Machmout squatted himself comfortably in the corner, and I gave him the piece of black American cloth. As some minutes must elapse before he gets into the hypnotic state in which the visions begin, I strolled out on to the balcony for coolness. It was the hottest night we had yet had, and though the sun had set three hours, the thermometer still registered close on 100º.
Above, the sky seemed veiled with grey, where it should have been dark velvety blue, and a fitful puffing wind from the south threatened three days of the sandy intolerable khamseen. A little way up the street to the left was a small café in front of which were glowing and waning little glowworm specks of light from the water pipes of Arabs sitting out there in the dark. From inside came the click of brass castanets in the hands of some dancing-girl, sounding sharp and precise against the wailing bagpipe music of the strings and pipes which accompany these movements which Arabs love and Europeans think so unpleasing. Eastwards the sky was paler and luminous, for the moon was imminently rising, and even as I looked the red rim of the enormous disc cut the line of the desert, and on the instant, with a curious aptness, one of the Arabs outside the café broke out into that wonderful chant—“I cannot sleep for longing for thee, 0 full moon.
Far is thy throne over Mecca, slip down, 0 beloved, to me.”
Immediately afterwards I heard the piping monotone of Machmout’s voice begin, and in a moment or two I went inside.
We have found that the experiments gave the quickest result by contact, a fact which confirmed Weston in his explanation of them by thought transference of some elaborate kind, which I confess I cannot understand. He was writing at a table in the window when I came in, but looked up.
“Take his hand,” he said; “at present he is quite incoherent.”
“Do you explain that?” I asked.
“It is closely analogous, so Myers thinks, to talking in sleep. He has been saying something about a tomb. Do make a suggestion, and see if he gives it right. He is remarkably sensitive, and he responds quicker to you than to me. Probably Abdul’s funeral suggested the tomb!”
A sudden thought struck me.
“Hush!” I said, “I want to listen.”
Machmout’s head was thrown a little back, and he held the hand in which was the piece of cloth rather above his face. As usual he was talking very slowly, and in a high staccato voice, absolutely unlike his usual tones.
“On one side of the grave,” he pipes, “is a tamarisk tree, and the green beetles make fantasia about it. On the other side is a mud wall. There are many other graves about, but they are all asleep. This is the grave, because it is awake, and it moist and not sandy.”
“I thought so,” said Weston. “It is Abdul’s grave he is talking about.”
“There is a red moon sitting on the desert,” continued Machmout, “and it is now. There is the puffing of khamseen, and much dust coming. The moon is red with dust, and because it is low.”
“Still sensitive to external conditions,” said Weston. “That is rather curious. Pinch him, will you?”
I pinched Machmout; he did not pay the slightest attention.
“In the last house of the street, and in the doorway stands a man. Ah! ah!” cried the boy.suddenly, “it is the Black Magic he knows. Don’t let him come. He is going out of the house,” he shrieked, “he is coming—no, he is going the other way towards the moon and the grave. He has the Black Magic with him, which can raise the dead, and he has a murdering knife, and a spade. I cannot see his face, for the Black Magic is between it and my eyes.”
Weston had got up, and, like me, was hanging on Machmout’s words.
“We will go there,” he said. “Here is an opportunity of testing it. Listen a moment.”
“He is walking, walking, walking,” piped Machmout, “still walking to the moon and the grave. The moon sits no longer on the desert, but has sprung up a little way.”
I pointed out of the window.
“That at any rate is true,” I said.
Weston took the cloth out of Machmout’s hand, and the piping ceased. In a moment he stretched himself, and rubbed his eyes.
“Khalás,” he said.
“Yes, it is Khalás.”
“Did I tell you of the sitt in England?” he asked.
“Yes, oh, yes,” I answered; “thank you, little Machmout. The White Magic was very good tonight.
Get you to bed.”
Machmout trotted obediently out of the room, and Weston closed the door after him.
