“That shameless creature in the rue du Lion d’Or. . . . That young hussy who was M. Hervé’s housekeeper before he got married. . . . That cobbler’s daughter who was now in the service of Her Majesty, the Queen Mother, and who kept him posted about all that went on at court. . . . And his penitents. . . . One shudders to think. . . . Yes, in the sacristy, Reverend Mother, in the sacristy—not fifteen paces from the Blessed Sacrament. . . . And that poor little Trincant, seduced, you might say, under her father’s nose, in his own library. And now it was Mlle. de Brou. Yes, that prude, that precisian. So much attached to virginity that she would never marry. So devout that, when her mother died, she talked of turning Carmelite. Instead of which . . .”
Instead of which . . . In her own case, the Prioress reflected, there had been no ‘instead.’ A novice at nineteen, a nun when she was barely of age. And yet, after the death of her sisters and her two brothers, her parents had begged her to come home and get married and give them grandchildren. Why had she refused? Why, though she hated this dismal life between four walls, had she persisted in taking the final vows? Was it for the love of God, or out of dislike for her mother? Was it to spite M. de Coze or to please Jesus?
She thought with envy of Madeleine de Brou. No choleric father, no prying mother; plenty of money; and her own mistress, free to do as she pleased. And now she had Grandier.
Envy modulated into hatred and contempt.
This hypocrite, with her pale face like the face of a virgin martyr in a picture book! This soft-spoken dissembler, with her beads and her long prayers and her pocket edition of the Bishop of Geneva in red morocco! And all the time, under those black weeds, behind those downcast eyes, what a burning, what lechery! No better than that slut in the rue du Lion d’Or, no better than the cobbler’s daughter, or the little Trincant. And these at least had the excuse of being young or widowed; which was more than could be said for that old maid of thirty-five, with a figure like a maypole and no looks at all. Whereas she, the Prioress, was still in her twenties, and Sister Claire de Sazilly used to say that her face under its coif was like an angel’s peeping through a cloud. And what eyes! Everybody had always admired her eyes—even her mother, even her detestable old aunt, the Abbess. If only she could get him as far as the parlour! Then she would look at him through the grille—look at him fixedly, searchingly, with eyes that should reveal her soul in all its nakedness. Yes, in all its nakedness; for the grille was not the adjunct of modesty; it was in lieu of modesty. Restraint had been taken out of the mind and embodied in an iron lattice. Behind bars one could be shameless.
But, alas, the opportunity for shamelessness never presented itself. The parson had no reasons, either professional or personal, for visiting the convent. He was not the nuns’ director, he had no relatives among their pupils. His lawsuits and his parochial duties left him no leisure for mindless chatter, or talk about perfection, and his mistresses left him no appetite for new and hazardous ‘embarkations.’ Month succeeded month, year followed year, and the Prioress had still found no occasion for the deployment of those irresistible eyes of hers; so far as she was concerned, Grandier remained merely a name—but a name of power, a name that conjured up unavowable phantasies, spirits familiar and unclean, a demon of curiosity, an incubus of concupiscence.
