She was ready to dismiss him out of her life with a cursory word of pardon and a half-expressed promise of oblivion: on that understanding and that only she was ready to let her hand rest for the space of one second in his.
She had looked upon her fallen enemy, seen his discomfiture and his humiliation! Very well! Now let him pass out of her life, all the more easily, since the last vision of him would be one of such utter abjection as would even be unworthy of hate.
All these thoughts, feelings and struggles passed through her mind with great rapidity. Her hesitation had lasted less than five seconds: Chauvelin still wore the look of doubting entreaty with which he had first begged permission to take her hand in his. With an impulsive toss of the head, she had turned straight towards him, ready with the phrase with which she meant to dismiss him from her sight now and forever, when suddenly a well-known laugh broke in upon her ear, and a lazy, drawly voice said pleasantly:
"La! I vow the air is fit to poison you! Your Royal Highness, I entreat, let us turn our backs upon these gates of Inferno, where lost souls would feel more at home than doth your humble servant."
The next moment His Royal Highness the Prince of Wales had entered the tent, closely followed by Sir Percy Blakeney.
Chapter VIII: The Invitation
It was in truth a strange situation, this chance meeting between Percy Blakeney and ex-Ambassador Chauvelin.
Marguerite looked up at her husband. She saw him shrug his broad shoulders as he first caught sight of Chauvelin, and glance down in his usual lazy, good-humoured manner at the shrunken figure of the silent Frenchman. The words she meant to say never crossed her lips; she was waiting to hear what the two men would say to one another.
The instinct of the grande dame in her, the fashionable lady accustomed to the exigencies of society, just gave her sufficient presence of mind to make the requisite low curtsey before His Royal Highness. But the Prince, forgetting his accustomed gallantry, was also absorbed in the little scene before him. He, too, was looking from the sable-clad figure of Chauvelin to that of gorgeously arrayed Sir Percy. He, too, like Marguerite, was wondering what was passing behind the low, smooth forehead of that inimitable dandy, what behind the inscrutably good-humoured expression of those sleepy eyes.
Of the five persons thus present in the dark and stuffy booth, certainly Sir Percy Blakeney seemed the least perturbed. He had paused just long enough to allow Chauvelin to become fully conscious of a feeling of supreme irritation and annoyance, then he strolled up to the ex-ambassador, with hand outstretched and the most engaging of smiles.
"Ha!" he said, with his usual half-shy, half-pleasant-tempered smile, "my engaging friend from France! I hope, sir, that our demmed climate doth find you well and hearty to-day."
The cheerful voice seemed to ease the tension. Marguerite sighed a sigh of relief. After all, what was more natural than that Percy with his amazing fund of pleasant irresponsibility should thus greet the man who had once vowed to bring him to the guillotine? Chauvelin, himself, accustomed by now to the audacious coolness of his enemy, was scarcely taken by surprise. He bowed low to His Highness, who, vastly amused at Blakeney's sally, was inclined to be gracious to everyone, even though the personality of Chauvelin as a well-known leader of the regicide government was inherently distasteful to him. But the Prince saw in the wizened little figure before him an obvious butt for his friend Blakeney's impertinent shafts, and although historians have been unable to assert positively whether or no George Prince of Wales knew aught of Sir Percy's dual life, yet there is no doubt that he was always ready to enjoy a situation which brought about the discomfiture of any of the Scarlet Pimpernel's avowed enemies.
"I, too, have not met M. Chauvelin for many a long month," said His Royal Highness with an obvious show of irony. "And I mistake not, sir, you left my father's court somewhat abruptly last year."
"Nay, your Royal Highness," said Percy gaily, "my friend Monsieur... er... Chaubertin and I had serious business to discuss, which could only be dealt with in France.... Am I not right, Monsieur?"
"Quite right, Sir Percy," replied Chauvelin curtly.