“We must be quick,” he said. “It is worth while going and giving the thing a chance, though I wish he had seen something less gruesome. The odd thing is that he was not at the funeral, and yet he describes the grave accurately. What do you make of it?”
“I make that the White Magic has shown Machmout that somebody with black magic is going to Abdul’s grave, perhaps to rob it,” I answered resolutely.
“What are we to do when we get there?” asked Weston.
“See the Black Magic at work. Personally I am in a blue funk. So are you.”
“There is no such thing as Black Magic,” said Weston. “Ah, I have it. Give me that orange.”
Weston rapidly skinned it, and cut from the rind two circles as big as a five shilling piece, and two long, white fangs of skin. The first he fixed in his eyes, the two latter in the corners of his mouth.
“The Spirit of Black Magic?” I asked.
“The same.”
He took up a long black burnous and wrapped it ’round him. Even in the bright lamp light, the spirit of black magic was a sufficiently terrific personage.
“I don’t believe in black magic,” he said, “but others do. If it is necessary to put a stop to—to anything that is going on, we will hoist the man on his own petard. Come along. Whom do you suspect it is—I mean, of course, who was the person you were thinking of when your thoughts were transferred to Machmout.”
“What Machmout said,” I answered, “suggested Achmet to me.”
Weston indulged in a laugh of scientific incredulity, and we set off.
The moon, as the boy had told us, was just clear of the horizon, and as it rose higher, its colour at first red and sombre, like the blaze of some distant conflagration, paled to a tawny yellow. The hot wind from the south, blowing no longer fitfully but with a steadily increasing violence, was thick with sand, and of an incredibly scorching heat, and the tops of the palm trees in the garden of the deserted hotel on the right were lashing themselves to and fro with a harsh rattle of dry leaves. The cemetery lay on the outskirts of the village, and, as long as our way lay between the mud walls of the huddling street, the wind came to us only as the heat from behind closed furnace doors. Every now and then with a whisper and whistle rising into a great buffeting flap, a sudden whirlwind of dust would scour some twenty yards along the road, and then break like a shore-quenched wave against one or other of the mud walls or throw itself heavily against a house and fall in a shower of sand. But once free of obstructions we were opposed to the full heat and blast of the wind which blew full in our teeth. It was the first summer khamseen of the year, and for the moment I wished I had gone north with the tourist and the quail and the billiard marker, for khamseen fetches the marrow out of the bones, and turns the body to blotting paper.
We passed no one in the street, and the only sound we heard, except the wind, was the howling of moonstruck dogs.
The cemetery is surrounded by a tall mud-built wall, and sheltering for a few moments under this we discussed our movements. The row of tamarisks close to which the tomb lay went down the centre of the graveyard, and by skirting the wall outside and climbing softly over where they approached it, the fury of the wind might help us to get near the grave without being seen, if anyone happened to be there. We had just decided on this, and were moving on to put the scheme into execution, when the wind dropped for a moment, and in the silence we could hear the chump of the spade being driven into the earth, and what gave me a sudden thrill of intimate.horro
r, the cry of the carrion-feeding hawk from the dusky sky just overhead.
Two minutes later we were creeping up in the shade of the tamarisks, to where Abdul had been buried. The great green beetles which live on the trees were flying about blindly, and once or twice one dashed into my face with a whirr of mail-dad wings. When we were within some twenty yards of the grave we stopped for a moment, and, looking cautiously out from our shelter of tamarisks, saw the figure of a man already waist deep in the earth, digging out the newly turned grave. Weston, who was standing behind me, had adjusted the characteristics of the spirit of Black Magic so as to be ready for emergencies, and turning ’round suddenly, and finding myself unawares face to face with that realistic impersonation, though my nerves are not precariously strong, I could have found it within me to shriek aloud. But that unsympathetic man of iron only shook with suppressed laughter, and, holding the eyes in his hand, motioned me forward again without speaking to where the trees grew thicker. There we stood not a dozen yards away from the grave.
