I remember feeling hugely sleepy that night, and went to bed earlier than usual, to pass rather a broken night with stretches of dreamless sleep interspersed with startled awakenings, in which I passed very suddenly into complete consciousness. Sometimes the house was absolutely still, and the only sound to be heard was the sighing of the night breeze outside in the pines, but sometimes the place seemed full of muffled movements and once I could have sworn that the handle of my door turned. That required verification, and I lit my candle, but found that my ears must have played me false. Yet even as I stood there, I thought I heard steps just outside, and with a considerable qualm, I must confess, I opened the door and looked out. But the gallery was quite empty, and the house quite still. Then from Jack’s room opposite I heard a sound that was somehow comforting, the snorts of the snorer, and I went back to bed and slept again, and when next I woke, morning was already breaking in red lines on the horizon, and the sense of trouble that had been with me ever since last evening had gone.
Heavy rain set in after lunch next day, and as I had arrears of letter-writing to do, and the water was soon both muddy and rising, I came home alone about five, leaving Jack still sanguine by the stream, and worked for a couple of hours sitting at a writing-table in the room overlooking the gravel at the front of the house, where hung the water-colours. By seven I had finished, and just as I got up to light candles, since it was already dusk, I saw, as I thought, Jack’s figure emerge from the bushes that bordered the path to the stream, on to the space in front of the house. Then instantaneously and with a sudden queer sinking of the heart quite unaccountable, I saw that it was not Jack at all, but a stranger. He was only some six yards from the window, and after pausing there a moment he came close up to the window, so that his face nearly touched the glass, looking intently at me. In the light from the freshly-kindled candles I could distinguish his features with great clearness, but though, as far as I knew, I had never seen him before, there was something familiar about both his face and figure. He appeared to smile at me, but the smile was one of inscrutable evil and malevolence, and immediately he walked on, straight towards the house door opposite him, and out of sight of the sitting-room window.
Now, little though I liked the look of the man, he was, as I have said, familiar to my eye, and I went out into the hall, since he was clearly coming to the front door, to open it to him and learn his business. So without waiting for him to ring, I opened it, feeling sure I should find him on the step. Instead, I looked out into the empty gravel-sweep, the heavy-falling rain, the thick dusk.
And even as I looked, I felt something that I could not see push by me through the half-opened door and pass into the house. Then the stairs creaked, and a moment after a bell rang.
Franklyn is the quickest man to answer a bell I have ever seen, and next instant he passed me going upstairs. He tapped at Jack’s door, entered and then came down again.
“Mr. Jack still out, sir?” he asked.
“Yes. His bell ringing again?”
“Yes, sir,” said Franklyn, quite imperturbably.
I went back into the sitting-room, and soon Franklyn brought a lamp. He put it on the table above which hung the careful and curious picture of the brick-kiln, and then with a sudden horror I saw why the stranger on the gravel outside had been so familiar to me. In all respects he resembled the figure that peered into the kiln; it was more than a resemblance, it was an identity.
And what had happened to this man who had inscrutably and evilly smiled at me? And what had pushed in through the half-closed door?
At that moment I saw the face of Fear; my mouth went dry, and I heard my heart leaping and cracking in my throat. That face was only turned on me for a moment, and then away again, but I knew it to be the genuine thing; not apprehension, not foreboding, not a feeling of being startled, but Fear, cold Fear. And then though nothing had occurred to assuage the Fear, it passed, and a certain sort of reason usurped—for so I must say—its place. I had certainly seen somebody on the gravel outside the house; I had supposed he was going to the front door. I had opened it, and found he had not come to the front door. Or—and once again the terror resurged—had the invisible pushing thing been that which I had seen outside? And if so, what was it? And how came it that the face and figure of the man I had seen were the same as those which were so scrupulously painted in the picture of the brick-kiln?
I set myself to argue down the Fear for which there was no more foundation than this, this and the repetition of the ringing bell, and my belief is that I did so. I told myself, till I believed it, that a man—a human man—had been walking across the gravel outside, and that he had not come to the front door but had gone, as he might easily have done, up the drive into the high-road.
