The Princess helped it, with a stick, to hop into her lunch-basket, and continued on through the Forest, in the direction indicated by the Scorpion. They went deeper and darker into the trees, and began to lose sense of there being paths leading anywhere. The Princess was a little tired, but the creatures kept urging her on, to go on as far as possible before night fell. In the growing gloom she almost put her foot on what looked like a ball of thread, blowing out in the roots of some thorny bushes.
The Princess stopped and bent down. Something was hopelessly entangled in fine black cotton, dragging itself and the knots that trapped it along in the dust. She knelt on the Forest floor and peered, and saw that it was a giant insect, with its legs and its wing-cases and its belly pulled apart by the snarled threads. The Princess, palace-bred, had never seen such a beast.
‘It is a Cockroach,’ observed the Scorpion. ‘I thought cockroaches were too clever and tough to get into this sort of mess.’
‘Those threads are a trap set by the Fowler for singing birds,’ observed the Toad. ‘But he has only caught a giant Cockroach.’
The Princess disentangled some of the trailing ends, but some of the knots cut into the very substance of the creature, and she feared to damage it further. It settled stoically in the dust and let her move it. It did not speak. The Princess said:
‘You had better come with us. We appear to be travelling towards someone who can heal you.’
The Cockroach gave a little shudder. The Princess picked it up, and placed it in the basket with the Scorpion and the Toad, who moved away from it fastidiously. It sat, inert, in its cocoon of black thread and said nothing.
They travelled in this way for several days, deeper into the Forest. The creatures told the Princess where to find a variety of nuts, and herbs, and berries, and wild mushrooms she would never have found for herself. Once, a long way off, they heard what seemed to be a merry human whistling, mixed with bird cries. The Princess was disposed to turn in its direction, but the Scorpion said that the whistler was the Fowler, and his calls were designed to entice unwary birds to fly into his invisible nets and to choke there. The Princess, although she was not a bird, was filled with unreasoning fear at this picture, and followed the Scorpion’s instructions to creep away, deeper into the thornbushes. On another occasion, again at a distance, she heard the high, throaty sound of a horn, which reminded her of the hunting-parties in the Royal Parks, when the young courtiers would bring down deer and hares and flying fowl with their arrows, and the pretty maidens would clap their hands and exclaim. Again she thought of turning in the direction of the sound, and again, the creatures dissuaded her. For the poor Toad, when he heard the note of the horn, went sludge-grey with fear, and began to quake in the basket.
‘That is the Hunter,’ he said, ‘who cut at my crest with his hunting-knife, who travels through the wood with cold corpses of birds and beasts strung together and cast over his shoulder, who will aim at a bright eye in a bush for pure fun, and quench it in blood. You must keep away from him.’ So the Princess plunged deeper still into the thornbushes, though they were tugging at her hair and ripping her dress and scratching her pretty arms and neck.
And one day at noon the Princess heard a loud, clear voice, singing in a clearing, and, peering through a thornbush, saw a tall, brown-skinned man, naked to the waist, with black curly hair, leaning on a long axe, and singing:
Come live with me and be my love
And share my house and share my bed
And you may sing from dawn to dark
And churn the cream and bake the bread
And lie at night in my strong arms
Beneath a soft goosefeather spread.
The Princess was about to come out of hiding-he had such a cheery smile, and such handsome shoulders when a dry little voice in her basket, a voice like curling wood-shavings rustling, added these lines:
And you may scour and sweep and scrub
With bleeding hands and arms like lead
And I will beat your back, and drive
My knotty fists against your head
And sing again to other girls
To take your place, when you are dead.
‘Did you speak?’ the Princess asked the Cockroach in a whisper. And it rustled back:
‘I have lived in his house, which is a filthy place and full of empty beer-casks and broken bottles. He has five young wives buried in the garden, whom he attacked in his drunken rage. He doesn’t kill them, he weeps drunken tears for them, but they lose their will to live. Keep away from the Woodcutter, if you value your life.’
