Read The Daylight Gate Page 1




  About the Book

  Can a man be maimed by witchcraft?

  Can a severed head speak?

  Based on the most notorious of English witch-trials, this is a tale of magic, superstition, conscience and ruthless murder.

  It is set in a time when politics and religion were closely intertwined; when, following the Gunpowder Plot of 1605, every Catholic conspirator fled to a wild and untamed place far from the reach of London law.

  This is Lancashire. This is Pendle. This is witch country.

  About the Author

  Jeanette Winterson OBE is the author of ten novels, including Oranges Are Not the Only Fruit, The Passion and Sexing the Cherry; a book of short stories, The World and Other Places; a collection of essays, Art Objects, a memoir, Why Be Happy When You Could Be Normal?, as well as many other works, including children’s books, screenplays and journalism. Her writing has won the Whitbread Award for Best First Novel, the John Llewellyn Rhys Memorial Prize, the E. M. Forster Award and the Prix d’argent at Cannes Film Festival. She lives in London and Gloucestershire.

  Also by Jeanette Winterson

  Fiction

  Oranges Are Not the Only Fruit

  The Passion

  Sexing the Cherry

  Written on the Body

  Art & Lies

  Gut Symmetries

  The World and Other Places

  The Powerbook

  Lighthousekeeping

  Weight

  The Stone Gods

  Non-Fiction

  Art Objects

  Why Be Happy When You Could Be Normal?

  Comic Book

  Boating for Beginners

  Children’s Books

  Tanglewreck

  The King of Capri

  The Battle of the Sun

  The Lion, The Unicorn and Me

  Screenplays

  Oranges Are Not the Only Fruit (BBC TV)

  Great Moments in Aviation (BBC TV)

  Ingenious (BBC TV)

  Contents

  About the Book

  About the Author

  Also by Jeanette Winterson

  Title Page

  Dedication

  Introduction

  Pendle

  John Law

  Alice Nutter

  Sarah Device

  Roger Nowell

  Malkin Tower: Good Friday 1612

  Confrontation

  It Begins

  Read Hall

  Christopher Southworth

  Elizabeth Southern

  The Net

  The Dark Gentleman

  The Wound

  A Life for a Life

  The Hell Hole

  Hoghton Tower

  A Tooth for a Tooth

  An Eye for an Eye

  The Fog

  Damn You

  The Net Tightens

  On With It

  More

  The Spider Speaks

  Save Me

  The Past

  Thomas Potts of Chancery Lane

  The Hourglass Running

  And Running Out

  Dead Time

  Bankside

  The Daylight Gate

  The Knocking at the Gate

  And a Bird

  Torture Me

  Shadows

  No More

  Jennet Device

  August 1612

  The Trial

  The End

  Copyright

  To Henri Llewlyn Davies

  1954–2011.

  Her own witch and mine.

  Introduction

  The Trial of the Lancashire Witches, 1612, is the most famous of the English witch trials. The suspects were taken to Lancaster Castle in April 1612 and executed following the August Assizes.

  The Well Dungeon can be visited and Lancaster Castle is open to visitors.

  It was the first witch trial to be documented. Thomas Potts, lawyer, wrote his account: The Wonderfull Discoverie of Witches in the Countie of Lancashire. It is supposedly an eye-witness verbatim account, though heavily dosed with Potts’ own views on the matter. Potts was loyal to James I – the fervent Protestant King whose book, Daemonology, set the tone and the feel of a century obsessed with witchcraft, and heresy of every kind – including those loyal to the old Catholic faith.

  Witchery popery popery witchery, as Potts puts it, is how the seventeenth century English understood matters treasonable and diabolical.

  All of the conspirators of the 1605 Gunpowder Plot fled to Lancashire. And Lancashire remained a stronghold of the Catholic faith throughout the seventeenth century.

  The story I have told follows the historical account of the witch trials and the religious background – but with necessary speculations and inventions. We do not know if Shakespeare was a tutor at Hogton Hall, but there is evidence to suggest that he might have been. The chronology of his plays, as used here, is correct. His own use of the religious, the supernatural and the macabre, is also correct.

