PRAISE FOR THE WRITING OF ROBIN McKINLEY
The Hero and the Crown
A Newbery Medal winner, an ALA Notable Book, and an ALA Best Book for Young Adults
“Robin McKinley’s Damar books are among the finest sword and sorcery being written today.” —Locus
“Beautifully rendered … McKinley’s battle scenes are galvanizing and her romantic ones stirring, her characterizations have vitality, and her way with animal characters makes them distinct individuals without losing their animality.” —Booklist, starred review
“As richly detailed and elegant as a medieval tapestry … Vibrant, witty, compelling, the story is the stuff of which true dreams are made.” —The Horn Book
“Splendid high fantasy … Filled with tender moments, good characters, satisfying action and sparkling dialogue … Superb!” —School Library Journal, starred review
“Refreshing … Haunting … An utterly engrossing fantasy!” —The New York Times
The Outlaws of Sherwood
“McKinley brings to the Robin Hood legend a robustly romantic view. She renders it anew by fully developing the background and motive of each member of the merry band.… She presents a solid piece of tale-weaving, ingenious and ingenuous, causing readers to suspend belief willingly for a rousing good time.” —Publishers Weekly
“Readers ready to think beyond stereotypes of glorious violence will find [this] Robin a hero for our times.” —Booklist
Beauty
An ALA Notable Children’s Book
“A splendid story.” —Publishers Weekly
“A captivating novel.” —Booklist
The Door in the Hedge
“She knows her geography of fantasy, the nuances of the language, the atmosphere of magic where running deer become beautiful maidens and frogs handsome princes.” —The Washington Post
A Knot in the Grain
“The strange, rich magic of fairy tales is amplified and made highly personal in five stories by Newbery Medalist McKinley. A pragmatic, unapologetic feminism infuses each tale: while McKinley’s adventurous heroines certainly do not eschew love, neither do they pine after princes and castles. Instead, each of these down-to-earth young women actively seeks a partner—however unusual—who suits her. A thrilling, satisfying and thought-provoking collection.” —Publishers Weekly
The Door in the Hedge
and Other Stories
Robin McKinley
CONTENTS
THE STOLEN PRINCESS
THE PRINCESS AND THE FROG
THE HUNTING OF THE HIND
THE TWELVE DANCING PRINCESSES
ABOUT THE AUTHOR
The Stolen Princess
PROLOGUE
THE LAST mortal kingdom before the unmeasured sweep of Faerieland begins has at best held an uneasy truce with its unpredictable neighbor. There is nothing to show a boundary, at least on the mortal side of it; and if any ordinary human creature ever saw a faerie—or at any rate recognized one—it was never mentioned; but the existence of the boundary and of faeries beyond it is never in doubt either.
The people who live in those last lands are a little special themselves, and either they breed true or the children grow up and leave for less suspenseful countryside. Those who do leave are rarely heard from again, and then only in stiff or hasty letters written to assure friends and family of their well-being; they never return in person. But some of those who leave remember what they have left; and the memories are not all taken up with things that go bump in the night (which are never faeries, who know better than to make noise) or the feeling of being watched while standing at the center of a wide, sunny, sweet-smelling meadow and spinning helplessly in your tracks seeking for the shadow that is always behind you. For much of that watchfulness is friendly: if you lie down by the side of a brook and fall asleep, the murmuring water sends pleasant dreams of love and courage; and if a child loses its way in a forest, it finds its way out again before it is anything more than tired and scratched and cross and hungry.
And there are years when no babies at all are stolen from their cradles, and new mothers laugh, and grandparents gloat, and new fathers spin fabulous dreams of future greatness and trip over their own feet. But there are also years when expectant mothers go about with white faces and dread the arrival of what they most want, and the fathers listen anxiously for a child’s first cry, but are not soothed when finally they hear it. And the father’s first question, as is the way of fathers everywhere, is “A boy or a girl?” But his reasons, in this last country, are a little different. The faeries always choose boy babies.
The story is still told that once, perhaps a century ago, or perhaps two, a five-weeks girl was snatched away through a window her parents knew only too well that they had bolted carefully from the inside. But after two days—or rather, nights, for all immortal thievery occurs in the dark hours—the baby was returned.
There was never any question of a changeling. The whole silly idea of changelings was invented by lazy parents too far inland for any faintest whiff of faerie shores to have reached them; parents who cannot think of any other reason why their youngest, or middle, or eldest, or next-to-somethingest child should be so regrettable; they know they aren’t to blame.
So there was no shadow in these parents’ overjoyed minds. But they were good people, and thoughtful, and after telling everyone they knew just once about the miraculous return, they never mentioned it again. Except once to the girl herself when she was almost grown; and she nodded, and looked thoughtful, but said nothing; and the uneasy dreams she had had for as long as she could remember, about impossible things that insisted that they were to be believed, stopped abruptly. She never mentioned the dreams to anyone either. Loose talk about faeries, dreams, and impossible things was not encouraged. It might be dangerous.
