‘As our interpretation of the Task dictates, our aim is to give life to all those who lived on Earth before the rise of Fedorovism. It requires a detailed study of matter and historical records, as well as mind archeology.’
‘I don’t care about your interpretation of the Task. I require access to the ancestor virs. Full access.’
‘Surely, you understand that I need to follow the Plan to get you anything of the sort. Otherwise, where would we be?’
‘Your . . . rigour is admirable. But not wise.’ I give her a sumanguru smile, a tiger grin.
‘What do you mean?’
‘Scholarship can distract you from important events. Pellegrinis and vasilevs. There are serious tensions. Serious enough for us to take notice.’
She places her own spoon on her plate with a nervous clink. She is probably searching her Library for moments of greater self-confidence.
‘There were also some . . . irregularities with the Experiment I am looking into.’
‘That was centuries ago in our frame,’ she protests.
‘Crimes against the Task do not get old.’
‘I understand,’ she says. ‘Perhaps a limited period of access could be arranged.’
‘Good.’ I try the gâteau. It is excellent, but I force myself to make a face. ‘It would be a shame to feed such a wonderful creation to the Dragons.’
The ancestor vir of the Gourd, where the hsien-kus of Sobornost make history. It is a giant puzzle, fragments of the past glued together with simulation. The hsien-kus observe and measure, search the memories of gogols bought from the soul merchants of Sirr, or stolen from the Oubliette – and run ensembles of simulations to find histories that match the observations. Averages over possible event sequences instantiated, culled and tweaked until they conform with what the hsien-kus think history should be.
The interface is overwhelming at first. I am a bodiless ghost in a four-dimensional world. A god-view and a new sense that allows me to step backwards and forwards in time. I hate the incorporeal aspect of it – I need to touch things – but there is no embodiment here, just the chill of watching processes unfold in gogol brains. The hsien-kus cheat as much as they can: in spite of my accusations, not everything is simulated down to the molecular or even cellular level to allow true physics-equivalence.
What do the gogols here think of their existence? Whole worlds spawned and wiped away and rewritten, just to fit a newly discovered fact of history. Only those who really existed have the right to live. The others are just sketches, erased when they are no longer needed. Poor bastards.
To avoid attention, I go all the way back to an obscure corner of seventh-century Britain – a muddy field shrouded in rain – before I let Joséphine out. She hacks the physics engine with the practised ease of a Founder and makes herself a face out of the raindrops.
‘Well, Jean,’ she says. ‘Now you know the plan. I would have given it back to you eventually. But a part of me likes it when you make me mad. The question is, do you have the balls to go through with it this time?’
‘You never did give me the why of the plan. Why does Chen want an ancient gogol of himself so badly?’
She smiles. ‘Don’t we all want to be children again?’
‘I have no problem being a grown-up. Tell me.’
The rain woman laughs. ‘You’ll need a few more centuries before you are a grown-up.’
Then she tells me what she saw in Matjek Chen’s vir, on a beach.
‘So. Innocence,’ I say when she is finished.
‘That’s what you have to steal, and not the way you usually do it,’ she says.
I swallow. A part of me is rationalising already: it’s Matjek Chen, the great monster lord of the System, there is nothing I can do that he has not already done a thousand times.
And I want to be free.
‘Are we talking,’ I say, ‘or are we stealing?’
She gives me a wet kiss on the cheek. Then she vanishes into the rain like the Cheshire Cat, off to make mischief for the hsien-kus, to take over the systems of the Gourd.
I look at my reflection in the puddle at my feet. It gazes back at me, and there is an accusation in its eyes. Abyss. Monsters. That sort of thing.
But I am a better thief than a philosopher, and it is too late for that anyway. I need to find Matjek Chen, and I need to start somewhere. And the only thing I remember is the fire-eater in Paris.
Chen has come to the banks of the Seine to watch the fire-eater, and Jean le Flambeur has come to watch him.