The Princess found this hard to believe of the Woodcutter, who seemed so lively and wholesome. She even thought that it was in the creatures’ interest to prevent her from lingering with other humans, but nevertheless their warning spoke to something in her that wanted to travel onwards, so she crept quietly away again, and the Woodcutter never knew she had heard his song, or seen him standing there, looking so handsome, leaning on his axe.
They went on, and they went on, deeper into the Forest, and the Princess began to hunger most terribly for bread and butter, touched perhaps by the Woodcutter’s song. The berries she ate tasted more and more watery and were harder and harder to find as the Forest grew denser. The Cockroach seemed inanimate, perhaps exhausted by its effort at speech. The Princess felt bound to hurry, in case its life was in danger, and the other creatures complained from time to time of her clumsiness. Then, one evening, at the moment when the sky was taking on its deepest version of the pine-green that had succeeded dark indigo, the Scorpion begged her to stop and settle down for the night, for its tail ached intolerably. And the Toad added its croaking voice, and begged for more water to be poured over it. The Princess stopped and washed the Toad, and arranged a new leaf for the Scorpion, and said:
‘Sometimes I think we shall wander like this, apparently going somewhere, in fact going nowhere, for the rest of our days.’
‘In which case,’ rasped the Scorpion, ‘mine will not be very long, I fear.’
‘I have tried to help,’ said the Princess. ‘But perhaps I should never have left the Road.’
And then the flaky voice was heard again.
‘If you go on, and turn left, and turn left again, you will see. If you go on now.’
So the Princess took up the basket, and put her sandals back on her swollen feet, and went on, and left, and left again. And she saw, through the bushes, a dancing light, very yellow, very warm. And she went on, and saw, at a great distance, at the end of a path knotted with roots and spattered with sharp stones, a window between branches, in which a candle burned steadily. And although she had never in her cosseted life travelled far in the dark, she knew she was seeing, with a huge sense of hope, and warmth and relief, and a minor frisson of fear, what countless benighted travellers had seen before her-though against midnight-blue, not midnight-green-and she felt at one with all those lost homecomers and shelter-seekers.
‘It is not the Woodcutter’s cottage?’ she asked the Cockroach. And it answered, sighing, ‘No, no, it is the Last House, it is where we are going.’
And the Princess went on, running, and stumbling, and hopping, and scurrying, and by and by reached the little house, which was made of mossy stone, with a slate roof over low eaves and a solid wooden door above a white step. There was a good crisp smell of woodsmoke from the chimney. The Princess was suddenly afraid – she had got used to solitude and contriving and going on-but she knocked quickly, and waited.
The door was opened by an old woman, dressed in a serviceable grey dress, with a sharp face covered with intricate fine lines like a spider’s web woven of her history, which was both resolute, thoughtful, and smiling. She had sharp green eyes under hooded, purple lids, and a plaited crown of wonderful shining hair, iron-grey, silver and bright white woven together. When she opened the door the Princess almost fainted for the wonderful smell of baking bread that came out, mingled with other delicious smells, baked apples with c
innamon, strawberry tart, just-burned sugar.
‘We have been waiting for you,’ said the Old Woman. ‘We put the candle in the window for you every night for the last week.’
She took the Princess’s basket, and led her in. There was a good log fire in the chimney, with a bed of scarlet ash, and there was a long white wooden table, and there were chairs painted in dark bright colours, and everywhere there were eyes, catching the light, blinking and shining. Eyes on the mantelpiece, in the clock, behind the plates on the shelves, jet-black eyes, glass-green eyes, huge yellow eyes, amber eyes, even rose-pink eyes. And what the Princess had taken to be an intricate coloured carpet rustled and moved and shone with eyes, and revealed itself to be a mass of shifting creatures, snakes and grasshoppers, beetles and bumblebees, mice and voles and owlets and bats, a weasel and a few praying mantises. There were larger creatures too – cats and rats and badgers and kittens and a white goat. There was a low, peaceful, lively squeaking and scratching of tiny voices, welcoming and exclaiming. In one corner was a spindle and in another was a loom, and the old lady had just put aside a complicated shawl she was crocheting from a rainbow-coloured basket of scraps of wool.