We waited, I suppose, for some ten minutes, while the man, whom we saw to be Achmet, toiled on at his impious task. He was entirely naked, and his brown skin glistened with the dews of exertion in the moonlight. At times he chattered in a cold uncanny manner to himself, and once or twice he stopped for breath. Then he began scraping the earth away with his hands, and soon afterwards searched in his clothes, which were lying near, for a piece of rope, with which he stepped into the grave, and in a moment reappeared again with both ends in his hands. Then, standing astride the grave, he pulled strongly, and one end of the coffin appeared above the ground. He chipped a piece of the lid away to make sure that he had the right end, and then, setting it upright, wrenched off the top with his knife, and there faced us, leaning against the coffin lid, the small shrivelled figure of the dead Abdul, swathed like a baby in white.
I was just about to motion the spirit of Black Magic to make his appearance, when Machmout’s words came into my head: “He had with him the Black Magic which can raise the dead,” and sudden overwhelming curiosity, which froze disgust and horror into chill unfeeling things, came over me.
“Wait,” I whispered to Weston, “he will use the Black Magic.”
Again the wind dropped for a moment, and again, in the silence that came with it, I heard the chiding of the hawk overhead, this time nearer, and thought I heard more birds than one.
Achmet meantime had taken the covering from off the face, and had undone the swathing band, which at the moment after death is bound ’round the chin to close the jaw, and in Arab burial is always left there, and from where we stood I could see that the jaw dropped when the bandage was untied, as if, though the wind blew towards us with a ghastly scent of mortality on it, the muscles were not even now set, though the man had been dead sixty hours. But still a rank and burning curiosity to see what this unclean ghoul would do next stifled all other feelings in my mind. He seemed not to notice, or, at any rate, to disregard that mouth gaping awry, and moved about nimbly in the moonlight.
He took from a pocket of his clothes, which were lying near, two small black objects, which now are safely embedded in the mud at the bottom of the Nile, and rubbed them briskly together.
By degrees they grew luminous with a sickly yellow pallor of light, and from his hands went up a wavy, phosphorescent flame. One of these cubes he placed in the open mouth of the corpse, the other in his own, and, taking the dead man closely in his arms as though he would indeed dance with death, he breathed long breaths from his mouth into that dead cavern which was pressed to his. Suddenly he started back with a quick-drawn breath of wonder and perhaps of horror, and stood for a space as if irresolute, for the cube which the dead man held instead of lying loosely in the jaw was pressed tight between clenched teeth. After a moment of irresolution he stepped back quickly to his clothes again, and took up from near them the knife with which he had stripped off the coffin lid, and holding this in one hand behind his back, with the other he took out the cube from the dead man’s mouth, though with a visible exhibition of force, and spoke.
“Abdul,” he said, “I am your friend, and I swear I will give your money to Mohamed, if you will tell me where it is.”
Certain I am that the lips of the dead moved, and the eyelids fluttered for a moment like the wings of a wounded bird, but at that sight the horror so grew on me that I was physically incapable of stifling the cry that rose to my lips, and Achmet turned ’round. Next moment the complete Spirit of Black Magic glided out of the shade of the trees, and stood before him. The wretched man stood for a moment without stirring, then, turning with shaking knees to flee, he stepped back and fell into the grave he had just opened.
Weston turned on me angrily, dropping the eyes and the teeth of the Afrit.
“You spoiled it all,” he cried. “It would perhaps have been the most interesting…” and his eye lighted on the dead Abdul, who peered open-eyed from the coffin, then swayed, tottered, and fell forward, face downwards on the ground close to him. For one moment he lay there, and then.the body rolled slowly on to its back without visible cause of movement, and lay staring into the sky. The face was covered with dust, but with the dust was mingled fresh blood. A nail had caught the cloth that wound him, underneath which, as usual, were the clothes in which he had died, for the Arabs do not wash their dead, and it had torn a great rent through them all, leaving the right shoulder bare.