I told myself that it was mere fancy that was the cause of the belief that Something had pushed in by me, and as for the ringing of the bell, I said to myself, as was true, that this had happened before. And I must ask the reader to believe also that I argued these things away, and looked no longer on the face of Fear itself. I was not comfortable, but I fell short of being terrified.
I sat down again by the window looking on to the gravel in front of the house, and finding another letter that asked, though it did not demand, an answer, proceeded to occupy myself with it. Straight in front led the drive through the gap in the pines, and passed through the field where lay the brick-kiln. In a pause of page-turning I looked up and saw something unusual about it; at the same moment an unusual smell came to my nostril. What I saw was smoke coming out of the chimney of the kiln, what I smelt was the odour of roasting meat. The wind—such as there was—set from the kiln to the house. But as far as I knew the smell of roast meat probably came from the kitchen where dinner, so I supposed, was cooking. I had to tell myself this: I wanted reassurance, lest the face of Fear should look whitely on me again.
Then there came a crisp step on the gravel, a rattle at the front door, and Jack came in.
“Good sport,” he said, “you gave up too soon.”
And he went straight to the table above which hung the picture of the man at the brick-kiln, and looked at it. Then there was silence; and eventually I spoke, for I wanted to know one thing.
“Seen anybody?” I asked.
“Yes. Why do you ask?”
“Because I have also; the man in that picture.”
Jack came and sat down near me.
“It’s a ghost, you know,” he said. “He came down to the river about dusk and stood near me for an hour. At first I thought he was real—was real, and I warned him that he had better stand further off if he didn’t want to be hooked. And then it struck me he wasn’t real, and I cast, well, right through him, and about seven he walked up towards the house.”
“Were you frightened?”
“No. It was so tremendously interesting. So you saw him here too. Whereabouts?”
“Just outside. I think he is in the house now.”
Jack looked ’round.
“Did you see him come in?” he asked.
“No, but I felt him. There’s another queer thing too; the chimney of the brick-kiln is smoking.”
Jack looked out of the window. It was nearly dark, but the wreathing smoke could just be seen.
“So it is,” he said, “fat, greasy smoke. I think I’ll go up and see what’s on. Come too?”
“I think not,” I said.
“Are you frightened? It isn’t worth while. Besides, it is so tremendously interesting.”
Jack came back from his little expedition still interested. He had found nothing stirring at the kiln, but though it was then nearly dark the interior was faintly luminous, and against the black of the sky he could see a wisp of thick white smoke floating northwards. But for the rest of the evening we neither heard nor saw anything of abnormal import, and the next day ran a course of undisturbed hours. Then suddenly a hellish activity was manifested.
That night, while I was undressing for bed, I heard a bell ring f
uriously, and I thought I heard a shout also. I guessed where the ring came from, since Franklyn and his wife had long ago gone to bed, and went straight to Jack’s room. But as I tapped at the door I heard his voice from inside calling loud to me. “Take care,” it said, “he’s close to the door.”
A sudden qualm of blank fear took hold of me, but mastering it as best I could, I opened the door to enter, and once again something pushed softly by me, though I saw nothing.
Jack was standing by his bed, half-un—I saw him wipe his forehead with the back of his hand.
“He’s been here again,” he said. “I was standing just here, a minute ago, when I found him close by me. He came out of the inner room, I think. Did you see what he had in his hand?”
“I saw nothing.”
“It was a knife; a great long carving knife. Do you mind my sleeping on the sofa in your room tonight? I got an awful turn then. There was another thing too. All ’round the edge of his clothes, at his collar and at his wrists, there were little flames playing, little white licking flames.” But next day, again, we neither heard nor saw anything, nor that night did the sense of that dreadful presence in the house come to us. And then came the last day. We had been out till it was dark, and as I said, had a wonderful day among the fish. On reaching home we sat together in the sitting-room, when suddenly from overhead came a tread of feet, a violent pealing of the bell, and the moment after yell after yell as of someone in mortal agony. The thought occurred to both of us that this might be Mrs. Franklyn in terror of some fearful sight, and together we rushed up and sprang into Jack’s bedroom.