‘One of you needs food,’ said the Old Woman, ‘and three of you need healing.’
So the Princess sat down to good soup, and fresh bread, and fruit tart with clotted cream and a mug of sharp cider, and the Old Woman put the creatures on the table, and healed them in her way. Her way was to make them tell the story of their hurts, and as they told, she applied ointments and drops with tiny feathery brushes and little bone pins, uncurling and splinting the Scorpion’s tail as it rasped out the tale of its injuries, swabbing and stitching the Toad’s wounded head with what looked like cobweb threads, and unknotting the threads that entwined the cockroach with almost invisible hooks and tweezers. Then she asked the Princess for her story, which the Princess told as best she could, living again the moment when she realised she was doomed to fail, imitating the Scorpion’s rasp, and the Toad’s croaking gulp, and the husky whisper of the Cockroach. She brought the dangers of the Forest into the warm fireside, and all the creatures shuddered at the thought of the Hunter’s arrow, the Fowler’s snare and the Woodman’s axe. And the Princess, telling the story, felt pure pleasure in getting it right, making it just so, finding the right word, and even-she went so far-the right gesture to throw shadow-branches and shadow-figures across the flickering firelight and the yellow pool of candlelight on the wall. And when she had finished there was all kinds of applause, harmonious wing-scraping, and claw-tapping, and rustling and chirruping.
‘You are a born storyteller,’ said the old lady. ‘You had the sense to see you were caught in a story, and the sense to see that you could change it to another one. And the special wisdom to recognise that you are under a curse-which is also a blessing-which makes the story more interesting to you than the things that make it up. There are young women who would never have listened to the creatures’ tales about the Woodman, but insisted on finding out for themselves. And maybe they would have been wise and maybe they would have been foolish: that is their story. But you listened to the Cockroach and stepped aside and came here, where we collect stories and spin stories and mend what we can and investigate what we can’t, and live quietly without striving to change the world. We have no story of our own here, we are free, as old women are free, who don’t have to worry about princes or kingdoms, but dance alone and take an interest in the creatures.’
‘But –’ said the Princess, and stopped.
‘But?’
‘But the sky is still green and I have failed, and I told the story to suit myself.’
‘The green is a very beautiful colour, or a very beautiful range of colours, I think,’ said the old lady. ‘Here, it gives us pleasure. We write songs about greenness and make tapestries with skies of every possible green. It adds to the beauty of the newt and the lizard. The Cockroach finds it restful. Why should things be as they always were?’
The Princess did not know, but felt unhappy. And the creatures crowded round to console her, and persuade her to live quietly in the little house, which was what she wanted to do, for she felt she had come home to where she was free. But she was worried about the sky and the other princesses. Then the Cockroach chirped to the old lady:
‘Tell us the rest of the story, tell us the end of the story, of the story the Princess left.’
He was feeling decidedly better already, his segments were eased, and he could bend almost voluptuously.
‘Well,’ said the old lady, ‘this is the story of the eldest Princess. But, as you percipiently observe, you can’t have the story of the eldest, without the stories of the next two, so I will tell you those stories, or possible stories, for many things may and do happen, stories change themselves, and these stories are not histories and have not happened. So you may believe my brief stories about the middle one and the youngest or not, as you choose.’
‘I always believe stories whilst they are being told,’ said the Cockroach.
‘You are a wise creature,’ said the Old Woman. ‘That is what stories are for. And after, we shall see what we shall see.’ So she told.
The brief story of the second Princess
When the second Princess realised that the first was not returning, she too set out, and met identical problems and pleasures, and sat down on the same stone, and realised that she was caught in the same story. But being a determined young woman she decided to outwit the story, and went on, and after many adventures was able to snatch the single silver bird in her nest of branches and return in triumph to her father’s palace. And the old wizard told her that she must light the branches and burn the bird, and although she felt very uneasy about this she was determined to do as she should, so she lit the fire. And the nest and the bird were consumed, and a new glorious bird flew up from the conflagration, and swept the sky with its flaming tail, and everything was blue, as it had once been. And the Princess became Queen when her parents died, and ruled the people wisely, although they grumbled incessantly because they missed the variety of soft and sharp greens they had once been able to see.