Weston strove to speak once, but failed. Then:
“I will go and inform the police,” he said, “if you will stop here, and see that Achmet does not get out.”
But this I altogether refused to do, and, after covering the body with the coffin to protect it from the hawks, we secured Achmet’s arms with the rope he had already used that night, and took him off to Luxor.
Next morning Mohamed came to see us.
“I thought Achmet knew where the money was,” he said exultantly.
“Where was it?”
“In a little purse tied ’round the shoulder. The dog had already begun stripping it. See”—and he brought it out of his pocket—“it is all there in those English notes, five pounds each, and there are twenty of them.”
Our conclusion was slightly different, for even Weston will allow that Achmet hoped to learn from dead lips the secret of the treasure, and then to kill the man anew and bury him. But that is pure conjecture.
The only other point of interest lies in the two black cubes which we picked up, and found to be graven with curious characters. These I put one evening into Machmout’s hand, when he was exhibiting to us his curious powers of “thought transference.” The effect was that he screamed aloud, crying out that the Black Magic had come, and though I did not feel certain about that, I thought they would be safer in mid-Nile. Weston grumbled a little, and said that he had wanted to take them to the British Museum, but that I feel sure was an afterthought.
THE MAN WHO WENT TOO FAR
The little village of St. Faith’s nestles in a hollow of wooded hill up on the north bank of the river Fawn in the county of Hampshire, huddling close ’round its gray Norman church as if for spiritual protection against the fays and fairies, the trolls and “little people,” who might be supposed still to linger in the vast empty spaces of the New Forest, and to come after dusk and do their doubtful businesses. Once outside the hamlet you may walk in any direction (so long as you avoid the high road which leads to Brockenhurst) for the length of a summer afternoon without seeing sign of human habitation, or possibly even catching sight of another human being. Shaggy wild ponies may stop their feeding for a moment as you pass, the white scuts of rabbits will vanish into their burrows, a brown viper perhaps will glide from your path into a clump of heather, and unseen birds will chuckle in the bushes, but it may easily happen that for a long day you will see nothing human. But you will not feel in the least lonely; in summer, at any rate, the sunlight will be gay with butterflies, and the air thick with all those woodland sounds which like instruments in
an orchestra combine to play the great symphony of the yearly festival of June. Winds whisper in the birches, and sigh among the firs; bees are busy with their redolent labor among the heather, a myriad birds chirp in the green temples of the forest trees, and the voice of the river prattling over stony places, bubbling into pools, chuckling and gulping ’round corners, gives you the sense that many presences and companions are near at hand.
Yet, oddly enough, though one would have thought that these benign and cheerful influences of wholesome air and spaciousness of forest were very healthful comrades for a man, in so far as nature can really influence this wonderful human genus which has in these centuries learned to defy her most violent storms in its well-established houses, to bridle her torrents and make them light its streets, to tunnel her mountains and plow her seas, the inhabitants of St. Faith’s will not willingly venture into the forest after dark. For in spite of the silence and loneliness of the hooded night it seems that a man is not sure in what company he may suddenly find himself, and though it is difficult to get from these villagers any very clear story of occult appearances, the feeling is widespread. One story indeed I have heard with some definiteness, the tale of a monstrous goat that has been seen to skip with hellish glee about the woods and shady places, and this perhaps is connected with the story which I have here attempted to piece together. It too is well-known to them; for all remember the young artist who died here not long ago, a young man, or so he struck the beholder, of great personal beauty, with something about him that made men’s faces to smile and brighten when they looked on him. His ghost they will tell you “walks” constantly by the stream and through the woods which he loved so, and in especial it haunts a certain house, the last of the village, where he lived, and its garden in which he was done to death. For my part I am inclined to think that the terror of the Forest dates chiefly from that day. So, such as the story is, I have set it forth in connected form. It is based partly on the accounts of the villagers, but mainly on that of Darcy, a friend of mine and a friend of the man with whom these events were chiefly concerned.