  The places are real places – Read Hall, the Rough Lee, Malkin Tower, Newchurch in Pendle, Whalley Abbey. The characters are real people, though I have taken liberties with their motives and their means. My Alice Nutter is not the Alice Nutter of history – though why that gentlewoman was tried for witchcraft along with the Demdike and Chattox riff-raff remains a mystery.

  The story of Alice Nutter and Elizabeth Southern is an invention of my own and has no basis in fact. It pleases me though, that there might have been a connection with Dr John Dee, and with Manchester, London, as well as Shakespeare himself.

  And Pendle Hill is still the enigma it ever was, though the Malkin Tower is long gone.

  Jeanette Winterson

  June 2012

  Pendle

  THE NORTH IS the dark place.

  It is not safe to be buried on the north side of the church and the North Door is the way of the Dead.

  The north of England is untamed. It can be subdued but it cannot be tamed. Lancashire is the wild part of the untamed.

  The Forest of Pendle used to be a hunting ground, but some say that the hill is the hunter – alive in its black-and-green coat cropped like an animal pelt.

  The hill itself is low and massy, flat-topped, brooding, disappeared in mists, treacherous with bogs, run through with fast-flowing streams plunging into waterfalls crashing down into unknown pools. Underfoot is the black rock that is the spine of this place.

  Sheep graze. Hares stand like question marks.

  There are no landmarks for the traveller. Too early or too late the mist closes in. Only a fool or one who has dark business should cross Pendle at night.

  Stand on the flat top of Pendle Hill and you can see everything of the county of Lancashire, and some say you can see other things too. This is a haunted place. The living and the dead come together on the hill.

  You cannot walk here and feel you are alone.

  Those who are born here are branded by Pendle. They share a common mark. There is still a tradition, or a superstition, that a girl-child born in Pendle Forest should be twice baptised; once in church and once in a black pool at the foot of the hill. The hill will know her then. She will be its trophy and its sacrifice. She must make her peace with her birth-right, whatever that means.

  John Law

  THE PEDLAR JOHN Law was taking a short cut through that nick of Pendle Forest they call Boggart’s Hole. The afternoon was too warm for the time of year and he was hot in his winter clothes. He had to hurry. Already the light was thinning. Soon it would be dusk; the liminal hour – the Daylight Gate. He did not want to step through the light into whatever lay beyond the light.

  His pack was bulky and his feet were sore. He slipped and put out his hand to save himself,
but he sank wrist to elbow to knees into a brown bubbling mud, thick under the surface of the spongy moss. He was a heavy man. As he struggled to get up he saw the witch Alizon Device standing in front of him.

  She was wheedling, smiling, flouncing her skirt. She wanted pins from his pack: Kiss me, fat pedlar. He didn’t want to kiss her. He wouldn’t give her pins. He heard the first owl. He must get away.

  He pushed her roughly. She fell. She grabbed his leg to steady herself. He kicked her away. She hit her head.

  He ran.

  She cursed him. ‘FAT PEDLAR! CATCH HIM, FANCY, BITE FLESH TO BONE.’

  He heard a dog snarling. He couldn’t see it. Her Familiar … it must be. The Devil had given her a spirit in the shape of a dog she called Fancy.

  He ran. Stepping out of the furze another woman blocked his path. She held a dead lamb in her arms. He knew her: Alizon’s grand-dam. Old Demdike.

  He ran. The women were laughing at him. Two of them? Three of them? Or was it the Devil himself stepping through the Daylight Gate?

  John Law, running and falling, collapsed through the door of the Dog in Newchurch in Pendle an hour later. His lips were foamy. Men loosened his clothes. He held up three fingers and said one word: Demdike.

  Alice Nutter

  ALICE NUTTER RODE out from the Rough Lee.

  She took her pony up towards the slopes of Pendle Hill where she could look back at her house in the beginning-sun.