"We had to discuss abominable soup in Calais, had we not?" continued Blakeney in the same tone of easy banter, "and wine that I vowed was vinegar. Monsieur... er... Chaubertin... no, no, I beg pardon... Chauvelin... Monsieur Chauvelin and I quite agreed upon that point. The only matter on which we were not quite at one was the question of snuff."
"Snuff?" laughed His Royal Highness, who seemed vastly amused.
"Yes, your Royal Highness... snuff... Monsieur Chauvelin here had—if I may be allowed to say so—so vitiated a taste in snuff that he prefers it with an admixture of pepper... Is that not so, Monsieur... er... Chaubertin?"
"Chauvelin, Sir Percy," remarked the ex-ambassador drily.
He was determined not to lose his temper and looked urbane and pleasant, whilst his impudent enemy was enjoying a joke at his expense. Marguerite the while had not taken her eyes off the keen, shrewd face. Whilst the three men talked, she seemed suddenly to have lost her sense of the reality of things. The present situation appeared to her strangely familiar, like a dream which she had dreamt oft times before.
Suddenly it became absolutely clear to her that the whole scene had been arranged and planned: the booth with its flaring placard, Demoiselle Candeille soliciting her patronage, her invitation to the young actress, Chauvelin's sudden appearance, all, all had been concocted and arranged, not here, not in England at all, but out there in Paris, in some dark gathering of blood-thirsty ruffians, who had invented a final trap for the destruction of the bold adventurer, who went by the name of the Scarlet Pimpernel.
And she also was only a puppet, enacting a part which had been written for her: she had acted just as THEY had anticipated, had spoken the very words they had meant her to say: and when she looked at Percy, he seemed supremely ignorant of it all, unconscious of this trap of the existence of which everyone here present was aware, save indeed himself. She would have fought against this weird feeling of obsession, of being a mechanical toy would up to do certain things, but this she could not do; her will appeared paralysed, her tongue even refused her service.
As in a dream she heard His Royal Highness ask for the name of the young actress who was soliciting alms for the poor of Paris.
That also had been prearranged. His Royal Highness for the moment was also a puppet, made to dance, to speak and to act as Chauvelin and his colleagues over in France had decided that he should. Quite mechanically Marguerite introduced Demoiselle Candeille to the Prince's gracious notice.
"If your Highness will permit," she said, "Mademoiselle Candeille will give us some of her charming old French songs at my rout to-morrow."
"By all means! By all means!" said the Prince. "I used to know some in my childhood days. Charming and poetic.... I know.... I know.... We shall be delighted to hear Mademoiselle sing, eh, Blakeney?" he added good-humouredly, "and for your rout to-morrow will you not also invite M. Chauvelin?"
"Nay! but that goes without saying, your Royal Highness," responded Sir Percy, with hospitable alacrity and a most approved bow directed at his arch-enemy. "We shall expect M. Chauvelin. He and I have not met for so long, and he shall be made right welcome at Blakeney Manor."
Chapter IX: Demoiselle Candeille
Her origin was of the humblest, for her mother—so it was said—had been kitchen-maid in the household of the Duc de Marny, but Desiree had received some kind of education, and though she began life as a dresser in one of the minor theatres of Paris, she became ultimately one of its most popular stars.
She was small and dark, dainty in her manner and ways, and with a graceful little figure, peculiarly supple and sinuous. Her humble origin certainly did not betray itself in her hands and feet, which were exquisite in shape and lilliputian in size.
Her hair was soft and glossy, always free from powder, and cunningly arranged so as to slightly overshadow the upper part of her face.
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The chin was small and round, the mouth extraordinarily red, the neck slender and long. But she was not pretty: so said all the women. Her skin was rather coarse in texture and darkish in colour, her eyes were narrow and slightly turned upwards at the corners; no! she was distinctly not pretty.
Yet she pleased the men! Perhaps because she was so artlessly determined to please them. The women said that Demoiselle Candeille never left a man alone until she had succeeded in captivating his fancy if only for five minutes; an internal in a dance... the time to cross a muddy road.