It is evening, a sharp tinge of autumn in the air, Notre Dame looming on the other side of the river like a great stone spider, dwarfed by the silver spires of the Cité Nouvelle in the sky. The fire-eater is an old, bare-chested Brazilian man whose muscles look like bundles of ropes. Firelight from a dozen torches spinning in a metal wheel plays on his deep brown skin. He picks one, bends his neck, and slowly thrusts the torch between his lips. A great gout of flame like the backlash of a blast furnace rushes out, and the fire-eater’s cheeks and throat glow like a jack-o-lantern.
Chen stares, mesmerised, as the old man licks the air with scintillant tongues of red and orange. Intense eyes, prematurely grey hair tousled by the wind. The father of Fedorovism as a young man.
The young Jean stands on the other side of the crowd, watching him. He is here on behalf of Joséphine Pellegrini. I step into his head. He is a blank gogol, just part of the crowd, but as I follow his movements, the memories come back.
When the fire-eater finishes, I go to him.
‘Do you like the circus, Monsieur Chen?’ I ask.
He looks at me sharply. ‘Fire-eaters more than clowns,’ he says.
I take a slight bow. ‘I like to think of myself as more of a magician. But perhaps I can make you laugh.’
He smiles a cold smile. ‘I doubt it.’
‘I represent someone who has taken an interest in your . . . activities. A wealthy someone. They have a proposition for you.’
‘That’s not funny.’ He turns to leave.
‘I know it was you behind what happened in the Iridescent Gateway of Heaven,’ I say. ‘That wasn’t funny either.’
He gives me a look that is so cold that even across the centuries I feel my guts turning into ice. I wave a hand hastily.
‘Don’t worry, I have no intention of turning you in. That would be professional discourtesy. Hear me out. At least let me buy you a drink.’
‘I don’t drink,’ he says.
‘Then you can watch me drink. I know just the place.’
I take him to a bar called Caveau, next to Palais Royal, a few steps off a narrow street of empty windows. We take a few steps down the stairs into the basement bar, order a mojito from the shaven-headed barman from San Francisco. Chen watches me. His stare is intense, and I note with some respect how he is trying to get through the web of agents I have spun around him.
‘My employer is curious,’ I say. ‘Why are you doing this?’
He smiles faintly.
‘It’s simply that I don’t like the way the world is. Is that so hard to believe?’
‘I understand you didn’t like the Heaven either.’
The Fedorovists rescued minds from black box software camps, coordinated attacks by fabbed drones, remotely piloted by activists around the world. Too bad the liberated minds took over the infrastructure of Shenzen and crashed it. Living computer viruses, crazy from pain, able to break into any automated control system and make copies of themselves.
‘The Heaven was just a start,’ he says.
‘Fedorov saw this coming. The next revolution will be against death. I don’t like death. I thought that we would agree on that at least, Monsieur le Flambeur.’
I raise my eyebrows. Obviously, he is better informed than I thought. But then, having countless liberated slaves on his side gives him certain advantages.
‘I’m having enough trouble avoiding the police, let alone death. I’m not interested in ideology. What I
do is just a game.’
‘It is not a game to me.’
What is it? What changed him? What made him who he is? The pearls of Martha Wayne. Uncle Ben. Whatever it is, I’m not going to find it here.
I wish I could see into his equipment, the primitive upload cap he wears, synchronising versions of himself into the cloud. But that data is forever lost in the Collapse. Come on, young Jean, you can do better than that.
‘My employer can see that. So she is offering to help you. Equipment. Money. Whatever you need, it’s yours.’
‘And what is their price?’
I smile. ‘Immortality, of course.’
I leave my past self and the chen drinking and contemplating the world that is coming. Unfortunately, this is going nowhere. There must be something else that I found before, something that convinced me there was a lost gogol of Matjek Chen on Earth. I instantiate a blank gogol in the vir and ask the barman to mix me a screwdriver. The embodiment and the alcohol feel good, but do not provide any answers.
A touch on my sleeve. A wooden mask looks at me, painted with faded colours, a grinning monster. It is made less threatening by the fact that the person who wears it is a little girl, in a dirty dress covered in soot stains, barefoot.