A bad reputation is the mental equivalent of the purely physiological appeals issued by animals during their mating seasons—cries, odours and even, in the case of certain moths, infra-red radiation. In a woman, a name for promiscuity constitutes a standing invitation to every male within gossip-range. And how fascinating, even to the most respectable ladies, is the professional seducer, the hardened breaker of hearts! In the imagination of his female parishioners Grandier’s amorous exploits took on heroic proportions. He became a mythical figure, part Jupiter, part Satyr—bestially lustful and yet, or therefore, divinely attractive. At the time of his trial, a married lady, belonging to one of Loudun’s most honourable families, testified that, after administering communion, the parson had looked at her fixedly, whereupon she “was seized with a violent love for him, which began with a little thrill in all her members.” Another met him in the street and was incontinently overcome by “an extraordinary passion.” A third merely looked at him as he was entering a church and felt “exceedingly great emotions, together with impulses such that she would very much have liked to sleep with him there and then.” All these ladies were notoriously virtuous and of unblemished reputation. Each of them, moreover, had a home with a man in it and a growing family. The poor Prioress had nothing to do, no husband, no children and no vocation. What wonder if she too fell in love with the delicious monster! “La mère prieure en fut tellement troublée, qu’elle ne parlait plus que de Grandier, qu’elle disait estre l’objet de touttes ses affections.” That double t in touttes seems to raise all to a higher power, so that Grandier becomes the object of affections beyond the limit of experience, affections which it was impossible for anyone to feel—and yet she felt them in all their monstrous and perverse enormity. The thought of the parson haunted her continuously. Her meditations, which should have been a practice of the presence of God, were a practice, instead, of the presence of Urbain Grandier, or rather of the obscenely fascinating image which had crystallized, in her fancy, around his name. Hers was the unobjective and therefore limitless and insane desire of the moth for the star, of the schoolgirl for the crooner, of the bored and frustrated housewife for Rudolph Valentino. On such merely carnal sins as gluttony and lust, the body imposes, by its very nature and constitution, certain limits. But however weak the flesh, the spirit is always indefinitely willing. To sins of the will and the imagination kind nature sets no limits. Avarice and the lust for power are as nearly infinite as anything in this sublunary world can be. And so is the thing which D. H. Lawrence called “sex in the head.” As heroic passion, it is one of the last infirmities of noble mind. As imagined sensuality, it is one of the first infirmities of the insane mind. And in either case (being free of the body and the limitations imposed by fatigue, by boredom, by the essential irrelevance of material happenings to our ideas and fancies), it partakes of the infinite. Behind her bars the Prioress found herself the victim of an insatiable monster, her own imagination. In her own person she combined the trembling and lacerated quarry with an infernal analogue of the Hound of Heaven. As might have been expected, her health broke down and by 1629 Sœur Jeanne was suffering from a psycho-somatic “derangement of the stomach which,” according to Dr. Rogier and the surgeon Mannoury, “rendered her so weak that it was with difficulty that she could walk.”
All this time, let us remember, the Ursulines’ pensionnat was purveying reading and writing, the catechism and deportment, to a growing enrolment of young girls. How, one wonders, did the pupils react to the ministrations of a head-mistress in the clutch of a sexual obsession, of teachers already infected by the hysteria of their principal? To this question the documents provide, unfortunately, no answer. All we know is that it was not until a later stage of the proceedings that indignant parents began to remove their children from the good sisters’ care. For the present, it would seem, the mental atmosphere of the convent was not so manifestly abnormal as to arouse alarm. Then, early in the fifth year of the Prioress’s reign, there occurred a series of events which, though unimportant in themselves, were destined to have enormous consequences.
The first of these events was the death of the Ursulines’ director, Canon Moussaut. A most worthy priest, the Canon had conscientiously done his best for the new community, but his best, since he was on the brink of second childhood, had not been very good. He understood nothing of his penitents; and his penitents, on their side, paid no attention to anything he said.
At the news of Moussaut’s death, the Prioress tried her hardest to look sad; but inwardly she was filled with an effervescent elation. At last, at last!
As soon as the old gentleman was safely buried, she despatched a letter to Grandier. It began with a paragr
aph about the irreparable loss sustained by the community, went on to stress her own and her sisters’ need for spiritual guidance by some director no less wise and holy than the dear defunct, and ended with an invitation to Grandier to step into the Canon’s shoes. Except for the spelling, which had always been Sœur Jeanne’s weakest point, the letter was altogether admirable. Reading through the fair copy, the Prioress could not see how he could possibly resist an appeal at once so heartfelt, so pious, so delicately flattering.
But Grandier’s answer, when it came, was a polite refusal. Not only did he feel himself unworthy of so high an honour; he was also much too busy with his duties as a parish priest.
From the pinnacle of joy, the Prioress tumbled headlong into a disappointment in which grief was mingled with hurt pride, and out of which there grew, as she ruminated the bitter cud of her defeat, a cold persistent rage, a steady malignancy of hatred.
To implement this loathing was by no means easy; for the parson inhabited a world into which it was impossible for a cloistered nun to penetrate. She could not go to him; and he would not go to her. Their nearest approach to a personal contact came when Madeleine de Brou called at the convent to visit her niece, who was one of the boarders. Entering the parlour, Madeleine found the Prioress confronting her on the other side of the grille. She uttered a polite greeting and was answered by a torrent of abuse that became more shrilly violent with every passing moment. “Whore, strumpet, debaucher of priests, committer of the ultimate sacrilege!” Through the bars the Prioress spat at her rival. Madeleine turned and fled.
