suck the half-

  caked gore out of your living flesh;

  swill from your very veins

  the vile dregs of the drink I crave.

  I’ll shrivel you up and drag you, still alive,