  It was a handsome house; stone-built, oak-lined, lime trees trained to make an avenue to the door. Hornbeam hedges surrounded the house itself, and opened in wide useful squares towards her stables, poultry pens, pike pond and kennels.

  Here was wealth. Her wealth. And she had not been born to it nor had she inherited it. Her fortune had come through the invention of a dye; a magenta that held fast in water and that had a curious dark depth to it – like looking into a mirror made of mercury. The Queen had ordered vats of the stuff and Alice had worked for a long time in London, with her own dye-house and warehouse.

  Her knowledge of plants and their dyes, her instinctive chemistry, had recommended her to the Queen’s astrologer and mathematician, John Dee. Alice had worked with him in his laboratory at Mortlake, where he used the lunar calendar of thirteen months. He believed he had succeeded in making a tiny phial of the Elixir of Life. Alice did not believe it. In any case, it had not saved the Queen or John Dee. They were both dead now.

  Elizabeth had left no heir. In 1603 the English Crown had passed to James the Sixth of Scotland – now James the First of England too; a Protestant, a devout man, a man who wanted no dyes or fancy stuffs. A man who had two passions: to rid his new-crowned kingdom of popery and witchcraft.

  Perhaps you could not blame him. In 1589, bringing his bride home to Scotland from Denmark, a storm had nearly drowned him. It was witchcraft, he knew it, and he had the witches tried and burned at Berwick, attending the sessions himself.

  In 1605, Guy Fawkes had tried to blow him up by stacking enough gunpowder under the House of Parliament to detonate half of London … And every conspirator a Catholic.

  The Witch Plot and the Gunpowder Plot.

  But every good Catholic would see a witch tortured on the rack until her shoulders dislocated their sockets and her legs broke at the ankle and hip.

  And what witch would save a Jesuit from the knife that would first castrate him, and then disembowel him, still alive?

  James was fortunate that his enemies were enemies.

  But Alice wondered how safe was any safety that depended on hatred?

  Alice whistled. A falcon flew. One circle. One swoop. The powerful bird landed square on Alice’s outstretched arm. Her long leather riding gloves were not the kind a woman wore – hers were double-stitched and heavy. Hers were scarred with the landings of the bird. As he landed she fed him a dead mouse from her pocket.

  Alice was riding astride. She would not do this to attend church in Whalley or to call on her neighbour, the Magistrate Roger Nowell, or to visit the sick or to go about her business in the parish. Then she rode side-saddle and wore a magenta riding habit on top of her copper mare.

  She looked beautiful. She was beautiful, even though she was – how old? Nobody knew how old. Old enough to be soon dead, and if not soon dead, then as lined and wrinkled as the milk-and-water well-behaved wives of religious husbands with their hidden mistresses. And if not that, then as toothless and foul as the hags and beldames who could afford no horses but rode broomsticks … some said.

  This was Lancashire. This was Pendle. This was witch country.

  Sarah Device

  ‘DUCK HER!’

  The woman on the riverbank was struggling and kicking. The man behind her held her arms back, tying her hands. Her dress was open. The man standing in front of her was tall, shaven-headed, lean-faced like a rat. He was playing with her breasts with both hands.

  ‘This one’s the Demdike witch that got away.’

  Constable Hargreaves tying her hands was slower to be so sure. ‘If she be a witch, Tom, then it must be proved according to the Law and the Scripture.’

  ‘The Law and the Scripture? Her grand-dam and her sister sit in Lancaster Castle for maiming by witchcraft.’

  ‘You got no proof of witchcraft!’ said the woman.

  The man called Tom hit her across the mouth. ‘The pedlar John Law is a friend of mine. His legs is gone, his speech is gone. The last word he spoke was Demdike.’

  ‘John Law spoke nowt but pigshit and drink.’

  The man hit her again. She spat at him.

  Constable Hargreaves had finished his knot-work. He was a lumbering man and he lumbered round to the front of Sarah Device. He held up three fingers. ‘John Law held up three fingers. Three woman ran after him through the forest. If the third be not you, then say who.’