The doorway into the room beyond was open, and just inside it we saw the man bending over some dark huddled object. Though the room was dark we could see him perfectly, for a light stale and impure seemed to come from him. He had again a long knife in his hand, and as we entered he was wiping it on the mass that lay at his feet. Then he took it up, and we saw what it was, a woman with head nearly severed. But it was not Mrs. Franklyn.
And then the whole thing vanished, and we were standing looking into a dark and empty room. We went downstairs without a word, and it was not till we were both in the sitting-room below that Jack spoke.
“And he takes her to the brick-kiln,” he said rather unsteadily.
“I say, have you had enough of this house? I have. There is hell in it.”
About a week later Jack put into my hand a guide-book to Sussex open at the description of Trevor Major, and I read:
“Just outside the village stands the picturesque manor house, once the home of the artist and notorious murderer, Francis Adam. It was here he killed his wife, in a fit, it is believed, of groundless jealousy, cutting her throat and disposing of her remains by burning them in a brick-kiln.”
“Certain charred fragments found six months afterwards led to his arrest and execution.”
So I prefer to leave the house with the brick-kiln and the pictures signed F. A. to others.
OUTSIDE THE DOOR
The rest of the small party staying with my friend Geoffrey Aldwych in the charming old house which he had lately bought at a little village north of Sheringham on the Norfolk coast had drifted away soon after dinner to bridge and billiards, and Mrs. Aldwych and myself had for the time been left alone in the drawing-room, seated one on each side of a small round table which we had very patiently and unsuccessfully been trying to turn. But such pressure, psychical or physical, as we had put upon it, though of the friendliest and most encouraging nature, had not overcome in the smallest degree the very slight inertia which so small an object might have been supposed to possess, and it had remained as fixed as the most constant of the stars. No tremor even had passed through its slight and spindle-like legs. In consequence we had, after a really considerable period of patient endeavour, left it to its wooden repose, and proceeded to theorise about psychical matters instead, with no stupid table to contradict in practice all our ideas on the subject.
This I had added with a certain bitterness born of failure, for if we could not move so insignificant an object, we might as well give up all idea of moving anything. But hardly were the words out of my mouth when there came from the abandoned table a single peremptory rap, loud and rather startling.
“What’s that?” I asked.
“Only a rap,” said she. “I thought something would happen before long.”
“And do you really think that is a spirit rapping?” I asked.
“Oh dear no. I don’t think it has anything whatever to do with spirits.”
“More perhaps with the very dry weather we have been having. Furniture often cracks like that in the summer.”
Now this, in point of fact, was not quite the case. Neither in summer nor in winter have I ever heard furniture crack as the table had cracked, for the sound, whatever it was, did not at all resemble the husky creak of contracting wood. It was a loud sharp crack like the smart concussion of one hard object with another.
“No, I don’t think it had much to do with dry weather either,” said she, smiling. “I think, if you wish to know, that it was the direct result of our attempt to turn the table. Does that sound nonsense?”
“At present, yes,” said I, “though I have no doubt that if you tried you could make it sound sense. There is, I notice, a certain plausibility about you and your theories—”
“Now you are being merely personal,” she observed.
“For the good motive, to goad you into explanations and enlargements. Please go on.”
“Let us stroll outside, then,” said she, “and sit in the garden, if you are sure you prefer my plausibilities to bridge. It is deliciously warm, and—”
“And the darkness will be more suitable for the propagation of psychical phenomena. As at séances,” said I.
“Oh, there is nothing psychical about my plausibilities,” said she. “The phenomena I mean are purely physical, according to my theory.”