I blink.
‘What—’
She lifts a finger to her wooden mouth.
‘Ssh,’ she says.
I flip out of the temporary gogol to the 4D view. She is still there, a presence that does not belong. In four dimensions, she is an infinite chain of mirror images, a serpent. She motions me to follow.
‘I will help you,’ she says, ‘if you tell me a story.’
‘Who are you?’
‘A sister. A mother. A goddess. A princess. A queen. Tell me a story and I will take you to what you seek.’
‘What kind of story?’
‘A true story.’
On Mars, I left myself a memory trail, something triggered by my presence. Perhaps this is something similar. In that case, it’s best to play along.
Her ember eyes gleam behind the mask, full of curiosity.
‘It’s quite a long story,’ I say, ‘but I guess we have time.’
I order another drink and begin.
‘As always, before the warmind and I shoot each other, I try to make small talk.’
‘Thank you,’ she says when it’s over. Her voice is barely a whisper, wind blowing in a chimney. Then the world changes, and I am alone with three ghosts.
A dark-skinned man in a neat beard and a suit sits behind a table, looking at a young couple. A handsome young man with thick blond hair in jeans and a T-shirt, a tiny Asian woman who can’t stay still. She keeps touching the man’s forearm.
The man behind the desk smiles at them. Don Luis Perenna, Jannah Corporation, sales representative, director. A serial entrepreneur who has come up with yet another business model for the hyper-rich. I suppose I did the same thing, until I met Joséphine.
He gives them an understanding look.
‘I have children myself,’ he says. ‘A boy and a girl. They are already in the program. I can’t tell you what comfort it gives me, every night. The old nightmare of a parent. They say that after you have a child, every night is full of fear. We want to help you to carry that fear, to take away the fangs of death.’
‘I’m still not sure about this,’ says the man, Bojan Chen, Matjek Chen’s father. ‘There are just so many philosophical issues—’
‘Of course, I understand,’ says Perenna. ‘There is philosophy – loving wisdom – and then there is love. We at Jannah are more interested in the latter.’
‘We talked about this already,’ the woman says, firmly. Her grip on Bojan’s forearm tightens. The sensors in the office are good enough that I can watch the decision-making processes unfold in their brains. Perenna has them hooked.
‘All right,’ the young man says. ‘Let’s see it.’
The screens show structures that look like underground bunkers. ‘Powered by geothermal energy and fusion. With a unique backup feature. Secret location.’ Damn it. I’m going to go through Jannah’s records in more detail.
‘We can guarantee absolute security. It will survive even an asteroid impact. The clockspeed within will be slow by default, with periodic synchronisation—’
I was right. There is a secret gogol of Matjek Chen, buried somewhere on Earth. That’s going to be the key to the operation. That, and the body thieves. I craft a coded message to Mieli and send it out, into the Sobornost thoughtwisp network.
The vir freezes.
‘What an interesting discovery,’ Hsien-ku Quintic Equations says. ‘Extraordinary! Quite a scholarly achievement for somebody from your copyclan.’
‘What do you want?’ I say in Sumanguru’s growl.
‘I was merely making sure that you found whatever it was that you were looking for. I couldn’t imagine anything like this. How did you come across it? A new fragment of the lives of the Chens.’
‘I would not advise you to interfere,’ I say. The bitch set me up.
She nods politely.
‘Of course not. However, I would ask you for a favour.’
I get it: it’s going to be a blat game. The problem with central planning is that you always end up getting out of sync with it, and there are alternative ways to get things done. I should have known. The hsien-kus are sufficiently far from the deep guberniya time that they play fast and loose with the Plan.
‘There is a small matter requiring attention in the flesh-realm of Sirr, and your assistance would be much appreciated . . .’