The last hope of a personal, face-to-face vengeance was now gone. But one thing, at least, Sœur Jeanne could still do: she could associate herself and the whole community under her charge with Grandier’s avowed enemies. Without delay she sent for the man who, of all the local clerics, had the most cogent reasons for detesting him. Ill-favoured, congenitally lame, devoid of talent no less than of charm, Canon Mignon had always envied the parson’s good looks, quick wit and easy successes. To this general and, so to say, antecedent antipathy had been added, over the years, a number of more specific grounds for dislike—Grandier’s sarcasms, the seduction of Mignon’s cousin, Philippe Trincant, and, more recently, a quarrel over a piece of property disputed between the collegial church of Sainte-Croix and the parish of Saint-Pierre. Acting against the advice of his fellow canons, Mignon had taken the case to court and, as they had all prophesied, lost it. He was still smarting under this humiliation when the Prioress summoned him to the convent parlour, and, after talking at large about the spiritual life and in particular of the parson’s scandalous behaviour, invited him to become the nuns’ confessor. The offer was immediately accepted. A new ally had joined the forces leagued against Grandier. Precisely how that ally was to be made use of, Mignon did not yet know. But, like a good general, he was prepared to seize every opportunity that might present itself.
In the Prioress’s mind, meanwhile, the new hatred for Grandier had not abolished, had not even mitigated, the old obsessive desires. The imagined hero of her waking or nocturnal dreams remained the same; but now he was no longer the Prince Charming, for whom one left the casement open at night, but an importunate incubus, who delighted in inflicting upon his victim the outrage of an unwelcome but irrepressible pleasure. After Moussaut’s death Sœur Jeanne dreamed on several occasions that the old man had come back from Purgatory to implore his former penitents for the assistance of their prayers. But even as he plaintively spoke, everything changed and “it was no longer the person of her late confessor, but the face and semblance of Urbain Grandier who, altering his words and behaviour at the same time as his figure, talked to her of amours, plied her with caresses no less insolent than unchaste, and pressed her to grant him what was no longer hers to dispose of, that which, by her vows, she had consecrated to her divine Bridegroom.”
In the mornings the Prioress would recount these nocturnal adventures to her fellow nuns. The tales lost nothing in the telling and, within a very little while, two other young ladies—Sœur Claire de Sazilly (Cardinal Richelieu’s cousin) and another Claire, a lay sister, were also having visions of importunate clergymen and hearing a voice that whispered the most indelicate propositions in their ears.
The next, the determining event in the long series which led at last to the parson’s destruction, was a rather silly practical joke. Devised by a committee of the younger nuns and their older pupils, for the purpose of frightening the babies and the pious and simple-minded elders, the joke was a simple hallowe’en affair of pretended apparitions and poltergeists. The house in which the nuns and their boarders were lodged had a reputation, as we have already seen, for being haunted. Its occupants were therefore well prepared to be terrified when, shortly after the old Canon’s death, a white-sheeted figure was seen to glide about the dormitories. After the first visitation, all doors were carefully bolted; but the phantoms either made their way along the leads and entered through the windows, or else were admitted by their fifth column within the rooms. Clothes were plucked off the beds, faces were touched by icy fingers. Overhead, in the attics, there was a groaning and a rattling of chains. The children screamed; the Reverend Mothers crossed themselves and appealed to St. Joseph. In vain. After a few quiet nights the ghosts would be back again. The school and convent were in a panic.
Seated at his listening post in the confessional, Canon Mignon knew about everything—about the incubi in the cells, about the ghosts in the dormitories, about the practical jokers in the attics. He knew about everything—and suddenly a light dawned and the finger of Providence was manifest. All things, he now perceived, were working together for good. He would work with them. To this end, he reprimanded the jokers, but ordered them to say nothing about their pranks. He instilled a new terror into the victims of those pranks by telling them that the things they had taken for ghosts were more probably devils. And he confirmed the Mother Superior and her fellow visionaries in their hallucinations by assuring them that their nightly visitants were real and manifestly satanic. After which he repaired, with four or five of the parson’s most influential enemies, to M. Trincant’s country house at Puydardane, a league from town. There, before the assembled council of war, he gave an account of what was happening in the convent and showed how the situation might be exploited to Grandier’s disadvantage. The matter was discussed and a plan of campaign, complete with secret weapons, psychological warfare and a supernatural intelligence service, was drawn up. The conspirators parted in the highest of spirits. This time, they all felt, they had him—on toast.