So we wandered out into the transparent half light of multitudinous stars. The last crimson feather of sunset, which had hovered long in the West, had been blown away with the breath of the night wind, and the moon, which would presently rise, had not yet cut the dim horizon of the sea, which lay very quiet, breathing gently in its sleep with stir of whispering ripples. Across the dark velvet of the close-cropped lawn, which stretched seawards from the house, blew a little breeze full of the savour of salt and the freshness of night, with, every now and then, a hint so subtly conveyed as to be scarcely perceptible of its travel across the sleeping fragrance of drowsy garden-beds, over which the white moths hovered seeking their night-honey. The house itself, with its two battlemented towers of Elizabethan times, gleamed with many windows, and we passed out of sight of it, and into the shadow of a box-hedge, clipped into shapes and monstrous fantasies, and found chairs by the striped tent at the top of the sheltered bowling-alley.
“And this is all very plausible,” said I. “Theories, if you please, at length, and, if possible, a full length illustration also.”
“By which you mean a ghost-story, or something to that effect?”
“Precisely: and, without presuming to dictate, if possible, firsthand.”
“Oddly enough, I can supply that also,” said she. “So first I will tell you my general theory, and follow it by a story that seems to bear it out. It happened to me, and it happened here.”
“I am sure it will fill the bill,” said I.
She paused a moment while I lit a cigarette, and then began in her very clear, pleasant voice.
She has the most lucid voice I know, and to me sitting there in the deep-dyed dusk, the words seemed the very incarnation of clarity, for they dropped into the still quiet of the darkness, undisturbed by impressions conveyed to other senses.
“We are only just beginning to conjecture,” she said, “how inextricable is the interweaving between mind, soul, life—call it what you will—and the purely material part of the created world. That such interweaving existed has, of course, be
en known for centuries; doctors, for instance, knew that a cheerful optimistic spirit on the part of their patients conduced towards recovery; that fear, the mere emotion, had a definite effect on the beat of the heart, that anger produced chemical changes in the blood, that anxiety led to indigestion, that under the influence of strong passion a man can do things which in his normal state he is physically incapable of performing. Here we have mind, in a simple and familiar manner, producing changes and effects in tissue, in that which is purely material. By an extension of this—though, indeed, it is scarcely an extension—we may expect to find that mind can have an effect, not only on what we call living tissue, but on dead things, on pieces of wood or stone. At least it is hard to see why that should not be so.”
“Table-turning, for instance?” I asked.
“That is one instance of how some force, out of that innumerable cohort of obscure mysterious forces with which we human beings are garrisoned, can pass, as it is constantly doing, into material things. The laws of its passing we do not know; sometimes we wish it to pass and it does not. Just now, for instance, when you and I tried to turn the table, there was some impediment in the path, though I put down that rap which followed as an effect of our efforts. But nothing seems more natural to my mind than that these forces should be transmissible to inanimate things. Of the manner of its passing we know next to nothing, any more than we know the manner of the actual process by which fear accelerates the beating of the heart, but as surely as a Marconi message leaps along the air by no visible or tangible bridge, so through some subtle gateway of the body these forces can march from the citadel of the spirit into material forms, whether that material is a living part of ourselves or that which we choose to call inanimate nature.” She paused a moment.
“Under certain circumstances,” she went on, “it seems that the force which has passed from us into inanimate things can manifest its presence there. The force that passes into a table can show itself in movements or in noises coming from the table. The table has been charged with physical energy. Often and often I have seen a table or a chair move apparently of its own accord, but only when some outpouring of force, animal magnetism—call it what you will—has been received by it. A parallel phenomenon to my mind is exhibited in what we know as haunted houses, houses in which, as a rule, some crime or act of extreme emotion or passion has been committed, and in which some echo or re-enactment of the deed is periodically made visible or audible. A murder has been committed, let us say, and the room where it took place is haunted. The figure of the murdered, or less commonly of the murderer, is seen there by sensitives, and cries are heard, or steps run to and fro. The atmosphere has somehow been charged with the scene, and the scene in whole or part repeats itself, though under what laws we do not know, just as a phonograph will repeat, when properly handled, what has been said into it.”