But for five minutes she was determined to hold any man's complete attention, and to exact his admiration. And she nearly always succeeded.
Therefore the women hated her. The men were amused. It is extremely pleasant to have one's admiration compelled, one's attention so determinedly sought after.
And Candeille could be extremely amusing, and as Madelon in Moliere's "Les Precieuses" was quite inimitable.
This, however, was in the olden days, just before Paris went quite mad, before the Reign of Terror had set in, and ci-devant Louis the King had been executed.
Candeille had taken it into her frolicsome little head that she would like to go to London. The idea was of course in the nature of an experiment. Those dull English people over the water knew so little of what good acting really meant. Tragedy? Well! passons! Their heavy, large-boned actresses might manage one or two big scenes where a commanding presence and a powerful voice would not come amiss, and where prominent teeth would pass unnoticed in the agony of a dramatic climax.
But Comedy!
Ah! ca non, par example! Demoiselle Candeille had seen several English gentlemen and ladies in those same olden days at the Tuileries, but she really could not imagine any of them enacting the piquant scenes of Moliere or Beaumarchais.
Demoiselle Candeille thought of every English-born individual as having very large teeth. Now large teeth do not lend themselves to well-spoken comedy scenes, to smiles, or to double entendre.
Her own teeth were exceptionally small and white, and very sharp, like those of a kitten.
Yes! Demoiselle Candeille thought it would be extremely interesting to go to London and to show to a nation of shopkeepers how daintily one can be amused in a theatre.
Permission to depart from Paris was easy to obtain. In fact the fair lady had never really found it difficult to obtain anything she very much wanted.
In this case she had plenty of friends in high places. Marat was still alive and a great lover of the theatre. Tallien was a personal admirer of hers, Deputy Dupont would do anything she asked.
She wanted to act in London, at a theatre called Drury Lane. She wanted to play Moliere in England in French, and had already spoken with several of her colleagues, who were ready to join her. They would give public representations in aid of the starving population of France; there were plenty of Socialistic clubs in London quite Jacobin and Revolutionary in tendency: their members would give her full support.
She would be serving her country and her countrymen and incidentally see something of the world, and amuse herself. She was bored in Paris.
Then she thought of Marguerite St. Just, once of the Maison Moliere, who had captivated an English milor of enormous wealth. Demoiselle Candeille had never been of the Maison Moliere; she had been the leading star of one of the minor—yet much-frequented—theatres of Paris, but she felt herself quite able and ready to captivate some other unattached milor, who would load her with English money and incidentally bestow an English name upon her.
So she went to London.
The experiment, however, had not proved an unmitigated success. At first she and her company did obtain a few engagements at one or two of the minor theatres, to give representations of some of the French classical comedies in the original language.
But these never quite became the fashion. The feeling against France and all her doings was far too keen in that very set, which Demoiselle Candeille had desired to captivate with her talents, to allow of the English jeunesse doree to flock and see Moliere played in French, by a French troupe, whilst Candeille's own compatriots resident in England had given her but scant support.
One section of these—the aristocrats and emigres—looked upon the actress who was a friend of all the Jacobins in Paris as nothing better than canaille. They sedulously ignored her presence in this country, and snubbed her whenever they had an opportunity.
The other section—chiefly consisting of agents and spies of the Revolutionary Government—she would gladly have ignored. They had at first made a constant demand on her purse, her talents and her time: then she grew tired of them, and felt more and more chary of being identified with a set which was in such ill-odour with that very same jeunesse doree whom Candeille had desired to please.
In her own country she was and always had been a good republican: Marat had given her her first start in life by his violent praises of her talent in his widely-circulated paper; she had been associated in Paris with the whole coterie of artists and actors: every one of them republican to a man. But in London, although one might be snubbed by the emigres and aristocrats—it did not do to be mixed up with the sans-culotte journalists and pamphleteers who haunted the Socialistic clubs of the English capital, and who were the prime organizers of all those seditious gatherings and treasonable unions that caused Mr. Pitt and his colleagues so much trouble and anxiety.