Six weeks after the little girl’s marvelous adventure a family that lived only two streets over from her family lost its baby—a boy. He was the third child: he had two older sisters. He was not returned; nothing was ever heard of him again.
That was always the way of it. Nothing was ever again heard of the lost children; that was what, in the end, made it so terrible. The little girl who was returned seemed none the worse for wear; but then she had only been gone two days, and since she had been brought back she must have been a mistake. There was some thought, rarely mentioned aloud, that the fact that the faeries treated their mistakes kindly, or at least had been generous enough to bring this particular one back, was a good omen for the treatment of those they kept. It was this idea, persisting in the backs of people’s minds, that made the retelling of the story of the baby that was returned so common. It was all the comfort they had. What happened to all the other ones, the ones that disappeared forever?
But the parents of girls are not to be envied either. A boy, if he survives his first year, is safe. It is the girls who at last have the harder time of it, because it is when they reach their early blush of womanly beauty, between the ages, say, of sixteen and nineteen—it is then that they are in danger. And as it is the strong, handsome, happy boys that are taken, so it is the wisest and most beautiful girls—the girls who come home early from the parties they most enjoy, and leave their friends desolate behind them, because they know their parents are worrying at their being out so late; the same girls who never themselves think about being stolen because they have far too much else to do with their time and talents.
If a girl reaches twenty, she may breathe easier and think about marrying. But she has arrived safely at the cost of the cheerful carelessness of her youth; and it is too late for her to regain it now.
But the land was a good
land, and its true people could not desert it, for they loved it; and it seemed that the land loved them in return; even if there were those who found the land’s curious awareness of the people who stood or walked upon it disquieting. And sometimes even those who had been born and raised there left to find some country that would not keep them awake at night with its silence. Perhaps, bordering Faerieland, as it did, the touch of immortality made this land richer, more beautiful even than it might otherwise have been; and perhaps that touch lay gently on the people themselves. But for whatever reason, the land had been lived in for hundreds of years, and the people built their houses and barns and shops, and tilled their fields, and worked at their crafts, and married and … had children.
There was some commerce between them and less enchanted countries, and it was often observed that if you dared buy anything from that land, it lasted longer or tasted better or was more beautiful than its like from other origins; but the market for these things was limited because the commoner sort of mortal often found that things from that last land were a little hard to live with. They preyed on your mind; you had the feeling that they were breathing if you turned your back on them. Even a loaf of bread from that strange wheat could give you uncanny dreams—or insights into your neighbor all the more unnerving because they were accurate.
But its true people didn’t care; and as some left it, others came, having tasted its wine, perhaps, or worn a cloak woven from its flax, and felt themselves somehow transformed, if only a little bit—just enough to make them restless, enough to make them come and see the strange living land themselves. And some of these looked long, and settled; and it, whatever it was, crept into the eyes of those who stayed, and into their blood, so they could not bear the thought of leaving, whatever dooms might hang over them if they remained.
There was something else, never discussed, and shunned even in the farthest secret reaches of the mind, but still present. No family was ever ended by the faeries’ attentions. The first-born were rarely taken; usually they were the second- or third- or fourth-born. And never more than one child from a family disappeared, even if the entire family was spectacular in its beauty and charm and general desirability. This meant that the worst never quite happened; the spirit and will were never quite broken. And in that uncommonly beautiful land, living under that particular sky, it was difficult if not impossible not to recover from almost anything but death itself.
But this narrow boon, this last hope not quite betrayed, was not talked about—not because of the simple dreadfulness of being grateful that only one child is forfeit. No, there was something else which cut even deeper: the omniscience indicated by the faeries’ choice. First children were, in fact, sometimes taken, and how could the invisible thieves know in advance that more children would be born? Or that some sudden sickness would not take away the one or two that remained? But these things never happened; the faeries always knew. It wasn’t something that those who had to live with it found themselves capable of thinking about. There were always the other things to think about, the good things.
Perhaps it came out even in the end; perhaps even a little better than even. The land was peaceful, and evidently always had been; even the history books could recount no wars. When there were storms at harvest time or sullen wet springs when the seeds died underground, somehow there was always just enough left to get everyone through the winter. And childless couples who desperately wanted children did eventually have one—or perhaps two; and if the faeries snatched one, they were still one better off than they had once feared they would remain. And so the years passed, and one generation gave way to the next, and the oldest trees in the oldest forests grew a little taller and a little thicker still; and the fireside tales of a family became the legends of a country.
But that same time that changed a quiet story into a far-striding legend changed also the people who told and retold it. The world turned, and new stories rose up, and the legends of the old days faltered a little, or turned themselves in their course to keep up with the lives of their people, and the lives of great-grandchildren of those they had first known. Perhaps even the immortal ones beyond the borders of this last land felt the change in some fashion: for that they ventured at all, and for whatever reason, into mortal realms risked them to some sense of mortal lives and cares. Perhaps.