The brief story of the third Princess
As for the third Princess, when the bird flamed across the sky, she went into the orchard and thought, I have no need to go on a Quest. I have nothing I must do, I can do what I like. I have no story. And she felt giddy with the empty space around her, a not entirely pleasant feeling. And a frisky little wind got up and ruffled her hair and her petticoats and blew bits of blossom all over the blue sky. And the Princess had the idea that she was tossed and blown like the petals of the cherry-trees. Then she saw an old woman, with a basket, at the gate of the orchard. So she walked towards her and when she got there, the Old Woman told her, straight out,
‘You are unhappy because you have nothing to do.’
So the Princess saw that this was a wise old woman, and answered politely that this was indeed the case.
‘I might help,’ said the Old Woman. ‘Or I might not. You may look in my basket.’
In the basket were a magic glass which would show the Princess her true love, wherever he was, whatever he was doing, and a magic loom, which made tapestries that would live on the walls of the palace chambers as though they were thickets of singing birds, and Forest rides leading to the edge of vision.
‘Or I could give you a thread,’ said the Old Woman, as the Princess hesitated, for she did not want to see her true love, not yet, not just yet, he was the end of stories not begun, and she did not want to make magic Forests, she wanted to see real ones. So she watched the old lady pick up from the grass the end of what appeared to be one of those long, trailing gossamer threads left by baby spiders travelling on the air in the early dawn. But it was as strong as linen thread, and as fine as silk, and when the Old Woman gave it a little tug it tugged tight and could be seen to run away, out of the orchard, over the meadow, into the woods and out of sight.
‘You g
ather it in,’ said the Old Woman, ‘and see where it takes you.’
The thread glittered and twisted, and the Princess began to roll it neatly in, and took a few steps along it, and gathered it, and rolled it into a ball, and followed it, out of the orchard, across the meadow, and into the woods, and … but that is another story.
‘Tell me one thing,’ said the eldest Princess to the Old Woman, when they had all applauded her story. The moon shone in an emerald sky, and all the creatures drowsed and rustled. ‘Tell me one thing. Was that you, ahead of me in the road, in such a hurry?’
‘There is always an old woman ahead of you on a journey, and there is always an old woman behind you too, and they are not always the same, and may be fearful or kindly, dangerous or delightful, as the road shifts, and you speed along it. Certainly I was ahead of you, and behind you too, but not only I, and not only as I am now.’
‘I am happy to be here with you as you are now.’
‘Then that is a good place to go to sleep, and stop telling stories until the morning, which will bring its own changes.’
So they went to bed, and slept until the sun streaked the apple-green horizon with grassy-golden light.
Dragons’ Breath
Dragon, from Die Bilder zur Bibel, Matthäus Merian, 1593–1650
Once upon a time, in a village in a valley surrounded by high mountains, lived a family with two sons and a daughter, whose names were Harry, Jack and Eva. The village was on the lower slopes of the mountains, and in the deep bowl of the valley was a lake, clear as crystal on its shores, and black as ink in its unplumbed centre. Thick pine forests grew in the shadow of the mountain ridges, but the village stood amongst flowery meadows and orchards, and cornfields, not luscious, but sufficient for the needs of the villagers. The peaks of the mountains were inaccessible, with blue ice-shadows and glittering snow-fields. The sides of the mountain were scored with long descending channels, like the furrows of some monstrous plough. In England the circular impressions around certain hills are ascribed to the coiling grip of ancient dragons, and in that country there was a tale that in some primeval time the channels had been cut by the descent of giant worms from the peaks. In the night, by the fire, parents frightened children pleasurably with tales of the flaming, cavorting descent of the dragons.