  ‘Three women never ran after John Law in his life! He is as ugly as a boiled head.’

  Tom Peeper ripped her dress away from her shoulders and down to her waist. ‘Ugly? Not so ugly that you didn’t lie on your back and open your legs when you wanted ribbons from his pack.’

  ‘He was as mean as he was ugly and he was as fat as he was limp. If I had laid down under him all day I would have stood up at night still a virgin.’

  ‘Virgin? You were born with your legs open.’

  ‘Cats fleshed as women, that’s what witches are, tempting men to sin and damnation.’

  Sarah Device smiled at him. ‘Let me go, Tommy, Harry. I’ll give you pleasure for your pains.’

  The men looked at each other. Tom undid his breeches. He had an erection. ‘Do you miss your broomstick? Here’s one.’

  ‘Don’t look her in the eye, Tom. She’s got the Demdike eye,’ said Hargreaves.

  ‘Strip her,’ said Tom. ‘Search for the witch marks. A cat comes and sucks you, doesn’t he, Sarah? Tibbs, is it? Or Merlin? I’ve seen that black cat with eyes like red coals.’

  ‘You’ll not touch me till you untie me,’ said Sarah. ‘And then I’ll do what you want.’

  ‘I’ll do what I want now,’ said Tom. ‘Not when a trollop tells me I can. Stop her from wriggling, Harry.’

  Tom Peeper raped Sarah Device.

  He was quick. He was in practice. ‘Wet as a marsh in there for you now, Harry. They’re all dry, the Demdike women.’

  A boy with a fishing rod was coming along the bank. He stopped and stared at the woman with her torn dress around her feet. He was about to run away but Tom Peeper went and grabbed him.

  ‘Youth has sharp eyes. Look over her for the witch marks – go on, Robert, run your hands across her. Do you like her breasts? She can’t hurt you.’ He took the boy’s hand and held it on Sarah’s breast.

  ‘Touch me again and I’ll curse you for it.’

  Tom Peeper laughed. ‘You don’t have the power now that Old Demdike is in the gaol. Don’t be afraid of her, boy. Here …’

  He went behind and shoved Sarah onto her knees, standing astride over her and pushing hi
s weight onto her shoulders. She could feels his balls on her neck.

  ‘Get your cock out, boy – she’ll suck it if she wants to get home alive.’

  ‘Let him kiss me first. I am a woman.’

  Tom nodded at Hargreaves who prodded the boy to kneel down in front of Sarah. He wouldn’t look at her. She leaned forward and kissed him. He tasted of fear. Sarah stopped struggling. She closed her eyes. She felt his tongue in her mouth. She was dizzy. She hadn’t eaten for two days. She could feel the sun on her face and a cold shadow at her back. She could hear the sound of hooves. The Dark Gentleman would come for her soon enough. Hadn’t Demdike always said so? Today, tomorrow, the next day.

  The boy put his hands on her breasts, feeling the nipples. He was getting excited. She could hear voices like she was underwater. They would duck her after this. They would kill her. Today, tomorrow, the next day.

  She bit.

  The boy pulled back screaming low in his throat. He fainted. Sarah, with her mouth full, spat the bloody tongue onto the ground. She stood up, her mouth open, covered in blood. She started to laugh – wild hysterical laughter.

  Tom unsheathed his knife from his belt. ‘I’ll cut your witching throat, you cat.’ His hand pulled Sarah’s neck back by the hair so that her throat was bare and skyward. She opened her eyes. Let him come.

  The sound of a horse … faster now, nearer. Let him come.

  Alice Nutter rode straight into Tom Peeper, knocking him down. Sarah Device got to her feet and leaned against the rump of the pony. She was shaking.

  Constable Hargreaves started to mumble something about proving a witch. Alice Nutter cut him short. ‘The Magistrate decides what woman will be proved. Not the mob.’

  ‘She bewitched John Law!’ said Hargreaves.

  ‘That’s a lie,’ said Sarah. ‘I am not accused.’