One by one, Desiree Candeille's comrades, male and female, who had accompanied her to England, returned to their own country. When war was declared, some of them were actually sent back under the provisions of the Aliens Bill.
But Desiree had stayed on.
Her old friends in Paris had managed to advise her that she would not be very welcome there just now. The sans-culotte journalists of England, the agents and spies of the Revolutionary Government, had taken their revenge of the frequent snubs inflicted upon them by the young actress, and in those days the fact of being unwelcome in France was apt to have a more lurid and more dangerous significant.
Candeille did not dare return: at any rate not for the present.
She trusted to her own powers of intrigue, and her well-known fascinations, to re-conquer the friendship of the Jacobin clique, and she once more turned her attention to the affiliated Socialistic clubs of England. But between the proverbial two stools, Demoiselle Candeille soon came to the ground. Her machinations became known in official quarters, her connection with all the seditious clubs of London was soon bruited abroad, and one evening Desiree found herself confronted with a document addressed to her: "From the Office of His Majesty's Privy Seal," wherein it was set forth that, pursuant to the statute 33 George III. cap. 5, she, Desiree Candeille, a French subject now resident in England, was required to leave this kingdom by order of His Majesty within seven days, and that in the event of the said Desiree Candeille refusing to comply with this order, she would be liable to commitment, brought to trial and sentenced to imprisonment for a month, and afterwards to removal within a limited time under pain of transportation for life.
This meant that Demoiselle Candeille had exactly seven days in which to make complete her reconciliation with her former friends who now ruled Paris and France with a relentless and perpetually bloodstained hand. No wonder that during the night which followed the receipt of this momentous document, Demoiselle Candeille suffered gravely from insomnia.
She dared not go back to France, she was ordered out of England! What was to become of her?
This was just three days before the eventful afternoon of the Richmond Gala, and twenty-four hours after ex-Ambassador Chauvelin had landed in England. Candeille and Chauvelin had since then met at the "Cercle des Jacobins Francais" in Soho Street, and now fair Desiree found herself in lodgings in Richmond, the evening of the day following the Gala, feeling that her luck had not altogether deserted her.
One conversation with Citizen Chauvelin had brought the fickle jade back to Demoiselle Candeilles' servic
e. Nay, more, the young actress saw before her visions of intrigue, of dramatic situations, of pleasant little bits of revenge;—all of which was meat and drink and air to breathe for Mademoiselle Desiree.
She was to sing in one of the most fashionable salons in England: that was very pleasant. The Prince of Wales would hear and see her! that opened out a vista of delightful possibilities! And all she had to do was to act a part dictated to her by Citizen Chauvelin, to behave as he directed, to move in the way he wished! Well! that was easy enough, since the part which she would have to play was one peculiarly suited to her talents.
She looked at herself critically in the glass. Her maid Fanchon—a little French waif picked up in the slums of Soho—helped to readjust a stray curl which had rebelled against the comb.
"Now for the necklace, Mademoiselle," said Fanchon with suppressed excitement.
It had just arrived by messenger: a large morocco case, which now lay open on the dressing table, displaying its dazzling contents.
Candeille scarcely dared to touch it, and yet it was for her. Citizen Chauvelin had sent a note with it.
"Citizeness Candeille will please accept this gift from the government of France in acknowledgment of useful services past and to come."
The note was signed with Robespierre's own name, followed by that of Citizen Chauvelin. The morocco case contained a necklace of diamonds worth the ransom of a king.
"For useful services past and to come!" and there were promises of still further rewards, a complete pardon for all defalcations, a place within the charmed circle of the Comedie Francaise, a grand pageant and apotheosis with Citizeness Candeille impersonating the Goddess of Reason, in the midst of a grand national fete, and the acclamations of excited Paris: and all in exchange for the enactment of a part—simple and easy—outlined for her by Chauvelin!...