PART ONE
THE FAERIES had never been much noted for stealing members of the royal family of that last kingdom, perhaps because that family was more noted for its political acumen and a rather ponderous awareness of its own importance than for lightness of foot and spirit or beauty of face and form. But the current Queen’s own sister, her twin sister, on the eve of their seventeenth birthday, had been stolen; and the Queen herself had never quite gotten over it. Or so everyone else thought: the Queen tried not to think of it at all.
The twins had been their royal parents’ only children, and they were as beautiful as dawn, as spring, as your favorite poem and your first love: as beautiful as the rest of their family—aunts, uncles, cousins, and cousins-several-times-removed—were kind and stuffy and inclined to stoutness. The twins were kind, too, probably as kind as they were beautiful, which could not have been said of their worthy but plump parents.
Alora was the eldest by about half an hour, and so it was understood that she would eventually be Queen; but this cast no shadow between her and Ellian her sister, as you knew at once when you saw them together. And they were always together. Alora was fair and Ellian dark; it was easy to tell them apart with your eyes open. But with your eyes shut, it was impossible: they both had the same husky, slightly breathless voice, and they thought so much alike that you could expect the same comment from either of them. The people loved them; loved them so much that no one felt the desire to indulge in a preference for one sister over the other.
Not that they were stupidly interchangeable. They understood that the sympathy between them was so great that it left them quite free: and so Alora played the flute, and Ellian the harp; Ellian preferred horseback riding and Alora bathing in the lake, where she could outswim many of the fish, while Ellian paddled and floated and got her hair in her eyes and laughed. Alora could sing and Ellian could not. And each wore clothes that suited her individual coloring best; they made no mistakes here. But while they each rode a white mare on state occasions, Ellian’s had fire in its eye and a curl to its lip, while Alora had to wear spurs to keep hers from falling asleep.
They slept in the same room, their tall canopied princesses’ beds each pushed under a tall mullioned window. The room was large enough for both of them and their ladies-in-waiting and their royal robes not to get too severely in one another’s way when they were dressing for a high court dinner, but not so large that they could not whisper to each other when they should have been asleep, and not lose the whispers into the high carved ceiling and the deep rugs and curtains. And so it was that when Alora opened her eyes on her seventeenth birthday and saw the sun shining as though he were convinced that this was the finest day he had ever seen and he must make the most of it, she looked across the room to her sister’s bed and found it empty. She knew at once what had happened, although neither of them had ever thought of it before. If Ellian had gone out early, she would have awakened her sister first, in case she would like to accompany her—as Alora would have. They always accompanied each other. The little blue flowers called faeries’-eyes scattered across the coverlet were not more dreadful to her now than the fact of the empty bed itself.
A few minutes later when they found her, Alora was curled up on her sister’s bed, weeping silently and hopelessly into her sister’s pillow. When they lifted her up, they were surprised by a faint mysterious smell from the bruised flowers she had lain upon. The ladies bundled the coverlet up, flowers and all, and took it away, and burnt it.
The Queen and the ladies-in-waiting cried and wailed till the whole palace was infected, and the people who were gathered in the palace courtyard ready to cheer the ope
ning festivities of the Princesses’ birthday groaned aloud when they heard the news, given by the King himself with tears running down his face; and many wept as bitterly as Alora herself as they went their sorry ways homeward.
But while everyone else was sorry, they also at last shook themselves out of it and went on with their lives. Alora did not. She felt that she had only half a life left, and that a pale and quiet one. Her worried parents decided that perhaps the best thing to do for her was to marry her off quickly and let her begin housekeeping; it might also remind her of her responsibilities. She would be Queen someday, and her current listlessness would not do at all in a monarch. Her betrothed was willing—it was no state marriage of convenience for him: he had been desperately in love with her for three years, since she had first smiled at him, and was even unhappier than her parents that she smiled no more—and she was, well, she was fond of him and supposed she didn’t mind. He was a cousin, but so many times removed that while he was indisputably kind, he was neither stout nor pompous; and in her weaker moments she thought he was quite handsome; and in her official moments she thought he would make a good king. They were married on her eighteenth birthday—it helped to cover up what had happened just a year ago—and he had just turned thirty.
She did pick up a bit after she was married. She never became exactly lively again, but then she was also getting older. Her smiles came more easily, and to her own surprise, she fell in love with her earnest young husband. He had known full well when his marriage proposal had been officially offered and officially accepted that Alora thought of him vaguely as a nice man and she did have to marry someone suitable. He also realized without false modesty that as available royalty went, he was a bargain. Not only did he not wear a corset nor have a red nose, he did have a sense of humor.