19
TAWADDUD IN THE PALACE OF STORIES
I’m climbing down the Gomelez Shard of Sirr like a spider, with the wildcode desert behind my back. The desert looks like a city at night, full of faintly glowing lines and patterns that the eye gets lost in. So I keep focused on Tawaddud Gomelez who climbs a few metres above me, sleek body clad in black Sealed fabric, deftly finding one handhold after another. You learn a few things growing up in a vertical city, I suppose.
I appreciate the view. That is about the only good thing about this part of the job. As heights go, it doesn’t get much worse than this. The Shard on the desert side is a sheer, smooth surface: only the occasional crack in the old dead smartmatter provides any purchase whatsoever. I cling to it tenuously with the tiny spikes from my palms and the soles of my bare feet, hugging it like a lover, trying to ignore the hundreds of metres of empty space below us.
On paper, as plans go, it’s not bad: avoiding Cassar Gomelez’s Repentant guards by climbing down the outside of the Wall, where the jinni don’t like to go, wearing mutalibun gear to shield us from the wildcode wind. In reality, it’s harder. In spite of the heavy fabric, there are already little sparks in my field of vision that indicate wildcode working its way into my brain.
‘We should have stolen a bloody magic carpet,’ I mutter for the fourth time. But Tawaddud would not hear of it: that would have given us away immediately.
Instead, she dug up a concoction from the spiderwoman of Banu Sasan that she made me drink, a bitter and sticky greenish fluid: still, whatever nanites it introduced into my Sobornost-compiled body worked. I don’t really get Sirr technology, if you can call it that: creating geometric shapes and words that create mind-states that activate ancient hidden commands in the athar – their name for spimescape – reverse-engineering the brain-computer interface of old nanotech. And then there are the Secret Names that seem to go even deeper, and have something to do with the wildcode.
What the hell are you doing, Jean?
Perhonen’s voice in my head almost makes me lose my grip. For a moment, I swing one-handed over the abyss. The rope that attaches me to Tawaddud goes taut. She looks down, but I gesture to assure her it’s okay.
‘Keep it down, damn it,’ I tell the ship. ‘Where have you been?’
It took a while for the pellegrini to get me access to the Gourd comms systems.
‘So she has bee
n busy. What about Mieli?’
She has her mercenary identity firmly in place.
‘Good. We are not the only ones after the jannah, but the plan has worked so far. I have a feeling that somebody is going to be hiring a lot of mercenaries soon. If she can join up with the right crowd, we’ll be in a position to move.’
And the . . . other thing?
‘That’s why I’m pretending to be a spider at the moment.’
You know I don’t like this, Jean. And now you are making the poor girl promises you can’t keep.
‘I always keep my promises, you know that—’
Don’t go there.
‘Now is not the time to start getting cold feet. We had a deal, remember?’
As long as you keep your end of the bargain. By the way, the pellegrini says that there is quite a lot of unusual activity in the Gourd, too. The hsien-kus are up to something. And it’s hard to do this kind of thing discreetly. I may have to—
Suddenly, the voice of the ship is gone. I swear under my breath. But we have come too far to turn back now. I gesture again at Tawaddud. Another two hundred metres down. My body feels battered and aching. It’s like having a cold. When I instantiated it from the Gourd systems, I was not able to include any of the serious enhancements from the Sobornost body the pellegrini gave me – it’s still in stasis aboard Perhonen. And wildcode is making a serious mess of my innards. I’m hoping I can survive as long as it takes to get the job done.
And then I need my escape route to work, too.
Tawaddud yanks on the rope. Below us is what looks like a viewing gallery, unlit.
Just as I cut through its Sealed glass, my q-tool sputters and dies, changing shape. I swear and eject it with a yelp. It vanishes into the darkness below, twisting and sputtering like a firecracker as it goes.
‘Try this,’ Tawaddud says and hands me an old-fashioned tool: a diamond attached to a metal compass.
Diamonds are worthless in Sirr: children go and gather them from where the Sobornost ships fell during the Cry of Wrath. There is some pleasure in using what must have run a thousand Sobornost gogols as a sharp instrument for breaking and entering. After a few moments of work, I remove a circular disc of glass carefully, and we slip in.