Mignon’s next step was to call on the Carmelites. What he needed was a good exorcist. Could the Reverend Fathers provide one? Enthusiastically the Prior gave him, not one, but three—Fathers Eusèbe de Saint-Michel, Pierre-Thomas de Saint-Charles and Antonin de la Charité. With Mignon, they set to work at once and were so successful in their operations that, within a few days, all except two or three of the oldest nuns were having nightly visits from the parson.
After a time rumours began to leak out of the haunted nunnery, and in a little while it was a matter of common knowledge that the good sisters were all possessed by devils, and that the devils laid the blame for everything on the spritely M. Grandier. The Protestants, as can be imagined, were delighted. That a popish priest had conspired with Satan to debauch an entire convent of Ursulines was almost enough to console them for the fall of La Rochelle.
As for the parson himself, he merely shrugged his shoulders. After all, he had never so much as set eyes on the Prioress and her frantic sisters. What these demented women said about him was merely the product of their malady—melancholy adjust combined with a touch of furor uterinus. Debarred from men, the poor things must needs imagine an incubus. When these remarks were reported to Canon Mignon he only smiled and remarked that he laughs best who laughs last.
Meanwhile the labour of exorcizing all these demoniacs was so great that, after some months of heroic wrestling with the demons
, the Canon had to call for reinforcements. The first to be summoned was Pierre Rangier, the Curé of Veniers, a man who owed his very considerable influence in the diocese and his universal unpopularity to the fact that he had made himself the Bishop’s spy and secret agent. With Rangier participating in the exorcisms, the Canon could feel confident that there would be no scepticism in high places. The possession would be official and orthodox.
To Rangier’s was soon added the collaboration of another priest of a very different stamp. M. Barré, Curé of Saint-Jacques in the neighbouring town of Chinon, was one of those negative Christians to whom the devil is incomparably more real and more interesting than God. He saw the print of cloven hoofs in everything, he recognized Satan’s work in all the odd, all the disastrous, all the too pleasurable events of human life. Enjoying nothing so much as a good tussle with Belial or Beelzebub, he was for ever fabricating and exorcizing demoniacs. Thanks to his efforts, Chinon was full of raving girls, bewitched cows, husbands unable, because of some sorcerer’s malignant spells, to perform their conjugal duties. In his parish nobody could complain that life was uninteresting; what with the Curé and the devil, there was never a dull moment.
Mignon’s invitation was accepted with alacrity, and a few days later Barré arrived from Chinon at the head of a procession formed by a large body of his more fanatical parishioners. To his great disgust he found that, up to this time, the exorcisms had been conducted behind closed doors. To hide one’s light under a bushel—what an idea! Why not give the public a chance to be edified? The doors of the Ursulines’ chapel were thrown open; the mob poured in. At his third attempt, Barré succeeded in sending the Mother Superior into convulsions. “Bereaved of sense and reason,” Sœur Jeanne rolled on the floor. The spectators were delighted, especially when she showed her legs. Finally, after many “violences, vexations, howlings and grindings of teeth, two of which at the back of the mouth were broken,” the devil obeyed the order to leave his victim in peace. The Prioress lay exhausted; M. Barré wiped the sweat from his forehead. And now it was the turn of Canon Mignon and Sœur Claire de Sazilly, of Father Eusebius and the lay sister, of M. Rangier and Sister Gabrielle of the Incarnation. The performance ended only with the ending of the day. The spectators trooped out into the autumnal twilight. It was universally agreed that, not since the coming of those travelling acrobats, with the two dwarfs and the performing bears, had poor old Loudun been treated to such a good show as this. And all free of charge—for of course you didn’t have to put anything in the bag when it was passed round, and if you did give something, a farthing would make as good a jingle as a sixpence.